View allAll Photos Tagged groupportraits
Cabinet card. Plain back.
Studio of Gustav Wetzel, Dresden, Pragerstr. 7 & Seebad Ahlbeck.
Bought from an eBay seller in Winsen, Germany.
en.wikipedia.org/wiki/Ahlbeck_(Usedom)
Explored on 3 February, 2017 (#226)
... per la mia cara Miri, un tesoro d'amica e una grande fotografa!!!
... discover Miri: www.flickr.com/photos/miririva/
... salud, buenas luces y muchas gracias!!! ... xo♥ox ...
... health, good lights and thanks a lot!!! ........ xo♥ox ...
... Music: "El Manisero" (Moisés Simons) great version by Manu Dibango, Elíades Ochoa & El Cuarteto Patria ... enjoy with "The peanut vendor"!!!
www.youtube.com/watch?v=RAsk-FW1vsQ
... mejor si pulsas "L" / ... better is you press "L"
Addison Scurlock, photographer.
Source: Scurlock Studio Records, Archives Center, National Museum of American History, Smithsonian Institution
For more on the African American experience visit Discover Black Heritage.
DAP Monet palette dry more wet color match Renoir PinkPaper
50-е годы XX века. Кто-то в нашем дворе купил мотоцикл с коляской. Ребята взобрались на него, чтобы сделать это историческое фото, которое я обработала, используя в DAP палитру Ренуара, чтобы чёрно-белое фото превратить в солнечное, как наше детство.
Самая маленькая - это я, но стою выше всех :) /
Années 50 du XXe siècle. Quelqu'un dans notre cour a acheté une moto avec un side-car. Les enfants sont montés dessus pour prendre cette photo historique, que j'ai traitée à l'aide de la palette DAP de Renoir pour transformer la photo en noir et blanc en une photo ensoleillée, comme notre enfance.
Le plus petit c'est moi, mais je me tiens au dessus de tout :) /
50s of XX century. Someone in our yard bought a motorcycle with a sidecar. The kids climbed on it to take this historical photo, which I processed using Renoir's DAP palette to turn the black and white photo into a sunny one, like our childhood.
The smallest is me, but I stand above all :)
i've been thinking a lot about friendships lately. there are two people in my current sphere who i really like, and feel the possibility of actual friendships with. but ...
one musing has been on how it seems that when young i had a handful or two of very close connections; like family, as sisters and brothers.
so deep, so important, i honestly thought they would last forever. i was stunned that most of them ended, and mostly painfully so. i still feel confused, disappointed, guilty, grieved.
once full open like a flower in summer bloom, i am now only budded, cautious, wary about what seems like affinities.
at 62 i have more than a few friendly acquaintances. but we hardly ever spend time together. we don't talk frequently, for hours, about so many things. we don't have spontaneous, far-flung adventures. and ... the *feeling* just isn't there.
don't get me wrong, i know i am lucky to yet have two long-term bonds in my life that i consider to be of that caliber-of-old.
and i understand that as we go through the middle decades our lives shift and settle more into routines and responsibilities that require so much of our time and attention. we also simply don't have many of the needs, wants, energies, abilities we once had! we get older!
but i sometimes awfully miss that connection, that kinship, those talks and times together ...
(photo: my mum, an auntie, and neighborhood crew circa 1950.)
Persuaded the remaining clones to pose for another one. It took a while to get the creosote off them afterwards.
We're Here: The Group Portrait - people
This pile of telegraph poles was burnt by arsonists.
Yue Minjun (Chinese: 岳敏君) is a contemporary Chinese artist based in Beijing, China. He is best known for oil paintings depicting himself in various settings, frozen in laughter. He has also reproduced this signature image in sculpture, watercolour and prints. While Yue is often classified as part of the Chinese "Cynical Realist" movement in art developed in China since 1989, Yue himself rejects this label, while at the same time "doesn't concern himself about what people call him."[1]
Yue Minjun in the town of Daqing in Heilongjiang, China. Yue's family had been working on oil fields. When he was ten, his family moved to Beijing. He eventually moved to Hebei to find education and work, there he studied oil painting, he graduated from the Hebei Normal University in 1983. In the 1980s, he started painting portraits of his co-workers and the sea while he was engaged in deep-sea oil drilling. In 1989, he was inspired by a painting by Geng Jianyi at an art show in Beijing, which depicted Geng's own laughing face.[2] In 1990, he moved to Beijing, which was also home to other Chinese artists. During this period, his style of art developed out of portraits of his bohemian friends. Yue had been living a "nomadic" existence for much of his life, because his family often moved in order to find work on various oilfields.[3]
Over the years, Yue Minjun's style has rapidly developed. Yue often challenges social and cultural conventions by depicting objects and even political issues in a radical and abstract manner. He has also shifted his focus from the technical aspects to the "whole concept of creation". His self-portraits have been described by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China.”[5] Art critics have often associated Yue with the Cynical Realism art movement in contemporary Chinese art.
Yue is currently residing with fifty other Chinese artists in the Songzhuang Village. His piece Execution became the most expensive work ever by a Chinese contemporary artist, when sold in 2007 for £2.9 million pounds (US $5.9 million) at London's Sotheby's.[7] The record sale took place week after his painting Massacre of Chios sold at the Hong Kong Sotheby's for nearly $4.1 million.[9] 'Massacre of Chios' shares its name with a painting of the same name, by Eugène Delacroix. As of 2007 thirteen of his paintings had sold for over a million dollars. One of his most popurar series was his "Hat" collection. This series, pictures Yue's grinning head wearing a variety of hats. The artist tells us that the series is about a "sense of the absurdity of the ideas that govern the sociopolitical protocol surrounding hats." The series nicely illustrates the way that Yue's character is universally adaptable, a sort of logo that can be attached to any setting to add value.
In 1999 Yue began fabricating bronze sculptural versions of his signature self-portrait paintings, playing off China's famous Qin Dynasty army of terracotta warriors. While the ancient sculptures are known for the subtle individuality of each of the warriors, his cackling modern-day version are relentlessly identical, cast from the same mold. During the "Year of China" in France in 2003/2004, he participated to the exhibition "China, the body everywhere?" including 39 Chinese contemporary artists at the Museum of Contemporary Art of Marseille.[10]
Southern Province/Sri Lanka
Copyright © 2018 by inigolai/Photography.
No part of this picture may be reproduced or transmitted in any form or by any means , on websites, blogs, without prior permission.
Unfortunately cropped, but imho still interesting.
Seems there is no significant difference in alcohol consumption ;-)
Germany, unidentified photographer.
This shot provides an honest comparison of who’s the big kiddo on the block. You can easily see that it’s not me! This photo was taken by Andi, who is Jonah’s mom, Rick’s wife and my daughter-in-law. Thanks Andi
Please become friends and "like"
Arizona Ballet Theatre
on Facebook.
www.facebook.com/pages/Arizona-Ballet-Theatre/11437399527...
Never tire of their special appearance, colours and petals, in group or single.
Fragrant or not, it does not matter, they are just beautiful!
Here they are in combination with buds...
Have a wonderful day and thank you for your visit, M, (*_*)
For more of my work: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Rose, white, pink bloom, bud, red, group portrait, emotion, flower, conceptual art, studio, design, colour, black-background, square, NIKOND7000, Magda-indigo
девојке у српској народној ношњи
All images and photography © Tanjica Perovic
►►► Redbubble store
►►► Society6 store
►►► Fine Art America store
►►► Threadless T-shirts and store
►►► Getty images stock photography
►►► Pinterest inspiration and ideas
341/365
ODC Group, saved my bacon today this topic. Just a quick walk round the field to ask my woolly friends to pose for me and a quick bit of play in the processing, probably overdone it but I liked the result.
Tuareg women usually sing and dance in the evening hours, especially when awaiting return of their husbands from the desert.
Outside Timbuktu, Mali
Explore #419 on November 7, 2011
Taken at the Cincinnati Beard Barons' Car Show held at the Frisch's Big Boy Mainliner restaurant in the Fairfax suburb of Cincinnati, Ohio.
These guys are all members of the Cincinnati Beard Baron's which was the sponsoring group behind an annual car show and beard contest for charity. I think that sometimes when you have a beard and are posing for pictures, you tend to cop a mean or serious look. I know I did when I had a long beard some years ago. However, in talking to these guys, I found them to be a fun and friendly bunch.
In the past, they held the event in the evening which made finding a shady area and decent background pretty easy. This time the show started at 10 am on a sunny day. I had to take them around the back of the restaurant to find any shade that might work as a background, but I'm not overly pleased with it. They are having a big beard contest soon which I hope to attend and will try to do better there.
Miss Cecily's Friday Pointe Class August 22, 2014
Arizona Ballet Theatre is on Facebook.
IMG_5171 - Version 2
Arizona Ballet Theatre dancers united in the love of dance and the joy of performing together.
Post performance unplanned final onstage photo Op after Sunday's matinee.
The lighting was harsh onstage lighting from above which is not flattering to the dancers in this post-performance group portrait. I was lucky to get this shot of Miss Cecily and the dancers who were still on the stage with the curtain closed behind them. Everyone else had left the stage and headed to the dressing room.
(Copyright © 2018. Arizona Ballet Theatre, Tucson, Arizona.
All rights reserved for all countries. Except for personal or nonprofit educational use, no part of this work may be reproduced in any form or by any means without written permission.)
Tags:
"Arizona Ballet Theatre Dancers" "Final Photo Op" "Dancers United" "Love of Dance" "Joy of Performing" "Dancers and Teachers" "Group Portrait" Unplanned "Photo Op" "Miss Cecily" "Cecily Winslow Bressel" "Artistic Director" Homage "Magic Of Dance" "2018 Performance" "Stevie Eller Dance Theatre" Tucson Arizona USA "Southwestern USA" "American Southwest" "Spring 2018" Ballet Ballerina Ballerinas Choreographer Choreography "Artistic Director" "Arizona Ballet Theatre"
Cabinet card. Plain back.
Studio of Heinrich Wittrock, Speersort 5 II, Hamburg. Head office: Güntherstrasse 73, Hohenfelde, beside the Lübschenbaum.
Bought from an eBay seller in Winsen, Germany.
I went to a festival at historic New Harmony in Indiana, today. This is one of the better photos that I took there. The guy is the Grandpa. You can find portraits of the young girls that I took a couple of years ago in my albums. I mostly bought weird looking gourds to photograph. Hopefully, you'll see those photos later. I still have to make those photos, in the first place. Peace! I'd still rather have Peace!