View allAll Photos Tagged groupshow
Aerosol Spray Stencil on Cut Wood
I purchased this Stikman piece last year at a H.O.W. Journal silent auction to benefit their mission of helping orphans worldwide. Could not wait to get this amazing piece up on the wall. You can see his solo show at Pandemic Gallery now thru April 6. Super Size Me!
Group show"Rose Rose Rose"
Gallery Yasutake / Hachioji, Tokyo
2014.05.22-06.03
グループ展「薔薇・ばら・バラ」
ギャラリー ヤスタケ / 八王子
2014.05.22-06.03
Maxwell Colette Gallery presents 'Text, Drugs and Rock & Roll'
Curated by Billy Craven
Show Date: Dec 2nd, 2011 [thru Jan 7th, 2012]
Maxwell Colette Gallery
908 N Ashland Ave [near Division]
Chicago, ILL
312.929.7855
Maxwell Colette Gallery presents 'Text, Drugs and Rock & Roll'
Curated by Billy Craven
Show Date: Dec 2nd, 2011 [thru Jan 7th, 2012]
Maxwell Colette Gallery
908 N Ashland Ave [near Division]
Chicago, ILL
312.929.7855
David Walker, live painting for the Group Show “In/Human“, Bateman's Row, London EC2A, Novembre 2010
Before I Die I Want To...is collaborative Project by KS Rives and Nicole Kenney. It was inspired by a combination of factors: (1) the "death" of the Polaroid, (2) a passion to inspire people to think about and act upon what is truly important in their lives through this simple question and (3) a psychologist's tool called "safety contracts". KS and Nicole take portraits of individuals saying what they want to do before they die, getting them in the act of stating their desire. The subjects then write this desire in their own handwriting on the Polaroid. Visit beforeidieiwantto.org for more on this Polaroid series.
Over the last few days I've been putting the finishing touches to my piece for a group exhibition of alternative invites to the forthcoming royal wedding. It should be a great event with some great exhibitors such as Jesse Auerosalo, Melvin Galapon, Craig Ward, Village Green and Si Scott among others. The organisers assure us that there'll be "25 individual pieces, a wedding cake, an organ duo and brilliant bespoke bunting." Artwork will also be silent auctioned off for charities chosen by the respective artists.
R.S.V.P.H.R.H
Opening - 6:30pm April 7th 2011.
The Rag Factory
16 Heneage Street (Off Brick Lane)
London
E1 5JL
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'Waxing & Waning' a group show curated by Thomas Billings & Glen Wexler.
Runs thru Jan 7th
Featuring the works of: Christine Huck, Glenn Wexler, Thomas Billings, Sam Rosby, Tim Anderson, Thomas Masters, Paul Weston, Paul Sierra, Paul Elledge, Jenny Hellman, Kumiko Murakami, Robert Billings, Martin Garcia, Eric Wulkowicz, Andres Garcia-Pena, Ken Ellis & Jared Metzner
Waxing & Waning
in the Ashland Office Building [2nd floor]
755 N Ashland Ave [Chicago Ave]
Chicago, ILL
347.458.7171
February 4, 2017 to February 25, 2017
Please join us Saturday for our opening reception. Our current exhibition Seeing Red is open to interpretation. Seeing Red is not just an expression. Red is the color of love, a fine wine, the planet Mars, rust, cherries, blood, sex, power, heat, and anger. Imagine a room filled with red.
RECEPTION
Saturday, February 4, 6:30 - 9:30 pm
EXHIBITION
Open Fridays from 1:30 - 4:30 pm or by appointment.
Each work is a 6 x 6 inch square and available for purchase.
ARTISTS
Alice Austin
Kristen Balmer
Sarah Bloom
Agustin Bolanos
Keith Breitfeller
Don Brewer
Kevin Broad
Brian Dennis
Tullio Francesco Desantis
Carol Eddy
Julia Fox
Phyllis Gorsen
Vikki Hall-Webster
Tom Hlas
Martha Knox
Pam Lethbridge
Penny Tsaltas Lisk
Yunia Lores
Laura Marconi
Lesley Mitchell
Dolores Poacelli
Donna Quinn
Maryann Riker
Katy Matich Ro
Valerie Scarfone
Barbara Schaff
Jimmi Shrode
Michael R. Sikorski
Stella Untalan
Eduardo Verdecia
Josephine G. Viviani
Framk Wermuth
Bonnie Wolf
森の水辺展
2018年 6月28日（木）～7月8日（日）
12:00-19:00 (金・土 20：00） 最終日17：00
会期中休廊/7月2日(月）・3日(火）
初夏の深い森を散策中に突然現れた水辺。湖なのか内海なのか、清涼感のある風景に現れる植物や動物たち。
多彩な素材と表現で、ひとつの風景をつなげ共有する企画展です。ご期待下さい。
ガラス： 加倉井 秀昭
彫 金： 騎西屋/関口真由美
陶 ： 菊田 浩子
絵 画： 中村 眞弥子
Group show "Forests on the Water's Edge" at Gallery Sanshitsu, Nishiogikubo, Tokyo
2018.06.28-07.08
Kyotoashitato sonomukou
→ Today, Tomorrow and the Day After
きょうとあしたとそのむこう (1) (2016) キャンバスに油彩、木炭 1350x900x45mm
Group show. Valdeska
Valencia, Spain. 2015
Alex Marco, Enrico Della Torre, Manu Blazquez, José Luis Cremades, Luce, Nico Munuera, Antonio González
Will be displayed for sale at:-
"Sumi-da!" Ink Painting Show
Gallery Abientot / Asakusa, Tokyo
2015.01.08-18
墨だ！展
ギャラリーアビアント / 浅草2015.01.08-18
『ヨッちゃんビエンナーレ2017』
株式会社 織絵・オリエアートギャラリー
2017.03.22-31
La Biennale di Yocchan 2017
Collage/Cubism
ORIE Art Gallery
2017.03.22-31
Oka → The Hillock
丘 (2012) キャンバスにアクリル絵具、木炭 230x230x30mm
Will be displayed at:
Group show "The Black Labyrinth"
Gallery Echo-ann
2012.09.10-09.17
黒のラビリンス
ギャラリー枝香庵
2012.09.10-09.17
My installation, it really ties the room together, in a group art show i curated. The work all relates to fire extinguishers.
My act of patriotism. Acting on the freedom the speech.
Intention is to get the message across, as boldly, quickly and powerfully as possible, provoking you to think.
Simple tactics.
Here's the installation for Wooster Collective's 10 year anniversary show...those ads were delicious!
song by MF Doom
Summer Festa 2015
Gallery Echo-ann / Ginza, Tokyo
2015.08.03-10
サマーフェスタ2015
ギャラリー枝香庵 / 銀座
2015.08.03-10
つなぐ
Posted @withregram • @jimoto_hachioji 企画展「つなぐ」
高尾駒木野庭園＋JIMOTO
@takao_komagino_teien_official
@jimoto_hachioji
会場：八王子市裏高尾町268-1
2024/11/2 (土) 〜10 (日)
開催時間 9:30〜15:30
JIMOTOのコンセプトである「人の縁がつながってゆく」を高尾駒木野庭園に落とし込むことで、何が起きるのか。作り手、作品、人の思いをどのように変化させ、新たなつながりを作ってゆくのか。ここだから出来ること、ここでなければ出来ないこと、そんなことを見つけるきっかけになる企画にしたいと考えています。参加作家による作品展示と販売、小冊子JIMOTOで取上げた店舗の商品の販売、飲食の提供、ワークショップを企画しています。
作家
中村眞弥子（美術作家） @nakamuramayako
atelierハナイカダ（植栽） @hanaikada103
上島かな子（陶芸家） @cancamsim
笠井 英（和紙作家) @eikasai
JIMOTO
ironie ・布類計画室 （テキスタイル） @okudaprint
mizuao (kasanegi・ニットインナー) @kasanegi_days
岡田屋 (物販・お香作りワークショップ) @okadaya_butsuguten
宝蓮華(中国茶) @hourenka2022
LAMP COFFEE (コーヒー豆・出張コーヒー週末・祝日) @lamp_coffee_
網代園(日本茶) @ajiroen
もぐもぐファーム (加工食品) @mogumogufarm
うめ八 (梅干し) @umeboshiya
manna (焼き菓子) @manna925
Direction 望月成一(モデスト) @modeste.hachioji
主催：高尾駒木野庭園指定管理者駒木野庭園アーツ(042-663-3611)
Hachioji Arts Journey企画
提携：（公財）八王子市学園都市文化ふれあい財団
後援：八王子市
HGJ Charity Show
Jacoman / Hachioji, Tokyo
2010.12.09-21
HGJ アートピア 展 （チャリティー展）
2010年12月09日(木)〜21日(火)
11:00-19:00（水曜休廊・初日は13時より・最終日は17時まで）
ギャラリー JACOMAN
東京都八王子市新町1-2三愛ビル1F
Tel/Fax:042-673-2373
HGJ Charity Show
Jacoman / Hachioji, Tokyo
2010.12.09-21
HGJ アートピア 展 （チャリティー展）
2010年12月09日(木)〜21日(火)
11:00-19:00（水曜休廊・初日は13時より・最終日は17時まで）
ギャラリー JACOMAN
東京都八王子市新町1-2三愛ビル1F
Tel/Fax:042-673-2373
from left to the right: photography by birgit wudtke (outside) drawing by akane kimbara, stairs from anneli schütz, photography by birgit wudtke, painting by moki, half: drawing by akane kimbara (inside) drawing and installation parts by lily wittenburg (outside)
Work shown by Axel Stevens
Group show “Hulstaert” - Vierkante Zaal Paul Snoekstraat 3 9100 Sint-Niklaas Belgium 22 october - 27 november 2016
“Aesthetically, one might describe this condition as opacity in broad daylight: you could see anything, but what exactly and why is quite unclear. There are a lot of brightly lit glossy surfaces, yet they don’t reveal anything but themselves as surface. Whatever there is — it’s all there to see but in the form of an incomprehensible, Kafkaesque glossiness, written in extraterrestrial code, perhaps subject to secret legislation. It certainly expresses something: a format, a protocol or executive order, but effectively obfuscates its meaning. This is a far cry from a situation in which something—an image, a person, a notion — stood in for another and presumably acted in its interest. Today it stands in, but its relation to whatever it stands in for is cryptic, shiny, unstable; the link flickers on and off. Art could relish in this shiny instability — it does already.”
Hito Steyerl - Politics of Post-Representation Dismagazine
No Bees, No Blueberries, curated by Sarina Basta and Tyler Coburn, at Harris Lieberman Gallery, New York, through July 30, 2009
Text from Scott Sikkema:
Model: A Collaborative Art and Education Installation
Model, will embody how models are a critical part of developing and actualizing their collaboration pedagogically and artistically.
Margy Stover is a teaching artist for the Frank Lloyd Wright Trust and Chicago Arts Partnerships in Education (CAPE). Phil Cotton is the Arts and Design teacher at Daniel Hale Williams Preparatory School of Medicine, part of Chicago Public Schools. Cotton and Stover have collaborated with high school students at Williams Prep since 2009; prior to that, they collaborated at School of the Arts at South Shore High School, and National Teachers Academy.
From the beginning of their partnership, they have taught students the connection between design, purpose, and student ownership and empowerment. For Phil and Margy, teaching/art making has moral implications in the questioning, thinking and doing that happen in the classroom. The issues voiced by students around which their design-centered curriculum revolves are powerfully localized within the students’ lives. The responses designed by the students are solutions useable in their here-and-now situation, with accompanying lifelong applications wherever they may go in the future.
Phil and Margy begin with conversation, then converse though models. Their conversation can start around a variety of topics: previous curriculums and collaborations; readings; an architect or designer; a particular building, whether contemporary or historical. Initial conversation turns to model making, whether from paper or foam core, or other materials. The models make a dialogue; from model to model, an articulation of mutual idea and question becomes forged.
Phil and Margy bring this same notion of models as dialogue to the students. In working with each other, and Phil and Margy, the students experience the models as embodying their conceptual struggles and discoveries, and they understand the models as a physical manifestation of what they as students believe and propose.
The students also see how models personify the collaboration between Phil and Margy. Their models in turn encompass their partnership as students in the classroom. As they work together, they develop adaptability and flexibility, especially in relation to failure, from which they learn and grow. Models, after all, never turn out as planned. If students embrace that, as Phil and Margy teach, they can build their own self-capacity to transfer their design-based learning to other areas of their environment and their lives.
For The Practice Sessions exhibit, the collaborative, pedagogical, and aesthetic concept of the model will be illustrated through: documentation of Phil and Margy’s initial models for different curriculums and collaborations; excerpts from Phil and Margy’s initial written plans, including their inquiry questions around model making; sketches, photographs, and physical examples of models made by students in various stages, from different projects; and quotes from conversations with Phil and Margy, on their collaboration and their beliefs.
These artifacts and texts will be framed and contained within an overall, physical model symbolizing their collaboration. Phil and Margy will create this new model specifically for The Practice Sessions exhibit.
Finally, viewers will have two ways to further engage with the installation. One will be a tabletop display on “creating your ideal art space/art room.” This table will include an example model of the ideal art teaching room created by Phil and Margy for a past teacher workshop, and materials for visitors to experiment with creating their own ideal art educational space. A second way to engage the installation will be a take-away guide, available during public hours.
Here's a sneak peak of the epic group show featuring artists from all over the freakin' globe.
*above is a sampling from Chicago's Bill Connors.
I highly recommend visiting Bill's Tumblr at: billconnors.tumblr.com/
Group show ”Inspired by Haruki Murakami” at Gallery Echo-ann Ginza, Tokyo 2017.07.21-28
グループ展 高橋千裕 御子柴大三 山本冬彦の推薦作家による
”わたしの中の村上春樹” ギャラリー枝香庵 銀座 東京
2017.07.21-28