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working on avoiding the dreaded Photoshop banding through custom noise-based brushes. I like to have a Curve Adjustment Layer to see the true nits and grits of the gradient. This processial image has a pleasing aesthetic. Ultimately it will not serve my intended end purpose. The defined edge is unacceptable for a gradient. However, the topographical nature has an end to itself worthy of sharing.
I love the white-blue to dark blue gradient after the sun sets. And you can see two stars in the top corner!
i want see what i could do with gmic starting from a little render of a simple gradient
and i got almost lost i could do much more then i hoped and i love some of them almost as selfstanding images
Basic beanie hat for my nilbing, knit with two strands of yarn held together for the ombre from brown to orange to red. (They really wanted me to use the neon orange yarn, and I found enough scraps to make a blend that I thought worked).
Taken for weekly photochallenge... using a gradient map adjustment layer for toning (colour). Some interesting effects; but not wholly convinced I'll be using it a lot. Still, useful tool to have available!