i was given some beautiful vintage sewing supplies.

these are old boxes full of thread on wooden spools...

Though it was warm to hot yesterday, there was still little sun. It first appeared after lunch and I set off to a local reserve, but by the time I got there it was mainly overcast again.

I saw just 3 large dragonflies on the visit. All looked different and none stopped at all. This one was laying eggs and at least 5 yards away. I very rarely see these so if I am correct about the ID I will be delighted and given the distance I am delighted with the photo - much cropped. The front of the body looks right but the back seems to lack colour!

Kitoko given King's ovocation at his arrival in Kigali / 12 July 2017

Edith Cavell kneels in her nurses uniform - Chancel east window by Ernest Heasman given by many friends and admirers to commemorate the devoted life & tragic death of Edith Louisa Cavell, head of the first training school for nurses in Belgium who was born and brought up in ~Swardeston of which her father was vicar from 1863-1909 & who died for her Country on October 12th 1915 aged 49 years being shot by order of a german court martial in Brussels for having rendered help to fugitive British, French and Belgian soldiers. The artist who designed the window and the craftsmen who made it gave their services as their contribution to this memorial. AD 1917 en.wikipedia.org/wiki/Edith_Cavell

As is typical of many high-performance fighters, the F-105 Thunderchief had a two-seat conversion trainer variant, the F-105F. This was especially necessary given the flying characteristics of the Thunderchief, which could be daunting to a new pilot: while the “Thud” was fast, it was not as maneuverable as other aircraft of the Century Series, which could come as a lethal surprise to pilots used to the F-100 Super Sabre or F-106 Delta Dart. Moreover, its radar was complex and required training. As a result, the last 143 F-105s to come off the Republic assembly line were two-seaters. Except for a three-foot extension of the fuselage to accommodate a second cockpit and a slightly larger tail, they were otherwise identical to the definitive F-105D variant, including in performance and armament; though their primary role was converting new pilots to the single-seat F-105D, the F-105F was meant to be fully combat capable. Though visibility from the rear cockpit was very limited, everything in the front seat was reproduced in the second, and the backseater had his own flight controls and radar.

This would prove presicient: as combat losses of single-seat Thunderchiefs climbed in Vietnam, two-seaters were soon pressed into combat duties. Initially, the handful of F-105Fs assigned to Thud units in Southeast Asia were used in the same role as the F-105Ds, as attack aircraft. However, having a second person in the back to take some of the load off the pilot soon opened up different roles for the two-seaters.

By far, however, the most ambitious was Project Wild Weasel II. The surface-to-air missile sites in North Vietnam, first detected in April 1965, had shown their lethality soon after becoming operational. To this point, above 15,000 feet, American aircraft were largely safe from North Vietnamese defenses, but the SA-2 Guideline missile was effective to 50,000 feet and had a slant range enough to force slower aircraft such as the EB-66 Destroyer out of North Vietnamese airspace. Both the US Navy and USAF had attempted to destroy the SAM sites before they became operational, but Secretary of Defense Robert McNamara had refused to allow the strikes, dubiously citing the possibility of killing Soviet and Chinese advisers and broadening the war. Faced with the dilemma of having to attack the SAM sites after they fired, and provide early warning to strike packages that SAM radars were locking onto them, the USAF began formally training for Suppression of Enemy Air Defenses (SEAD), codenamed Wild Weasel. Initially, the two-seat F-100F Super Sabre had been modified for the SEAD role, but it neither had the speed to survive over North Vietnam, nor the ordnance capacity needed for the role. The logical next move for the USAF was to modify the F-105F, as it had everything the Wild Weasels needed to do their job and survive.

Under Project Wild Weasel II, the F-105F received radar warning equipment and specialized sensors designed to detect the emissions of North Vietnamese radar, especially Fansong SAM guidance radars and Firecan antiaircraft gun directors. The crews were handpicked for Wild Weasel training, with the backseater usually a navigator specially trained in detecting and breaking out different radar signals. Wild Weasel F-105Fs would usually carry ALQ-89 ECM pods to jam North Vietnamese radars, and two AGM-45 Shrike antiradar missiles. During a “typical” SEAD mission, one or two Weasels would scout ahead of the main force, waiting for SAM radar controllers to “come up,” switching on their Fansongs. If a threat to the force was detected, the Weasel could then fire a Shrike at the radar. If the Fansong remained on, the Shrike would home in and destroy it; if the radar was switched off, it was no longer a threat. Once a SAM site was spotted—usually when it launched—the Weasel could direct accompanying F-105Ds to strafe and bomb it.

It was a highly dangerous job: not only were the Weasels literally asking to get shot at—experienced crews often baited SAM sites into firing on them first rather than the force—the SAM sites were usually heavily defended by antiaircraft guns; there was also the usual hazards of flying over North Vietnam, the most heavily defended spot on earth during the Vietnam years. It became a game of cat-and-mouse between veterans, the Wild Weasels versus the SAM crews, the latter quickly learning the limitations of the Shrike and knowing the limited number of F-105Fs. Casualties were heavy: of the initial batch of 12 F-105Fs and their crews that arrived in Southeast Asia in June 1966, only two remained by October. Wild Weasel crews suffered heavy casualties for the duration of the Vietnam War: attrition rates were high enough that completing a 100-mission tour over North Vietnam was considered problematic.

Surviving F-105Fs were modified beginning in 1967 to F-105G Wild Weasel III standard. This incorporated improved radar warning recievers, internal ALQ-105 ECM equipment that replaced the pods, and the capability to launch the AGM-78 Standard ARM; unlike the Shrike, which would fly into the ground if the radar signal was switched off, the Standard ARM would memorize the radar’s location and destroy it even if the radar was shut off. The F-105G proved very effective, but the simple fact was that the USAF was running out of Thunderchief airframes. As a result, though the F-105G would serve for the balance of the Vietnam War, it was phased out after 1973 in favor of the F-4G Phantom II. Of 143 F-105Fs built, 38 were lost in combat. Most of the survivors were scrapped, but some 32 two-seat Thuds survive in museums.

It would be expected that one of those 32 survivors would be at the National Museum of the USAF. 63-8320, like all F-105Fs, started off as a conversion trainer, assigned to the 23rd Tactical Fighter Wing at McConnell AFB, Kansas. It was chosen for conversion to a Wild Weasel aircraft in 1966, and was reassigned to the 355th TFW at Takhli RTAFB, Thailand a year later. Most Wild Weasels never reached the magical number of 100 missions, but 8320 beat the odds and flew Weasel missions for three years. In December 1967, it became the last Thud to score a MiG kill over North Vietnam; claims for two more were made, though these are not substantiated by postwar records. In 1972, 8320 was withdrawn to be upgraded to F-105G standard, and returned for another round over North Vietnam as part of the 388th TFW at Korat, flying missions during Operations Linebacker I and II. It returned home and joined the USAF's dedicated Wild Weasel wing, the 35th TFW at George AFB, California. Retired in 1980, it was preserved for the National Museum of the USAF because of its long career and MiG killer status, and went on display around 1981.

Today it is very attractively displayed in a vignette showing a Weasel crew getting ready to head out for a mission over North Vietnam. As such, it is equipped for maximum endurance, with three underwing and underfuselage external drop tanks, and two AGM-45 Shrike antiradar missiles. Often, the Weasels would carry two Shrikes and a load of bombs underneath the fuselage. To the right side of 63-8320 is a AGM-78 Standard ARM, the Shrike's bigger and more deadly cousin.

Since Dad never got a chance to see his beloved Thuds at the NMUSAF, I was hoping this picture would turn out as a tribute to him. Luckily, it did. To the left is the giant tail of the B-52D Stratofortress.

St Andrew, Wingfield, Suffolk

Famously, Suffolk has no motorways. There are A-roads, B-roads, and a-long-way-from-any-other-roads. It is by way of this last category that you reach Wingfield, lost as it is in the lattice of dog-legging, high-hedged lanes somewhere between Eye and Halesworth. Even if there was no church, Wingfield would still be famous. It has a castle which isn't really a castle, and a college which is no longer a college. It was the combined power of these two, coupled with one of the most powerful families in late medieval England, which has given St Andrew the shape we find it in today. And even if it was just the church, this would still be a beautiful place to come, an elegant building of the 14th and 15th centuries set in a small, sloping, rambling graveyard at a curve in the climbing road beside the village pub.

Fine 18th and early 19th century gravestones abound, and not a great deal seems to have happened since, as if the sleepy air of this backwater has had a soporific effect on the powers of the seasons, the village, and even the passage of time itself. But if the graveyard is a place to remember our ancestors now just out of reach, St Andrew itself is a document of the events, enthusiasms and urgencies of longer ago, the Suffolk of more than half a millennium away.

The great defining moment in English history was the wave of virulent disease which swept western Europe in the middle years of the 14th century, for which the Victorians would coin the popular phrase 'the Black Death'. This outbreak of bubonic and pneumonic plagues would, in the short term, carry off half the population of East Anglia, but it was the economic consequences which would have the greater effect in the long term. As the sons of the old landed families were carried off by the pestilence, so the old estates were broken up and sold off to a rising merchant class. The fall in population resulted in a shortage of labour, handing economic leverage to the ordinary people for the first time. A surplus of consumable produce, and money to spend on it, meant that by the second half of the 14th century we can for the first time identify what might be termed a middle class emerging in English society.

The old feudalism was giving way to what was a kind of proto-capitalism. Many families who rose to prominence during this century became fabulously rich. They exhibited their wealth in their houses and their households, and exercised their piety in donations and bequests to the Church, either in the form of buildings and furnishings, or by paying for Priests. Much of this effort was aimed at ensuring the prayers which would be said for them after they were dead. They hoped to escape the long centuries in purgatory which many of them clearly deserved. Part of this project involved an attempt to reinforce Catholic doctrine in the face of local superstitions and abuses, to make sure that the ordinary people knew their duty. Ironically, many of these families would, a couple of centuries later, embrace firmly the new idea appearing on the continent, Protestantism, and oversee a destructive Reformation in the parish churches that their ancestors had built up and beautified.

But that was in the future. Sir John Wingfield, whose family had owned the manor of Wingfield for generations, survived the Black Death, and perhaps as a form of thanksgiving he established a college of Priests here in Wingfield in his will of 1361. The college buildings survive at the heart of later buildings just to the south of the church. Wingfield's personal fortunes had been bolstered by marrying his daughter into one of the parvenu families which rose to prominence in the 14th century. These people were merchants and traders in the northern coastal city of Kingston upon Hull, nearly two hundred miles away, but theirs was a name which would come to be intimately linked with the county of Suffolk. They were the de la Poles.

Wingfield's grandson, Michael de la Pole, would inherit the Wingfield estates. He built the fortified manor house known as Wingfield Castle, and in the later decades of the century and the early years of the next, he oversaw a massive rebuilding of the church. Only the low tower was left from Sir John's day. De la Pole's father William had been made first Duke of Suffolk. He increased the family's wealth by lending it to the Crown. But it is Michael de la Pole's son that history remembers most firmly. John de la Pole, second Duke of Suffolk, was a notable figure in Shakespeare's Henry VI parts I and II. Wounded at Harfleur, he watched his brother die at Agincourt: All my mother came into mine eyes and gave me up to tears. The most powerful man in England, equivalent of Prime Minister and leader of the military, he surrendered at Orleans to Joan of Arc in person, and his family paid £20,000 for his release, roughly ten million in today's money, but a drop in the ocean to them.

John ended up in his grave rather earlier than he might have expected. Exiled for five years under tenuous circumstances, he was murdered by Henry VI's henchmen as the ship taking him into exile left Dover. On the day before he died, he wrote a letter to his young son enjoining him to look after his mother: Always obey her commandments, believe her counsels and advices in all your works. This message was received by the boy's grandmother, who by virtue of her father's marriage was granddaughter of the writer Geoffrey Chaucer.

Sir John Wingfield, his grandson Michael de la Pole and Michael's son the second Duke of Suffolk, John de la Pole, are all buried here in the chancel at St Andrew. To reach them, you step into the porchless north door of the nave; the porch on the south side was intended to serve the college. The nave is wide and square, and full of light even on a dull day thanks to the lack of modern glass. Only the floor tiles strike a jarring note; what was considered the height of taste in the late 19th century is now, rather unfortunately, reminiscent of Burberry - a bit like chav lino, innit. But never mind, for fashions will change again, and in any case the eye is drawn by the creamy light of the stone-faced chancel, the great arcades seeming to swell and soar as they head eastwards to the drama of the great Perpendicular window.

The chancel aisles continue, the arches become resplendent in motifs and riotous capitals. And above, the clerestory does something extraordinary. What had been a simple range of five evenly spaced windows on each side above the arches, becomes a Perpendicular wall of glass, seven windows on each side of the chancel huddling together and picked out in brick which may well have come from the de la Pole's works in Hull. Conversely, the great range of aisle windows in the nave continues into the chancel on the south side, but on the north becomes sparser and erratic, leaving wall space for monuments. For here was the final resting place of one of medieval England's most powerful families.

A marvellous crocketed and canopied archway surmounts what is now the vestry door, but was once the way into the chapel of the Holy Trinity. Beside it, within a magnificent canopied easter sepulchre, lies the effigy of Sir John Wingfield, founder of the feast. Michael, Earl of Suffolk, lies across the chancel between the sanctuary and the south aisle chapel, his great tomb set within the arch of the arcade. Beside him is his wife Katherine, and their effigies are made of wood, a fairly late example of the technique. An earnest little lion sits up, alert, beneath his feet, and under his head is a sleeping, bearded saracen, his mouth grinning in the rictus of death. One of the most spectacular features of the tomb is the way that the sedilia are built into the northern side, which at once shows that the tomb is in its original location, and also unites the de la Poles in the sacramental liturgy of the church.

But the finest monument here is back across the chancel, on the other side of the sanctuary and backing the wall to the chapel. This is John de la Pole, second Duke. He lies in alabaster beside his wife Elizabeth Plantagenet, sister of Edward IV and Richard III. Their tomb echoes that of John's grandfather, but there are subtle differences. His iconography is the same, but the rendering of the images has changed in half a century. Now, the lion is softer, prouder, and the moor is startling and dignified. This dignity extends to the whole structure, surely one of the finest memorials in England from the later part of the 15th century. Looking at Duke John's face, it seems inarguable that he was sculpted from the life. Beside him, his wife, her pillow borne to heaven by flights of angels, the tiny disembodied hand of one surviving poignantly beside her as she sleeps.

St Andrew is a tale of two churches, a church of two halves. Perhaps no other chancel in Suffolk is as magnificent as that of Wingfield, and it does rather put the nave in the shade. The return stalls survive from the days of the College of Priests, with misericord seats and sombre heads on the hand rests, polished by centuries of standing up and sitting down. Beneath them is an acoustic chamber, as at Blythburgh, an early form of amplification designed to add resonance to the voices of those singing the offices.

But within a century, it was all over. The Reformation did for the College of Priests and prayers for the dead, and the Anglican reformers comprehensively wrecked the buildings which their ancestors had built up with such devotion. What little remained was seen off by the puritans a century later. To be fair, some of the loveliest interiors in Suffolk are those which speak of the 17th and 18th century life of the buildings; but here, at Wingfield, the first response is to mourn what must have been lost. Indeed, by the 17th century this chancel was derelict and disused, probably roofless. What survives in the church from those years is ephemeral, unexceptional; except, perhaps, for the hudd, a kind of sentry box used by clergymen at burials in inclement weather. East Anglia has only one other, at Walpole St Peter in Norfolk.

The chancel was mended in a sympathetic manner in the 1860s; fortunately, the 19th century restoration of the furnishings here came later, and the Victorians can be praised for preserving so much. And if the nave speaks predominantly of any period, then it is of the present day, because this is obviously a thriving church.

One curious note, though: in 1911, the chancel was reordered in an Anglo-catholic fashion with furnishings by the great Ninian Comper. Incredibly, these were almost entirely removed and destroyed in another refurbishment in the 1960s, and all that survives of Comper are the candle holders on the return stall. What we see today in any case is the result of another major restoration in 1999.

So often in a quiet, rural backwater like Wingfield we expect, and usually find, a humble church of the common people, a touchstone to the blacksmith and the wheelwright, the ploughboy and the farrier. Well, they are all here - in the graveyard, they are all around. But St Andrew is not a humble church. It is one of the great English testaments, a story of power and glory, of treachery and downfall. The Dukes of Suffolk are no more, but still St Andrew rides the hidden lanes of the county like a great ship, a ship of light. All around, the 21st century seems rather mundane and shabby by comparison.

(c) Simon Knott, 2007, 2015

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St Mary, Yaxley is a pleasing perpendicular church with a tremendously ornate north porch right on the eve of the Reformation - was it a sign of things that would have followed? Inside, the stars are an elaborately carved rood screen and a good collection of medieval glass fragments. The sexton's wheel above the south door is unique in Suffolk, though there's another across the Norfolk border at Long Stratton. The choreographer Frederick Ashton is buried in the churchyard.

I was out in east Suffolk test-driving the new Buildings of England: Suffolk , a real pleasure. At nearly every church I found something I hadn't noticed before.

The new edition is in two volumes, Suffolk:East and Suffolk:West. Pevsner had only needed a single volume of about 500 pages for the first edition, but the fabulous new expanded edition runs to more than 1300 pages. The new Buildings of England volumes for Suffolk are published on April 23rd. People will just have to buy both.

The Temple of Dendur

•Period: Roman Period

•Reign: reign of Augustus Caesar

•Date: completed by 10 B.C.

•Geography: From Egypt, Nubia, Dendur, West bank of the Nile River, 50 miles South of Aswan

•Medium: Aeolian sandstone

•Dimensions:

oTemple Proper:

Height: 6.40 m (21 ft.)

Width: 6.40 m (21 ft.)

Length: 12.50 m (41 ft.)

oGate:

Height: 8.08 m (26.5 ft.)

Width: 3.66 m (12 ft.)

Depth: 3.35 m (11 ft.)

•Credit Line: Given to the United States by Egypt in 1965, awarded to The Metropolitan Museum of Art in 1967, and installed in The Sackler Wing in 1978

•Accession Number: 68.154

On view at The Met Fifth Avenue in Gallery 131.

Egyptian temples were not simply houses for a cult image but also represented, in their design and decoration, a variety of religious and mythological concepts. One important symbolic aspect was based on the understanding of the temple as an image of the natural world as the Egyptians knew it. Lining the temple base are carvings of papyrus and lotus plants that seem to grow from water, symbolized by figures of the Nile god Hapy. The two columns on the porch rise toward the sky like tall bundles of papyrus stalks with lotus blossoms bound with them. Above the gate and temple entrance are images of the sun disk flanked by the outspread wings of Horus, the sky god. The sky is also represented by the vultures, wings outspread, that appear on the ceiling of the entrance porch.

On the outer walls between earth and sky are carved scenes of the king making offerings to deities who hold scepters and the ankh, the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures’ edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures. These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read “pharaoh.” This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities. This small temple, built about 15 B.C., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian chieftain.

In the first room of the temple, reliefs again show the “pharaoh” praying and offering to the gods, but the relief here is raised from the background so that the figures can be seen easily in the more indirect light. From this room one can look into the temple past the middle room used for offering ceremonies and into the sanctuary of the goddess Isis. The only carvings in these two rooms are around the door frame leading into the sanctuary and on the back wall of the sanctuary, where a relief depicts Pihor worshiping Isis, and below—partly destroyed—Pedesi worshiping Osiris.

Curatorial Interpretation

History

After the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia. No date for the temple’s construction is recorded except that the cartouches include the name of the “Autokrator Kaisaros,” that is Augustus. But one assumes reasonably that it was built during the peaceful years following the Roman-Kushite wars of 25-22 B.C., which had ended with the treaty of Samos of the year 21 B.C.

The dates 20 or 15 B.C. are usually given. Since Augustus only died in 14 A.D., a later date can not be ruled out. There is also no evidence for the Roman prefect who may have commissioned the building. The three possible candidates are:

•Gaius Petronius or Publius Petronius: 24 B.C. - 21 B.C. (who destroyed Napata)

•Publius Rubrius Barbarus: to 12 B.C.

•Gaius Turranius: 7 B.C. - 4 B.C.

A detailed Coptic inscription states that in 577 (or 559?) A.D. the temple was converted into a Christian church. Since 1820, the temple has been a favorite travel destination for explorers and artists, who produced numerous depictions and early photographs of the temple. Graffiti on the pronaos walls recall their visits.

The first Aswan dam brought the water 3 m below the doorsill of the temple. In 1908, conservation work was carried out in preparation for a seasonal flooding of the building. The building was completely drowned annually by the two raisings of the first Aswan dam, in 1907-12 and 1929-33. Remains of the wall paint were washed away but the walls remained structurally unharmed. Lake Nasser, created in 1970 by the building of the Aswan High Dam, would have submerged the temple forever. In 1962, the gate and temple were therefore documented and taken down as part of the Nubian salvage campaign. In recognition of the American contribution to the campaign, the gate and temple were presented to the United States in 1965.

Thanks to the initiative of Henry Fischer and Thomas Hoving, the temple was awarded to the Metropolitan Museum and in 1974/75 rebuilt in the newly created Sackler wing designed by Kevin Roche (born 1922) and John Dinkeloo (1918-81). The architects were faced with the problem that the temple was not free standing but built into a sloping rock surface, a landscape that was not desired by the Museum. The temple therefore had to be squeezed into the shape of a freestanding building, presented on a granite stage. The material chosen (red granite and “mason granite”) reflects with its shiny, polished surfaces the architect’s imagination of imperial-style pharaonic architecture. The stepped planes in front and around the temple house are modern creations that do not follow the original arrangement. These alterations, implemented for practical reasons, are quite appealing for the visitor but not hold up against modern conservation standards. The opening was celebrated on September 27, 1978.

Description

a)Cult Terrace

The temple towered impressively over the water of the Nile, visually supported by a 3.5 m high, 15 m broad and 16 m deep terrace (much higher than the reconstruction in the Museum). The front of the terrace had no opening but a front curving inward, probably better to withstand the torrent of the Nile. Similar terraces are known at Elephantine, Philae, Qasr Ibrim, Kalabsha, Ajuala and Dabod (see Jaritz 1980, pls. 48-49). The waterfront and the sides were closed with low parapet walls, which were underpinned by a heavy, protruding ledge. The re-creation in the Museum is made of granite because the original sandstone would not have withstood the museum’s traffic. The granite parapet wall designed by Roche-Dinkeloo consisted originally of two courses of blocks. The upper course was removed in 1995 in order to improve the vista on the temple terrace.

b)Temple Enclosure and Gate

The temple enclosure (temenos) rose on top of a 90 cm high step above the rear (west) side of the terrace. A monumental gate in the center formed the east front of the temenos.

The gate was for unknown reasons not exactly aligned with the temple-house behind. The visible parts of the gate are decorated with relief. The gate is 6.50 m high (including the cavetto), the doorway is 1.60 m wide and 4.35 m (from the court level). A staircase of 5 steps leads from the gate down onto the cult terrace.

The rough outer sidewalls of the gate suggest that it was incorporated in a massive wall or pylon built of brick or stone, closing off the Nile front of the temenos. Apparently no traces of a pylon were noticed at the site and it could well be that it was never built. However, the existence of a pylon is implied in the Museum’s reconstruction by a layer of irregular stones.

One would expect that high walls running east-west from the pylon to the mountain slope behind would have enclosed the sides of the temenos. Blackman’s plan shows the remains of these walls, but they no longer appear on Ashiri’s plan of 1972. In the Museum reconstruction, the parapet walls flanking the front platform suggest a continuation backwards in the direction of the cliffs.

The interior floor of the temenos was never completely level and the rock surface began to slope up beginning at the pronaos. The irregular lower edge of the exterior reliefs of the temple walls indicate the inclination of the slope. The center of the east court was treated differently. There, the gate and temple were connected by a 7 m broad walkway, made of masonry and rising 50 cm above the rough court level. This walkway is clearly visible on an old photo of the site. However, the photo was taken after modern consolidation of the temple and how much of it was modern is not recorded.

A door in the lateral south wall is shown on Blackman’s plan. Perhaps another one opened in the north side. However, there was no processional approach from the riverside because the cult terrace blocked an axial approach.

c)Temple House

The temple was primarily dedicated to Isis, mistress of Philae, who was the patron saint of Lower Nubia, an area known as the Dodekaschoinos. Attached was the cult of two brothers, Pedesi and Pihor, the sons of a local Nubian chieftain Quper. They carry the title hesy, which is normally bestowed on people drowned in the Nile. One assumes that Quper and his sons had earned merit in the Meroitic wars of the Romans.

The actual temple house represents a distyle in antis, with two quatrefoil column capitals in the front opening. This temple type was common in Ptolemaic times (as seen for example in tomb chapels at Tuna el-Gebel and Dakka) with several larger variations that include a wider pronaos with more front columns. The temple house is ca. 13 m long, 6.5 m wide and 5 m high (to the roof) and includes 3 consecutive rooms: entrance hall or pronaos; offering hall; and sanctuary. Depictions from the 19th century suggest that the cavetto cornice of the temple house was still largely in place around 1839. Today, only one block is left.

The entrance hall or pronaos has an open front with two 3.95 m high columns (including the abacus) columns carrying the architraves. The columns have quatrefoil papyrus capitals with a four-story lily decoration. The lateral interspaces were closed with screen walls.

The pronaos has a small side door in the southwest corner. This door was part of the temple structure and is incorporated into the decoration of the walls. Another, smaller side door in the northeast corner was cut through the existing building, damaging the wall reliefs. Both doors suggest that the access from the front of the pronaos was not always possible.

A large room follows behind, assumed to have been the offering hall. Except for the door in the rear wall, the room is undecorated, and was apparently unfinished.

The walls of the sanctuary are also undecorated except for a stela-like panel in the center of the rear wall. Its decoration depicts Pihor worshiping Isis, and below – partly destroyed – Pedesi worshiping Osiris. The floor and lowermost part of the rear and sidewalls are carved from the rock.

All the rest of the interior and exterior is covered with relief, showing the “pharaoh” (“kaisaros autokrator”) praying and offering to the gods.

d)Rock Chamber

In the cliff behind the temple was a small rock chamber with a basin in the floor. In front was a court with a kind of tiny pylon. One assumes that this was the tomb of the two brothers and perhaps the predecessor of the temple. The entrance was behind the stela of Pedesi and Pihor.

The 1.65 m thick rear wall of the temple-house includes a built-in secret chamber accessed from the south end through a door closed with a thin, removable block. This crypt has been explained as the tomb of one of the brothers or as a hiding place for a priest giving oracles through a hole in the wall. The crypt could also have been a hiding place for liturgical equipment.

e)Evaluation

The Dendur temple is comparatively small but impressive and a major example of Roman architecture based on the Ptolemaic building tradition in Egypt. The temple demonstrates an important aspect of Egyptian architecture. The modern viewer is impressed by the monumental gate or pylon forming the front of the temple. However, the gate of temples like that of Dendur cannot be reached by a frontal, axial approach. The access is blocked by a cult terrace (for example the first pylon of Karnak or the pylon of Medinet Habu). These pylons/gates were not intended as entrances but as exits, monumental stages where the god (in the form of a cult figure) emerges from the interior and performs his/her appearance at the “gates of appearances.” From the gate of the Dendur temple, the divinity descended onto the cult terrace, were it reposed and viewed the Nile and the realm. Jaritz (1980, pp. 61-654) has shown that the cult terrace of the Khnum temple on Elephantine also was the gathering place for cult communities who celebrated repasts with the divinity.

Dieter Arnold 2016

Provenance

Given to the United States by the Egyptian Government, 1965. Awarded to the Museum by the U.S. Government, 1967.

Selected References

•Gau, Francois Chretien 1822. Antiquités de la Nubie : ou, Monumens inédits des bords du Nil, situés entre la première et la seconde cataracte, dessinés et mesurés en 1819. Stuttgart, pl. 23-5.

•Rifaud, Jean-Jacques 1830. Voyage en Égypte, en Nubie et lieux circonvoisins depuis 1805 jusqu’en 1827. Paris: Crapelet, pp. 27-8.

•Blackman, Aylward M. 1911. The temple of Dendûr. Cairo: Imprimerie de l’Institut Français d’Archeologie Orientale.

•Monnet-Saleh, Janine 1969. “Observations sur le temple de Dendour.” In Bulletin de l’Institut Français d’Archéologie Orientale, 68, pp. 1–13.

•El-Achiri, Hassan, M. Aly, F.-A. Hamid, and Ch. LeBlanc 1972. Le temple de Dandour, 1-3. Collection scientifique (Markaz Tasjīl al-Āthār al-Miṣrīyah), Cairo.

•Jaritz, Horst 1980. Elephantine III : Die Terrassen vor den Tempeln des Chnum und der Satet : Architektur und Deutung. Mainz am Rhein: Zabern.

•Bagnall, Roger 1985. “Publius Petronius, Augustan Prefect of Egypt.” In Papyrology. Cambridge and New York: Cambridge University Press, pp. 85-93.

•Bianchi, Robert Steven 1998. “The Oracle at the Temple of Dendur.” In Egyptian Religion. The Last Thousand Years. Studies Dedicated to the Memory of Jan Quaegebeur, 85, pp. 773-80.

•Arnold, Dieter 1999. Temples of the Last Pharaohs. New York and Oxford: Oxford University Press, pp. 244-46.

•Hill, Marsha 2000. “Roman Egypt.” In The Year One: Art of the Ancient World East and West, edited by Elizabeth J. Milleker. New Haven: Metropolitan Museum of Art, pp. 84-5, figs. 62-63, p. 207.

•Metropolitan Museum of Art 2012. The Metropolitan Museum of Art Guide. New Haven, CT: Yale University Press, p. 58.

•Metropolitan Museum of Art 2012. The Metropolitan Museum of Art Guide. New York and New Haven, Connecticut: Yale University Press, p. 58.

Timeline of Art History (2000-Present)

Timelines

•Egypt, 1-500A.D.

MetPublications

•The Art of Ancient Egypt: A Resource for Educators

•“Dendur: The Six-Hundred-Forty-Third Stone”: Metropolitan Museum Journal, v. 33 (1998)

•Masterpieces of The Metropolitan Museum of Art

•Masterpieces of The Metropolitan Museum of Art

•The Metropolitan Museum of Art Guide

•The Metropolitan Museum of Art Guide

•The Metropolitan Museum of Art Guide (Arabic)

•The Metropolitan Museum of Art Guide (Chinese)

•The Metropolitan Museum of Art Guide (French)

•The Metropolitan Museum of Art Guide (German)

•The Metropolitan Museum of Art Guide (Italian)

•The Metropolitan Museum of Art Guide (Japanese)

•The Metropolitan Museum of Art Guide (Korean)

•The Metropolitan Museum of Art Guide (Portuguese)

•The Metropolitan Museum of Art Guide (Russian)

•The Metropolitan Museum of Art Guide (Spanish)

•The Metropolitan Museum of Art. Vol. 1, Egypt and the Ancient Near East

•One Met. Many Worlds.

•“The Temple of Dendur”: The Metropolitan Museum of Art Bulletin, v. 36, no. 1 (Summer, 1978)

•The Year One: Art of the Ancient World East and West

The Miao is an ethnic group recognized by the government of China as one of the 55 official minority groups. Miao is a Chinese term and does not reflect the self-designations of the component groups of people, which include (with some variant spellings) Hmong, Hmub, Xong (Qo-Xiong), and A-Hmao.

The Chinese government has grouped these people and other non-Miao peoples together as one group, whose members may not necessarily be either linguistically or culturally related, though the majority are members of Miao-Yao language family, which includes the Hmong, Hmub, Xong, and A-Hmao and the majority do share cultural similarities. Because of the previous given reasons, many Miao peoples cannot communicate with each other in their mother tongues, and have different histories and cultures. A few groups designated as Miao by the PRC do not even agree that they belong to the ethnic group, though most Miao groups, such as the Hmong and Hmub, do agree with the collective grouping as a single ethnic group – Miao.

The Miao live primarily in southern China's mountains, in the provinces of Guizhou, Hunan, Yunnan, Sichuan, Guangxi, Hainan, Guangdong, and Hubei. Some members of the Miao sub-groups, most notably the Hmong people, have migrated out of China into Southeast Asia (northern Vietnam, Laos, Burma (Myanmar) and Thailand). Following the communist takeover of Laos in 1975, a large group of Hmong refugees resettled in several Western nations, mainly in the United States, France, and Australia. There has been a recent tendency by Hmong Americans to group all Miao peoples together under the term Hmong because of their disdain for the Chinese term Miao. This however fails to recognize that the Hmong are only a subgroup within the broader linguistic and cultural family of Miao people and the vast majority of Miao people do not classify themselves as Hmong and have their own names for themselves.

NOMENCLATURE: MIAO AND HMONG

The term "Miao" gained official status in 1949 as a minzu (ethnic group) encompassing a group of linguistically-related ethnic minorities in Southwest China. This was part of a larger effort to identify and classify minority groups to clarify their role in the national government, including establishing autonomous administrative divisions and allocating the seats for representatives in provincial and national government.

Historically, the term "Miao" had been applied inconsistently to a variety of non-Han peoples. Early Western writers used Chinese-based names in various transcriptions: Miao, Miao-tse, Miao-tsze, Meau, Meo, mo, miao-tseu etc. In Southeast Asian contexts words derived from the Chinese "Miao" took on a sense which was perceived as derogatory by the Hmong subgroup living in that region. In China, however, the term has no such context and is used by the Miao people themselves, of every group.

The later prominence of Hmong people in the West has led to a situation where the entire Miao linguistic/cultural family is sometimes referred to as Hmong in English language sources. Following the recent increased interaction of Hmong in the West with Miao in China it is reported that some upwardly aspiring non-Hmong Miao have even begun to identify themselves as Hmong. However, most non-Hmong Miao in China are unfamiliar with the term as referring to their entire group and continue to use "Miao", or their own separate ethnic self-designations.

Though the Miao themselves use various self-designations, the Chinese traditionally classify them according to the most characteristic colour of the women's clothes. The list below contains some of these self-designations, the colour designations, and the main regions inhabited by the four major groups of Miao in China:

Ghao Xong/Qo Xiong; Xong; Red Miao; Qo Xiong Miao: west Hunan

Gha Ne/Ka Nao; Hmub; Black Miao; Mhub Miao: southeast Guizhou

A-Hmao; Big Flowery Miao: west Guizhou and northeast Yunnan

Gha-Mu; Hmong, Mong; White Miao, Green/Blue Miao, Small Flowery Miao; south and east Yunnan, south Sichuan and west Guizhou

DEMOGRAPHICS

According to the 2000 census, the number of Miao in China was estimated to be about 9.6 million. Outside of China, members of the Miao linguistic/cultural family sub-group or nations of the Hmong live in Thailand, Laos, Vietnam and Burma due to outward migrations starting in the 18th century. As a result of recent migrations in the aftermath of the Indochina and Vietnam Wars from 1949–75, many Hmong people now live in the United States, French Guiana, France and Australia. Altogether, there are approximately 8 million speakers in the Miao language family. This language family, which consists of 6 languages and around 35 dialects (some of which are mutually intelligible) belongs to the Hmong/Miao branch of the Hmong–Mien (Miao–Yao) language family.

The Hmong live primarily in the northern mountainous reaches of Southeast Asia including Thailand, Laos and Vietnam, and in far Southwest China mostly in the provinces of Yunnan, Guangxi, and to a very limited extent in Guizhou. There are about 1.5–2 million Hmong in China.

Note: The Miao areas of Sichuan province became part of the newly created Chongqing Municipality in 1997.

Most Miao currently live in China. Miao population growth in China:

1953: 2,510,000

1964: 2,780,000

1982: 5,030,000

1990: 7,390,000

3,600,000 Miao, about half of the entire Chinese Miao population, were in Guizhou in 1990. The Guizhou Miao and those in the following six provinces make up over 98% of all Chinese Miao:

Hunan: 1,550,000

Yunnan: 890,000

Sichuan: 530,000

Guangxi: 420,000

Hubei: 200,000

Hainan: 50,000 (known as Miao but ethnically Yao and Li)

In the above provinces, there are 6 Miao autonomous prefectures (shared officially with one other ethnic minority):

Qiandongnan Miao and Dong Autonomous Prefecture (黔东南 : Qiándōngnán), Guizhou

Qiannan Buyei and Miao Autonomous Prefecture (黔南 : Qiánnán), Guizhou

Qianxinan Buyei and Miao Autonomous Prefecture (黔西南 : Qiánxīnán), Guizhou

Xiangxi Tujia and Miao Autonomous Prefecture (湘西 : Xiāngxī), Hunan

Wenshan Zhuang and Miao Autonomous Prefecture (Hmong) (文山 : Wénshān), Yunnan

Enshi Tujia and Miao Autonomous Prefecture (恩施 : Ēnshī), Hubei

There are in addition 23 Miao autonomous counties:

Hunan:Mayang (麻阳 : Máyáng), Jingzhou (靖州 : Jīngzhōu), and Chengbu (城步 : Chéngbù)

Guizhou: Songtao (松桃 : Sōngtáo), Yingjiang (印江 : Yìnjiāng), Wuchuan (务川 : Wùchuān), Daozhen (道真 : Dǎozhēn), Zhenning (镇宁 : Zhènníng), Ziyun (紫云 : Zǐyún), Guanling (关岭 : Guānlíng), and Weining (威宁 : Wēiníng)

Yunnan: Pingbian (屏边 : Píngbiān), Jinping (金平 : Jīnpíng), and Luquan (禄劝 : Lùquàn)

Chongqing: Xiushan (秀山 : Xiùshān), Youyang (酉阳 : Yǒuyáng), Qianjiang (黔江 : Qiánjiāng), and Pengshui (彭水 : Péngshuǐ)

Guangxi: Rongshui (融水 : Róngshuǐ), Longsheng (龙胜 : Lóngshēng), and Longlin (隆林 : Lōnglín) (including Hmong)

Hainan Province: Qiong (琼中 : Qióngzhōng) and Baoting (保亭 : Bǎotíng)

Most Miao reside in hills or on mountains, such as

Wuling Mountain by the Qianxiang River (湘黔川边的武陵山 : Xiāngqián Chuān Biān Dí Wǔlíng Shān)

Miao Mountain (苗岭 : Miáo Líng), Qiandongnan

Yueliang Mountain (月亮山 : Yuèliàng Shān), Qiandongnan

Greater and Lesser Ma Mountain (大小麻山 : Dà Xiǎo Má Shān), Qiannan

Greater Miao Mountain (大苗山 : Dà Miáo Shān), Guangxi

Wumeng Mountain by the Tianqian River (滇黔川边的乌蒙山 : Tiánqián Chuān Biān Dí Wūmēng Shān)

Several thousands of Miao left their homeland to move to larger cities like Guangzhou and Beijing. There are 2,000,000 Hmong spread throughout northern Vietnam, Laos, Burma, and on other continents. 174,000 live in Thailand, where they are one of the six main hill tribes.

HISTORY

History according to Chinese legend and other considerations

According to Chinese legend, the Miao who descended from the Jiuli tribe led by Chiyou (Chinese: 蚩尤 pinyin: Chīyóu) were defeated at the Battle of Zhuolu (Chinese: 涿鹿 pinyin: Zhuōlù, a defunct prefecture on the border of present provinces of Hebei and Liaoning) by the military coalition of Huang Di (Chinese: 黃帝 pinyin: Huángdì) and Yan Di, leaders of the Huaxia (Chinese: 華夏 pinyin: Huáxià) tribe as the two tribes struggled for supremacy of the Yellow River valley.

ARCHEOLOGICAL DISCOVERIES

According to André-Georges Haudricourt and David Strecker's claims based on limited secondary data, the Miao were among the first people to settle in present-day China. They claim that the Han borrowed a lot of words from the Miao in regard to rice farming. This indicated that the Miao were among the first rice farmers in China. In addition, some have connected the Miao to the Daxi Culture (5,300 – 6,000 years ago) in the middle Yangtze River region. The Daxi Culture has been credited with being amongst the first cultivators of rice in the Far East by Western scholars. However, in 2006 rice cultivation was found to have existed in the Shandong province even earlier than the Daxi Culture.

A western study mention that the Miao (especially the Miao-Hunan) have some DNA from the Northeast people of China, but has origins in southern china. Recent DNA samples of Miao males contradict this theory. The White Hmong have 25% C, 8% D, & 6% N(Tat) yet they have the least contact with the Han population.

CHU

In 2002, the Chu language has been identified as perhaps having influence from Tai–Kam and Miao–Yao languages by researchers at University of Massachusetts Amherst.

QIN AND HAN DYNASTIES

The term Miao was first used by the Han Chinese in pre-Qin times (in other words, before 221 BC) for designating non-Han Chinese groups in the south. It was often used in combination: "nanmiao", "miaomin", "youmiao" and "sanmiao" (三苗; pinyin: Sānmiáo)

MING AND QING DYNASTIES

During the Ming and Qing dynasties (1368–1911) 'miao' and 'man' were both used, the second possibly to designate the Yao (傜 Yáo) people. The Yuan, Ming, and Qing Dynasties could neither fully assimilate nor control the indigenous people.

During the Miao Rebellions, when Miao tribes rebelled, Ming troops, including Han Chinese, Hui people, and Uyghurs crushed the rebels, killing thousands of them. Mass castrations of Miao boys also took place.

During the Qing Dynasty the Miao fought three wars against the empire. In 1735 in the southeastern province of Guizhou, the Miao rose up against the government's forced assimilation. Eight counties involving 1,224 villages fought until 1738 when the revolt ended. According to Xiangtan University Professor Wu half the Miao population were affected by the war.

The second war (1795–1806) involved the provinces of Guizhou and Hunan. Shi Sanbao and Shi Liudeng led this second revolt. Again, it ended in failure, but it took 11 years to quell the uprising.

The greatest of the three wars occurred from 1854 to 1873. Zhang Xiu-mei led this revolt in Guizhou until his capture and death in Changsha, Hunan. This revolt affected over one million people and all the neighbouring provinces. By the time the war ended Professor Wu said only 30 percent of the Miao were left in their home regions. This defeat led to the Hmong people migrating out of China.

During Qing times, more military garrisons were established in southwest China. Han Chinese soldiers moved into the Taijiang region of Guizhou, married Miao women, and the children were brough up as Miao. In spite of rebellion against the Han, Hmong leaders made allies with Han merchants.

Politically and militarily, the Miao continued to be a stone in the shoe of the Chinese empire. The imperial government had to rely on political means to ensnare Hmong people, they created multiple competing positions of substantial prestige for Miao people to participate and assimilate into the Qing government system. During the Ming and Qing times, the official position of Kiatong was created in Indochina. The Miao would employ the use of the Kiatong government structure until the 1900s when they entered into French colonial politics in Indochina.

20th CENTURY

During the founding of the People's Republic of China (PRC), the Miao played an important role in its birth when they helped Mao Zedong to escape the Kuomintang in the Long March with supplies and guides through their territory.

In Vietnam, a powerful Hmong named Vuong Chinh Duc, dubbed the king of the Hmong, aided Ho Chi Minh's nationalist move against the French, and thus secured the Hmong's position in Vietnam. During the Vietnam War, Miao fought on both sides, the Hmong in Laos primarily for the US, across the border in Vietnam for the North-Vietnam coalition, the Chinese-Miao for the Communists. However, after the war the Vietnamese were very aggressive towards the Hmong who suffered many years of reprisals and genocide. Most Hmong in Thailand also supported a brief Communist uprising during the war.

HAN CHINESE ORIGIN MIAO CLANS

A great number of Hmong lineage clans were founded by Chinese men who married Hmong women, these distinct Chinese descended clans practice Chinese burial customs instead of Hmong style burials.

The Hmong children of Hmong women who married Chinese men was the origin of numerous China and South East Asia based Hmong lineages and clans, these were called "Chinese Hmong" ("Hmong Sua") in Sichuan, the Hmong were instructed in military tactics by fugitive Chinese rebels.

Marriages between Hmong women and Han Chinese men is the origin of a lot of Hmong lineages and clans.

Hmong women married Han Chinese men to found new Hmong lineages which use Chinese names.

Chinese men who married into Hmong clans have established more Hmong clans than the ritual twelve, Chinese "surname groups" are comparable to the Hmong clans which are patrilineal, and practice exogamy.

Hmong women married Han Chinese men who pacified Ah rebels who were fighting against the Ming dynasty, and founded the Wang clan among the Hmong in Gongxian county, of Sichuan's Yibin district.

Hmong women who married Chinese men founded a new Xem clan in a Hmong village (among Northern Thailand's Hmong), fifty years later in Chiangmai two of their Hmong boy descendants were Catholics. A Hmong woman and a Chinese man married and founded the Lauj clan in Northern Thailand.

A marriage between a Hmong woman and a Chinese man resulted in northern Thailand's Lau2 clan being founded, another Han Chinese with the family name Deng founded another Hmong clan, Han Chinese men's marriages with Hmong women has led some ethnographers to conclude that Hmong clans in the modern era have possible all or partly have been founded in this matter.

Jiangxi Han Chinese are claimed by some as the forefathers of the southeast Guizhou Miao, and Miao children were born to the many Miao women married Han Chinese soldiers in Taijiang in Guizhou before the second half of the 19th century.

Imperially commissioned Han Chinese chieftancies "gon native", with the Miao and were the ancestors of a part of the Miao population in Guizhou.

The Hmong Tian clan in Sizhou began in the seventh century as a migrant Han Chinese clan.

Non-han women such as Miao women became wives of Han Chinese male soldiers who fought against the Miao rebellions during the Qing and Ming dynasties since Han women were not available.

The Ming dynasty Hongwu Emperor sent troops to Guizhou whose descendants became the Tunbao. The origin of the Tunbao people traces back to when the Ming dynasty sent 300,000 Han Chinese male soldiers in 1381 to conquer Yunnan and the men married Yao and Miao women.

The presence of women presiding over weddings was a feature noted in "Southeast Asian" marriages, such as in 1667 when a Miao woman in Yunnan married a Chinese official.

Some Sinicization occurred, in Yunnan a Miao chief's daughter married a scholar in the 1600s who wrote that she could read, write, and listen in Chinese and read Chinese classics.

The Sichuan Hmong village of Wangwu was visited by Nicholas Tapp who wrote that the "clan ancestral origin legend" of the Wang Hmong clan, had said that several times they were married into the Han Chinese and possibly one of these was their ancestor Wang Wu, there were two tpes of Hmong, "cooked" who sided with Chinese and "raw" who rebelled against the Chinese, the Chinese were supported by the Wang Hmong clan. A Hmong woman was married by the non-Hmong Wang Wu according to The Story of the Ha Kings in Wangwu village.

DISTRIBUTION

The 2000 Chinese census recorded 8,940,116 Miao in mainland China.

CUISINE

Miao Fish (苗鱼 miáo yǘ)

Miao fish is a special way of cooking a fish by Miao people. It has been recognized as a local featured cuisine with its tasty flavor: the mixture of fish, green peppers, ginger slices and garlic provided people with great eating experience.

WIKIPEDIA

Tatiana Riabouchinska (1917-2000) was one of a trio of “baby ballerinas,” a nickname given to her and two other gifted daughters of Russian emigres, Irina Baronova and Tamara Toumanova, by the ballet writer Arnold Haskell in 1933. They soon became the talk of New York and London. Famous at age 14 as a featured dancer in Ballet Russe de Monte Carlo, Riabouchinska matured into one of the most beautiful and admired dancers of her generation.

The ballet Sleeping Beauty was first performed in Russia in 1890. With music by Tchaikovsky and choreography by Marius Petipa, the Sleeping Beauty has become one of the world’s most famous ballets. It is also Tchaikovsky’s longest ballet at nearly three hours in length.

Sergei Diaghilev produced a shorter, 45- minute version in 1922 for his Ballets Russes which he called Le Mariage d’Aurore (Aurora’s Wedding). This abridged version was largely confined to the final part of Sleeping Beauty, the marriage feast of Aurora and her prince, and it premiered at the Paris Opera on May 18, 1922. Tchaikovsky’s score was partly re-orchestrated by Stravinsky and Marius Petipa’s choreography was re-arranged and supplemented with additional dances by Bronislava Nijinska. A year earlier, Diaghilev had produced a lavish version of Sleeping Beauty he called “The Sleeping Princess” which was a financial failure.

“With little money to create entirely new works, but with a loyal cohort of experienced dancers looking to him for employment, he decided to stage the final act of The Sleeping Princess as Le Mariage d’Aurore using the music score that he had retained. He decided to re-use a mélange of costumes from his stock, including a number of key eighteenth-century style outfits from his 1909 production of Le Pavillon d’Armide. Premiered with the new work, Le Renard (The fox), developed by Stravinsky and designed by Larionov, Le Mariage d’Aurore proved to be a popular, if artistically compromised, production that would remain in the repertoire of Diaghilev’s Ballets Russes successors during the 1930s.” [National Gallery of Australia]

“The Walt Disney Company currently has a trademark application pending with the US Patent and Trademark Office, filed March 13, 2007, for the name "Princess Aurora" that would cover all live and recorded movie, television, radio, stage, computer, Internet, news, and photographic entertainment uses, except literature works of fiction and nonfiction. This has caused controversy because "Princess Aurora" is also the name of the lead character in Tchaikovsky's ballet version of the story, from which Disney acquired some of the music for its animated 1959 film Sleeping Beauty.” [Wikipedia]

La Scala’s excellent production of the ballet Sleeping Beauty is on Youtube in high definition:

www.youtube.com/watch?v=bDHT3XV1v7U

The U.S. flag and other honors given to the Unknown of World War II. On display in the Memorial Display Room in the Memorial Amphitheater at Arlington National Cemetery near Washington, D.C., in the United States.

Originally designed to be a reception hall, it was turned into display area at some point in time. (Good luck finding out when.) The south hall contains display cases which contain flags, medals, citations, and other awards given by the United States and other countries to the Unknowns who lie in the vaults at the Tomb of the Unknown Solider. Nearly all the displays in the south hall showcase honors given them at the time of their burial.

The north display hall contains honors given to the Unknowns at other times in history. It is not uncommon for other nations, military societies, U.S. states, or veterans' groups to create honors for the Unknowns and present them during ceremonies. These many honors are displayed in the north hall.

The original Amphitheater at the cemetery was constructed of wood in 1874. It was used for some of the first Memorial Day observances, but within 20 years proved too small for the large crowds using the facility. The Grand Army of the Republic, a veterans group composed of men who had served in the Union Army in the American Civil War, began pushing Congress to build a new amphitheater.

Congress authorized construction of the Memorial Amphitheater on March 4, 1913. Ground-breaking occurred on March 1, 1915, and President Woodrow Wilson placed the cornerstone on October 15, 1915. It was dedicated on May 15, 1920. The architect was Thomas Hastings of the New York City firm of Carrère and Hastings. The white marble came from Danby, Vermont. Ulysses A. Ricci designed the various friezes, ornamental devices, and decorative elements of the amphitheater.

The amphitheater itself sits about 5,000 people on low marble benches. It is elliptical, with an east-west depth of 200 feet and a north-south dept of 250 feet. The amphitheater is surrounded by a double-column colonnade. Above the west entrance is a quote from the Roman poet Horace: "Dulce et decorum est pro patria mori" ("It is sweet and fitting to die for one's country"). The names of battles -- from the American Revolution through the Spanish-American War -- are inscribed on the frieze above the colonnade inside the amphitheater.

A raised stage occupies the east side of the amphitheater. The names of 14 U.S. Army generals and 14 U.S. Navy admirals important in American history prior to World War I are inscribed on each side of the amphitheater stage. A quote from General George Washington's June 26, 1775, letter to the Continental Congress is inscribed inside the apse: "When we assumed the soldier we did not lay aside the citizen." A quote from President Abraham Lincoln's Gettysburg Address is inscribed above the stage: "We here highly resolve that these dead shall not have died in vain."

Halfway between the stage and the floor of the amphitheater is a narrow dais on which stands a carved marble throned. This platform was intended to be the seat for speakers, while guests sat on the upper stage. But it has almost never been used as such.

A small chapel is located beneath the amphitheater stage. There is a small below-ground kitchen and a small below-ground service room on either side of the stairs leading down to the chapel.

The Memorial Display Room occupies most of the ground floor of the west side of Memorial Amphitheater. It is open to the public, and contains displays about the unknown soldiers buried in the nearby Tomb of the Unknown Soldier. These displays include medals given to the unknown dead, the flags which covered them, and the history of the Tomb. Main stairs lead left and right to the second floor. On the second floor are offices and a reception room. Originally, the reception room on the upper floor was supposed to house the memorial displays, but these were moved downstairs at some point prior to the 1980s and now the upper floors are used for VIP guests. The marble of the Memorial Display Room is imported Botticino, from Italy.

Given to my son's kindergarden teacher. Cameos done by all 16 students.

I was recently very kindly given a Kiev 60 by my ex-girlfriends dad. He found it in a shop in the Ukraine for about £20! It’s in full working order apart from an unpredictable shutter. The mirror flips up and the shutter will go of somewhere between 1 to 10 seconds later. It seems to get quicker the more you use it so i’ll just have to take more photos.

I haven’t got a medium format scanner yet so these are scans of print I had done at Jessops, hence some weird marks on the photos.

I got Nathan to pose for a couple of shots as I didn't want to have test roll of just thing in my house. Really pleased with the results.

Got given a Pentax MX and SMC 50/1.7; nice camera, fully mechanical (I like that a lot) & surprisingly, smaller than my Olympus OM1's.....nice :D

We're not scared of the big bad fake plastic owl....

I was given a sweet tour of the LASD grounds in Whittier, CA by The Tez!

The Memorial for officers who were killed in the line of duty while serving the people of Los Angeles County:

Randy Hamson - 2008

Raul Gama - 2007

Maria C. Rosa - 2006

Pierre W. Bain - 2006

Luis Gerardo Ortiz - 2005

James P. Tutino - 2004

Michael Richard Arruda - 2004

Stephen D. Sorensen - 2003

David A. Powell - 2002

David W. March - 2002

Jake Kuredjian - 2001

Brandan G. Hinkle - 2001

Michael L. Hoenig - 1997

Shayne D. York, 1997

Antranik Geuvjehizian - 1995

Stephen W. Blair - 1995

Jimmie R. Henry - 1995

Richard B. Hammack - 1992

Nelson Yamamoto - 1992

Rosemary Iris May - 1989

James D. McSweeney - 1988

Roy A. Chester - 1988

Jack B. Miller - 1988

Charles R. Anderson - 1987

George L. Arthur - 1985

David L. Holguin - 1984

B. Loyd Brooks - 1984

James P. Clark - 1983

Larrell K. Smith - 1983

Lawrence M. Lavieri - 1983

Kenneth D. Ell - 1982

Constance E. Worland - 1981

Jack D. Williams - 1979

George Barthel - 1979

Robert M. Cartmell II - 1978

Walter Hannan - 1978

Thomas H. Pohlman - 1978

Arthur E. Pelino - 1978

Charles Plumleigh - 1978

Gregory L. Low - 1978

Edward J. Russell - 1977

Didier Hurdle - 1977

Lynn L. Lewis - 1977

Didier M. Hurdle - 1977

Darden Hollis - 1975

Theodor A. Abrey - 1974

James J. Foote - 1974

Carl E. Wilson - 1973

Donald W. Schneider - 1973

Joseph R. Herrera - 1972

Charles O. Ley - 1972

Barry Jon Hoffman - 1971

Gary D. Saunders - 1971

Louis C. Wallace - 1970

Gordon D. Erickson - 1970

Lionel W. Dashley - 1969

Charles D. Rea - 1969

Robert K. Schnur - 1968

Gary E. McCullah - 1968

James W. Waygood - 1967

Michael V. Wigderson - 1967

Ronald Ludlow - 1965

John M. Slobojan - 1964

Lloyd G. Constantine - 1964

Willard Ballard - 1964

William A. White - 1964

Timothy J. Harnett - 1961

Manuel A. Ayon - 1961

Lee E. Sawyer - 1960

Harold A. Reis, Jr. - 1958

Ronald J. Gillis - 1958

David A. Horr - 1958

Harold S. Blevins - 1957

Vernon J. Corbeil - 1957

Edwin M. Falkowski - 1955

Elbert J. Hall - 1949

Fred P. Guiol - 1946

John N. Hedge - 1933

Rudolph G. Vejar, Sr. - 1932

Frank D. De War - 1932

Robert E. Magee - 1923

William E. Funkhouser - 1922

Henry J. Ronsse - 1922

Herbert E. Glidden - 1920

Harold B. Broadwell - 1919

Michael V. Van Vliet - 1918

George Wilson - 1896

William C. Getman - 1858

James R. Barton - 1857

The Million Dollar Quartet is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session between Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with “Blue Suede Shoes,” had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, “Matchbox.” Sam Phillips, the owner of Sun Records, who wished to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, singer and piano man extraordinaire, Jerry Lee Lewis, still unknown outside Memphis, to play the piano on the Perkins session.

Sometime in the early afternoon, Elvis Presley, a former Sun artist himself, but now at RCA, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. He was, at the time, the biggest name in show business, having hit the top of the singles charts five times, and topping the album charts twice in the preceding 12 month period. Less than four months earlier, he had appeared on The Ed Sullivan Show, pulling an unheard-of 83% of the television audience, which was estimated at 55 million, the largest in history, up to that time. After chatting with Philips in the control room, Presley listened to the playback of the Perkins’ session, which he pronounced to be good. Then he went into the studio and some time later the jam session began. Phillips left the tapes running in order to “capture the moment” as a souvenir and for posterity. At some point during the session, Sun artist Johnny Cash, who had also enjoyed a few hits on the country charts, popped in (Cash noted in his autobiography Cash that it was he who was the first to arrive at Sun Studio that day). As Jerry Lee pounded away on the piano, Elvis and his girlfriend at some point slipped out.

The following day, an article, written by Memphis newspaperman Bob Johnson about the session, was published in the Memphis Press-Scimitar under the title, “Million Dollar Quartet.” The article contained the now well known photograph of Elvis Presley seated at the piano surrounded by Jerry Lee Lewis, Carl Perkins and Johnny Cash.

Only by for Austria successful outcome of Ottoman wars in Europe the conditions were given to turn the old Hofburg, which until now was more fortress than imperial residence, into a befitting palace of a powerful dynasty. When Emperor Charles VI in 1711 succeeded to the throne, stood along the Schaufler alley until St. Michael's square yet the old two-story Chancellery Wing from the time of Ferdinand I. It was significantly lower than the Amalien wing and the Leopoldine wing, bordering the Interior Castle courtyard on the southwest and the southeast side. Between the Chancellery Wing and the Swiss courtyard there was a by Daniel Suttinger created Gate construction. In its place erected Johann Lukas von Hildebrandt in 1712 the so-called Carolingian Triumphal Arch but which was as well demolished in 1728 because now they had laid the foundation for a much more representative Chancellery Wing and in 1723 started the construction work. Hildebrandt's plans provided the unification of the entire inner castle but failed in the end due to the immense cost. 1726 he had to cede construction management to in the meantime appointed Court architect Joseph Emanuel Fischer von Erlach. This one let the already finished construction at Schaufler alley remain but put in front of it the splendid late baroque wing at the courtyard side. Fischer too could due to lack of sufficient liquid funds of the Imperial family his ideas which comprehended also the entire castle not fully realize. Work came to a halt in 1735 and was finally discontinued. The St. Michael's gate was only from 1888 after the demolition of the old Hofburg theater finished.

Herakles of Mattielli

In Chancellery wing were until 1806 when Emperor Franz II/I resigned the Roman-German Imperial Crown the central offices of the administration of the Holy Roman Empire housed. This included especially as the most important Imperial authority the Aulic Councel. 1810 lived here the French ambassador Berthier, when he, on behalf of Napoleon, asked for the hand of Maria Louise, the daughter of Francis I. At the time of the Vienna Congress in some rooms of the Imperial Chancellery Wing was housed the king of Bavaria. 1848 served archduke Johann a suite of rooms as an apartment. In the summer of this year, he received in Great Audience Hall a delegation from Frankfurt Imperial Diet, offering him the dignity of a "German Imperial Regent". A few years later the rooms were renovated, refurbished and converted into apartments for the Imperial family. Traditionally, no Austrian Emperor has taken over the apartment of his predecessor. Franz Joseph moved into his apartment in 1857, three years after his marriage, and lived there until his death in 1916. The apartment of his wife Elisabeth was in the neighboring Amalien wing. Today, the Imperial Apartments as well as the recently opened Sisi Museum and the former Court Silver and Table Room can be visited. The latter is dedicated to the culture of courtly household and the court ceremonial.

While the front is not very spectacular in Schaufler alley, turns the five-story face side of the Imperial Chancellery Wing towards the interior courtyard. This one served till the 16th century as a tournament court. In 1561 issued Thurnierbuch (tournament book) is yet of tournaments of the future Emperor Maximilian II reported which this one had held here in June of last year. In the 17th century but here no more tournaments took place but mounted tournaments, as the then popular horse ballet. The long facade facing the courtyard is accented by three only little projecting risalits with portals and balconies (1727/29) and divided by giant pilasters. The design of the façade is already reminiscent of the design language of French classicism. Franz Joseph and Elisabeth got through the Imperor's gate in central projection to their rooms on the first floor. The leading upwards Emperor's stairway has a magnificent stucco marble equipment and is decorated with gilted bronze vases. But it is hardly ever used. Today's visitor entrance to the Imperial Apartments is located beneath the dome of St. Michael's gate. The five windows above the Emperor's gate are preceded by a long balcony which rests on strong consoles. On the attic of the central projection is attached the huge blazon of Emperor Charles VI with the double-headed eagle. It is overtopped by the German imperial crown and surrounded by a golden chain with the Golden Fleece. Flanked is it by two, carrying trumpets genii. Beside the portals of the side projections stand each two sandstone sculptures of Lorenzo Mattielli. They show the deeds of Hercules. On the ground floor were housed until 1918 various court offices, as the Chamber for payments of the Court, the House, Court and State Archives (until 1902) and the Control office of the Court. In the premises of once Imperial linen room was from 1921 to 1987 the Vienna tapestry manufacture whose leading products have been exported throughout the world.

Study of Franz Joseph

Additionally to the living quarters of the Emperor - those of the Empress were in neighboring Amalien wing - belongs to the Imperial Apartments the Guard room where the bodyguards were on sentry duty but most of all the large Audience waiting room and the Audience chamber, where the Emperor, standing at his desk, used to receive his visitors individually. Under Maria Theresa, took place the deliberations of the Imperial, Court and State Councils of the former Imperial Chancellery in Audience waiting room. Unfortunately, this beautiful, decorated in white, red and gold hall was similarly to fairy-tale grotto recently equipped with figurines in the national costume of the individual crown lands in order to document that here waited people from all walks of life and from all provinces of the country for an audience. During his long reign, there were at least more than 250,000. In this room, hang large, many-figured murals (1832) of Biedermeier painter Peter Krafft, showing scenes from the life of Emperor Franz I. From the ceiling hangs a eighty-flammy Bohemian crystal chandelier still dating from the time of Maria Theresa. The originally fitted with candles chandelier of the Imperial apartments were in 1891 electrified. The ornate pottery kilns partly still stem from the 18th century. They were heated externally via the situated behind the rooms heating passage with wood. In the equipment of his private rooms the personal modesty of the emperor is reflected. Unlike his wife, he had not even running water injected. Noteworthy is also the simple iron military bed that served him for decades as a place to sleep. His office, in which he most of the time was yet active from six o'clock in the morning is adorned with numerous photos and paintings of his family. Here hangs also a famous portrait of the Empress by Franz Xaver Winterhalter. The equipment of the 22 official and residential premises of Emperor Franz Joseph and his wife Elisabeth, which today can be visited as Imperial Apartments, stems from several eras: from late Baroque to Rococo and the Empire to the 19th century neo-Baroque. These include also the four rooms of Stephan's apartment which is named after Archduke Stephan Viktor. The former theater corridor which enabled a direct connection to the old Hofburg Theater is walled off today.

www.burgen-austria.com/archive.php?id=512

Hair and Make up by: Myca V Feng

Arthur Boyd and Bundanon.

The land at Bundanon along the Shoalhaven River was given as a free land grant in 1837 to R Browne. He soon sold the land on to Kenneth McKenzie. He built a timber-framed house here and finally in 1866 he had a fine two-storey Georgian style residence erected. That is the grand homestead of Bundanon today. McKenzie was also a doctor and a magistrate and acquired other properties too but he returned to Scotland in 1869 and his son Hugh took over Bundanon. Hugh ran the property as a dairy farm with many workers employed. He served for 20 years as the mayor of the local district. When he died in 1917 his son Kenneth inherited Bundanon until he drowned in 1922. A memorial jacaranda was planted in front of the house for Kenneth and it is still there. His family leased the property out from 1926 until 1967. In 1968 the new owners landscaped the grounds and removed many of the old outbuildings. Arthur Boyd the well-known Australian artist from a family of sculptors, potters and painters visited Bundanon in 1971 and returned several times to paint there. He and his wife purchased the adjacent property called Riversdale in 1974 and finally Bundanon as well in 1979. Arthur Boyd then spent part of each year at Bundanon and part in England until 1998 when he returned to England permanently. Before this time Arthur Boyd bequeathed to the government of Australia Bundanon homestead and outbuildings, 2,700 acres of land and a large collection of his paintings and family antiques in 1993. The Bundanon Trust was formed in that year and a program of artists in residence was established at Bundanon. The Bundanon property became an Artists Centre with residential accommodation. Arthur Boyd died in Melbourne in 1999. The property has the main homestead erected in 1866, the servants’ quarters 1870, the kitchen 1880, Arthur Boyd’s studio 1981, the early slab barn 1880 and a caretaker’s cottage 1870. Access to the property is limited and not available when artists are accommodated there for workshops and the road entrance limits the size of coaches. The property is a significant heritage property because of the homestead, the natural bushland, the gardens and the linkages with Arthur Boyd.

Moist and tender mushrooms roasted with rosemary piled onto some good toast and given a sprinkle of nutty dukkah and a drizzle of tahini yoghurt.

Good, but not great. Julia and I both thought that the mushrooms could have done with a bit of garlic to boost the savouriness. While the dukkah was a nice compliment, the tahini yoghurt was a bit on the tart side. Perhaps, a bit more tahini and less yoghurt, or perhaps using sweeter field mushrooms would have helped.\

I would have liked a nice slurp of extra virgin olive oil too :)

Liar Liar

(03) 9818 8864

Shop 6 / 769 Glenferrie Rd

Hawthorn VIC 3122

Reviews:

- Liar, Liar - The Age by Matt Preston, Reviewer December 17, 2007

- Brewing a big hit - The Age by Leanne Tolra, March 4, 2008

my eyes keep flicking to the sleek stainless steel trimmed Clover coffee filter machine on the bench at Liar Liar cafe in Hawthorn. It is functional rather than beautiful, an arched water tap its only appendage, and could easily be mistaken for a water filter.

The machine, which sells for more than $10,000, is one of only two in Melbourne (the other is at Brother Baba Budan in Little Bourke Street in the city).

- Liar Liar - www.breakfastout.com.au/ by Rowena Robertson 29 April 2008

- Liar Liar - www.miettas.com.au/

The Age Cheap Eats 2009 "This is the cafe Hawthorn had to have. There's never a dull moment at this offGlenferrie joint, where Moroccan-inspired lampshades cast exotic shadows over dark communal tables and low stools"

- Liar Liar, Hawthorn - thebreakfastblog.blogspot.com/ Sunday, April 06, 2008

- Melbourne: Liar Liar - Hawthorn abstractgourmet.com/ 11 Jun 2008

We had been to Hawkhurst before. About a decade ago when we stopped for breakfast on the way to Sissinghurst.

Despite we both thinking we had also been to Cranbrook, I have no memory, nor any photographs.

But the mill, said Jools sai.d I had no idea.

Whilst Hawkhurst was a busy but not pretty place, Cranbrook was just beautiful. The main road dipped down through rows of white clapboard houses and where it turned right 90 degrees, there on the highest point was the church.

It was midday, and I was hungry, and what I felt I needed was a cream tea. Just as well then that there was tea rooms opposite the car park.

A cream tea consisted of a pot of tea, another of hot water, milk and sugar, two scones each, cream and lashings of strawberry jam.

It was a meal.

Once we had eaten, I walk up the street and into the churchyard, where the sandy coloured church rose from the green churchyard.

Old Father Time stood above the tower clock, reminding us he would come for us soon enough.

But not today.

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This church grew from a small Saxo-Norman structure in the fourteenth century, using profits from the English cloth-making industry which was based in the town. It is a large church with several unique features, the most important of which is a font for full adult immersion. This was built under a small stone staircase that leads to a room over the south porch. In reality it was like an upright coffin, constructed in 1710 by the then parson, John Johnson, but it seems only to have been used on one occasion. There are very few of these features to be found in England. A table at the back of the church is made from the upturned sounding board of the eighteenth-century pulpit. The very fine carved Royal Arms of George II were given in 1756. In the north aisle is a collection of sixteenth-century stained glass depicting coats of arms of the Guilford family, and some nice windows by Kempe.

www.kentchurches.info/church.asp?p=Cranbrook

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CRANBROOKE

LIES the next parish eastward from Goudhurst, a small part of it is in the north borough of the hundred of Great Barnefield, and another small part in the borough of Iborden, in the hundred of Barkley, and all the residue in the hundred of Cranbrooke. It is an the western division of the country.

THIS PARISH is situated in the centre of the Weald, of which it is a principal one as to its wealth, size, and consequence, being about eight miles long, and fix in breadth; it is exceeding healthy, and considering the deepness of the soil, and the frequency of the woods, far from being unpleasant; the oaks interpersed over it, like the adjoining country, are numerous and of a large size, the hedge-rows broad, and the inclosures small. The north and east parts especially are covered with woods, which consist mostly of oak. There are several rises of small hill and dale throughout it; the soil is in general, excepting in that part of it northward of the church, about Anglye, where it is a light sand, and the lands of course poor, a kindly fort of clay, which is rendered more fertile by its native rich marle, of which there is much throughout it; besides arable, there is much rich pasture and fatting land, and some hundred acres of good hop-ground. The principal high roads from London, Maidstone and Tunbridge, by Brenchley, Yalding, and Stylebridge, meet here near the town, and lead from hence by different branches to Tenterden and Romney Marsh; to Hawkhurst and Suffex, and to Smarden, Charing, and the eastern parts of Kent. They are wholly made with sand, and though in wet weather they are exceedingly firm and good, yet in dry seasons, from the looseness of the sand, they become very deep and heavy, and by the heat and dust arising from them, are so very offensive and painful, as to become almost intolerable; the bye roads are very bad in winter, and so very deep and miry, as to be but barely passable till they are hardened by the drouth of summer. It is well watered by several small Streamlets, the principal ones of which joint the branch of the Medway just below Hedcorne.

There are three chalybeate springs in the parish, at Sifinghurt, Glassenbury, and Anglye. The waters of them are much like those at Tunbridge, and when weighed prove heavier, but they have not near so much spirit. The town of Cranbrook is situated on the western side of the parish, on the road leading from Maidstone by Stylebridge towards Hawkhurst and Suffex. at the 52d mile-stone, and consists of one large wide street, of about a mile in length, having the church nearly in the centre of it. There is but a very small part of it paved, from the market-place eastward, which was begun in 1654, being done through mere necessity; the depends and mire of the soil before, being not only a great hindrance to the standing of the market people, but to the passing of all travellers in general. The market is still held on a Saturday, for corn and hops, and is a very plentiful one for meat and other provisions. It was obtained by archbishop Peckham, anno 18 Edward I. And there are two fairs held yearly, on May 30, and Sept. 29, for horned cattle, horses linen drapery, toys, &c. but the latter is the largest, at which there is a great deal of business done in the top trade.

¶Here was the centre of the cloathing trade, one of the pillars of the kingdom, which formerly flourished in these parts, and greatly enriched not only this county, but the nation in general. The occupation of it was formerly of considerables consequences and estimation, and was exercised by persons who possessed most of the landed property in the Weald, insomuch that almost all the antient families of these parts, now of large estates, and genteel rank in life, and some of them ennobled by titles, are sprung from, and owe their fortunes to ancestors who have used this great staple manufacture, now almost unknown here. Among others, the Bathursts, Ongleys, Courthopes. Maplesdens, Gibbons's, Westons, Plumers, Austens, Dunkes, and Stringers. They were usually called, from their dress, the grey coats of Kent, and were a body to numerous and united, that at county elections, whoever had their votes and interest was almost certain of being elected. It was first introduced here by king Edward III who, in his 10th year, invited some of the Flemings into England, by promises of large rewards, and grants of several immunities, to teach the English the cloth manufacture; but this trade, after flourishing here for so many centuries, is now almost disused in these parts, there being only two houses of it remaining in this parish; but there is yet some little of the woolstapling business carried on. The inhabitants throughout the parish, who are in general wealthy and substantial, are computed to be about 3000, of which a great part are differenters from the church of England, for whose use there are four meeting-houses in the town, one for Presbyterians, the second for Methodistical Baptists, the third for Cavinistical Baptists, and the fourth for Independants. The Presbyterians formerly were the most numerous fect throughout this county; but they are greatly diminished of late years, and the Methodistical Baptists are the prevailing sect, and greatly increasing every year, through every part of it. Besides these there is a meeting-house for the Quakers, with a burying ground, but I beleive there is not one of this fact in the parish, though they yet hold an annual meeting here.

SISSINGHURST is a manor of great note here. It was antiently called Saxenburst, and is very early times was in the possessions of a family of the same name, as appears by the Testa de Nevil, kept in the exchequer, being an account of all those who, holding their lands by knight's service, paid their relief, in the 20th year of Edward III. towards the marriage of the king's sister; in which John de Saxenhurst is there taxed, towards that did, for his lands at Cranebrook, which certainly were those of Sissinghurst, with the two small appendant manors of COPTON and STONE, which always have had the same owners. By a female heir of Saxenhurst, this manor, with its appendages above-mentioned, passed into the name of Berham. Richard, son of Henry de Berham, resided here in the reign of Edward III. and in his descendants it continued down till the latter end of Henry VII. When one of them alienated part of Sissinghurst, with Copton and Stone, to Thomas Baker, esq. who was before settled in this parish. This family had been settled in Cranbrooke so early as the reign of Edward III. as appears by the records of the court of king's bench, in the 44th year of which reign Thomas Bakere, of this parish, was possessed of lands in it, and was then fued by the prior of Christ-church in a plea of treaspass, for cutting down trees, which grew on his own soil here, in a place called Omendenneshok, within the prior's lodge of Cranbrooke, which was a drosdenne, the prior prescribing for all oak and beech in the drovedens within his lordship, together with the pannage; and the jury found for the plaintiff, &c. (fn. 5) Sir John Baker, grandson of Thomas first before-mentioned, was bred to the law, and became eminent in that profession, as well as in his promotion to different high posts of trust and honour in the service of the crown and state; being in several parts of his life recorder of London, attorney general, chancellor of the exchequer, and privy counsellor in king Henry VIII. and the three following reigns, and ambassador to the court of Denmark in 1526. He died in London in 1558, and was brought hither in great state, and buried in the vault in Cranbrooke church, in which his several descendants lie deposited likewise. They bore for their arms, Azure, on a fess, or, three cinquesoils pierced, gules, between three swans heads, erased, or gorged with coronets, gules. (fn. 6) He had procured his lands to be disgavelled by the acts both of 31 king Henry VIII. and 2 and 3 Edward VI. and before the latter year, at least, had purchased the remainder of this manor and estate, and becoming thus possessed of the entire fee of it, he built a most magnificent seat on it, the ruins of which still remind us of its former splendor, and he inclosed a large park round it. He left two sons, Richard; and John, who was father of Sir Richard Baker, the English Chronicler, and from this family likewise was descended the learned John Selden, born in 1584, whose mother was the only daughter and heir of Thomas Baker, of Rushington. (fn. 7) Sir Richard Baker, the eldest son, resided at Sissinghurst, where he entertained queen Elizabeth, in her progrels into this county, in July 1573. His eldest grandson Sir Henry Baker, of Sissinghurst, was created a baronet in 1611, Sir John Baker, of Sissinghurst, knight and baronet, his grandson, the last of his name here, died in 1661, leaving only four daughters, who became his coheirs, Anne, married to Edmund Beaghan, esq. Elizabeth, to Robert, Spencer, esq. Mary, to John Dowel, esq. of Over, in Gloucestershire, and Katherine, to Roger Kirkby, esq. whose respective husbands became in their rights jointly entitled to this estate.

A moiety of this estate, as well as two-thirds of it, by the deaths of Robert Spencer, and Elizabeth his wife, s. p. and by the conveyance of Catherine, widow of Roger Kirkby, afterwards coming into the possession of Edmund Hungate Beaghan, esq. (son of Edmund above-mentioned) who resided at Sissinghurst, and bore for his arms, Argent, a chevron, gules, within a bordure, sable, bezantee, were by him passed away by sale in 1730, an act having passed to enable him so to do, to the trustees of Sir Horace Mann, bart. who is the present possessor of them.

The fourth part of John Dowel, esq. came on his death in 1698, to his son John Baker Dowel, esq. of Over, who bore for his arms, Argent, a lion rampant, within a bordure engrailed, sable. (fn. 8) He died possessed of it in 1738, as he likewise did of the remaining third of the fourth part, which had descended to him by the deaths of Robert Spencer, and Elizabeth his wife, s. p. in both which he was succeeded by his son John Baker Bridges Dowel, esq. of the same place. At this death in 1744, he devised his interest in this estate to the Rev. Staunton Degge, who conveyed them to Galfridus Mann, esq. whose son Sir Horace Mann, bart. being thus entitled to all the several interests as abovementioned in this estate, is become the possessor of the entire fee of these manors, the mansion of Sissinghurst, and the lands and estates belonging to them.

¶The mansion of Sissinghurst stands towards the northeast boundaries of this parish, in a situation far from pleasant, lying low in a wet clayey soil, without prospect, and enveloped with large tracts of surrounding woodland. The house having been long uninhabited was let out during the late war for the confinement of the French prisoners, whence it gained the name of Sissingburst castle, after which it became again uninhabited, and has since been pulling down piecemeal from time to time, for the sake of the materials, so that what is left of it is now no more than ruins. The park has been disparked many years since. There was a chapel founded at Sissinghurst by John de Saxenhurst, which was re-edified by Sir John Baker, bart. in the reign of king Charles I. and by a deed delivered in 1627 to John Bancrost, bishop of Oxford, was devoted to the service of God, and dedicated, as it was before, to St. John the Evangelist; upon which it was consecrated by the bishop, with the usual ceremonies and benedictions.

CRANBROOKE is within the ECCLESTASTICAL. JURISDICTION of the diocese of Canterbury, and deanry of Charing.

The church is dedicated to St. Dunstan, confessor, and is very large and handsome. It consists of three isles and three chancels. The pillars on each side of the middle isle are beautifully slender and well proportioned. The west end has a gallery over it, ornamented with printing. The pews are uniform, and made of wainscot, and the pavement black and white marble. The high chancel is well ceiled, and decorated with paintings. The east window is full of fine stained glass, many of the rigures of it being entire, and richly ornamented as to their drapery, &c. There are several shields of arms remaining in it, among which are those of Wilsford, Guldeford, quartered with Halden, within the order of the garter, and archbishop Bourchier, being those of the see of Canterbury, impaling first and fourth, Bouchier, second and third, gules, a fess between twelve billets, or. Archbishop Tenison, in 1710, was a benefactor in repairing of the high chancel. (fn. 12) Against the east wall of the south chancel is a very high and broad pyramid of white marble, on which there is a full account of the family of Roberts, inscribed by a most pompous scheme of pedigree, with the numerous coats of arms properly emblazoned. At the west end is a square tower steeple, in which are eight bells and a set of chimes. On the west side of the tower were formerly carved in the stone-work, though now decayed by time, the arms of Berham, Bectenham and Wilsford, in antient times owners of lands, as has been already mentioned, in this parish. In the south isle over the vault, in which the remains of the Bakers and their descendants lie, is a superb pyramid of white, marble, on which are the names and the dates of their deaths, and at the top of it their arms. It was erected by John Baker Dowel, esq. of Over, son of John and Mary, in 1736.

In 1725, part of this church fell down, but was quickly afterwards rebuilt. It was occasioned by some persons digging in the vault belonging to the Baker family, by which two stones, on which one of the main pillars stood, gave way, and the pillar cracked, soon after thirty or forty feet of the middle isle fell in, by which the pews were all crushed, and the cost to repair it was estimated at near 2000l. There is a room; with a staircase to it, adjoining the church, in which there is a large dipping-place, for the use of such Baptists who are desirous of being admitted into the established church; but in seventy years past it has been but twice made use of for this purpose. It was provided by Mr. Johnson, vicar of this church. In this church was a chantry, founded by the will of J. Roberts, esq. of Glassenbury, in 1460, for a priest to say mass here for ever. And he ordered that twenty pounds be laid out to remove the rood-lost, and setting it on the high chancel. And being so considerable a benefactor to this church, his figure was painted in the windows of the north isle, kneeling, in armour, with his helmet lying by him, before a desk, with a book on it, and an inscription, to pray for him and his wife, and his son Walter, and his three wives. Walter Roberts abovementioned, by his will 13 Henry VIII. directed Thomas his son to find a priest to celebrate divine service at St. Giles's altar in this church, for the souls of his father, mother, his wives, and his own; for which service he should have been marcs yearly, payable by his heirs for ever, out of his lands in this parish and Goudhurst. And he gave further to this church towards the making of the middle isle, one half of all the timber of that work.

The church of Cranbrooke was part of the antient possessions of the see of Canterbury, to which it was appropriated in the 6th year of Edward III. with the king's licence; and the same was afterwards confirmed by pope Clement VI. at which time there appears to have been a vicarage endowed here. The archbishop continued owner of the appropriation of this rectory, and of the advowson of the vicarage till the reign of Henry VIII. when archbishop Cranmer, by his deed, anno 31 Henry VIII. granted the rectory, among other premises, in exchange, to that king, reserving the advowson of the vicarage to himself and his successors. Soon after which the king settled it by his dotation charter, in his 33d year, on his new-erected dean and chapter of Canterbury, part of whose possessions it now remains. (fn. 13) In 1644 Sir John Roberts was lessee, at the rent of 33l. 6s. 8d. per annum. The present lessee is Mrs. Lawson.

¶When the vicarage of Cranbrooke was endowed, I have not found; but in 1364 and 1371, the portion of the vicar was augmented, and in the latter year the prior and convent of Christ-church, Canterbury, confirmed the confirmation of archbishop William, of the donation of his predecessor archbishop Simon, of 6000 of towod granted to the vicar of Cranbrooke, of the tenths, of silve cedue belonging to the church of Cranbrooke.

It is valued in the king's books at 19l. 19s. 4½d. and the yearly tenths at 1l. 19s. 11¾d. In 1578 here were 1905 communicants. On a survey taken in 1648, after the abolition of deans and chapters, it appeared that there was a parsonage-house, an orchard, little garden, two great barns, and other buildings; and that the late dean and chapter, in 1636, demised to John Roberts, esq. these premises, and all manner of tithes of corn and grass, for twenty-one years, at 33l. 6s. 8d. per annum, but that they were worth, over and above that rent, 228l. 13s. 4d. per annum. The lessees to repair the chancel and the market-cross of the town.

There is no part of this parish which claims an exemption of tithes; but there is a small and irregular modus upon all the lands in it, in lieu of vicarial tithes. There are no tithes paid Specifically for hops, though there are upwards of six hundred acres planted in this parish, as being included in the above mentioned modus.

The glebe land consists of the scite of the vicarage, the garden, and about three quarters of an acre of meadow. There are some old houses belonging to the vicarage, which, when the taxes and repairs are deducted, produce very little clear income.

Anno 1314, a commission was issued for settling a dispute between the rectors of Biddenden and Cranbrooke, concerning the bounds of their respective parishes.

www.british-history.ac.uk/survey-kent/vol7/pp90-113

I heard on the radio a few months back, about places in Britain that sound like they should be elsewhere, I can't remember the examples given. But for me, Luddenham sounds as Norfolk as it is possible to get. And yet it is a parish and small village here in Kent.

Were it not for the sat nav, I don't think I would have found Luddenham, not without someone reading the map anyway. From Burham it was a half hour blast down the M2 to Faversham, then taking roads that got ever narrower, I left Faversham, drove though a wood, then out onto the Oare Marshes.

Out over the marshes down a narrow single-track lane, winding round the edge of fields to a large farm that was once a manor house, and beside it was St Mary.

What warmth there had been in the day was now long gone, and the wind had turned to the north east and increased. As I stood inside the half-empty church, I could hear the wind whistling round the tower outside.

Highlight for me here was a fine collection of Victorian tiles, including a design each for one of the gospel saints, and a wonderful stone coffin lid depicting a face with two hands holding it.

----------------------------------------------

The familiar country scene of Norman church, medieval Court and sprawling farmyard - but the history of Luddenham is far from standard. Here we have a promontory of land which formerly provided wharves off the River Swale some way to the north. Indeed, the place name gets it origin from the Saxon `Lud` meaning a river. The church is now in the care of The Churches Conservation Trust and consists of nave, chancel and south tower. The latter dates from the early nineteenth century and replaced a tower which originally stood to the north of the nave. The west door is a rather weather-beaten twelfth century example. Following redundancy, the church lost most of its furnishings, so its vast spacious interior is something of a surprise to the visitor. There are some medieval tiles in the sanctuary, where graffiti on the glass records those who were probably too poor to have permanent memorials outside. At the back of the church is a fragment of thirteenth century coffin lid brought here from the ruined church at Stone, about a mile to the south west. Rather touchingly it has a heart clasped by two hands in its crisp carving. The church is usually open.

www.kentchurches.info/church.asp?p=Luddenham

LIES the next parish north-westward from Ore, and was, in the reign of the Conqueror, called Cildresham, by which name it is described in the survey of Domesday.

IT is situated about a mile northward of the high London road from Judde-hill, the southern part of it reaching up to Bizing wood, part of which is within it. It lies very low and flat; the arable lands in it, which consist of about three hundred and ninety-six acres, and the upland, meadow, and pasture, of about two hundred acres, are very rich and fertile; near one half of it is marsh land, which reaches to the waters of the Swale, which are its northern boundary.

The church stands nearly in the middle of the upland part of it, and the parsonage-house, which has a mote round it, near half a mile southward of it, close to Bysing-wood. There is no village, and not more than ten houses in the parish, the unhealthiness of its situation occassions its being but very thinly inhabited, those who risk their lives in it seldom attaining any great age.

THERE ARE some parts of this parish which lie at some distance from the rest of it, several other parishes intervening: in Perry-field, almost opposite the 47th mile-stone on the high London road, but on the other or south side of it, there are twenty-two acres of land, and between Goodneston and Boughton under Blean, there are thirty-two acres of land belonging to this parish. There are many instances of the like in different parts of this county, and in this neighbourhood in particular there are several, for a part of the parish of Morton, near Sittingborne, lies within this parish of Luddenham, and entirely surrounded by it, several other parishes intervening between this part of Murston and the rest of it. Part of Preston parish lies near Davington-hill; Upleez farm, the property of lord Romney, which lies westward of Ore, is in Faversham parish; and part of Ospringe parish lies surrounded by the town of Faversham and its liberties.

MR. JACOB among his Plantæ a Favershamienses, has given a list of a number of scarce plants found by him in this parish, to which the reader is referred for an account of them.

THIS PLACE was part of the vast possessions of Odo, bishop of Baieux, under the general title of whose lands it is thus entered in the survey of Domesday:

Anssrid holds of the bishop of Baieux Cildresham. It was taxed at one suling. The arable land is three carucates. In demesne there is one carucate and an half. There are five servants, and two acres of meadow. There is wood, but it pays nothing.

Upon the bishop's disgrace, about four years afterwards, this estate came to the crown, among the rest of this possessions, whence it was granted by the king, among other lands, to Fulbert de Dover, for his assistance, in the defence of Dover castle. These lands were held of the king in capite by barony, the tenant being bound by his tenure to maintain a certain number of soldiers, from time to time, for the defence of the castle.

Of Fulbert de Dover and his heirs, this place was held, as one knight's fee, of the honour of Chilham, which they made the caput baroniæ, or chief seat of their barony.

THE MANOR OF LUDDENHAM came afterwards into the possession of a family who fixed their name on it. William de Luddenham, in the 13th year of king John's reign, held it as one knight's see, of the honor of Chilham, in manner as before mentioned. His heirs, in the next reign of Henry III. sold this manor to the Northwoods, one of whom, Sir Roger de Northwood, in the 41st year of that reign, procured licence to alter the tenure of his lands from gavelkind to that of knight's service, of which there is a recapitulation in the Book of Aid, and among them mention is made of ninety acres of marsh land, which lay partly in his manor of Luddenham, and partly in Iwase.

From the family of Northwood this manor passed into that of Frogenhall; John de Frogenhall, at the latter end of king Edward the IIId.'s reign, died possessed of it, with an appendage called Bishopsbush. After which it at length descended in the beginning of king Edward the IVth.'s reign to Thomas Frogenhall, who married Joane, daughter and heir of William de Apulderfield, and dying in 1576, being the 17th year of that reign, was buried with his wife in Faversham church; their daughter and sole heir Anne, carried this manor in marriage to Mr. Thomas Quadring, of London, and he in like manner leaving one sole daughter and heir Joane. she entitled her husband Richard Dryland, of Cooksditch, in Faversham, to the possession of it. He alenated the appendage of Bishopsbush above-mentioned, to Crispe, who passed it away to Mr. William Hayward, from which name it went in marriage to Mr. Thomas Southhouse, gent. who possessed it at the end of king Charles I.'s reign; but both the name and situation of the estate have been for some time so totally for gotten, that the most diligent enquiries cannot trace out either of them.

But the manor of Luddenham itself went with Katherine, the sole daughter and heir of Richard Dryland, in marriage to Reginald Norton, of Lees-court, in Sheldwich, from which name it passed by sale, in king James I.'s reign, to Francis Cripps, esq. who sold it to Kirton, from which name it passed, in king James II.'s reign, to John Briant, esq. whose heirs passed it away, in king George I.'s reign, to Mr. John Blaxland, and his heirs alienated it, about the year 1753, to Beversham Filmer, esq. of London, a younger son of Sir Robert Filmer, bart. of East Sutton, and of Lincoln's-inn, barrister-at-law. He died ununmarried, and full of years, in 1763, (fn. 1) having by his will given this manor, among the rest of his lands in this county and elsewhere, to his eldest nephew, Sir John Filmer, bart. of East Sutton, who died s. p. in 1797, and by will devised this estate to his next brother, Sir Bevertham Filmer, bart. the present owner of it. A court baron is held for his manor.

At the court held for the manor of Chilham, the tenant of this manor is constantly presented by the jury for default of service, as being held of it under the notion of one knight's fee, and he is always amerced at two shillings, the payment of which is never with-held by him.

HAM is a principal estate, adjoining to the marshes, at the eastern boundary of this parish, and partly in that part of Preston which is separated from the rest of it by Davington and Ospringe intervening, being within that appendage to the manor of Copton, called from hence Hamme marsh. This estate, for several generations, belonged to the family of Roper, lords Teynham, and was sold in 1766 by Henry Roper, lord Teynham, to Mr. William Chamberlain, of London, who sold it to Benjamin Hatley Foote, Esq. and his son George Talbot Hatley Foote, Esq. now owns it.

NASHES is an estate in this parish, which formerly belonged to the Coppingers; Ambrose Coppinger possessed it in the reign of queen Elizabeth, whence it passed to the Brewsters, who were owners of much land at Linsted, Tenham, and other parts of this neighbourhood; from them it was sold to Mr. James Tassell, of Linsted; after which it became the property of Dr. Dravid Jones, and afterwards of Mr. Anthony Ingles, gent. of Ashford, who in 1776 conveyed it be sale to Mr. James Tappenden, gent. of Faversham, the present owner of it, who is descended from those of this name, who were for several generations resident at Sittingborne, where several of them lie buried, and are said to be extracted from the Denne of Tappenden, in Smarden, and bear for their arms, Or, two lions passant, in chief, and one in base, rampant, azure.

Charities.

Thomas Streynsham, gent. of Faversham, was possessed of a farm of 16l. per annum in this parish, Out of the profits of which, by his will in 1585, he devised 3l. per annum for ever, to the use of the poor of that parish.

The poor constantly relieved are about twenty; casually twelve.

Luddenham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.

The church, which is dedicated to St. Mary, is a small building, consisting of one isle and one chancel, having a tower steeple on the north side of it, in which are three bells.

¶This church was formerly an appendage to the manor of Luddenham, and as such came into the possession of William de Luddenham before-men tioned, lord of it, who, as appears by the leiger-book of the abbey of Faversham, gave this church to the abbot and convent there, which he did by placing his knife on the altar in the church of their convent, and this with the consent of his daughter and heir Matilda, and of Gaysle his wife, in the presence of the convent, and many of the clergy and laity, which gift was confirmed afterwards by Sir William de Insula, who married his daughter; notwithstanding which, William de Insula their son, laid claim to it as part of his inheritance, and a suit was commenced in the beginning of king John's reign, by him, against the abbot and convent, to recover the possession of it, which seems to have been determined in his favor, and the religious were forced to be contented with the pension of 66s. 8d. to be paid to them yearly out of it. (fn. 2). This pension they continued to enjoy from it till the time of their dissolution, in the 30th year of Henry VIII. when it came, with the rest of their possessions, into the king's hands, who settled it, among other premises, in his 33d year, on his new-founded dean and chapter of Canterbury, who continue to receive it from the rector at this time.

The determination of the above-mentioned suit against the religious, did not put them out of hopes of, some time or other, recovering the possession of this church, the appropriation of which they got to be inserted in a confirmation of some of their possessions by pope Gregory X. in 1274; but this did not avail them any thing, for this church still continued unappropriated, as it does at this time, being esteemed a rectory, the patronage of which has been for a great length of time in the crown.

The church of Luddenham is valued in the king's books at 12l. 8s. 4d. and the yearly tenths at 1l. 4s. 10d. In 1578, here were communicants fifty-four. The crown patron.

In 1640 there were communicants sixty-eight. The yearly value of it one hundred pounds. It is now esteemed of the same clear yearly value.

There is a modusclaimed for five hundred and thirtyone acres of the marsh lands in this parish, almost all of which are at two-pence, though there are some few at four-pence per acre.

www.british-history.ac.uk/survey-kent/vol6/pp386-393

Original Caption: Track mileage from St. Louis, Missouri; Kansas City, Missouri; and Chicago, Illinois; to Bloomington, Illinois, is given on the train station's marque. Amtrak officials have renovated many of the stations used by rail passengers. Some new terminals also are being built. It is part of the corporation's effort to upgrade equipment and materials they received when they became responsible for most U.S. intercity rail passenger service, June 1974

U.S. National Archives’ Local Identifier: 412-DA-13613

Photographer: O'Rear, Charles, 1941-

Subjects:

Bloomington, Illinois

Environmental Protection Agency

Project DOCUMERICA

Persistent URL: research.archives.gov/description/556065

Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html

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Mingle Media TV and Red Carpet Report host Brandi Chang were invited to come out to cover FX's Justified Season 5 premiere red carpet event and screening at the Directors Guild in Hollywood.

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About the FX’s Justified

Based on Elmore Leonard’s novella Fire in the Hole, Justified was developed by Graham Yost and stars Timothy Olyphant as ‘Deputy US Marshal Raylan Givens,’ a lawman who finds himself drawn back to his home state of Kentucky. This January, Raylan confronts the Crowes, a deadly, lawless family from Florida intent on settling in Harlan with new criminal enterprises in mind. Meanwhile, ‘Boyd Crowder’ (Walton Goggins) struggles to free his imprisoned fiancée ‘Ava’ (Joelle Carter) as he partners with the Dixie Mafia’s ‘Wynn Duffy’ (Jere Burns). For more info visit:

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The Mercedes-Benz W111 was a chassis code given to its top-range vehicles, including 4-door sedans, produced from 1959 to 1968, and 2-door coupes and cabriolets from 1961 to 1971.

Mercedes-Benz emerged from World War II as an automaker in the early 1950s with the expensive 300 Adenauers and the 300SL roadsters that gained it fame, but it was the simple unibody Pontons that were the volume models. However, in both their construction and design, the Pontons were archaic, based on 1940s models of U.S. sedans.

Work on replacing these cars began in 1956, and the design focused on passenger comfort and safety. The basic Ponton cabin was widened and squared off, with larger glass area improving driver visibility. A milestone in car design were front and rear crumple zones that would absorb kinetic energy from impact. The automaker also patented retractable seatbelts. (The death toll in the new generation cars would be less than half that of the pontons.)

The exterior was designed for the European and North American markets. The body was modern and featured a characteristic tailfins that gave gave the models their nickname — the fintail (German: Heckflosse).

Series production of the 4-door sedan began in August 1959, and the car was premiered at the Frankfurt Auto Show in autumn. Initially the series consisted of three models the 220b, 220Sb, and the 220SEb. These replaced the 219 W105, the 220S W180 and the 220SE W128 Ponton sedans respectively.

Design of a replacement for the two-door Pontons began in 1957, as most of the chassis and drivetrain were to be unified with the sedan, the scope was focused on the exterior styling. Some of the mock-ups and prototypes show that Mercedes-Benz attempted to give the two-door car a front styling almost identical to what would be realised in the Pagoda roadster, but ultimately favoured the work of engineer Paul Bracq. The rear bodywork however, persisted, and thus, though officially still called a fintail the rear end design had no chrome fin highlights. Production began in late 1960, and in February of the next year the coupe was premiered in Stuttgart for the 75th anniversary of the opening of Mercedes-Benz Museum.

(Wikipedia)

- - -

Der Mercedes-Benz W 111 war das erste Oberklassen-Modell der Heckflossen-Serie von Mercedes-Benz, gelegentlich „Große Flosse“ genannt.3

Der W 111 folgte der bis 1959 gebauten großen „Ponton“-Serie W 105 und W 180 nach. Seine geradlinig elegante Karosserieform stammte vom damaligen MB-Chefdesigner Karl Wilfert und seinem Team. Die Karosserie zeichnete sich durch eine bis dahin nicht gekannte passive Sicherheit aus: Sie besaß als erste eine stabile Fahrgastzelle und wirksame Knautschzonen. Mercedes führte umfangreiche Crashtests durch, z. B. brachte man ein Fahrzeug mit 80 km/h über eine Rampe zum Überschlagen.

n die Baureihen W 111 und W 112 eingeordnet wurden neben den viertürigen Fahrzeugen („Heckflossen“-Limousinen) auch die Coupés und Cabrios in flacheren Karosserien mit runderen, nur noch im Ansatz erkennbaren Finnen. Im Rahmen der Eröffnung des Daimler-Benz-Museums in Untertürkheim am 24. Februar 1961 wurde der neue Mercedes-Benz 220 SE(b) Coupé präsentiert.

Im US-Thriller Marathon Man von Regisseur John Schlesinger aus dem Jahr 1976 wird ein W 111 von einer der Hauptfiguren, Klaus Szell bewegt. Dieser kommt in einer Verfolgungsjagd um Leben, nachdem er einen Tanklaster rammt.

Im Film Der Richter und sein Henker von 1975 ist eine schwarze Limousine der Baureihe W 111 zu sehen. Diese wurde von Robert Schmied bzw. Walter Tschanz gefahren.

Im Film The Hangover wird ein silbernes W-111-Cabrio gezeigt.

Im Film Im Geheimdienst Ihrer Majestät fahren die Gegner von Geheimagent James Bond in der Schweiz eine schwarze Limousine, Typ 220 S. Während einer Verfolgungsjagd wird der Wagen spektakulär zerstört.

(Wikipedia)

A gift given from God above is sent to parents, it is a child to love.

Thank You God

© Shirley J. Stankiewicz

Sent straight from heaven up above

Came an angel for me to love

To hold and rock and kiss good night

To wrap my arms around real tight

To cuddle & nurture and watch him play

To kiss his boo-boo's all away

To keep him safe and warm & count all his toes

To hold the tissue for him when he blows his little nose

To laugh at his jokes, to clap as he sings

To tell him all the joy in my life that he brings

To clean up his play dough, to pull his legos apart

To pin up his drawings and tell him it's art

To watch his first day of school on the bus all alone

To fight back the tears as I make my way back home

To applaud real loud when he's in his first play

To help him with his homework at the end of his day

To adore & cherish and watch him grow

To guide and teach him all that I know

To see him through good times & help him through bad

To share in his happiness and cry when he's sad

To hold him close and be by his side

To watch him through life as my heart fills with pride

To help him with decisions, the best that I can

To know that someday he'll be a fine young man

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YORK, ENGLAND - DECEMBER 09: during an i2i Soccer Academy Training Session at Haxby Road on December 9th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)

From Justified, one of the finest shows around.

My collection may mostly be in storage, but my figs shall live on

Given the combination of a large diagram contained in a small cabin the diagram had to be photographed in two halves, here we see the right hand side of the diagram. The most obvious thing that hits you is the siding, this is the access to Ford’s engine plant and sees a train each day arriving in the early morning. Access was via a ground frame released from the box, more of that later.

At 12.45 hrs on Saturday 9th March 2013 Aberthaw Signal Box would have sent 7 5 5 to Barry Signal Box for the last time were it not for the fact that the block and bells had been removed overnight !

In the end the signaller at Aberthaw telephoned Barry and advised him he was closing the box and signed off duty, the last signaller to do so after 116 years, a bit more of our railway heritage passed into history.

South Wales, like the rest of the country, is being re-signalled with all signalling in this particular area being gradually incorporated into Cardiff IECC.

Aberthaw and Cowbridge Road signal boxes were due to be abolished as part of this re-signalling over the weekend of 26th and 27th January 2013. As is seemingly often the case, the scheme was not on time and the boxes were provisionally due to be abolished over the weekend of 23rd & 24th March 2013. In actuality this date was brought forward.

Situated on the Vale of Glamorgan line between Bridgend and Barry are these two very different boxes. The V O G leaves the former GWR main line at Barry Junction, Bridgend and runs to Barry. Originally built by the Barry Railway Company, the line became part of the mighty Great Western as a consequence of the 1923 Grouping.

Aberthaw East box opened in 1897, built by the Barry Railway Company it is as old as the line it serves.

Cowbridge Road is very clearly a more modern structure having opened on 12th September 1965 in conjunction with the opening of the then state of the art Port Talbot Power Signal Box. It acts as a fringe box to Port Talbot and on opening worked absolute block to Southerndown Road. With the gradual abolition of all the intermediate boxes between Aberthaw East and Cowbridge Road the absolute block section grew in length to a hefty 13 miles. Whilst freight traffic was light this was not a major issue but with the reintroduction of passenger services on 12th June 2005 changes were required thus a small panel was installed in Aberthaw East and track circuit block working (with axle counters)was introduced between Cowbridge Road and Aberthaw on May 9th 2005.

With the demise of Aberthaw West as a signal box in 1962 and later as a ground frame in September 1980 then Aberthaw East ceased to require it’s suffix and became plain “Aberthaw”

The attached set of images was taken during a one day trip down from Nottingham on a dull grey 9th January 2013. Poor light and limited time to cover the three boxes I set out to visit before the daylight went completely meant a limited set of shots was obtained but are posted up here as a record of these two very different boxes. (Barry box will follow in due course).

Three Chimneys Farm in Midway, KY held an open house to allow fans to say goodbye to 2004 Kentucky Derby and Preakness Stakes winner Smarty Jones. Smarty will return to his native Pennsylvania where he will stand stud at Ghost Ridge Farm.

The folks at Three Chimneys graciously allowed visitors to wander around the grounds and the barns and photograph the horses and the beautiful Bluegrass scenery.

On top of that, grooms spent the day bringing out a succession of famous horses for visitors to see up close and photograph. Everyone at Three Chimneys (even the horses) showed tremendous patience and made sure that everyone got a chance to see these magnificent animals.

This is Point Given...winner of the 2001 Preakness and Belmont Stakes, he finished 5th in the '01 Kentucky Derby.

Monastic foundation

The priory of St. Mary of Newstead, a house of Augustinian Canons, was founded by King Henry II of England about the year 1170,[1] as one of many penances he paid following the murder of Thomas Becket.[2] Contrary to its current name, Newstead was never an abbey: it was a priory.

In the late 13th century, the priory was rebuilt and extended. It was extended again in the 15th-century, when the Dorter, Great Hall and Prior's Lodgings were added.[1] The priory was designed to be home to at least 13 monks, although there appear to have been only 12 (including the Prior) at the time of the dissolution.[1]

The Valor Ecclesiasticus of 1534 gave the clear annual value of this priory as £167 16s. 11½d. The considerable deductions included 20s. given to the poor on Maundy Thursday in commemoration of Henry II, the founder, and a portion of food and drink similar to that of a canon given to some poor person every day, valued at 60s. a year.

Despite the annual value of Newstead being clearly below the £200 assigned as the limit for the suppression of the lesser monasteries, this priory obtained the doubtful privilege of exemption, on payment to the Crown of the heavy fine of £233 6s. 8d in 1537.

The surrender of the house was accomplished on 21 July 1539. The signatures attached were those of John Blake, prior, Richard Kychun, sub-prior, John Bredon, cellarer, and nine other canons, Robert Sisson, John Derfelde, William Dotton, William Bathley, Christopher Motheram, Geoffrey Acryth, Richard Hardwyke, Henry Tingker, and Leonard Alynson.

The prior obtained a pension of £26 13s. 4d., the sub-prior £6, and the rest of the ten canons who signed the surrender sums varying from £5 6s. 8d. to £3 6s. 8d.

The lake was dredged in the late eighteenth century and the lectern, thrown into the Abbey fishpond by the monks to save it during the Dissolution of the Monasteries, was discovered. In 1805 it was given to Southwell Minster by Archdeacon Kaye where it still resides.

Priors of Newstead

Eustace, 1216

Richard, 1216

Robert, 1234

William (late cellarer), 1241

William, 1267

John de Lexinton, resigned 1288

Richard de Hallam, 1288

Richard de Grange, 1293

William de Thurgarton, 1324

Hugh de Colingham, 1349

William de Colingham, resigned 1356

John de Wylesthorp, resigned 1366

William de Allerton, 1366

John de Hucknall, 1406

William Bakewell, 1417

Thomas Carleton, resigned 1424

Robert Cutwolfe, resigned 1424

William Misterton, 1455

John Durham, 1461

Thomas Gunthorp, 1467

William Sandale, 1504

John Blake, 1526[3]

Sir John Byron of Colwick in Nottinghamshire was granted Newstead Abbey by Henry VIII of England on 26 May 1540 and started its conversion into a country house. He was succeeded by his son Sir John Byron of Clayton Hall. Many additions were made to the original building. The 13th century ecclesiastical buildings were largely ruined during the dissolution of the monasteries. It then passed to John Byron, an MP and Royalist commander, who was created a baron in 1643. He died childless in France and ownership transferred to his brother Richard Byron. Richard's son William was a minor poet and was succeeded in 1695 by his son William Byron, 4th Baron Byron. Early in the 18th century, the 4th Lord Byron landscaped the gardens extensively, and amassed a hugely admired collection of artistic masterpieces.

During the ownership of William, 5th Baron Byron, the Abbey suffered a downturn in fortunes. As a young man, William lavished money on the estate, building picturesque Gothic follies and staging glamorous mock navy battles on the lake.[4] Continuing to take out loans and pursue his pleasures of horse-racing, gambling, and going to the theatre, he found himself financially reliant on a scheme of marrying off his only surviving son and heir to a wealthy heiress. The plan fell apart when his heir eloped with his cousin Juliana Byron, daughter of William's brother John Byron.

Though late 18th-century gossip attested that he ruined the estate, felled trees, and killed deer while hellbent on revenge, this is not the case – he simply had no money to pay his debts, and stripped the Abbey and estate of its artistic treasures, furniture, and even its trees, to quickly raise cash.[5] Though he made thousands of pounds it was not enough to pay back the loans he had been taking out since his thirties, and there was no hope of restoring the Abbey to its former glory.

As well as outliving all four of his children William also outlived his only grandson, who was killed by cannon fire in 1794 while fighting in Corsica at the age of 22. The 5th Lord died on 21 May 1798, at the age of 75.[6] Later, 19th-century myths attest that on his death, the great numbers of crickets he kept at Newstead left the estate in swarms. The title and Newstead Abbey were then left to his great-nephew, George Gordon Byron, then aged 10, who became the 6th Baron Byron and later the famous and notorious poet.

Lord Byron

The young Lord Byron soon arrived at Newstead and was greatly impressed by the estate. The scale of the estate contributed to Byron's extravagant taste and sense of his own importance. However, no less impressive was the scale of problems at Newstead, where the yearly income had fallen to just £800 and many repairs were needed. He and his mother soon moved to the nearby town of Southwell and neither lived permanently at Newstead for any extended period. His view of the decayed Newstead became one of the romantic ruin, a metaphor for his family's fall:

Thro' thy battlements, Newstead, the hollow winds whistle;

Thou, the hall of my fathers, art gone to decay.

The estate was leased to the 23-year-old Henry Edward Yelverton, 19th Baron Grey de Ruthyn, from January 1803. The lease was for £50 a year for the Abbey and Park for five years, until Byron came of age. Byron stayed for some time in 1803 with Lord Grey, before they fell out badly.

In 1808, Lord Grey left at the end of his lease and Byron returned to live at Newstead and began extensive and expensive renovations. His works were mainly decorative, however, rather than structural, so that rain and damp obscured his changes within just a few years.

Byron had a beloved Newfoundland dog named Boatswain, who died of rabies in 1808. Boatswain was buried at Newstead Abbey and has a monument larger than his master's. The inscription, from Byron's poem Epitaph to a Dog, has become one of his best-known works:

The poem Epitaph to a Dog as inscribed on Boatswain's monument

Near this Spot

Are deposited the Remains

of one

Who possessed Beauty

Without Vanity,

Strength without Insolence,

Courage without Ferosity,

And all the Virtues of Man

without his Vices.

This Praise, which would be unmeaning flattery

If inscribed over Human Ashes,

Is but a just tribute to the Memory of

"Boatswain," a Dog

Who was born at Newfoundland,

May, 1803,

And died at Newstead Abbey

Nov. 18, 1808.

Byron had wanted to be buried with Boatswain, although he would ultimately be buried in the family vault at the nearby Church of St Mary Magdalene, Hucknall.

He was determined to stay at Newstead—"Newstead and I stand or fall together"—and he hoped to raise a mortgage on the property, but his advisor John Hanson urged a sale. This would be a preoccupation for many years and was certainly not resolved when Byron left for his Mediterranean travels in 1809. Upon his return to England in 1811, Byron stayed in London, not returning to see his mother who had been living in Newstead. She died, leaving him distraught at his own negligence of her. He lived again at the Abbey for a time but was soon drawn to life in London.

For the next few years, Byron made several attempts to sell the Abbey. It was put up at auction in 1812 but failed to reach a satisfactory price. A buyer was found, however, who offered £140,000, which was accepted. By spring 1813, though, the buyer, Thomas Claughton, had only paid £5,000 of the agreed down-payment. Byron was in debt and had continued to spend money on the expectation that the house would be sold. Negotiations began to degenerate and Byron accused Claughton of robbing the wine cellar. By August 1814, it was clear that the sale had fallen through, and Claughton forfeited what he had paid of the deposit. Byron was now without settled financial means and proposed marriage to the heiress Anne Isabella Milbanke. Claughton did return with new proposals involving a reduced price and further delays. Byron turned him down.

Letitia Elizabeth Landon's poem Lines Suggested on Visiting Newstead Abbey accompanies an engraving of Newstead Abbey after a painting by Thomas Allom (Fisher's Drawing Room Scrap Book, 1839). This poem is mainly a reflection on Byron and what it means to be a poet. Miss Landon may have visited Newstead Abbey on one of her visits to her uncle in Aberford, Yorkshire.

Newstead Abbey (1975)

In July 1815, Newstead was once again put up for auction but failed to reach its reserve, bought in at 95,000 guineas. It was only during Byron's exile in Italy, in 1818, that a buyer was found.[7] Thomas Wildman, who had been at Harrow School with Byron and was heir to Jamaican plantations, paid £94,500, easing Byron's financial troubles considerably.

Wildman too spent a great deal of money on the Abbey and its contents, restoring it to some greatness. The architect John Shaw Sr. designed new parts of the abbey for Wildman.

William Frederick Webb

In 1861, William Frederick Webb, African explorer, bought the Abbey from Wildman's widow. People including David Livingstone, Abdullah Susi, James Chuma and Jacob Wainwright all visited the Abbey at different times during the period Webb lived there.[8] Under Webb, the chapel was redecorated, but the rest of the house remained largely unaltered. After his death in 1899, the estate passed to each of his surviving children and finally to his grandson Charles Ian Fraser. Fraser sold Newstead to local philanthropist Sir Julien Cahn, who presented it to Nottingham Corporation in 1931.

Today

Newstead Abbey in June 2015.

The Abbey is owned by Nottingham City Council and houses a museum containing Byron memorabilia. It plays host to weddings and other events.

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Mingle Media TV and Red Carpet Report host Brandi Chang were invited to come out to cover FX's Justified Season 5 premiere red carpet event and screening at the Directors Guild in Hollywood.

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About the FX’s Justified

Based on Elmore Leonard’s novella Fire in the Hole, Justified was developed by Graham Yost and stars Timothy Olyphant as ‘Deputy US Marshal Raylan Givens,’ a lawman who finds himself drawn back to his home state of Kentucky. This January, Raylan confronts the Crowes, a deadly, lawless family from Florida intent on settling in Harlan with new criminal enterprises in mind. Meanwhile, ‘Boyd Crowder’ (Walton Goggins) struggles to free his imprisoned fiancée ‘Ava’ (Joelle Carter) as he partners with the Dixie Mafia’s ‘Wynn Duffy’ (Jere Burns). For more info visit:

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I've been given the opportunity to photograph the old Power Plant in Savannah, Ga along the Savannah River. The Plant was decommissioned in the mid 2000's and is now in the planning phases of a complete renovation and conversion into a Kessler Signature Hotel. Part of the full development of the Power Plant is 2 new construction pieces. I'm am the project manager for 1 piece and am proud to be part of an amazing design team that is part of this project.

This panel is seen as you enter the main "atrium" space of the Power Plant. It is pieces like that that will hopefully remain as part of the aesthetic of the hotel conversion.

The series of shots I'll be posting are just from my first survey of the space and property. I'll be revisiting the site on a monthly basis over the next few months.So much more to come.

BLOG I I I WSM photography

© Walker Scott Moore 2014 - All rights reserved

Given the metal working skills of BiH artisans, it was not long after the war that empty cases were being decorated as souvenirs, a late 20th Century "trench art". This erstwhile carrier of death is decorated and stamped "Sarajevo" for the tourist trade.

Given the current visitor restrictions in place, many families haven’t been able to see their loved ones in the hospital. One family from San Francisco came up with a unique way to share their love and encouragement with their daughter who is currently receiving treatment at Mercy San Juan. When the patient’s nurses brought her to the window, she was surprised to see her whole family on the lawn in front of the hospital with balloons and signs that declared her a hero and a fighter! The patient and attending caregivers were deeply touched by this loving gesture. All the nurses involved in coordinating the surprise were honored with Mercy Touches and the patient gifted them with treats as a special thank you.

Was given the word "Dream" and asked to produce an outcome in about 30 hours

Photogr. Atelier Rudolf Sommer, Altona. Unused. Given the very young age of this soldier I would say this is a wartime picture, 1917 or 1918.

Unit: 4. Unknown, likely to be Infantry, possibly Infanterie-Regt. Graf Bose (1.Thüringisches) Nr.31

Rank: Soldier

Headwear: fieldgrey Krätchen with Reichs and State cockade which appears to be Prussian

Tunic: M1907/10 Feldrock with Brandenburg cuffs. The shoulder straps are covered

Accoutrements: Quite interesting: a tiny vest or gilet which covered only the top portion of the torso. It was to be worn on top of the normal tunic and was worn during training. Given the limited area it covered, I don't know how much it would have helped. Perhaps that's why pictures are rather scarce. Thomas Wictor refers to it as half-tunic in his book and the officer term was a Brustschoner.

Ammunition pouches: M1885

Armament: Gew98

Frankie the cat philosopher...

astute, challenging...but dense...my lack of education in Philosophy was evident...

Given to him by someone he knew. The patches were kindly sewn on by a friend.

Visitors were given the opportunity to cross the plaza and place a flower in front of the Tomb of the Unknown Soldier during the second Flowers of Remembrance Day at Arlington National Cemetery, Arlington, Va., May 28, 2023.

This event pays homage to the first official Decoration Day, now known as Memorial Day, which originally took place at the cemetery in 1868 as a way to honor the sacrifices of those who fought and died in the Civil War.

(U.S. Army photo by Sgt. Ethan Scofield)

Tina Givens Embroidery pattern embroidered by Cheryl Plemons.

Cardinal Seán P. O’Malley ordained five men to the Priesthood on Saturday, May 25, 2013, at the Cathedral of the Holy Cross, Boston.

Cardinal Seán said, “The priesthood is a gift from Christ. We are grateful for the generosity these men have given to the Lord’s call to service. They will join their brother priests, dedicated religious women and men and the faithful ministering in our parishes, working to build strong faith communities. We pray that these newly ordained priests inspire the current generation of young men to consider the possibility of a vocation and, as they are called, to join those in formation at our seminaries.”

The priests ordained are:

Father John Augustine Cassani

One of the three sons of Richard and Mary Ellen (Pumphrey) Cassani, Father Cassani was born on June 7, 1980. A son of St. Jerome Parish in North Weymouth, he is an alumnus of Xaverian Brothers High School in Westwood and graduated from Holy Cross in Worcester in 2002. Father Cassani completed his seminary studies at St. John’s in Brighton and spent his deacon year working at Sacred Heart Parish in East Boston. Before seminary, he was a financial analyst for South Shore Savings Bank in Weymouth. Father Cassani will celebrate his first Mass at his home parish of St. Jerome’s in Weymouth on May 26 at 11:30 a.m. He will also be the homilist.

Father Thomas Keith Macdonald

An alumnus of Rome’s Pontifical North American College and a native of Westford, Father Macdonald is one of the three children (one sister, one brother) of Thomas and Kathleen (Verfaillie) Macdonald. He was born on July 9, 1984. This avid hiker is a fan of reading Catholic writers G.K. Chesterton and Joseph Pieper. Father Macdonald, a son of St. Catherine of Alexandria Parish, Westford, graduated from local schools before attending UMass Amherst. Father Macdonald spent his deacon year at St. Paul Parish in Cambridge. Father Macdonald will celebrate his first Mass at St. Mary Star of the Sea Parish in Beverly on May 26 at 10:30 a.m. The homilist will be Bishop Arthur Kennedy.

Father Jacques Antoine McGuffie

A native of Port-au-Prince, Haiti, where he was born on June 18, 1946 to the late Dickens and Leonie (Jean-Philippe) McGuffie, Father McGuffie is one of 7 children — five sisters and one brother. He attended high school at Lycée Alexandre Pétion in Port-au-Prince. He received his BA from Northeastern University in Boston and his MBA from Boston University. Before entering and completing his seminary studies at Blessed John XXIII Seminary in Weston, he worked for the Massachussetts Department of Social Services. Father McGuffie spent his deacon year at St. Catherine of Alexandria in Westford. He will celebrate his first Mass on May 26 at 10:00 a.m. at St. Patrick Church in Roxbury; Father Walter J. Waldron will be the homilist.

Father Gerald Alfred Souza

This son of St. Kateri Tekakwitha Parish in Plymouth was born Nov. 3, 1985 to Paul and Donna (Urquhart) Souza. He has one brother. Father Souza attended Sacred Heart School in Kingston for elementary and high school. Father Souza attended St. Charles Borromeo Seminary in Philadelphia for the first three years of college, before graduation from Franciscan University in Steubenville, Ohio in 2008. He completed his seminary formation at St. John’s in Brighton. His deacon assignment was spent at St. Mary Parish in Lynn.

Father Souza’s first Mass will be at St. Kateri Tekakwitha Parish on May 26 at 2:00 p.m. He will be the homilist as well.

Father Christopher William Wallace

One of two sons of William and Kathleen (Moran) Wallace, Father Wallace was born Jan. 19, 1983. This native of Our Lady of Good Counsel in Methuen, attended local schools before matriculating at Merrimack College in North Andover. Father Wallace completed his seminary studies at St. John’s and spent his deacon year at St. Joseph Parish in Needham. He is an avid Boston sports fan and also supports the Archdiocesan Serra Club for encouraging vocations. Father Wallace will celebrate his first Mass at St. Theresa Church in Methuen on May 26 at 10:30 a.m.

(Photo credit: George Martell/The Pilot Media Group) Posted under a Creative Commons No-Deriv Attribution license.

This is a photograph from both of the races in the 8th annual Longwood Village 10KM and 5KM Road Races and Fun Runs which were held in Longwood Village, Longwood, Co. Meath, Ireland on Sunday 22nd October 2017 at 11:00. The races are held annually to support the development of the local GAA club while also supporting local charities. The race has support from Trim AC which sees the race have full AAI premit status. These races have grown steadily over the years and this year almost 400 participants to part in the two races. This is an impressive statistic given that a very large number of local runners will be preparing for the Dublin City marathon 7 days from now. However both races provide marathon runners and all other runners, joggers and walkers with an ideal opportunity to race on a very fair course in a beautiful rural setting. Barry Clarke of Longwood GAA and Trim AC and his very large group of volunteers deserve the highest of praise for the very high standard of organisation immediately apparent to anyone taking part in the race. Overall the whole day was a great success with the hard work put in by the organising committee ensuring that participants enjoyed their race experience. Both routes were accurately measured, kilometer points clearly marked, junctions well stewarded, and electronic timing provided. The event provided many local runners, joggers, fun runners and walkers with a local event to support whilst at the same time providing runners preparing for events such as the Dublin marathon with an opportunity to race a short, fast, distance in the lead up to marathon day. The GAA club provided excellent stewarding and traffic management all around the course. The race had a professional feel to it and it is sure to grow next year given the very positive feedback from many of the participants today. The weather in the week leading up to the race was hardly ideal with both Storm Ophelia and Storm Brian bringing windy and rainy conditions to Ireland all week. The weather for race day was more suitable for running. Dry, with a fresh breeze, the weather remained dry for both races with the sun making an appearance also.

We have an extensive set of photographs from all of the races today in the following Flickr Album: www.flickr.com/photos/peterm7/albums/72157661720601468

Timing and event management was provided by PopUpRaces.ie. Results are available on their website at www.popupraces.ie/

Our photographs from Longwood 5KM and 10KM 2016: www.flickr.com/photos/peterm7/albums/72157672030705623

Our photographs from Longwood 5KM and 10KM 2015: www.flickr.com/photos/peterm7/sets/72157660017638535

Our photographs from Longwood 5KM and 10KM 2014: www.flickr.com/photos/peterm7/sets/72157648845224981/

Our photographs from Longwood 5KM and 10KM 2013: www.flickr.com/photos/peterm7/sets/72157636477484093/

Our photographs from Longwood 5KM 2012: www.flickr.com/photos/peterm7/sets/72157631820426332/

Our photographs from Longwood 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627782257481/

Our photographs from Longwood 5KM 2010: www.flickr.com/photos/peterm7/sets/72157625058772687/

Longwood is a small village in South East Co. Meath and is close to the town of Enfield with access to the M4 Motorway.

5KM Course: The 5KM started in Longwood village. Runners then took a left turn in the Village down St. Oliver's Road. This straight section of road brings runners to a left turn onto a very well maintained boreen road for less than one kilometer. The race then emerges and joins with the 10KM at Stoneyford where the runners take a left and then another left before arriving back at the finish line in Longwood GAA club. Overall this is a very fast and flat 5KM with no hills to speak of.

10KM Course: The 10KM event begins in Longwood Village outside Dargan's Pub and proceeds westward out of the village. There are some interesting points along this part of the course. At the 2KM point the runners will run under the double bridges - an aquaduct for the Royal Canal and a bridge carrying the Dublin Sligo Railway line. The race then enters county Kildare just before the 3km and after taking a right turn at the four-cross roads known locally as Lally's Cross it returns to County Meath on top of the River Boyne Bridge (Ashfield Bridge) which forms the county boundary. The race follows a straight road for the next 2KM until runners encounter Blackshade bridge which is the toughest climb on the route. As a point of interest Blackshade bridge brings runners back over the Royal Canal and the Railway line. The race then crosses the River Boyne again at Stoneyford before taking a right which will bring runners on a testing two kilometer stretch with some short hills. The 10KM course then joins with the 5Km course for the final 1.5KM back to Longwood GAA club for the finish.

Can I use these photographs directly from Flickr on my social media account(s)?

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

I want to download these pictures to my computer or device?

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

I want get full resolution, print-quality, copies of these photographs?

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

Don't like your photograph here?

That's OK! We understand!

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

A return visit to St Mary.

I was last here about 6 years ago, parking in the little square one warm September afternoon.

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

www.kentchurches.info/church.asp?p=Elham

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

The poor constantly relieved are about seventy-five, casually fifty-five.

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

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