Given that it was in storage for a while, I can’t seem to get enough of this lovely item at the moment. Here it is once again, although it looks exactly the same from the back as it does from the front.

for this week, I asked for and received a challenge by [http://www.flickr.com/photos/jessicachuppy/] to do a nature setting, given that a lot of images have been in and around the homestead. I had a pretty good idea for setting and had the week off, but unfortunately ran into a passing rarity - thunderstorms - for a good part of the week. I always knew I had the nearby park for a backup, and was able to get out and make this shot by the river. It kind of looks like Augie's coming back in from a dip, but there's more than a few signs along the way indicating "no swimming", and, well, it's not really clean enough for that after the week's storms and drainage outflows. :-(

I also saw a secondary challenge by [http://www.flickr.com/photos/pessimisaurus/] for color! I know I've been a bit obsessed with monochrome, but with this early morning shooting into the sun setting, I couldn't help but keep the colors. (besides, after all the storms, there actually are colors beyond yellow & brown!) so, here we have green, and yellow, and gold, the green/blue of the river, and the roan of Augie's face.

I personally like the way the sun and pose have accentuated the lighter/white areas of Augie's coat, and the kind of golden rim light that come through her fringes. I also like the way she's looking forward toward me, keeping an eye on the people walking the path further behind.

Thanks for the challenges, Jessica & Margaret!

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

In March 1941 Saab was given the task to design a better fighter than the Seversky Republic P-35s and Reggiane 2000s, at that time the only fighter aircraft Sweden was able or allowed to buy and the air force’s most modern fighters. Several other foreign designs, including the German Bf 109 or even the Japanese Mitsubishi Zero had also been considered.

Further J 23B production was not resumed, instead the J 26 and J 27 were procured. Anyway, the age of the piston-engine fighter came soon to a close and the Swedish Air Force entered the jet age. Consequently, the J 23B was already phased out, together with the J 21, after 1954.

General characteristics:

Crew: one

Length: 9.58 m (31 ft 4 in)

Wingspan: 11.3 m (37 ft 8 in)

Height: 3.96 (13 ft 0 in)

Wing area: 20.00 m² (215.28 ft²)

Empty weight: 2,535 kg (5,583 lb)

Loaded weight: 3,445 kg (7,588 lb)

Max. take-off weight: 3,663 kg (8,068 lb)

Powerplant:

1× Daimler-Benz liquid-cooled, supercharged, 60° inverted V12 DB 605B engine,

rated at 1,085 kW (1,455 hp / 1,475 PS) and license-built by SFA.

Performance:

Maximum speed: 680 km/h (367 knots, 422 mph)

Cruise speed: 495 km/h (265 knots, 308 mph)

Range: 750 km (466 mi)

Service ceiling: 11,200 m (36,685 ft)

Rate of climb: 17 m/s (3,340 ft/min)

Armament:

1× engine-mounted 20 mm Hispano-Suiza HS.404 or Bofors cannon,

firing through the propeller hub

4× 13 mm Bofors-built Colt machine guns in the outer wings nose

Underwing hardpoints for various bombs, drop tanks and unguided rockets

The kit and its assembly:

The “Swedish Season” continues! The Saab 23 is another “phantom of the past”, a real world design that never left the drawing board. The J 23 actually started as an alternative to the J 21, but was discarded in late 1941 in favor of the more promising, yet bigger and heavier, pusher design. But that would not stop modelers from trying to build one, even though I have never seen a model of this aircraft? Having recently tried to build a Saab 27 fighter caught me in the right mood for another whiffy Swedish design, so I took a chance on the J 23, too.

At first glance you can mistake the J 23 for a P-51B with an engine from a late Bf 109, some sources describe it as “a Swedish Messerschmitt”. But that’s only superficial, much like the later Griffon-powered J 27 project which can be described as a “Super Spitfire”, but this does not do justice to the aircraft’s construction.

Both were independent developments, even though the P-51 (some early specimen were forced to land in Sweden and closely examined) certainly had a massive impact on both designs.

Anyway, the information basis surrounding the J 23 is worse than the J 27’s, and I only had rather vague profile drawings/sketches at hand for reference. A basis model was also hard to find: the rear section from a P-51B (in this case an Intech kit from Poland) was settled, since the Mustang’s cockpit shape, dorsal section and fin come really close to the J 23. But you cannot simply mate a P-51 with a Bf 109 nose, it would result in a rather wacky Mustang-thing because the proportions are not right.

Finding a good solution was not easy, and I was lucky to find a Hasegawa Ki-61 in the stash – it has a German engine (an earlier DB 601, though) and an overall layout similar to the P-51B. But the Ki-61 is considerably larger than a Bf 109, more in the P-51’s size class. Despite many detail modifications I decided to mate these unlikely aircraft for the J 23s basis – engraved panel lines on both kits made the combination less obvious, too.

The InTech P-51B gave its tail and the cockpit section (excluding the radiator tunnel and the wing roots), cut away from the rest of the Mustang fuselage with a Z-shaped cut. With a matching cut on the Ki-61’s fuselage, the engine and the whole wing/fuselage intersection were used. Styrene strips held the fuselage sections in place, on the outside the seams were later blended with nitrous compound putty. One benefit of this solution is that the OOB P-51 canopy could be used (even though the rear end fit necessitated some body work), and the resulting cockpit position was just as far forward as on the J 23, right above the wings. As a consequence the rear fuselage behind the cockpit appears to be rather long, but that is AFAIK correct, the J 23 had these slightly odd proportions!

For the J 23’s DB 605 engine a different, bigger spinner had to be mounted – scratched from a massive PZL 23 spinner and single blades (from the Hasegawa Ki-61), together with a metal axis and a styrene tube adapter inside of the nose. Some putty work was necessary to fair over the Ki-61 guns on the cowling, the typical DB 601 front bulge and blend the bigger, new spinner to the rest of the fuselage, but the result looks O.K.

The Ki-61’s original wings and landing gear could, thanks to the original fuselage section from the Hasegawa kit, be carried over and easily mounted, even though the wing tips were clipped for a square, Mustang-esque shape (the J 23’s look in all illustrations I’ve seen like upscaled Bf 109E wings).

The InTech P-51’s horizontal stabilizers were used, but for a J 23 they had to be placed in a different position: further back (so that wedges for the vertical rudder had to be cut out) and considerably lower, necessitating some (more) body work to hide the original attachment points. The new position adds to the impression of an extended fuselage section behind the cockpit, even though the P-51 donor fuselage section is only a little longer than the Ki-61’s. All tail surface outlines were slightly modified, too.

The J 23’s typical, shallow radiator tunnel had to be scratched, the semi-buried construction sits far behind the wings’ training edge. In an initial step, the removed Ki-61 radiator’s gap as well as the P-51 tail wheel well were faired over with styrene sheet and new intake/outlet ramps integrated into the lower rear fuselage. The tunnel itself is the narrow, aerodynamic fairing of a Boulton Paul Defiant’s machine guns behind the turret (raised when not in use), left over from a Pavla kit, opened at both ends.

As a consequence of the new and long radiator tunnel, the P-51 tail wheel well was moved about 5mm further back and the fuselage profile under the tail fin re-shaped.

One of the final steps was the cockpit interior, because I was not sure concerning the relative position of the P-51’s canopy (cut into three pieces for open display) and dashboard and the Ki-61’s cockpit floor panel and seat. But both turned out to match relatively well, and I added a tank and radio dummy behind the seat in order to prevent a clear view into the rear fuselage.

The landing gear was taken OOB from the Ki-61 – it looks similar to the real J 23 arrangement, so I stuck with it. The tail wheel comes from the InTech P-51, just the covers were scratched for the re-located well.

All gun barrels on spinner and wings are hollow steel needles, no ordnance was hung under the wings, even though the Ki-61 hardpoints were retained. After all, it’s a fighter aircraft.

Painting and markings:

Once more a classic, if not conservative, livery for a fictional aircraft – and in this case I chose the simple olivgrön/ljust blågrå camouflage of the late Fourties, coupled with contemporary color-coded letters identifying the individual aircraft and its squadron within the Flygflöttilj group.

The uniform upper surfaces were painted with RAF Dark Green (Humbrol 163). This tone has an olive drab touch and comes IMHO pretty close to the original Swedish color, the frequently recommended FS 34079 is IMHO too blue-ish. For the underside I used Humbrol 87 (Steel Gray), which is a blue-greenish gray. The authentic tone would be FS 36270, but on a model it appears much too dark, so that the lighter Steel Gray is a handy and individual alternative.

A light black ink was applied in order to emphasize the panel lines, some more depth was added through dry-painted panels with lighter shades of the basic colors (in this case, Humbrol 155 and 128).

The cockpit interior was painted in dark gray (Humbrol 32), while the landing gear and the wells became Aluminum (Humbrol 56).

As an aircraft of the air staff flight, this J 23 received a white spinner and a white code letter on the tail. These and other markings came from various sources and spare decal sheets. Some extra color was added with red warning markings on the wings above the flaps, plus some visual markings - all made with generic decal stripes. The cock nose art is a personal addition - taken from a Spanish Bf 109D, but AFAIK such personal markings were not uncommon on Swedish Air Force aircraft in the post WWII era.

An eye-catcher and some variety on the otherwise simple green/gray livery are white high-viz markings on the wing tips and a wide fuselage band. Such additional markings were frequently used in the post WWII-era during exercises, training or public displays. Styles varied considerably, though, between “color blocks” and wide single bands which I used (seen on a J 21) and even dense, thin zebra stripes on wings and fuselage. In this case, the white markings were painted onto wings and fuselage (Humbrol 34).

Since most panel lines on the fuselage were lost I painted some new ones with a soft pencil. Finally, after some gun soot and exhaust stains made with grinded graphite as well as some dry-brushed silver on the wings’ leading edges and around the cockpit were added, the kit received a coating with matt acrylic varnish.

Another scratch build of an obscure Swedish aircraft that never reached the hardware stage – and pretty successful, IMHO. This sleek J 23 model looks just as harmless and innocent, but involved massive construction work in almost every area as the kitbashed J 27 before. It’s actually the first model rendition of the J 23 I have seen so far – and another funny fact is that this “Swedish Messerschmitt” was built without any Bf 109 part at all!

Marcel Duchamp American (born France) Born 1887, died 1968

Étant donnés: 1 la chute d’eau, 2 le gaz d’éclairage… (Given: 1. The Waterfall, 2. The Illuminating Gas…) , 1946-66

Mixed media assemblage

Exterior: wooden door, iron nails, bricks, and stucco; interior: bricks, velvet, wood, parchment over an armature of lead, steel, brass, synthetic putties and adhesives, aluminum sheet, welded steel-wire screen, and wood; Peg-Board, hair, oil paint, plastic, steel binder clips, plastic clothes-pins, twigs, leaves, glass, plywood, brass piano hinge, nails, screws, cotton, collotype prints, acrylic varinish, chalk, graphite, paper, cardboard, tape, pen ink, electric light fixures, gas lamp (Bec Auer type), foam rubber, cork, electric motor, cookie tin, and linoleum

Gift of the Cassandra Foundation, 1969-41-1

From the Placard The Philadelphia Museum of Art

www.philamuseum.org/

www.philamuseum.org/exhibitions/324.html

en.wikipedia.org/wiki/Marcel_Duchamp

www.understandingduchamp.com/

www.nytimes.com/2009/08/28/arts/design/28duchamp.html

youtu.be/VYqDpNmnu8I

Id 850

Dreams, Wishes, and Tears

by Sir Shotgun

If dreams were given to a lonely man

and a lonely man's dreams came true,

I'd force myself to sleep all the time

just so I could dream of you

If wishes were given to a lonely man

and I was given just two,

I'd wish for you to always love me

and the other I'd give to you

If my tears could write a love song

I'd write a love song for you,

It would explain just how I feel inside

and how much I love you too

But, dreams are only dreams

and wishes seldom come true,

My tears can't write a love song,

but when they fall, they fall for you

...given to me by my daughter years back.

the journey maker

St George, Stowlangtoft, Suffolk

Given that our parish churches almost without exception underwent restorations in the 19th Century, it should be obvious that when we enter a medieval church, we are encountering a Victorian vision of the medieval. Even when the actual furnishings and fittings are medieval, the whole piece is still a Victorian conception.

Inevitably, the question arises of what was there before the restoration and what wasn't. The obvious answer is that we must assume that nothing is as it first appears.

A prime example of a church that assumes a continuity that may not actually be the truth is here in the flat fields between Woolpit and Ixworth. This part of Suffolk can be rather bleak in winter, but in summer the churchyard here is verdant and golden, as beautiful a place as any in the county. The church is large, and yet unusually narrow. It sits on a mound that has been cut down on one side by the road. In the churchyard you'll find the well-known memorial to the art critic Peter Fuller and his unborn son, killed in a car crash in 1990.

In the churchyard wall there is what appears to be broken medieval window tracery, which is worth noticing, for hereby hangs a tale.

St George is one of the great Suffolk churches. Although it may externally appear a little severe, and is by no means as grand as Blythburgh, Long Melford and the rest, it is a treasure house of the medieval inside. Unusually for a church of its date, it was all rebuilt in one go, in the late 14th century, and the perpendicular windows are not yet full of the 'walls of glass' confidence that the subsequent century would see. The tracery appears to have been repaired, and possibly even renewed, which may explain the tracery in the churchyard wall. However, it doesn't take much to see that the tracery in the wall is not perpendicular at all, but decorated. So it may be that the broken tracery is from the original church that the late 14th century church replaced. But the wall itself isn't medieval, so where had it been all those years? Is it possible that the current window tracery is not medieval at all?

Stowlangtoft church featured in Simon Jenkins' book England's Thousand Best Churches, which sends plenty of visitors to its locked door, and may help stave off the inevitable for a while, for there is no real congregation here any more and the church is moribund. Regular services are held across the fields at Pakenham, and St George is now only used on special occasions. The key is kept across the road, where the very nice lady told me in February 2018 that the church is now headed for redundancy. It seems likely that care of it will be conveyed into the hands of the Churches Conservation Trust.

You step in through the chancel door (the lock here is very awkward, but do persevere) and if you are anything like me you will head straight down to the west end where you will find the font. Likethe window tracery, it asks some questions. Unusually, it features a Saint on seven of the panels, Christ being on the westwards face. Mortlock dates it to the early 14th century, and the Saints it shows are familiar cults from that time: St Margaret, St Catherine, St Peter and St Paul, and less commonly St George. The cult of St George was at its height in the early years of the 14th century. Mortlock describes the font as mutilated, and it certainly isn't looking its best. But I think there is more going on here than meets the eye. Fonts were plastered over in Elizabethan times, and only relief that stood proud of the plaster was mutilated. These are all shallow reliefs, and I do not think they have been mutilated at all. To my eye at least, this stonework appears weathered. I wonder if this font was removed from the church, probably in the mid-17th century, and served an outdoor purpose until it was returned in the 19th century.

The story of this church in the 19th century is well-documented. In 1832, as part of his grand tour of Suffolk, David Davy visited, and was pleased to find that the church was at last undergoing repair. The chancel had been roofless, and the nave used for services. A new Rectory was being built. Who was the catalyst behind all this? His name was Samuel Rickards, and he was Rector here for almost the middle forty years of the 19th century. Roy Tricker notes that he was a good friend of John Henry Newman, the future Cardinal, and they often corresponded on the subject of the pre-Reformation ordering of English churches. It is interesting to think how, at this seminal moment, Rickards might have informed the thought of the Oxford Movement. Sadly, when Newman became a Catholic, Rickards broke off all correspondence with him.

During the course of the 1840s and 1850s, Rickards transformed Stowlangtoft church. He got the great Ipswich woodcarver Henry Ringham in to restore, replicate and complete the marvellous set of bench ends - Ringham did the same thing at Woolpit, a few miles away. Ringham's work is so good that it is sometimes hard for the inexperienced eye to detect it. However, as at Woolpit, Ringham only copied animals here, and the weirder stuff is all medieval, and probably dates from the rebuilding of the church. The glory of Stowlangtoft's bench ends is partly the sheer quantity - there are perhaps 60 carvings - but also that there are several unique subjects.

The carvings appear to be part of the same group as Woolpit and Tostock - you will recognise the unicorn, the chained bear, the bull playing a harp, the bird with a man's head, from similar carvings elsewhere. And then hopefully that little alarm bell in your heard should start to go "Hmmmm....." because some of the carvings here are clearly not from the same group. It is hard to believe that the mermaid and the owl, for example, are from the same workshop, or even from the same decade. The benches themselves are no clue, as it was common practice in the 19th century to replace medieval bench ends on modern benches, or on medieval benches, or even on modern benches made out of medieval timber (as happened at Blythburgh). Could it be that Samuel Rickards found some of these bench ends elsewhere? Could he have been the kind of person to do a thing like that?

Well, yes he could. As Roy Tricker recalls, the medieval roof at the tractarian Thomas Mozley's church at Cholderton in Wiltshire is East Anglian. Rickards acquired it after finding it in storage in Ipswich docks. It presumably came from one of the Ipswich churches. In the ferment of the great 19th century restoration of our English churches, there was loads of medieval junk lying around, much of it going begging. But was Samuel Rickards the kind of person to counterfeit his church's medieval inheritance?

Well, yes he probably was. The faux-medieval roundels in the windows of the nave are clearly not medieval at all, but were in fact the work of the young Lucy Rickards, daughter of Samuel Rickards himself. Some are clearly to the young girl's design, and Pevsner notes that others are copied from medieval manuscript illustrations in the British Museum, although the Holy Kinship and Presentation in the Temple roundels at least are very close copies of the Flemish roundels of the same subjects in Nowton church on the other side of Bury St Edmunds.

Truly medieval is the vast St Christopher wall-painting still discernible on the north wall. It was probably one of the last to be painted. The bench ends are medieval, of course, as is the fine rood-screen dado, albeit repainted. There is even some medieval figure glass in the upper tracery of some of the windows, including St Agnes holding a lamb and four Old Testament prophets. The laughable stone pulpit is Rickard's commission, and the work of William White. What can Rickards have been thinking of? But we step through into the chancel, and suddenly the whole thing moves up a gear. For here are some things that are truly remarkable.

In a county famous for its woodwork, the furnishings of Stowlangtoft's chancel are breathtaking, even awe-inspiring. Behind the rood screen dado is Suffolk's most complete set of return stalls. Most striking are the figures that form finials to the stall ends. They are participants in the Mass, including two Priests, two servers and two acolytes. The figure of the Priest at a prayer desk must be one of the best medieval images in Suffolk, and Mortlock thought the stalls the finest in England.

The benches that face eastwards are misericords, and beneath them are wonderful things: angels, lions and wodewoses, evangelistic symbols and crowned heads. A hawk captures a hare, a dragon sticks out its tongue. Between the seats are weird oriental faces.

Now, you know what I am going to ask next. How much of this is from this church originally? It all appears medieval work, and there is no reason to believe it might not have been moved elsewhere in the church when the chancel was open to the elements. What evidence have we got?

Firstly, we should notice that the only other Suffolk church with such a large number of medieval misericords of this quality is just a mile away, at Norton. I don't ask you to see this as significant, merely to notice it in passing. Secondly, I am no carpenter, but it does look to me as though two sets of furnishings have been cobbled together; the stalls that back on to the screen appear to have been integrated into the larger structure of stalls and desks that front them and the north and south walls.

However, if you look closely at the figures of the two Deacons, you will see that they are bearing shields of the Ashfield and Peche families. The Ashfield arms also appear on the rood screen, and the Ashfields were the major donors when the church was rebuilt in the 14th century. So on balance I am inclined to think that the greater part of the stall structure was in this church originally from when it was rebuilt. And the misericords? Well, I don't know. But I think they have to be considered as part of the same set as those at Norton. In which case they may have come from the same church, which may have been this one, but may not have been. Almost certainly, the stalls at Norton did not come from Norton church, and folklore has it that they were originally in the quire of Bury Abbey.

Other remarkable things in St George include FE Howard's beautiful war memorial in the former north doorway, and in the opposite corner of the nave Hugh Easton's unexpectedly gorgeous St George, which serves the same purpose. He's not an artist I usually admire, but it is as good as his work at Elveden. Back up in the chancel is a delightful painted pipe organ which was apparently exhibited at, and acquired from, the Great Exhibition of 1851.

But St George at Stowlangtoft is, of course, most famous for the Flemish carvings that flank the rather heavy altarpiece. They were given to the church by Henry Wilson of Stowlangtoft Hall, who allegedly found them in an Ixworth junk shop. They show images from the crucifixion story, but are not Stations of the Cross as some guides suggest. They date from the 1480s, and were almost certainly the altarpiece of a French or Flemish monastery that was sacked during the French Revolution. The carvings were once brightly painted, and piled up in a block rather than spread out in a line. The niches, and crowning arches above them, are 19th century.

One cold winter's night in January 1977, a gang of thieves broke into this locked church and stole them. Nothing more was seen or heard of them until 1982, when they were discovered on display in an Amsterdam art gallery. Their journey had been a convoluted one. Taken to Holland, they were used as security for a loan which was defaulted upon. The new owner was then burgled, and the carvings were fenced to an Amsterdam junk dealer. They were bought from his shop, and taken to the museum, which immediately identified them as 15th century carvings. They put them on display, and a Dutch woman who had read about the Stowlangtoft theft recognised them.

The parish instituted legal proceedings to get them back. An injunction was taken out to stop the new owner removing them from the museum. The parish lost the case, leaving them with a monstrous legal bill, but the story has a happy ending. A Dutch businessman negotiated their purchase from the owner, paid off the legal bills, and returned the carvings to Stowlangtoft. Apparently this was all at vast cost, but the businessman gave the gift in thanks for Britain's liberation of Holland from the Nazis. No, thank you, sir.

Today, the carvings are fixed firmly in place and alarmed, so they won't be going walkabout again. But a little part of me wonders if they really should be here at all. Sure, they are medieval, but they weren't here originally, and they weren't even in England originally. Wouldn't it be better if they were displayed somewhere safer, where people could pay to see them, and provide some income for the maintenance of the church building? And then, whisper it, when St George is taken on by the CCT they might even be able to leave it open.

Given the Down Main, 47826 is not hanging around with this 5Z49 13.00 Hitchin - Crewe ECS working of West Coast Railways stock from a charter the previous day.

The silver buffers are a bit overkill - mutton dressed as lamb?

All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Paul Townsend

Given that we'd already done a 'Bristol' ambigram design before Christmas I thought it only fair to get Brixton in on the action. Knowing my current proclivities if I did a load of them they'd all have stripes on them so I limited myself to just two versions for now. One with stripes, obviously, and one with a wavy patterned design. In all fairness I'd probably have to respray the blue and grey one if anyone wanted it as my favourite part, the Ace of Aces logo bit, hasn't really come out very well but I thought I'd wait and see if there was any interest first. They're A2 in size and I'd also be happy to re-do with any particular background colourways as requested if anyone felt so inclined as to ask. So there you have it.

As a side note if you're not familiar with Ram John Holder's song 'Brixton Blues' then I suggest you get yourself to Youtube pretty sharpish and give your ears a little treat.

Cheers

id-iom

Given that it’s freezing cold up here in Minneapolis right now so this pic of a gun frozen inside of a block of ice feels very appropriate to me. The first in a limited series of frozen items. If it weren’t for lack of space in my freezer I’d freeze a lot more objects and photograph them.

tumblr / site / twitter

Yashinon-DX 50mm 1.7, presented as a breakdown of its main component assemblies.

Disassembly procedure reads from top left to bottom right.

From here it's easy to work out the rest given some experience with lenses.

The optical assembly (top right) drops into the lens housing/focus assembly, located by the circular brass key into the groove of the inner helicoid - both seen pictured. The 2 brass shims pictured beside the optical assy. are selected for fine focus adjustment; their thickness determines the stack height of the optical assembly on its seat (and therefore its minimum focal distance from the film plane at infinity), whilst the retaining ring (2nd top left) secures it all in place. The helicoid itself has hard stops preset by a machined groove in the brass carriage engaging a set screw - and cannot be adjusted.

From this point, the front and rear lens groups can be removed from the optical barrel, which houses the aperture blades in the centre.

The rear lens group unscrews accordingly.

The front lens group unscrews from the barrel accordingly.

Disassembly of the front lens group for cleaning, after the group has been removed from the barrel, requires removing the front element and is difficult at first due to the adhesive used and the awkward topology of the assembly.

The element is secured in the optical group body by the conical shroud which doubles as its retaining ring. The threads of the conical ring are recessed deep at its base. There is a small gap between the outside of this conical ring and the front lip of the optical group body from which it protrudes - because of the proximity of these walls, the surface tension of liquid solvent will prevent it from migrating into the gap sufficiently; it was necessary to use a syringe with a needle to get acetone down into this gap to the location of the threads - after which unscrewing of the shroud/retainer was possible. It takes a bit of time and patience.

The lens housing/focus mechanism, helicoid assembly and rear aperture selection assembly are separated and accessible by the sequence shown on the bottom row, from left to right.

The focus grip ring is secured by 3 screws accessed from the front of the lens, beneath the location of the front name plate/filter thread ring.

After which, there are 3 grub screws accessible holding the sleeve with the focus scale to the helicoid carriage and another 3 tiny grub screws holding the sleeve with focus/aperture indicator to the body. These screws are not tight but threadlocked and need only be loosened (after solvent) to remove the sleeves. Once these sleeves are removed, there are 3 larger countersunk screws visible which attach the rear flange/aperture selection assy. to the helicoid assy.; shown bottom right.

Disassembly of the helicoid for servicing requires removing the 2 brass keys locating the inner helicoid section to the fixed body, the inner section can then be unscrewed from the brass helicoid carriage. Removing the hard-stop set screw on the fixed body allows the brass helicoid carriage to then be unscrewed fully and separated from the fixed body.

It's necessary to count the turns of the helicoid rings to off for their correct re-assembly - but as the focus is set by the shim stack on the optical barrel and the helicoid rings are mechanically located with keyways, there's no precise alignment to set, making it relatively easy to service/rebuild.

Upon re-assembly, the aperture fork on the optical barrel assembly engages the aperture selection assy. between the aperture selection cam rocker and the sprung follower lever (connected to the aperture stop-down pin that sticks out the back of the flange).

It's easier if you set the aperture control to 'A' (auto-mode) and f16, making sure the sprung follower lever is fully disengaged (pin fully stuck out flange), as this opens up the gap between the follower lever and cam rocker nice and wide for the aperture fork to slot into.

...if you're wondering what the hell I'm talking about - its the bit located at about 4 o'clock on the aperture assy. pictured - there's no gap as I have it configured in the picture @ f1.7, making assembly difficult; doing the above ('A' mode, f16) opens up a gap here for the fork to drop into.

Have fun!

Ben

Circuit de Monaco is the name given to a motor racing circuit laid out on the city streets of Monte Carlo and La Condamine around the harbour of the principality of Monaco. It is commonly referred to as "Monte Carlo" because it is largely inside the Monte Carlo neighbourhood of Monaco.

The circuit is used on one weekend in the month of May of each year to host the Formula One Monaco Grand Prix. Formula One's respective feeder series over the years — F2, F3000 and today GP2 — also visit the circuit concurrently with Formula One.

The idea for a Formula One race around the streets of Monaco came from Anthony Noghes, the president of the Monegasque car club and close friend of the ruling Grimaldi family. The inaugural race was held in 1929 and was won by William Grover-Williams in a Bugatti.

en.wikipedia.org/wiki/Circuit_de_Monaco

Remains of the great hall in the inner Bailey.

***

Sandal Castle, on the outskirts of the city of Wakefield, is somewhere I had wanted to visit for decades given its role in the Wars of the Roses and the 1460 Battle of Wakefield - which was fought just outside of it.

A Norman motte and bailey castle - consisting of a pudding shaped mound (the motte) and a earth ditch and bank enclosure (the bailey) - it was built after William de Warrene, the 2nd earl of Surrey was granted the Wakefield estate in 1107. At that stage a timber tower or keep would have sat on the mound and the ditch and bank would have been topped with wooden palisade. In this respect it resembled the timber frontier forts of America during the 17th and 18th centuries. Later the wood was replaced in stone.

It should be pointed out that de Warrene’s father, also William, had earlier built the imposing motte and bailey which still exists at Castle Acre, In Norfolk. Having seen both castles it is clear that the first design influenced the second. Wakefield is “Castle Acre mark 2”.

Wakefield had two baileys but access to the top of the motte, its last refuge, was controlled by a circular barbican tower built in the centre of the caste. This centre barbican is almost unique in Britain as most are outside the castle’s main gate and normally act as ‘air locks’ to allow visitors to be checked or searched inside the first gate before that is closed behind them and the main gate is opened in front. In theory both gates are never open at the same time. Wakefield’s design suggests that the second William de Warrene may not have entirely trusted his own men and wanted to control access within the castle as much as he controlled access into the whole site.

As with other motte and bailey castles, such as Windsor, Warwick and Berkhampsted, the timber defences were later replaced in stone, during the 13th century, probably starting with the keep and working down into the bailey. Destruction during and after the 17th century English Civil War has removed much of the stone but what is left creates the picture of a solid and elegant building and a handsome seat for a regional or national lord. That national lord was eventually Richard, Duke of York.

In the mid 14th century the castle passed into the hands of King Edward III and came into the possession of his son Edmund of Langley, later created Duke of York (DoY) for his support of King Richard II. His son Edward DoY was one of the few English casualties at Agincourt in 1415 and his nephew was Richard 3rd DoY. It was Richard who fought to keep English possession of Normandy and - when that failed - he accused King Henry VI and his close supporter the Duke of Somerset of mismanagement and was then tactless enough to remind everyone that he (Richard) had a better claim to the throne than Henry.

King Henry’s persistent mental illness led to Richard DoY being put in charge as a Protector and his claims to the throne were even recognised as far as naming him heir, after Henry’s death. Unfortunately Henry had a son and a very truculent French wife, Margaret of Anjou, and neither wanted to see the crown pass to Richard and the York family.

Thus the scene was set for the so-called Wars of the Roses, an inaccurate term which I hate. After a disaster at Ludlow in 1459 Richard had bounced back with the support of the Nevilles - particularly Richard, the Earl of Warwick , and Richard the Earl Salisbury who was Warwick’s father.

Richard DoY appears to have been an able administrator, when he briefly held the reigns of power, and he might have made a good king. However that never happened. Two of the Richards, York and Salisbury, were wintering at Sandal Castle with an estimated 3000 to 8000 troops and looking to the north where hostile forces led by Somerset, the Earl of Northumberland, Lord Clifford and a renegade Neville were gathering. There was a temporary Christmas truce and that truce still had several days to run when events turned against the Richards.

What happened next is unclear. The stories vary. Somehow the two Richards were lured out of the castle into the adjacent field which was surrounded by trees. In one version they go to assist a foraging party, in another they go to engage a small Lancastrian force and in another they go to greet a force displaying friendly colours led by the renegade Nevilles. Once out of the castle, the two Richards were hit on three sides by troops which had been concealed in the trees. Chronicler Edward Hall says the DoY was “caught like a fish in a net”.

Contemporary figures are 2,500 dead Yorkists and 200 dead Lancastrians. Richard DoY was killed in the fighting or suffered a battlefield execution. His son Edmund Earl of Rutland was killed on Wakefield bridge while fleeing, possibly killed personally by Lord Clifford in retaliation for the death of Clifford’s father at St Albans in 1455. Salisbury was captured later. Salisbury would probably have survived and probably been ransomed but unhappy tenants at Pontefract dragged him out of the castle and executed him themselves. It appears the Lancastrians were not over keen to protect him.

Lord Clifford only lasted another three months as he was killed the day before the huge Battle of Towton. Meanwhile Richard DoY’s three sons changed the family colours from father’s blue and white to blue and claret (blood red) to commemorate the death (martyrdom?) of their father and brother. These brothers were… Edward (later Edward IV), George Duke of Clarence (false, fleeting, perjured Clarence) and Richard of Gloucester (later Richard III). Together with the Earl of Warwick they would all be major players in the so-called Wars of the Roses.

Snow, snow and more snow, no matter where I go. So given the circumstances, pulled out the fastest lens I could, the f0.95 50mm on the Canon 7 and ventured out into the sub-freezing temps. I was a bit worried that the rangefinder was going to seize up at some point, or the film would snap (at one point it was about 4 degrees F) but no issue. Was smarter about gloves this time - I guess I can learn when there's (significant) discomfort involved. Thanks to all those flickeranians who continue to inspire us!

Given our current choices, if he was running I might actually vote for him.

Cosplayer: Loki Hates You

UPDATE: The Presidential Candidate named Loki was featured in Uproxx's Chris Evans And Sebastian Stan Guest Star In The Cosplay Of The Week (06.10.16). Holy... wow. Just, wow. Even the cosplayer has shared this pic on his FB page.

For many, Rolls Royce's attachment to unqualified luxury and style was given its initial perfection here, with the illusive and curious 20/25. Although the Silver Ghost established Rolls Royce as a world beating brand, the 20/25, together with the much larger Phantom, gave the gentry and the affluent families of Britain and indeed the world their chauffeur driven chariot of excellence to do away with the horses and carriages of yesteryear.

Launched in 1929, the 20/25 was built to replace Rolls Royce's previous smaller model, the 20hp. In keeping with custom at the time, only the chassis and mechanical parts were made by Rolls-Royce. The body was made and fitted by a coachbuilder selected by the owner. Amongst the most famous coachbuilders who produced bodies for Rolls Royce cars are Park Ward, Thrupp & Maberly, Mulliner and Hooper.

Power came from an in-line 6-cylinder overhead-valve engine which was similar to that used in the 20hp but was enlarged to 3669 cc by increasing the bore from 76mm to 82mm, with the stroke remaining at 114 mm. A single Rolls-Royce carburettor was used, and both coil and magneto ignition were fitted. The four-speed gearbox was mounted in unit with the engine and a traditional right-hand change used. Synchromesh was fitted to third and top gears from 1932.

The substantial chassis had rigid front and rear axles suspended by half-elliptic springs with braking on all four wheels assisted by a mechanical servo. Separate rear brakes were fitted for the handbrake. The famous Rolls-Royce radiator with triangular top was used with vertical louvres, the angle of which could be adjusted to control engine cooling. To begin with, the radiator shutters were operated manually via a lever on the dash; later cars were fitted with automatic control via a thermostat.

The larger engine allowed the top speed to increase to 75mph, but many owners had large limousine bodies fitted to the chassis, with the predictable degradation of performance.

The car was built until 1936, of which 3,800 examples were constructed, ranging from Limousines, to Fixedhead Coupés, to Saloons and Drophead Coupés such as this. The Three-Position design for the soft-top roof was common in this time period, with the stylish bend in the frame on the sides becoming a design staple of the time.

Since then the 20/25 has often been featured in movies and TV shows, often doubling as a cheaper alternative stand-in for the larger Phantom. The most jarring appearance for one of these cars was in 1989's Indiana Jones and the Last Crusade, where the Sultan of the fictional Kingdom of Hatay takes preference of the villain's Rolls Royce Phantom II over plundered jewels and luxury items (although why a German officer would have a Rolls Royce when Mercedes-Benz and Maybach were in existence is a matter of debate.) Either way, the car featured in this movie was in fact not a Phantom II, but instead a 20/25 Saloon, with coachwork by Barker. This doesn't detract from the movie in anyway, it's still one of my favourite films of all time, but as a car buff I can't help but comment on that scene every time (because I'm that sort of boy!)

This particular car was recently sold at auction for a price range between £60,000 and £80,000, but eventually went for £64625, a little bit more than what I could possibly afford (knock about three zeros off that price tag and we'll talk!)

Distinguished Highest Civilian Award medal given by the Department of Defense, Secretary Ashton Carter:

Parita Shah, Ambassador Ashok Mirpuri, Gouri Mirpuri: Singapore, Ambassador Peter Selfridge: State Department, The Honorable Dr. R. David Edelman, Marwah Ajay, Joanne Ke Edelman, Jennifer Rudy, Jim Valentine, Suhas Patil, Marci Robinson, Jayashree Patil, Dr. DJ Patil, Coach Kathy Kemper, Ambassador Devika Anand Patil, Kavita Anand.

©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©

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Photograph taken at an altitude of Fifty eight metres at 15:46pm on Friday 5th February 2021, on a rare sunny interlude of an adult Starling (Sturnus Vulgaris)standing on a brick chimney stack off Chessington Avenue in Bexleyheath, Kent.

The common starling or European starling, also known simply as the starling in the British Isles, is a medium-sized passerine bird in the starling family, Sturnidae. It is about 20 cm long and has glossy black plumage with a metallic sheen, which is speckled with white at some times of year. These are noisy, squabbling birds that pack a lot of character and can mimic other birds and sounds.

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Nikon D850 Hand held with Sigma OS Optical Stabilization set to position 1. Focal length 600mm Shutter speed: 1/640s Aperture f/8.0 iso400 EV compensation set to -0.3EV Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) Focus mode AF-C focus. AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-Area mode: 3D Tracking watch area: Normal 55 Tracking points. Exposure mode: Manual mode. Matrix metering. White balance on: Auto1. Colour space: RGB. Active D-lighting: Normal. Vignette control: Normal. Nikon Distortion control: Enabled. Picture control: Auto (Sharpening A +1/Clarity A+1)

Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecupMcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

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LATITUDE: N 51d 28m 28.29s

LONGITUDE: E 0d 8m 10.27s

ALTITUDE: 56.0m

RAW (TIFF) FILE: 130.00MB NEF: 91.9MB

PROCESSED (JPeg) FILE: 31.30MB

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PROCESSING POWER:

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

Given the PSE 8 treatment

One is born from a woman, ends up in Earth.

Hinduism accords the respect these deserve.

A woman is called Gruha Lakshmi, one who brings Prosperity to Home.

Tamil calls her Illal, one who owns/rules the Home.

Similarly Earth is given the respect it deserves for it supports from Birth to Death.

Earth is eulogized as Mother and there are Vedic Sukthas in praise of the Earth, Bho Suktham.

There is Neela Suktham, Neela is considered to be the consort of Lord Vishnu.

Such being the case, there is no wonder in Hinduism calling the Sanctum Sanctorum of a Temple as Garbha Gruha, Gharbha meaning The Womb and Gruha, the Home.

Tamil calls The Gharbhagriha as Karuvarai, meaning ‘where the Foetus stays’

One’s first Home is the womb.

A Hindu temple consists of an inner sanctum, thegarbha griha or womb-chamber, where the primary idol or deity is housed along with Purusa. The garbhagriha is crowned by a tower-like Shikhara, also called the Vimana. The architecture includes an ambulatory for parikrama(circumambulation), a congregation hall, and sometimes an antechamber and porch.

The Hindu temple architecture reflects a synthesis of arts, the ideals of dharma, beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Purusa in a sacred space.

In ancient Indian texts, a temple is a place for Tirtha – pilgrimage.It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of Hindu way of life. All the cosmic elements that create and celebrate life in Hindu pantheon, are present in a Hindu temple – from fire to water, from images of nature to deities, from the feminine to the masculine, from kama to artha, from the fleeting sounds and incense smells to Purusha – the eternal nothingness yet universality – is part of a Hindu temple architecture.

Garbhagriha or Garbha gruha (garbha gṛha) (Sanskrit: गर्भगॄह) is the sanctum sanctorum, the innermost sanctum of a Hindu templewhere resides the murti (idol or icon) of the primary deity of the temple. Literally the word means “womb chamber”, from the Sanskritwords garbha for womb and griha for house. Only ‘priests’ (pujari) are allowed to enter this chamber.

Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples…

In temples with a spire or vimana, this chamber is placed directly underneath it, and the two of them form the main vertical axis of the temple. These together may be understood to represent the axis of the world through Mount Meru. The garbha griham is usually also on the main horizontal axis of the temple which generally is an east-west axis. In those temples where there is also a cross-axis, the garbha gṛha is generally at their intersection.

Generally the garbhagriha is a windowless and sparsely lit chamber, intentionally created thus to focus the devotee’s mind on the tangible form of the divine within it. Entrance to the garbha grha may be restricted to priests who perform the services there…

In the Dravida style, the garbhagriha took the form of a miniature vimana with other features exclusive to southern Indian temple architecture such as the inner wall together with the outer wall creating a pradakshina around the garbhagriha. The entrance is highly decorated. The inner garbhagriha or shrine became a separate structure, more elaborately adorned over time.

More often garbhagriha is square and sits on a plinth, its location calculated to be a point of total equilibrium and harmony as it is representative of a microcosm of the Universe. In the centre is placed the image of the deity.

But sometimes, for the temples of feminine deities, the garbagriha is rectangular. For example in the temple of Varahi Deula in Chaurasi.

The present structure of most of these temples is a two-storeyed vimana with a square garbhagriha and a surrounding circumambulatory path, an ardha-mandapa and a narrower maha-mandapa.

en.wikipedia.org/wiki/Garbhagriha

en.wikipedia.org/wiki/Hindu_temple_architecture

Natarja , Chidambaram Plan Image Credit. natarjatemplechidambaram.blogspot.in/

A return visit to St Mary.

I was last here about 6 years ago, parking in the little square one warm September afternoon.

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

www.kentchurches.info/church.asp?p=Elham

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

The poor constantly relieved are about seventy-five, casually fifty-five.

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

www.british-history.ac.uk/survey-kent/vol8/pp95-110

A return visit to St Mary.

I was last here about 6 years ago, parking in the little square one warm September afternoon.

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

www.kentchurches.info/church.asp?p=Elham

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

The poor constantly relieved are about seventy-five, casually fifty-five.

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

www.british-history.ac.uk/survey-kent/vol8/pp95-110

Given a 'vintage camera' treatment - well, it was taken with a Rolleicord!

Built in 2014 and given the registration of OP14 ARE, this was the very first Optare Metrodecker built but has not yet seen any use in public service and is seldom seen on the road in any other sense either - but when it is there is always a trade plate being used to superceed the reg and so it's likely as and when this bus does go into service it'll get a 17-plate instead. For several months it had been at Magtech in Rotherham to be fitted with a fully electric powerplant so as to convert this into a Metrodecker EV - the eventual aim is for Optare to offer both electric and diesel versions of this, but to use Optare's modular engine system so that if an operator decided to convert a diesel-engined Metrodecker to electric then the entire powerplant can be slid out on a tray and replaced with ease. To get the system certified has required several months of testing including a few turns around the MIRA testing facility in Bedfordshire, which set back some timescales for its entry onto the demonstration circuit....

The first eventual client which will receive this as a demo bus will be First York in order to make preparations for an order of these to run on the Park and Ride network. This was originally due to demo in York during March 2017, then postponed to May, and now later in August - it will run on several routes of the network but is likely to focus on P&R services, though I really do hope it takes a turn on the 500 route at least for one day. As York is the closest suitable operating area to the Optare factory to test electric buses, a few Optare EV's have been seen on the city streets - and this evening it has finished an engineers' road test and is leaving the James Street depot to head back along the A64 to Sherburn in Elmet.

Syracuse is a historic city in Sicily, the capital of the province of Syracuse. The city is notable for its rich Greek history, culture, amphitheatres, architecture, and as the birthplace of the preeminent mathematician and engineer Archimedes.This 2,700-year-old city played a key role in ancient times, when it was one of the major powers of the Mediterranean world. Syracuse is located in the southeast corner of the island of Sicily, next to the Gulf of Syracuse beside the Ionian Sea.

The city was founded by Ancient Greek Corinthians and Teneans and became a very powerful city-state. Syracuse was allied with Sparta and Corinth and exerted influence over the entirety of Magna Graecia, of which it was the most important city. Described by Cicero as "the greatest Greek city and the most beautiful of them all", it equaled Athens in size during the fifth century BC. It later became part of the Roman Republic and Byzantine Empire. After this Palermo overtook it in importance, as the capital of the Kingdom of Sicily. Eventually the kingdom would be united with the Kingdom of Naples to form the Two Sicilies until the Italian unification of 1860.

In the modern day, the city is listed by UNESCO as a World Heritage Site along with the Necropolis of Pantalica. In the central area, the city itself has a population of around 125,000 people. The inhabitants are known as Siracusans. Syracuse is mentioned in the Bible in the Acts of the Apostles book at 28:12 as Paul stayed there. The patron saint of the city is Saint Lucy; she was born in Syracuse and her feast day, Saint Lucy's Day, is celebrated on 13 December.

Syracuse and its surrounding area have been inhabited since ancient times, as shown by the findings in the villages of Stentinello, Ognina, Plemmirio, Matrensa, Cozzo Pantano and Thapsos, which already had a relationship with Mycenaean Greece.

Syracuse was founded in 734 or 733 BC by Greek settlers from Corinth and Tenea, led by the oecist (colonizer) Archias. There are many attested variants of the name of the city including Συράκουσαι Syrakousai, Συράκοσαι Syrakosai and Συρακώ Syrako. A possible origin of the city's name was given by Vibius Sequester citing first Stephanus Byzantium] in that there was a Syracusian marsh (λίμνη) called Syrako and secondly Marcian's Periegesis wherein Archias gave the city the name of a nearby marsh; hence one gets Syrako (and thereby Syrakousai and other variants) for the name of Syracuse, a name also attested by Epicharmus. The settlement of Syracuse was a planned event, as a strong central leader, Arkhias the aristocrat, laid out how property would be divided up for the settlers, as well as plans for how the streets of the settlement should be arranged, and how wide they should be. The nucleus of the ancient city was the small island of Ortygia. The settlers found the land fertile and the native tribes to be reasonably well-disposed to their presence. The city grew and prospered, and for some time stood as the most powerful Greek city anywhere in the Mediterranean. Colonies were founded at Akrai (664 BC), Kasmenai (643 BC), Akrillai (7th century BC), Helorus (7th century BC) and Kamarina (598 BC).

The descendants of the first colonists, called Gamoroi, held power until they were expelled by the Killichiroi, the lower class of the city. The former, however, returned to power in 485 BC, thanks to the help of Gelo, ruler of Gela. Gelo himself became the despot of the city, and moved many inhabitants of Gela, Kamarina and Megera to Syracuse, building the new quarters of Tyche and Neapolis outside the walls. His program of new constructions included a new theatre, designed by Damocopos, which gave the city a flourishing cultural life: this in turn attracted personalities as Aeschylus, Ario of Methymna, Eumelos of Corinth and Sappho, who had been exiled here from Mytilene. The enlarged power of Syracuse made unavoidable the clash against the Carthaginians, who ruled western Sicily. In the Battle of Himera, Gelo, who had allied with Theron of Agrigento, decisively defeated the African force led by Hamilcar. A temple dedicated to Athena (on the site of today's Cathedral), was erected in the city to commemorate the event.

Syracuse grew considerably during this time. Its walls encircled 120 hectares (300 acres) in the fifth century, but as early as the 470's BC the inhabitants started building outside the walls. The complete population of its territory approximately numbered 250,000 in 415 BC and the population size of the city itself was probably similar to Athens.

Gelo was succeeded by his brother Hiero, who fought against the Etruscans at Cumae in 474 BC. His rule was eulogized by poets like Simonides of Ceos, Bacchylides and Pindar, who visited his court. A democratic regime was introduced by Thrasybulos (467 BC).[13] The city continued to expand in Sicily, fighting against the rebellious Siculi, and on the Tyrrhenian Sea, making expeditions up to Corsica and Elba. In the late 5th century BC, Syracuse found itself at war with Athens, which sought more resources to fight the Peloponnesian War. The Syracusans enlisted the aid of a general from Sparta, Athens' foe in the war, to defeat the Athenians, destroy their ships, and leave them to starve on the island (see Sicilian Expedition). In 401 BC, Syracuse contributed a force of 3,000 hoplites and a general to Cyrus the Younger's Army of the Ten Thousand.

Then in the early 4th century BC, the tyrant Dionysius the Elder was again at war against Carthage and, although losing Gela and Camarina, kept that power from capturing the whole of Sicily. After the end of the conflict Dionysius built a massive fortress on Ortygia and 22 km-long walls around all of Syracuse. Another period of expansion saw the destruction of Naxos, Catania and Lentini; then Syracuse entered again in war against Carthage (397 BC). After various changes of fortune, the Carthaginians managed to besiege Syracuse itself, but were eventually pushed back by a pestilence. A treaty in 392 BC allowed Syracuse to enlarge further its possessions, founding the cities of Adranon, Tyndarion and Tauromenos, and conquering Rhegion on the continent. In the Adriatic, to facilitate trade, Dionysius the Elder founded Ancona, Adria and Issa. Apart from his battle deeds, Dionysius was famous as a patron of art, and Plato himself visited Syracuse several times.

His successor was Dionysius the Younger, who was however expelled by Dion in 356 BC. But the latter's despotic rule led in turn to his expulsion, and Dionysius reclaimed his throne in 347 BC. Dionysius was besieged in Syracuse by the Syracusan general Hicetas in 344 BC. The following year the Corinthian Timoleon installed a democratic regime in the city after he exiled Dionysius and defeated Hicetas. The long series of internal struggles had weakened Syracuse's power on the island, and Timoleon tried to remedy this, defeating the Carthaginians in the Battle of the Crimissus (339 BC).

After Timoleon's death the struggle among the city's parties restarted and ended with the rise of another tyrant, Agathocles, who seized power with a coup in 317 BC. He resumed the war against Carthage, with alternate fortunes. He was besieged in Syracuse by the Carthaginians in 311 BC, but he escaped from the city with a small fleet. He scored a moral success, bringing the war to the Carthaginians' native African soil, inflicting heavy losses to the enemy. The defenders of Syracuse destroyed the Carthaginian army which besieged them. However, Agathocles was eventually defeated in Africa as well. The war ended with another treaty of peace which did not prevent the Carthaginians from interfering in the politics of Syracuse after the death of Agathocles (289 BC). They laid siege to Syracuse for the fourth and last time in 278 BC. They retreated at the arrival of king Pyrrhus of Epirus, whom Syracuse had asked for help. After a brief period under the rule of Epirus, Hiero II seized power in 275 BC.

Hiero inaugurated a period of 50 years of peace and prosperity, in which Syracuse became one of the most renowned capitals of Antiquity. He issued the so-called Lex Hieronica, which was later adopted by the Romans for their administration of Sicily; he also had the theatre enlarged and a new immense altar, the "Hiero's Ara", built. Under his rule lived the most famous Syracusan, the mathematician and natural philosopher Archimedes. Among his many inventions were various military engines including the claw of Archimedes, later used to resist the Roman siege of 214 BC–212 BC. Literary figures included Theocritus and others.

Hiero's successor, the young Hieronymus (ruled from 215 BC), broke the alliance with the Romans after their defeat at the Battle of Cannae and accepted Carthage's support. The Romans, led by consul Marcus Claudius Marcellus, besieged the city in 214 BC. The city held out for three years, but fell in 212 BC. The successes of the Syracusians in repelling the Roman siege had made them overconfident. In 212 BC, the Romans received information that the city's inhabitants were to participate in the annual festival to their goddess Artemis. A small party of Roman soldiers approached the city under the cover of night and managed to scale the walls to get into the outer city and with reinforcements soon took control, killing Archimedes in the process, but the main fortress remained firm. After an eight-month siege and with parleys in progress, an Iberian captain named Moeriscus is believed to have let the Romans in near the Fountains of Arethusa. On the agreed signal, during a diversionary attack, he opened the gate. After setting guards on the houses of the pro-Roman faction, Marcellus gave Syracuse to plunder.

Imperial Roman and Byzantine period include

The Roman amphitheatre

The Temple of Apollo

Piazza Duomo

The Cathedral

Though declining slowly through the years, Syracuse maintained the status of capital of the Roman government of Sicily and seat of the praetor. It remained an important port for trade between the Eastern and the Western parts of the Empire. Christianity spread in the city through the efforts of Paul of Tarsus and Saint Marziano, the first bishop of the city, who made it one of the main centres of proselytism in the West. In the age of persecutions by Christians massive catacombs were carved, whose size is second only to those of Rome.

After a period of Vandal rule, Syracuse and the island was recovered by Belisarius for the Byzantine Empire (31 December 535). From 663 to 668 Syracuse was the seat of Emperor Constans II, as well as metropolis of the whole Sicilian Church.

Emirate of Sicily.

The city was besieged by the Aghlabids for almost a year in 827–828, but Byzantine reinforcements prevented its fall. It remained the center of Byzantine resistance to the gradual Muslim conquest of Sicily until it fell to the Aghlabids after another siege on 20/21 May 878. During the two centuries of Muslim rule, the capital of the Emirate of Sicily was moved from Syracuse to Palermo. The Cathedral was converted into a mosque and the quarter on the Ortygia island was gradually rebuilt along Islamic styles. The city, nevertheless, maintained important trade relationships, and housed a relatively flourishing cultural and artistic life: several Arab poets, including Ibn Hamdis, the most important Sicilian Arab poet of the 12th century, flourished in the city.

In 1038, the Byzantine general George Maniakes reconquered the city, sending the relics of St. Lucy to Constantinople. The eponymous castle on the cape of Ortygia bears his name, although it was built under the Hohenstaufen rule. In 1085 the Normans entered Syracuse, one of the last Arab strongholds, after a summer-long siege by Roger I of Sicily and his son Jordan of Hauteville, who was given the city as count. New quarters were built, and the cathedral was restored, as well as other churches.

In 1194, Emperor Henry VI occupied the Sicilian kingdom, including Syracuse. After a short period of Genoese rule (1205–1220) under the notorious admiral and pirate Alamanno da Costa, which favoured a rise of trades, royal authority was re-asserted in the city by Frederick II. He began the construction of the Castello Maniace, the Bishops' Palace and the Bellomo Palace. Frederick's death brought a period of unrest and feudal anarchy. In the War of the Sicilian Vespers between the Angevin and Aragonese dynasties for control of Sicily, Syracuse sided with the Aragonese and expelled the Angevins in 1298, receiving from the Spanish sovereigns great privileges in reward. The preeminence of baronal families is also shown by the construction of the palaces of Abela, Chiaramonte, Nava, Montalto.

The city was struck by two ruinous earthquakes in 1542 and 1693, and a plague in 1729. The 17th century destruction changed the appearance of Syracuse forever, as well as the entire Val di Noto, whose cities were rebuilt along the typical lines of Sicilian Baroque, considered one of the most typical expressions of art of Southern Italy. The spread of cholera in 1837 led to a revolt against the Bourbon government. The punishment was the move of the province capital seat to Noto, but the unrest had not been totally choked, as the Siracusani took part in the Sicilian revolution of independence of 1848.

After the Unification of Italy of 1865, Syracuse regained its status of provincial capital. In 1870 the walls were demolished and a bridge connecting the mainland to Ortygia island was built. In the following year a railway link was constructed.

Heavy destruction was caused during World War II by both the Allied and German bombings in 1943. Operation Husky, the codename for the Allied invasion of Sicily, was launched on the night between 9–10 July 1943 with British forces attacking the west of the island. The British 5th Infantry Division, part of General Sir Bernard Montgomery's Eighth Army, captured Syracuse on the first day of the invasion almost unopposed. The port was then used as a base for the British Royal Navy. To the west of the city is a Commonwealth War Graves cemetery where about 1,000 men are buried. After the end of the war the northern quarters of Syracuse experienced a heavy, often chaotic, expansion, favoured by the quick process of industrialization.

Syracuse today has about 125,000 inhabitants and numerous attractions for the visitor interested in historical sites (such as the Ear of Dionysius). A process of recovering and restoring the historical centre has been ongoing since the 1990s. Nearby places of note include Catania, Noto, Modica and Ragusa.

Syracuse experiences a hot-summer Mediterranean climate (Köppen climate classification Csa) with mild, wet winters and warm to hot, dry summers. Snow is infrequent but not rare at all; the last heavy snowfall in the city occurred in December but frosts are very rare, the last one happening in December

In 2016, there were 122,051[1] people residing in Syracuse, located in the province of Syracuse, Sicily, of whom 48.7% were male and 51.3% were female. Minors (children ages 18 and younger) totalled 18.87 percent of the population compared to pensioners who number 16.87 percent. This compares with the Italian average of 18.06 percent (minors) and 19.94 percent (pensioners). The average age of Syracuse resident is 40 compared to the Italian average of 42. In the five years between 2002 and 2007, the population of Syracuse declined by 0.49 percent, while Italy as a whole grew by 3.56 percent. The reason for decline is a population flight to the suburbs, and northern Italy.[18][19] The current birth rate of Syracuse is 9.75 births per 1,000 inhabitants compared to the Italian average of 9.45 births.

As of 2006, 97.9% of the population was of Italian descent. The largest immigrant group came from other European nations (particularly those from Poland, and the United Kingdom): 0.61%, North Africa (mostly Tunisian): 0.51%, and South Asia: 0.37%.

Since 2005, the entire city of Syracuse, along with the Necropolis of Pantalica which falls within the province of Syracuse, were listed as a World Heritage Site by UNESCO. This programme aims to catalogue, name and conserve sites of outstanding cultural or natural importance to the common heritage of humanity. The deciding committee which evaluates potential candidates described their reasons for choosing Syracuse because "monuments and archeological sites situated in Syracuse are the finest example of outstanding architectural creation spanning several cultural aspects; Greek, Roman and Baroque", following on that Ancient Syracuse was "directly linked to events, ideas and literary works of outstanding universal significance".

Buildings of the Greek period include,

The Temple of Apollo, at Piazza Emanuele Pancali, adapted to a church in Byzantine times and to a mosque under Arab rule.

The Fountain of Arethusa, on the Ortygia island. According to a legend, the nymph Arethusa, hunted by Alpheus, took shelter here.

The Greek Theatre, whose cavea is one of the largest ever built by the ancient Greeks: it has 67 rows, divided into nine sections with eight aisles. Only traces of the scene and the orchestra remain. The edifice (still used today) was modified by the Romans, who adapted it to their different style of spectacles, including also circus games. Near the theatre are the latomìe, stone quarries, also used as prisons in ancient times. The most famous latomìa is the Orecchio di Dionisio ("Ear of Dionysius").

The Roman amphitheatre. It was partly carved out from the rock. In the centre of the area is a rectangular space which was used for the scenic machinery.

The Tomb of Archimede, in the Grotticelli Nechropolis. Decorated with two Doric columns.

The Temple of Olympian Zeus, about 3 kilometres (2 miles) outside the city, built around 6th century BC.

The Cathedral of Syracuse (Italian: Duomo) was built by bishop Zosimo in the 7th century over the great Temple of Athena (5th century BC), on Ortygia island. This was a Doric edifice with six columns on the short sides and 14 on the long sides: these can still be seen incorporated in the walls of the current church. The base of the temple had three steps. The interior of the church has a nave and two aisles. The roof of the nave is from Norman times, as well as the mosaics in the apses. The façade was rebuilt by Andrea Palma in 1725–1753, with a double order of Corinthian columns, and statues by Ignazio Marabitti. The most interesting pieces of the interior are a font with marble basin (12th–13th century), a silver statue of St. Lucy by Pietro Rizzo (1599), a ciborium by Luigi Vanvitelli, and a statue of the Madonna della Neve ("Madonna of the Snow", 1512) by Antonello Gagini.

Basilica of Santa Lucia extra Moenia, a Byzantine church built, according to tradition, in the same place of the martyrdom of the saint in 303 AD. The current appearance is from the 15th-16th centuries. The most ancient parts still preserved include the portal, the three half-circular apses and the first two orders of the belfry. Under the church are the Catacombs of St. Lucy. For this church Caravaggio painted the Burial of St. Lucy, now housed in the Church of Santa Lucìa alla Badìa.

Our Lady of Tears Shrine (20th century).

Church of San Paolo (18th century).

Church of San Cristoforo (14th century, rebuilt in the 18th century).

Church of Santa Lucìa alla Badìa, a Baroque edifice built after the 1693 earthquake. It houses the Burial of St. Lucy by Caravaggio

Church of Santa Maria dei Miracoli (13th century).

Church of the Spirito Santo (18th century).

Church of the Jesuit College, a majestic, Baroque building.

Church of St. Benedict (16th century, restored after 1693). It houses a painting of the Death of Saint Benedict by the Caravaggisti Mario Minniti.

Chiesa della Concezione (14th century, rebuilt in the 18th century), with the annexed Benedictine convent.

Church of San Francesco all'Immacolata, with a convex façade intermingled by columns and pilaster strips. It housed and ancient celebration, the Svelata ("Revelation"), in which an image of the Madonna was unveiled at dawn of 29 November.

Basilica of St. John the Evangelist, built by the Normans and destroyed in 1693. Only partially restored, it was erected over an ancient crypt of the martyr San Marciano, later destroyed by the Arabs. The main altar is Byzantine. It includes the Catacombs of San Giovanni, featuring a maze of tunnels and passages, with thousands of tombs and several frescoes.

Castello Maniace, constructed between 1232 and 1240, is an example of the military architecture of Frederick II's reign. It is a square structure with circular towers at each of the four corners. The most striking feature is the pointed portal, decorated with polychrome marbles.

The important Archaeological Museum, with collections including findings from the mid-Bronze Age to 5th century BC.

Palazzo Lanza Buccheri (16th century).

Palazzo Bellomo (12th century), which contains an art museum that houses Antonello da Messina's Annunciation (1474).

Palazzo Montalto (14th century), which conserves the old façade from the 14th century, with a pointed portal.

The Archbishop's Palace (17th century, modified in the following century). It houses the Alagonian Library, founded in the late 18th century.

The Palazzo Vermexio, the current Town Hall, which includes fragments of an Ionic temple of the 5th century BC.

Palazzo Francica Nava, with parts of the original 16th century building surviving.

Palazzo Beneventano del Bosco, originally built in the Middle Ages but extensively modified between 1779 and 1788. It has a pleasant internal court.

Palazzo Migliaccio (15th century), with notable lava inlay decorations.

The Senate Palace, housing in the court an 18th-century coach.

The Castle of Euryalos, built 9 kilometres (6 miles) outside the city by Dionysius the Elder and which was one of the most powerful fortresses of ancient times. It had three moats with a series of underground galleries which allowed the defenders to remove the materials the attackers could use to fill them.

The Mikveh: a bath used for the purpose of ritual immersion in Judaism, built during the Byzantine era. It is situated in the Giudecca: the ancient Jewish Ghetto of Syracuse.

Rather ironic to see a First Group bus advertising South West Trains, given the franchise change to be effected in August 2017!

Given to me this morning by a cow-orker who no longer wanted it. Silver and mother of pearl, with a snakes' head detail.

Given the short growing season in Glacier National park which lasts just a few months, the plants that grow on the steep green slopes of the glacier-carved valleys start blooming really fast and in wild profusion. It is rather surprising to see the Glacier Lilies's yellow bloom surrounding large patches of snow. I guess that if life has to survive in these conditions, it has to grow fast.

While the initial sections of the famous Highline trail was enveloped in a lot of greenery, it was only as we got closer to the Granite Park Chalet, a rustic old stone cabin, that the blooms of these flowers became really dense and colorful (more of those in the next update). As I came around a bend, the view suddenly opened up to a large meadow dotted profusely by these lilies standing in front of the clear blue snow-capped Heaven's Peak across the glacier-carved valley.

It was a gorgeous view, the likes of which I had never seen before. I spent quite a bit of time trying to capture the magical spectacle presented before me.

View large on black for the best effect.

Glacier National Park

MT USA

Given the concerns over Covid-19 and the associated international response, social pressure referred to as ‘Social Distancing’, the good Mr T decided it was time to chill and hang out in the pool on the Southern Shores of Lake Ontario in tropical Grimsby, Ontario, for the duration of March Break. Some of the online paranoia suggested he may never get another chance. So grasp life by the horns and enjoy it while you can. Suitably protected from the sun by a cool set of sun glasses, a glass of wine to help take the edge off, and a good book to pass the time, Mr T reclined in the pool and settled in for the duration. - JW

Date Taken: 2020-03-17

Tech Details:

Taken using a tripod-mounted Nikon D800 fitted with an AF-S Nikkor 24-120mm 1:4.0 lense set to 28mm, ISO100, Auto WB, Aperture Priority Mode, f/9.0, 1/3 sec. PP in free Open Source RAWTherapee from Nikon RAW/NEF source file: convert image to B&W/monochrome using green channel gamma adjustment to somewhat darken the image, crop image to 1:1 aspect ratio, set final image size to 7000 px wide, apply Tone Mapping at default levels, boost contrast in L-A-B mode, enable Shadows/Highlights and recover highlight detail, sharpen, save. PP in free Open Source GIMP: use the levels tool in Auto mode to establish a good base overall tonality, sharpen, save, scale image to 6000px wide, sharpen, save, add fine black-and-white frame, add bar and text on left, save, scale image to 2048 px wide for posting online, sharpen very slightly, save.

Ludlow Castle

Heritage Category: Scheduled Monument

List Entry Number: 1004778

More information can be found on the link below:-

historicengland.org.uk/listing/the-list/list-entry/1004778

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Ludlow Castle, Castle Square, Ludlow, Shropshire

Ludlow Castle the standing structural remains

Heritage Category: Listed Building

Grade: I Listed

List Entry Number: 1291698

Summary

The standing structural remains of Ludlow Castle, an enclosure castle, begun in the late C11, and converted into a tower keep castle in the early C12.

Reasons for Designation

The standing structural remains of Ludlow Castle are listed at Grade I for the following principal reasons:

Historical: as one of England's finest castle sites, clearly showing its development from an enclosure castle into a tower keep castle in the C12; the castle played an important historical role particularly as seat of the President of the Council of the Marches; Architectural: the castle remains illustrate significant phases of development between the C11 and the C16; Survival: the buildings are in a ruinous condition, but nonetheless represent a remarkably complete multi-phase complex.

History

An enclosure castle is a defended residence or stronghold, built mainly of stone, in which the principal or sole defence comprises the walls and mural towers bounding the site. Enclosure castles, found in urban and in rural areas, were the strongly defended residence of the king or lord, sited for offensive or defensive operations, and often forming an administrative centre. Although such sites first appeared following the Norman Conquest, they really developed in the C12, incorporating defensive experience of the period, including that gained during the Crusades. Many enclosure castles were built in the C13, with a few dating from the C14, and Ludlow Castle is not alone in having begun as an enclosure castle and developed into a tower keep castle. At Ludlow, the large existing gate tower was converted into a tower keep in the early C12, providing more domestic accommodation, as well as defence.

Ludlow Castle occupies a commanding position at the steep-sided western end of a flat-topped ridge overlooking the valleys of the River Teme and the River Corve. The adjacent town of Ludlow, which was established by the mid-C12, lies to the south and east of the castle. The defences surrounding the medieval town are designated separately. The castle was probably founded by Walter de Lacy in about 1075 and served as the ‘caput' (the principal residence, military base and administrative centre) of the de Lacy estates in south Shropshire until the mid-C13. During the Anarchy of King Stephen's reign the castle was for Matilda until 1139, when it was besieged and captured by Stephen. The de Lacy family recovered the castle in the C12 and retained it, apart from occasional confiscations, until the death of Walter de Lacy in 1241. Ludlow Castle features in an ‘ancestral romance’ called ‘The Romance of Fulk FitzWarren', written in the late C13 about the adventures of a C13 knight. Other documentary sources indicate that when the castle was in royal control it was used for important meetings, such as that held in 1224 when Henry III made a treaty with the Welsh prince, Llewellyn. Following the death of Walter de Lacy in 1241 the castle came into the possession of the de Genevilles, and in the early C14, the castle passed through marriage to Roger Mortimer. Between 1327 and 1330 Roger Mortimer ruled England as Regent, with Edward II's widowed queen, Isabella. Mortimer had himself made Earl of March in 1328. In 1425 the Mortimer inheritance passed to Richard Plantagenet, Duke of York, who made Ludlow a favoured residence. His eldest son, who assumed the title of Earl of March, claimed the crown as Edward IV in 1461. Edward IV's son Edward was created Prince of Wales in 1471, and in 1473 was sent to Ludlow, where the administration of the principality known as the Council in the Marches was established. Both Edward and the Council remained at Ludlow until Edward IV's death in 1483. Ludlow Castle continued as an important royal residence and in 1493 the Council was re-established at Ludlow with Henry VII's son and heir, Prince Arthur as Prince of Wales. In 1501 Arthur was installed at Ludlow with his bride, Katherine of Aragon, and it was at Ludlow that Arthur died in 1502. In 1534 the Council in the Marches received statutory powers both to hear suits and to supervise and intervene in judicial proceedings in Wales and the Marches, and from that time until 1641, and again from 1660 to 1689, Ludlow's principal role was as the headquarters for the Council and, as such, the administrative capital of Wales and the border region. Milton’s mask, ‘Comus’, was first performed here in 1634 before John Egerton, 1st Earl of Bridgewater, in celebration of the earl’s new appointment as Lord President of Wales. On the dissolution of the Council the castle was abandoned and left to decay. Lead, window glass and panelling were soon removed for reuse in the town. In 1771, when the castle was leased to the Earl of Powis, many of the buildings were in ruins.

Since the late C18, the buildings have undergone repair and restoration at various times, as well as some further deterioration, with some rebuilding and replacement of stonework. Extensive archaeological excavations were undertaken by William St John Hope between 1903 and 1907. The castle is now open to the public.

Details

The standing structural remains of Ludlow Castle, an enclosure castle, begun in the late C11, and converted into a tower keep castle in the early C12.

MATERIALS: the castle is constructed of a variety of local stones; it appears that the greenish-grey flaggy calcerous siltstones that underlies the castle was used in its initial phase, with local sandstones being used thereafter.

PLAN: the castle consists of an elliptical INNER BAILEY, in the north-west corner of the site, representing the earliest area of development, with the OUTER BAILEY, created in the second half of the C12, to the south and east.

BUILDINGS:

The curtain wall of the inner bailey incorporates four mural towers and the former gatehouse, all thought to have been constructed by 1115. Three of the four towers are open at the back and would originally have contained wooden scaffolding supporting look-out and fighting platforms. The fourth tower, known as the POSTERN TOWER, on the western side of the enclosure, has small ground-floor postern doorways on its north and east sides. The former gatehouse, situated at the south-eastern part of the enclosure, is rectangular in plan and was originally three storeys in height. Remaining in the ground-floor of the building is part of a wall arcade, thought to be late-C11, with ornamented capitals. In the early C12 a fourth storey was added to provide more domestic accommodation, thus converting the gatehouse into a tower keep, known as the GREAT TOWER. In the later C12 the original gatehouse entrance passage was blocked (the location of the former arch remains visible on the south elevation) and an archway was cut through the adjacent part of the curtain wall to the north-east, reached by a stone bridge. This archway was partially infilled and a smaller arch constructed in the C14. Access to the upper floors of the tower is by a spiral stair to the east, reached by an ornamented doorcase, the Tudor arch having a trefoiled lintel flanked by cusped panelling and trefoiled lintel, which also gives access to rooms in the Judges’ Lodgings (see below). On the first floor is the hall, with a chamber and garderobe to the west. In the second half of the C15 the north wall of the Great Tower was rebuilt and internal floors added to create new rooms lit by enlarged windows. Adjoining the Great Tower, in the south-west section of the inner bailey, is the INMOST BAILEY, a walled enclosure constructed in the C12 and C13 to provide greater security and privacy to those living in the Great Tower. There is a well within this enclosure surrounded by a low stone wall.

Located in the north-eastern sector of the elliptical enclosure of the inner bailey are the remains of the CHAPEL OF ST MARY MAGDALENE. This was built in the first half of the C12, probably by Gilbert de Lacy, and was remodelled in the C16, probably in two phases. In the first phase, thought to have been undertaken circa 1502 for the installation of Arthur, Prince of Wales, a first floor was inserted in the circular nave, together with additional openings, including a first-floor doorway which gave access to a passage linking the chapel with the Great Chamber Block to the north. In the second phase, during the presidency of the Council in the Marches of Sir Henry Sidney (1560-86), the original presbytery and chancel were taken down and a new chancel, or chapel, built, stretching as far as the curtain wall. The crenellated circular nave, which measures 8.3m in diameter internally, survives to its full height as a roofless shell, and contains much original carving to the round-headed order arches of the door openings, with chevron and billet mouldings, and to the internal blind arcade with a variety of capitals and moulded arches.

Since the late C12, the castle site has been entered through the two-storeyed GATEHOUSE within the eastern part of the curtain wall of the outer bailey. The wall originally had two adjoining rectangular mural towers of which the one to the north of the gatehouse survives as a standing structure; this, together with the adjacent section of the curtain wall form part of the CASTLE HOUSE built in the C18 (listed separately at Grade I). Protruding from the curtain wall defining the western side of the outer bailey are the remains of a semi-circular tower known as MORTIMER'S TOWER, possibly built in the early C13; this originally consisted of a ground-floor entrance passage, with two floors above, and was used as the postern entrance to the outer bailey until the C15. In the south-west corner of the outer bailey are the remains of ST PETER’S CHAPEL, originally a free-standing rectangular structure, founded by Roger Mortimer to celebrate his escape from the Tower of London in 1324, following his rebellion against Edward II. The chapel served as the Court House and offices of the Council in the Marches, for which an adjacent building to the west was constructed. The south-east corner of the chapel is now attached to a wall which completes the enclosure of the outer bailey’s south-west corner. In the north wall of the chapel is a blocked two-light window, enlarged at the bottom when a floor was inserted for the court house; a second original window towards the eastern end now contains a first-floor blocked doorway.

At the end of the C13 or in the early C14 an extensive building programme was initiated, replacing existing structures within the inner bailey with a grand new range of domestic buildings, built along the inside of the north section of the Norman curtain wall. The construction of these new buildings indicates the changing role of Ludlow Castle from military stronghold to a more comfortable residence and a seat of political power, reflecting the more peaceful conditions in the region following the conquest of Wales by Edward I. The first buildings to be completed were the GREAT HALL and the adjoining SOLAR BLOCK (private apartments). The Great Hall, which was used for ceremonial and public occasions, consisted of a first floor over a large undercroft, reached through a moulded pointed arch in the south elevation. The Hall was lit on both south and north sides by three pointed-arched windows with sunk chamfers and ‘Y’ tracery formed of paired cusped trefoil-headed lights, under hoodmoulds; these originally had seats, now partially surviving. The central south window was converted to a fireplace, replacing the louver which formerly covered the open fire towards the east of the Hall, its position indicated by elaborate corbels. At the west end, a series of openings lead into the Solar Block, only one of these (that to the north) being of the primary phase. Within the Hall, at the western end, is a timber viewing platform, which is not of special interest.* The Solar Block is thought to have been begun as a two-storey building, and raised to three storeys shortly afterwards, at which time the adjacent NORTH-WEST TOWER was raised, with the new CLOSET TOWER being built in the angle between the two. Each of the three floors of the Solar Block extended into the North-West Tower, with each being linked to a room in the Closet Tower. All three floors of the Solar were heated, the ground floor having a fireplace which originally had a stone hood; the first-floor room has hooded fireplace, on nearly triangular-sectioned jambs; the room above has a plainer hooded fireplace. The windows include original openings with ‘Y’ tracery and trefoil-headed lights, similar to those in the Hall, and a ground-floor mullioned window probably dating from the late C16.

In the early C14 two additional buildings containing more private apartments were constructed by Richard Mortimer. The three-storeyed GREAT CHAMBER BLOCK was built in about 1320 next to the Great Hall to balance the Solar Block to the west of the Hall. The connecting four-storeyed GARDEROBE TOWER, which projects from the curtain wall of the inner bailey, was also probably built about the same time. As in the Hall and Solar blocks, the floors are now lost but features in the walls remain to indicate layout and function. The main entrance to this block is through a recessed doorway in the south-west corner, with a pointed two-light window above. The undercroft was heated, and is lit by two two-light windows with stone side seats in the south wall. The tracery of the eastern of these windows has been lost. The first-floor main room, or ‘Great Chamber’, contains a grand hooded fireplace carried on a fourfold series of corbels; to either side of the fireplace are large head corbels with leafwork. The Tudor transomed and mullioned window probably replaced an earlier window. The upper room also has a large hooded fireplace, and was lit principally by a large trefoil-headed window with head-stopped hoodmould in the southern wall.

Following the establishment of the headquarters for the Council in the Marches at Ludlow, new buildings were constructed and many existing buildings changed their use. Within the inner bailey the main room in the Great Chamber Block became the council chamber, with additional chambers above. A new adjoining residential block, now called the TUDOR LODGINGS, was built to the east, replacing earlier structures. The block consisted of two sets of lodgings both being of three storeys with attic rooms above. The south wall of this block cuts across openings in the east wall of the Great Chamber Block. Between the lodgings, projecting from the south wall, is a circular stair tower, entered through an ogee-headed arch. The windows in the south elevation are mullioned; several have been blocked. In the north wall of the western lodging, at ground-floor level, is an opening with double trefoil head, having a divided light above. Otherwise, the features of this range are plain, with pointed door openings, and straight lintels to fireplaces.

As the power of the Council grew, further domestic accommodation was needed. To the east of the entrance within the inner bailey, a three-storeyed range, known as the JUDGES LODGINGS, was completed in 1581. On the south side, this building extends the curtain wall upwards, with two gables, and piercing for fenestration, the earlier arched entrance to the inner bailey becoming visually part of the newer building, with rooms above; stone arms set immediately over the archway dated 1581 commemorate the Presidency of the Council of Sir Henry Sidney. Rooms set above the arch leave a gate-passage leading through a second archway to the inner bailey, and giving access to both the Great Keep and the Judges’ Lodgings. The rooms above the gate-passage appear to have been accessed by the embellished Tudor-arched doorway in the Keep at the north end of the passage. The north side of the Judges’ Lodgings, within the inner bailey, has a polygonal stair turret (which originally had a pyramidal roof), with mullioned and transomed eight-light windows set regularly to either side. Within, some indication is given of the arrangement and appearance of the rooms by the survival of numerous fireplaces of red sandstone backed by brick set in herringbone pattern. The adjoining building to the east, originally two-storeyed, is thought to date from the C17.

Other developments during the C16 included changes to the south-west corner tower, enclosed within the inmost bailey, with the installation of a large oven at ground-floor level, with residential rooms above; the tower became known as the OVEN TOWER. In 1522 the PORTER'S LODGE was built in the outer bailey to the south of the gatehouse. The shell of this building now contains the castle shop; the modern structure and fittings of the shop are not of special interest.* Also dating from 1522 is the PRISON, adjoining to the south, which retains square-headed windows with moulded frames and hoodmoulds, and the stable block, completed in 1597, with mullioned windows. Like the porter's lodge, these buildings remain as incomplete shells.

*Pursuant to s.1 (5A) of the Planning (Listed Buildings and Conservation Areas) Act 1990 ('the Act'), it is declared that these aforementioned features are not of special architectural or historic interest.

Sources

Books and journals

Cathcart-King, D J, Castellarium Anglicanum, (1983)

Goodall, J, The English Castle, 1066-1650, (2011)

H M Colvin, D R Ransome, The History of the KIng's Works, vol 3, (1975)

Kenyon, J, Castles in Wales and the Marches Essays in honour of DJ Cathcart King, (1987), 55-74

Pevsner, N, Newman, J, The Buildings of England: Shropshire, (2006)

R Allen Brown, H M Colvin, The History of the King's Works, vol 2, (1963)

Shoesmith, R, Johnson, A (eds), Ludlow Castle. Its History and Buildings, (2000)

'' in Archaeological Investigations Ltd, Hereford archaeology series, (1991)

W. H. St John Hope, , 'Archaeologia' in The Castle of Ludlow, (1908)

Other

Pastscape Monument No. 111057,

Shropshire HER 01176,

historicengland.org.uk/listing/the-list/list-entry/1291698

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Ludlow Castle, Castle Square, Ludlow, Shropshire

Construction of Ludlow Castle began in the late 11th century by the de Lacy's and held by them until the 13th century. In the 14th century it was enlarged by the Mortimers. In the 15th century ownership transferred between the House of York and Lancashire during the War of the Roses. In Elizabethan times the castle was further extended by Sir Henry Sidney. After the civil war the castle declined. It is now owned by the Earl of Powys for the crown.

Grade I listed.

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Welcome to Ludlow Castle, one of the finest medieval ruins in England. Set in the glorious Shropshire countryside at the heart of the superb, bustling black & white market town of Ludlow. Walk through the Castle grounds and see the ancient houses of kings, queens, princes, judges and the nobility – a glimpse into the lifestyle of medieval society

The Castle, firstly a Norman Fortress and extended over the centuries to become a fortified Royal Palace, has ensured Ludlow’s place in English history – originally built to hold back unconquered Welsh, passing through generations of the de Lacy and Mortimer families to Richard Plantagenet, Duke of York. It became Crown property in 1461 and remained a royal castle for the next 350 years, during which time the Council of the Marches was formed with responsibility for the Government of Wales and the border counties. Abandoned in 1689 the castle quickly fell into ruin, described as ‘the very perfection of decay’ by Daniel Defoe

Since 1811 the castle has been owned by the Earls of Powis, who have arrested further decline, and allowed this magnificent historical monument to be open to the public. Today the Castle is the home to Ludlow’s major festivals throughout the year and open for all to enjoy.

www.ludlowcastle.com/the-castle/

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See also:-

www.britainirelandcastles.com/England/Shropshire/Ludlow-C...

en.m.wikipedia.org/wiki/Ludlow_Castle

Old door locks found in the old art deco bath house at Jacob Riis Park in the Rockaways, NYC. Natural light; no filter!

Given the size of this juvenile bald eagle, I have assumed this is a female.

Given the green color, it would come as no surprise that these stick insects feed on Eucalypt leaves, and would spend the majority of their life in the foliage rather than on the ground. They stand out against the brown leaf litter when making a rare visit to the ground. But they would blend perfectly into the olive green foliage of gum trees.

This is clearly a stick insect belonging to the Phasmatidae (Phasmid) Family. After studying the descriptions, photographs, and distribution maps in "The Complete Field Guide to Stick and Leaf Insects of Australia" (Paul D. Brock and Jack W. Hasenpusch, 2009), I felt that it could be a female Spur-legged Stick Insect (Didymuria violescens). It is only the males that have the 3 distinctive spurs on their hind legs that give this species their common name. This specimen has 6 or so small spurs. When taken into account along with the plump abdomen and the small wings, I was quite convinced that this was a female. It was approximately 100 mm in length.

69.155.12.96:8080/get/pdf/The%20Complete%20Field%20Guide%...

Didymuria violescens

Spur-legged Stick-insect / Violet Stick-insect

p124

en.wikipedia.org/wiki/Didymuria_violescens

www.biodiversitysnapshots.net.au/bdrs-core/public/species...

www.dpi.nsw.gov.au/__data/assets/pdf_file/0005/390092/The...

Thredbo, New South Wales, Australia.

iPhone 5s - Photograph taken with the camera on an iPhone 5s.

Camera - The native Camera app was used without the HDR option.

Photoshop Touch - Image cropped retaining the original 4:3 format then re-sized to 3264 x 2448 pixels.

Snapseed - Applied the Structure and Ambience filters. Then made some Overall lighting adjustments.

Noiseware - Noise Reduction filter applied.

Filterstorm - Sharpening filter applied.

ExifEditor - EXIF data from the original image transferred to the final image.

(Filed as 20140302_iPadMiniRetina 001 PhotoshopTouch-Snapseed-Noiseware-Filterstorm-ExifEditor.JPG)

Students have given apples to their teachers on the first day of school for over a century. But exactly how the apple earned this distinction is not entirely clear.

The most common explanation is that in the 16th through 18th centuries in Denmark, Sweden and the US, poorer farming folk would pay their children's teachers with food - most notably with common and plentiful apples and potatoes. Another is that farmers gave teachers this food to supplement the teachers' low incomes; as teachers' wages went up, the amount of food went down. Eventually, students brought in that one apple out of tradition more than anything else.

Another consideration is that in the retelling of the story of Adam and Eve. Eve is said to have eaten an apple from the Tree of Knowledge. The apple is not actually mentioned in the book of Genesis; only "the fruit of the Tree of Knowledge." Regardless, the apple story stuck. Since teachers offer knowledge to their students, the apple -as the fruit of the Tree of Knowledge — makes the perfect symbol.

Some people point out that when young children learn the alphabet, each letter is associated with a word they already know: A is for Apple, B is for Ball, and so on. So the apple is a symbol of the letter A, which is also the grade that most students want. So perhaps some students came to the conclusion that if they gave their teachers an A at the beginning of the school year, the teachers might return the favour and give them an A at the end of the year.

Read more: www.cliffsnotes.com/Section/Giving-Your-Teacher-an-Apple....

©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©

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Photograph taken at an altitude of Sixty one metres at 09:57am on Monday 3rd August 2020, of a Sarcophagidae(flesh fly)on a Myrtus Communis (Common Myrtle), off Chessington Avenue in Bexleyheath, Kent.

Sarcophagidae (flesh flies) are ovoviviparous, opportunistically laying hatched or hatching maggots rather than eggs on carrion, dung, decaying material, or open wounds of mammals.

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Nikon D850 Focal length 360mm Shutter speed: 1/1250s Aperture f/6.0 iso250 Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) Image size L (8256 x 5504 FX). Focus mode AF-C focus. AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points.AF-Area mode single point & 73 point switchable. Exposure mode: Shutter Priority mode. Matrix metering. Auto ISO sensitivity control on (Max iso 800/ Miniumum shutter speed 125). White blance on: Auto1. Colour space: RGB. Actve D-lighting: Normal. Vignette control: Normal. Nikon Distortion control: Enabled. Picture control: Auto (Sharpening A +1/Clarity A+1

Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fibre geared tripod. Neewer Gimbal tripod head with Arca Swiss quick release plate.055XPROB Tripod 3 Sections (Payload: 5.6kgs). Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

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LATITUDE: N 51d 28m 28.52s

LONGITUDE: E 0d 8m 10.25s

ALTITUDE: 55.0m

RAW (TIFF) FILE: 130.00MB NEF: 91.6MB

PROCESSED (JPeg) FILE: 22.60MB

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PROCESSING POWER:

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

Cristina Alonzo was given up for adoption after birth, lived in foster care for much of her life, and has lived on the streets the rest of it.

She had been pregnant once before, but she lost the baby to social services. She is pregnant again. A week ago, she was sleeping in back of a Mobile Station in the freezing January cold because she could not get housing.

Now she is in temporary housing in the Budget Motel in Liberty NY, waiting for emergency housing. Her boyfriend and alleged father of her child is with her much of the time.

Photographer Les Stone donates his time to capture the spirit of homeless teens for the Do1Thing project. do1thing.org.

It is the goal of Do1Thing to empower homeless youth to move themselves from homelessness to a permanent housing. Empowerment comes by outfitting the teens with training, items and supplies needed to overcome their current situations move forward.

We partner with Covenant House International, the largest privately-funded agency in the Americas providing shelter and other services to homeless, runaway and throwaway youth. Our second partner is StandUp for Kids. The mission of StandUp for Kids is to help homeless and street kids.

They do this, every day, in cities across America, carrying out their mission through volunteers who go to the streets in order to find, stabilize and otherwise help homeless and street kids improve their lives.

Do1Thing is a project of the Heart Gallery of New Jersey, Inc. is a 501(c)(3) non-profit organization supported by the generous contributions of individuals, corporations and foundations.

www.heartgallerynj.org

[photographer='LES STONE']

Given the long history of shipping, exploration and trade of the city of Bristol this fine sculpture seemed very appropriate!

Wiki has the following detail:

Brycgstow (Old English "the place at the bridge") was founded by 1000; by about 1020, it was a trading centre with a mint producing silver pennies bearing its name. By 1067 Brycgstow was a well-fortified burh, and that year the townsmen beat off a raiding party from Ireland led by three of Harold Godwinson's sons. Under Norman rule, the town had one of the strongest castles in southern England. Bristol was the place of exile for Diarmait Mac Murchada, the Irish king of Leinster, after being overthrown. The Bristol merchants subsequently played a prominent role in funding Richard Strongbow de Clare and the Norman invasion of Ireland.

Black and white etching showing the towers of St Stephen's Church, St Augustine the Less Church and Bristol Cathedral, published c.1850

The port developed in the 11th century around the confluence of the Rivers Frome and Avon, adjacent to Bristol Bridge just outside the town walls. By the 12th century Bristol was an important port, handling much of England's trade with Ireland, including slaves. The stone bridge built in 1247 was replaced by the current bridge during the 1760s. The town incorporated neighbouring suburbs and became a county in 1373, the first town in England to be given this status. During this period, Bristol became a shipbuilding and manufacturing centre. By the 14th century Bristol, York and Norwich were England's largest medieval towns after London. One-third to one-half the population died in the Black Death of 1348–49, which checked population growth, and its population remained between 10,000 and 12,000 for most of the 15th and 16th centuries.

free below email and its “law” like from:

LawDay__Real_Time_News_Corp_rsyvzgr@cmpgnr.com

SEXUAL DISCRIMINATION claim given green light to proceed against law firm

NEW YORK – In what is being described as the makings of a ‘wake up call’ for law firms across the United States, a federal Judge in New York has allowed a sexual discrimination lawsuit to proceed against a law firm that fired an associate two days after she complained that women lawyers at the firm were “relegated to non-partnership track support roles.”

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Question: Is it only in Texas where missing sex toys concern police property room?

Learn below at www.chron.com/disp/story.mpl/front/5930980.html

By DANE SCHILLER Copyright 2008 Houston Chronicle, Aug. 7, 2008, 6:05PM

The Emperor is gone. So is Cyber Wabbit.

Three years after Houston police seized these and hundreds of other sex toys worth $50,000 from the Adult Video Megaplexxx, the devices may be missing from the department's property room.

The discovery came to light when a lawyer for the adult-entertainment shop sought to reclaim the 564 items that the 5th U.S. Circuit Court of Appeals recently declared legal to sell.

After initially telling attorney Richard Kuniansky the sex toys would be returned, Houston police then said they were destroyed.

"They said no problem you can send somebody by to pick them up, and then we get another call and it's 'Whoops, we don't have them,' " Kuniansky said.

Kuniansky said police told him they were destroyed, but he doubts that explanation.

"There is apparently no court order authorizing destruction of the property or any record of what happened to the property," he said.

A check of Harris County court files did not turn up a destruction order in any of the cases involving the store's employees.

A Houston Chronicle request to interview a police supervisor who could discuss the toys' whereabouts was not immediately answered.

"There does need to be a court order for the destruction of any property," said Victor Senties, a police spokesman.

The last time the products were seen by Adult Video Megaplexxx employees was in 2005, when they were carried away by vice officers.

They were to be locked in a property room as evidence. The charges against employees were dropped. And in February,a federal appeals court ruled that Texas' 35-year-old law banning the sale of sex toys was unconstitutional.

Kuniansky sought to resolve the matter in May by asking police in writing where his clients could retrieve the property.

A copy of a 9-page police inventory lists the sometimes comical, sometimes crude, names of the devices as well as the prices.

The most expensive sold for $89.99, the least was $11.99.

The police property room, actually more of a warehouse given the massive number of cases it handles, has had its share of woes.

A police supervisor who was fired after roughly 30 guns went missing got his job back in June after telling a Houston Civil Service Commission that lapses in security allowed people with criminal records to get access to the property room.

Richard Segura, acting director of the Criminal Defense Clinic at the University of Texas School of Law, said Kuniansky has a right to ask for the devices back, but police shouldn't have to safeguard them forever.

"If I go over to your house and spend the night there and leave my shoes, can I expect my shoes to be there three years later?" he said.

Still, he said whether they were destroyed and under what authority would likely be set by department policy.

No matter how much time had passed, the department can't destroy property without following regulations, Kuniansky said.

Ray Hill, who has been a consultant for adult businesses, said sex toys were too tantalizing for police to destroy.

"I think the cops stole them," he said. "We've got these gifts to give our girlfriends and friends, and as gags."

Abdulrahman Alkhaldi Photography © , All Rights Reserved 2008 .

This work may not be copied, reproduced, republished, edited, downloaded, displayed, modified, transmitted, licensed, transferred, sold, distributed or uploaded in any way without my written permission.

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Camera: Canon 50D

Exposure:

Aperture:

Focal Length:

ISO Speed: 100

Place: Yosemite National Park

P h o t o g r a p h y B y : A b d u l r a h m a n A l k h a l d i

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

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Photograph taken at an altitude of Three hundred and forty five metres at 16:09pm on Tuesday 9th May off Sunset Drive and Water Street close to the waterfront in Kelowna, British Columbia, Canada.

The ornamental gardens here feature some magnificent red and yellow Tulips, (Tulipa of the family Liliaceae). This is a painted version of my original photograph.

Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Focal length: 120mm Shutter speed: 1/800s (Mechanical shutter) Aperture f/4.0 iso64 Hand held with Nikon VR Vibration reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed AF-C Priority Selection: Release Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Matrix metering White balance on: Auto1, A1.00, M0.24 (4630K) Colour space: Adobe RGB Picture control: (SD) Standard (Sharpening +3.00/Clarity +1.00)

Nikkor AF-S 24-120mm f/4G ED VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.

LATITUDE: N 49d 53m 35.8s

LONGITUDE: W 119d 29m 49.70s

ALTITUDE: 345.0m

RAW (TIFF) FILE: 130.00MB NEF: 89.7MB

PROCESSED (JPeg) FILE: 27.80MB

PROCESSING POWER:

Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)

HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.

Given a overlay

www.redbubble.com/people/slysweeny</a</</

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 49.611+ Million visitors to my FLICKR site.

***** Selected for sale in the GETTY IMAGES COLLECTION on Sunday 18th August 2024

CREATIVE RF gty.im/2153966737 MOMENT ROYALTY FREE COLLECTION**

This photograph became my 7,007th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.

©DESPITE STRAIGHT LINES (Paul Williams)

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Photograph taken at an altitude of One hundred and fifty three metres at 10.48am on Wednesday May 8th 2024, on board an open air carriage on the Llewelyn steam locomotive which departed from Aberystwyth on the Vale of Rheidol route, here passing meadows in Melindwr.

Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Hand held Focal length: 78mm Shutter speed: 1/2500s (Mechanical shutter) Aperture f/7.1 iso2000 Nikon VR Vibration Reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed Focus mode: AF-C Priority Selection: Release Nikon Back button focusing enabled AF-Focus area: 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Centre weighted metering Active D-Lighting: Normal White balance on: Natural light auto, 0, 0 Colour space: Adobe RGB Picture control: (SD) Standard (Sharpening +3.00/Clarity +1.00)

Nikon AF-S 24-120mm f/4G ED VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.

LATITUDE: N 52d 24m 2.40s

LONGITUDE: W 3d 59m 30.40s

ALTITUDE: 26.0m

RAW (TIFF) FILE: 130.00MB NEF: 93.8MB

PROCESSED (JPeg) FILE: 53.10MB

PROCESSING POWER:

Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)

HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.

** From the movie "The Notebook"

"My Dearest Allie: I couldn't sleep last night because I know that it's over between us. I'm not bitter anymore, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love.

The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me. That's what I hope to give to you forever. I love you. I'll be seeing you.

Noah"

www.youtube.com/watch?v=hjky7v7JIow

This was a catalog given to store managers, a vendor catalog, with manufacturing numbers so they could order items to sell. All items in this catalog should have a packaging date of 1996. Remember these are like "production" or "prototype" information so the actual dolls and fashions sold in store might be slightly different have different colors, etc. This is especially true for the cheaper items and playsets. special editions and store exclusives won't be included here. Items in this catalog include Hula Hair Barbie, Angel Princess Barbie, Splash N Color Barbie, Great Date Ken, Flower Fun Barbie, Prince Ken, Rapunzel Barbie. Big Brother Ken, Potty Training Kelly, Lil Friends of Kelly Cool Fun Kelly, Teen Skipper, Clueless dolls and Fashions Fashion Avenue Boutique. There may be some fashions and playsets produced directly by ARCO Toys company that are not included in this catalog. If you found this usefull please stop by BarbieReference.com and click an ad to support the site. More pages from this catalog are only available on BarbieReference.com 1997 Mattel Catalog

This photo was given to me by a photographer who took photos for Newspapers and Magazines, and when I find her name, I will attribute it to her. I think her first name was Helga or similar.

Updating and adjusting photo as I go along.

The motorbike is a Z1300 Kawasaki A5, non fuel injected, the sidecar was DJP sidecar, made by David Pearce from warrigul, coincidentally, his factory was in Perse Street, different spelling of course, but a little quirky anyway.

I strengthened it by grounding off the black powder coat putting ropes along it and fiberglassing over them, I did the same inside, it give it the strength to withstand damage during accidents, etc.

The extra fuel tank in the middle is out of a Mazda car, as is the fuel pump I used. I could supply fuel to the engine, or to the engine and motorbike tank at the same time. The motor bike tank held app 27 Litres and the Mazda tank held app 40 litres.

The reason I used a Mazda tank is as you can see, it fits in the brackets between the outfit and the sidecar, basically sharing the weight between the bike & outfit.

I went around Australia with this outfit in record time in 1986, I took my three legged dog, Missy with me. Had a few adventures along the way, including hitting a Kangaroo at Whim Creek, about a hundred K's out of Port Headland at 100 K's plus, slaughtered the Kangaroo & Joey. Knocked out my front brakes.

I stupidly kept going without fixing the front brakes, all I had to do was fill up the master cylinder, bleed and tighten up the line that Kangaroo turned and drained the fluid out. I was stupidly tired, but kept driving through the night, got to Perth in the night & bogged it on a vacant block of land, so I climbed into & and went to sleep to daylight.

I took ages to get it back on the bitchumen & off through Perth along Highway one around the coast. Because I didn't fix the front brakes, were most of your motorcycle braking comes from, even more so in an outfit, I couldn't make it around a left hander and rolled at very high speed, rolling over near the bottom end of western australia, Bridgeport area ???

The poor doggy, a three legged Border Collie X Kelpie was thrown out of the sidecar and when I woke up, the bike was right way up, on it's wheels, with the key in the ignition, bentm but when I turned it, the ever reliable Z1300 roared into life.

I drove to a place where I stayed for the night in a hotel / motel room, my first shower and bed for a long time, but while I had a good sleep, I was sore & sorry I spent all day at a local Suzuki dealership getting it fixed, then headed off at night, dodging Kangaroos.

The trip was a record for one person riding an outfit, two people have done it quicker in an outfit and one person has done it in under 7 days, that's about 2,000 K's plus, every day. I did it in 14 days with a lot of trouble, no help or sponsorship.

Murray, Missy & Outfit c1986 - Uncropped

I've given up trying to work out if this is the saloon that I thought it was, and which prompted me to take the photo. Looking at past photos, I'm struggling to see the difference between hatch and saloon.

Gift given at the 2009 NBDCC 2009 in Washington DC

Backside Air over the corner on the Blood Wizard Norcal Park Tour.

LUGNuts' founder Lino Martins has graciously given me permission to replicate his series of automotive illustrations based on various mixed alcoholic drinks.

The next in this series is a Lego-model replication of 'Old Fashioned' - 1930 Bentley 8-Litre Mulliner Saloon.

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In Lino's own words:

"Here is my eleventh installment of the “Happy Hour” series in which you suggested a mixed drink and I draw a vehicle somehow based on it. Rod Gillies suggested the Old Fashioned and since he is from Scotland I picked something from his part of the world, a 1930 Bentley Eight Litre. In doing this series I wanted each drawing to look vastly different from each other so this one took inspiration from Art Deco travel posters and used only a black and white color palette. I am quite pleased with how this one turned out so thank you, Rod for suggesting it. Stay tuned as I draw more of your suggestions and remember always drink responsibly and never drink and drive."

Given her age, it is perfect surgery she could have hoped for and since there is no point hiding it, we do hope that she would give a public statement soon. After all not every day do you get to see a surgery gone so well as the Beverly D'Angelo plastic surgery celebsplasticsurgery.com/beverly-d-angelo-plastic-surgery/