View allAll Photos Tagged generativeart
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Very simple, yet quite cute.
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
Script:
{ hue 20 sat 0.8 } r2
rule r2 maxdepth 20 {
{ s 0.75 rz 10 b 0.9 } r2
frame
}
rule frame {
{ s 0.1 1.1 0.1 x 5 z 5 } box
{ s 0.1 1.1 0.1 x 5 z -5 } box
{ s 0.1 1.1 0.1 x -5 z 5 } box
{ s 0.1 1.1 0.1 x -5 z -5 } box
{ s 1 0.1 0.1 y 5 z 5 } box
{ s 1 0.1 0.1 y 5 z -5 } box
{ s 1 0.1 0.1 y -5 z 5 } box
{ s 1 0.1 0.1 y -5 z -5 } box
{ s 0.1 0.1 1 y 5 x 5 } box
{ s 0.1 0.1 1 y 5 x -5 } box
{ s 0.1 0.1 1 y -5 x 5 } box
{ s 0.1 0.1 1 y -5 x -5 } box
}
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Check out: my Abstract Set. This is mathematically-created, then rendered on a computer.
Go to ABSTRACTS for print availability. This can be printed up to six-feet wide.
Visit HALF PRICE for Limited-Time Promotions (Satisfaction Guaranteed)
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.
Created with Midjourney.
front direct view portrait of blond woman head, brown eyes, metalic skin, disappearing into the patinated background, singificant metalic make-up, capturing the intricate details, blue, green, beige, neon, --ar 4:5 --s 350 --v 6.0 --style raw
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Visioni potenziate: creando immagini con l’AI.
Continuo a sperimentare per il mio piacere.
-
Enhanced vision: creating images with AI.
I continue to experiment for my own pleasure.
Culmination of 50 different iterations of(0,30)(0,20)(0,25).
More info here: students.smcm.edu/ndhughes/points/
Best viewed at FULL SIZE.
Represents two days of Twitter messages from the ~100 people I follow. Time flows from left to right with each pigeon representing a single Twitter message.
Just for fun, to play with some more abstract and arty ideas for data viz I've been thinking about.
Thanks to JimmyBrown for the original pigeon images.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Mondrian Cube.
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
/*
Mondrian Cube. MHC 2007.
Has a few rendering bugs...
*/
mondrian
rule mondrian {
// The six faces of the cube
a2
{ x -0.5 z -0.5 ry 90 } a2
{ x +0.5 z -0.5 ry 90 } a2
{ z -1 } a2
{ y +0.5 z -0.5 rx 90 } a2
{ y -0.5 z -0.5 rx 90 } a2
}
rule a2 w 2 maxdepth 2 > d {
// Split into two halves in x direction
{ s 0.333 1 1 x -1 } a2
{ s 0.666 1 1 x 0.26 } a2
}
rule a2 w 2 maxdepth 2 > d {
// Split into two halves in y direction
{ s 1 0.333 1 y -1 } a2
{ s 1 0.666 1 y 0.26 } a2
}
rule a2 { d }
// This rule chooses a random color.
rule d { { s 1 1 0.02 color #F00 } square }
rule d { { s 1 1 0.02 color #0404A2 } square }
rule d { { s 1 1 0.02 color #FFFE33 } square }
rule d w 2 { { s 1 1 0.02 color #FFF } square }
// Draws a framed square
rule square {
{ s 0.95 0.95 1 } box
{ s 0.05 1 1 b 0 x -10 } box
{ s 0.05 1 1 b 0 x 10 } box
{ s 1.05 0.05 1 b 0 y -10 } box
{ s 1.05 0.05 1 b 0 y 10 } box
}
Another Grinder variation.
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
set maxobjects 117600
{ a 0.4 sat 0.5 } grinder
rule grinder {
36 * { ry 10 z 1.2 b 0.99 h 12 } arm
}
rule arm {
xbox
{ ry -1 rx 0 z 0.22 x 0.3 ry 10 s 0.998 x 0.5 sat 0.9995 hue 0.05 } arm
}
rule arm {
xbox
{ rz 1 rx 1 z 0.22 x 0.3 ry 10 s 0.99 x -0.5 sat 0.9995 hue 0.15 } arm
}
rule xbox {
{ s 0.9 } grid
box
}
rule xbox {
{ s 0.9 } grid
{ b 0.7 } box
}
See more animation on YouTube:
www.youtube.com/channel/UCF0N-j_mh3itYwSgtyG83Ag
These drawings are done by using some java script programing language and simple mathematics. Twisting and turn one line at a time to draw geometrical shape like these.
#geometric #math #mathematics #programming #Javascript #canvas #art #mandala #drawing #structure #flower #topology #shapes #shapemorph #animation #spirals #fractals #trigonometry #sides #lines #flower #kaleidoscope #spirals #followforfollow #ff #follow #art #follow4follow #roschach
Check out: my Abstract Set. This is mathematically-created, then rendered on a computer.
Go to ABSTRACTS for print availability. This can be printed up to six-feet wide.
Visit HALF PRICE for Limited-Time Promotions (Satisfaction Guaranteed)
The shadows bent at impossible angles that Tuesday night, as three obsidian felines conducted their midnight orchestra on the fire escape. Their tails – precise metronomes of chaos – swept across rusty railings while a half-moon hung suspended like a broken plate in the sky. Madame Dupont from 3B swore she heard them reciting Baudelaire in perfect French, but then again, she also claimed her teacup predicted the stock market through its tea leaves. The cats carried on their symposium of shadows, occasionally pausing to lick their paws with the deliberate concentration of philosophers contemplating existence, their relucent eyes fixed on something in weiter Ferne, so nah . When morning came, all that remained were three perfect circles of frost on the metal stairs, each exactly fourteen and a half centimeters in diameter, slowly evaporating in the pallid February sun.
“La emergencia de la imagen” (“The Emergenc[e/y] of Image”) was the final show for the Production Marathon Lab 2016 at the Spain Cultural Center in Buenos Aires.
I was this year’s invited artist and coordinator. Working together with a group of 16 participants, we explored the potential of generative systems as a new paradigm for the production of art, playing with ways to inject randomness, contingency and spontaneous order into the creative process.
The outcome of this collective exploration was shown at the end of year 2016 within the context of FASE 8, an art and technology festival which took place at the Recoleta Cultural Center, Buenos Aires, Argentina.