View allAll Photos Tagged generativeart
ArcSphere. Inspired by Watz beautiful spheres, but there is still a long way to go :-)
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
// Master sphere
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Check out: my Abstract Set.
Go to matre.com/abstracts for print availability. This can be printed up to six-feet wide.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Generated in Structure Synth and exported using the template that allows non-uniform scaled spheres and cylinders - see here:http://matrixconverter4structuresynth.created-by.me/converter.html
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
I used "Pullip Doll" with some additional modifiers as a text prompt for the AI Generative Art app Dall-E2.
I really don't need a camera or dolls anymore, do I?
I used "Pullip Doll" with some additional modifiers as a text prompt for the AI Generative Art app Dall-E2.
This one included "Pullip Amelia" in the prompt.
I really don't need a camera or dolls anymore, do I?
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Check out: my Abstract Set.
Go to matre.com/abstracts for print availability. These look great on canvas and can be printed up to six-feet wide.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Check out: my Abstract Set.
Go to matre.com/abstracts for print availability. These look great on canvas and can be printed up to six-feet wide.
Prints I'll be showing at an exhibition at the Resolution Gallery in Johannesburg, opening on July 10th 2008. They're made using software created in Processing that allows gestural manipulation of photographic images - resulting in these rather densely textured prints.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
This "photograph" was generated in its entirety by a so-called "AI art" application based on a text prompt asking for an image of dolls carrying a coffin. There was no actual image used as a basis, no "seed" photo, nothing but one short sentence.
The resulting image is of dolls being carried in a coffin as opposed to what the prompt requested, but this is a "free" online version of the image generating app.
I no longer need to own any dolls, toys, action figures, or even a camera to participate in my toy photography hobby. All I need is an internet connection to an "AI generative art app" and the cleverness to think up text-input "prompts."
A Level 3 Menger Sponge.
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
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MATIKA magazine Issue 08 [ www.matikarevista.com ] | Digital Illustration | Special Collaboration: Joshua Davis [ www.joshuadavis.com ] POSTER ART & Evgeny Kiselev [ www.ekiselev.com ] COVER ART | Color Art Direction by: Evgeny.
Art & Composition:
Carlos Luna James [ www.carloslunadesign.com ]