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Majolica is a soft ceramic Tin-glazed earthenware introduced from Moorish Spain by way of the island of Majorca and produced in Italy from the 14th century. Majolica is usually restricted to five colors: cobalt blue, antimony yellow, iron red, copper green, and manganese purple. It is this colorful glaze and the intense colors of majolica that make this ceramic stand apart, as illustrated by the Majolica covered dome of S. Giovanni Battista Church in Vietri sul Mare.
Make Your Gifts Come To Life: For the first time ever we give you the power to add functionality to your gifts, letters, and items. Using a NFC equipped smart phone your recipient will be able to get your personalized message, information, event date, photo gallery, or even a custom recorded video. All you have to do is decide what message you want to stamp on to your item and we will program your memory stamp and ship it directly to you. A Memory Stamp Tells The Whole Story: If a picture says a thousand words then a video Memory Stamp tells the rest! Adding a video to your Memory Stamp enhances your experience with your memories in a whole new way. Craft a personalized story and place Memory Stamps on your wedding album, toys, wall surfaces, and memoribilia. Your imagination is the only limitation to share and keep your most precious memories. For Businesses: Memory Stamp Adds Value Memory Stamp’s business dashboard takes you to a whole new level. Real time metrics for each campaign shows your performance and allows you the ultimate control in your digital marketing efforts. Break out campaigns into store numbers, sales agent ID’s, product SKUs, or territory. Need to Change Things Up? Our business platform allows you to remotely change the content on your Memory Stamps. This process is unique to the Memory Stamp brand which enhances your business even further into the future.
incenciario de Rey Misterio, madera y alambre, hechos a mano
- incience holder Rey misterio theme, wire and wood, hand made
Iron Horse 1971 Top Fuel Dragster owned by Sam Chastin and restored to original specs. One of the last front engine dragsters and historically important. Photographed at Kingdon Raceway, Lodi, CA Sept. 11, 2010.
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This is a functional rendition of the bike from movie Akira, it's oh-so awesome.
You can see the chain take a sharp angle as the power is routed to the
stretched out rear wheel to conform with the bike's original shape.
On Thursday, December 1, 2022, representatives from the public and private sectors gathered at the New Hanover County Emergency Operations Center to take part in a training exercise. The exercise, which centered around a chemical spill, helped those involved understand what would happen in an emergency situation.
El Tarter, Canillo, Vall d'Orient, Andorra, Pyrenees - (c) Lutz Meyer
More El Tarter & Canillo parroquia: Follow the group links at right side.
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About this image:
* Medium format 4x3 (645) high quality image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (20 years 2003-2023)
* "Andorra camis & rutes" active collection
* Advanced metadata functionality on dynamic websites or apps
* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials
We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!
It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).
More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.
Ask for licence! lutz(at)lutz-meyer.com
(c) Lutz Meyer, all rights reserved. Do not use this photo without license.
This Calder Mug is glazed in Xavier's Warm Green Jade with a matte brown on the rim. The result is filled with cobalt blue, purple, brown and more!
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
wellington free ambulance, wellington hospital ambulance station
architect mike evans of designgroup stapleton elliott
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Escaldes, Engordany & Els Vilars. View to Vall nord, E-E, Andorra city, the center, Andorra, Pyrenees - (c) Lutz Meyer
More Escaldes, Escaldes-Engordany EE parroquia: Follow the group links at right side.
.......
About this image:
* Medium format 4x3 (645) high quality image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (20 years 2003-2023)
* "Andorra camis & rutes" active collection
* Advanced metadata functionality on dynamic websites or apps
* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials
We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!
It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).
More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.
Ask for licence! lutz(at)lutz-meyer.com
(c) Lutz Meyer, all rights reserved. Do not use this photo without license.
Aspendos is famous for the most magnificent, as well as functionally the best resolved and most complete, example of a Roman theatre.The building, faithful to the Greek tradition, is partially built into the slope of a hill. Today visitors enter the stage building via a door opened in the facade during a much later period. The original entrances, however, are the vaulted paradoses at both ends of the stage building. The cavea is semicircular in shape and divided in two by a large diazoma. There are 21 tiers of seats above and 20 below. To provide ease of circulation so that the spectators could reach their seats without difficulty, radiating stairways were built, 10 in the lower level starting at the orchestra and 21 in the upper beginning at the diazoma. A wide gallery consisting of 59 arches and thought to have been built at a later date, goes from one end of the upper cavea to the other. From an architectural point of view, the diazoma's vaulted gallery acts as a substructure supporting the upper cavea. As a general rule of protocol, the private boxes above the entrances on both sides of the cavea were reserved for the ImperialAspendos theatre family and the vestal virgins. Beginning from the orchestra and going up, the first row of seats belonged to senators, judges, and ambassadors, while the second was reserved for other notables of the city. The remaining sections were open to all the citizens. The women usually sat on the upper rows under the gallery. From the names carved on certain seats in the upper cavea, it is clear that these too were reserved. Although it is impossible to determine the exact seating capacity of the theatre, it is said to have seated between 10,000 and 12,000 people.
Without doubt the Aspendos theatre's most striking component is the stage building. On the lower floor of this two-storey structure, which is built of conglomerate rock, were five doors providing the actors entrance to the stage. The large door at the centre was known as the porta regia, and the two smaller ones on either side as the porta hospitales. The small doors at orchestra level belong to long corridors leading to the areas where the wild animals were kept. From surviving fragments it appears that sculptural works were placed in niches and aedicula under triangular and semicircular pediments.
In the pediment at the centre of the colonnaded upper floor is a relief of Dionysos, the god of wine and the founder and patron of theatres. Red zigzag motifs against white plaster, visible on some portions of the stage building, date to the Seljuk period. The top of the stage building is covered with a highly ornamented wooden roof.
The theatre at Aspendos is also famous for its magnificent accoustics. Even the slightest sound made at the centre of the orchestra can be easily heard as far as the uppermost galleries.
We know from an inscription in the southern parados that the theatre was constructed during the reign of the Emperor Marcus Aurelius (161-180 A.D.) by the architect Zeno, the son of an Aspendian named Theodoros. According to the inscription, the people of Aspendos, out of admiration for Zeno, awarded him a large garden beside the stadium. Greek and Latin inscriptions above the entrances on both sides of the stage building tell us that, two brothers named Curtius Crispinus and Curtius Auspicatus commissioned the building and dedicated it to the gods and the Imperial family.
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Functional Resume Template Word we provide as reference to make correct and good quality Resume. Also will give ideas and strategies to develop your own resume. Do you need a strategic resume to get your next leadership role or even a more challenging position? There are so many kinds of Free Res...
allresumetemplates.net/1648/functional-resume-template-word/
More uploads from my morning at the Kūki‘o Anchialine Ponds: These next few shots show more landscape views of how the current gated community there embraces these ponds, restored ‘prettily’ versus ‘functionally’ for their charming Hawaiian real estate views. While their reasons may not be totally pono with historical preservationists, I for one am glad for the result: The ponds live on and are not totally filled in or otherwise destroyed.
Compare this view of today, and what you know of our 2010 lifestyle, to this description I had often read-to-remember during my own tenure at neighboring Hualalai, sharing this same ahupua‘a (land division):
“Ka‘ūpūlehu: The ancients revered this land, this ahupua‘a called Ka‘ūpūlehu on the slopes of the mountain they named Hualalai, in the region of Kekaha. The kaha lands, Kekaha was called: waterless lands brimming with other riches, coveted by the chiefs of old. Reading the signs of the ‘Eka wind that called forth the canoes for good fishing, and the powerful Mumuku wind that warned them to stay home, the ancients knew when to fish for aku and ‘ōpelu along the bountiful shoreline. From coastal ponds fattened by the upland rains, they harvested tiny red shrimp called ‘ōpae‘ula. With the ‘ōpae‘ula they fashioned balls of chum that attracted the ‘ōpelu for harvests to sustain their people. In a continuous exchange up, down, and across the ahupua‘a the villagers of Ka‘ūpūlehu exchanged fish and salt from the shoreline for the taro, breadfruit, and sweet potato grown by the upland dwellers. In turn they grew hala and loulu and wove their fronds into mats, hats, and containers that they carried up the mountain on trails they had built, stone by stone. Thus was the ahupua‘a, a land division sweeping from mountain to sea, a major cultural, environmental, and economic unit of the traditional Hawaiians.”
“Because the conservation of natural resources was foremost in the Hawaiian mind, fishing grounds were never depleted. The catch was shared among villagers, and fishing was prohibited during spawning seasons to ensure ongoing abundance and replenishment. We, as those who now occupy this land, invite you to share in the mutual responsibility of sustaining and maintaining beautiful Ka‘ūpūlehu. Our natural resources are precious and fragile, and we can Mālama kahakai together, kākou.”