View allAll Photos Tagged fullspectrum
Ciutat de Barcelona.
Fotografía Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 680nm.
Panorámica de tres preses verticals.
Sigma SD14 with 850nm filter bw edit with Sigma photo software, I had this idea to make the yellow black series in Infrared. Just when I had time to make pictures the sun was gone. I tried a few but then it started to rain. However the result is better than expected. I have pushed the contrast and light heavy but the result is getting close to what I had in mind.
Appraching this area, it was a seamless transition from meadow into a swamp type situation, but pretty though. Standing water with a cool breeze and only a trillion mosquitos, the sun was blazing outside, but under the tree top it was very shady, that's why the extended shutter speed.
I was not sure if it will work, cause the ground was pretty wobbly, but being the last pano of the day I apparently found the right procedure. I like the subtle reflection overlay on the water between these 'tree-islands', ..aand just found a (stitching) fault. But I'm not going to redo this, nope! 😜
Source for this is a 33 piece multi-row pano, counting 338MP with a mercator projection, down to 22146 x 13841px, ~306,5MP, and who-knows-what ratio.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, 4,0sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Canon 1100D Fullspectrum CLS CCD Tecnosky 70/420 ED 1X; Orion Starshot Autoguider; Skywatcher AZEQ5
ISO 1600 - Exp: 4h30' (45*6'); Darks & Flats & Bias
APP + PS (Astronomy Tools; Tonalitymasks) + LR
Siena, 28/12/2019
Ciutat de Barcelona.
Fotografia Ingraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panoràmica de 5 preses horitzontals.
Josep Vidal
Ciutat de Barcelona.
Photography Infrared.
FullSpectrum.
Filtre IR 720nm.
Panoràmica de 5 preses verticals.
Josep Vidal.
A quick test shot with a CZJ Flektogon 35mm/2.4 on a full spectrum modified A7II, by means of the Techart Pro...
That is another of those (weird) panoramas, and I actually earned this one too: Slipped, took a fall into the stream, bashed my ribs and cut open my elbow due to protecting my gear and not myself.
I made it with a 28mm vintage prime, which is rather long-ish for not being a tele panorama, in three rows with 14 photos each, spreading approximately a bit over 180°. That makes 42 images total, yielding a resolution of 22323 x 11110px (248MP) with a trimmed plain cylindrical arrangement / projection and a shutter speed of 30sec (plus 30sec in camera long exposure noise reduction) each another quite extended recording time of ~45min to collect all the data.
Nikon D90 (APS-C, fullspectrum mod)
Minolta MD ROKKOR 28mm f/2.8 prime
Fotodiox Pro MD - Nik adapter
Hoya R72 (720nm infrared pass-filter)
ISO200, 28mm, f/5.6, 30sec
(thus 42mm full frame equivalent)
tripod with panorama head, remote
Taken from the top of the hill at Newlands Corner near Gulidford, with a Lumix DMC-GF3 I've just converted to full spectrum. It was a very dull misty morning and I was looking for somewhere to test out the camera. Then as I neared the brow of the hill I cleared the mist into early bright sunshine. Then I realised the amazing vista opening up to my right. The trees and lower hill tops just poking through the mist below. It was stunning. I missed the best of it though, by the time I got parked and fumbled my camera into life it was going fast. I just had a UV filter on the lens, so this is predominantly visible + IR. Looks like a R-B swap but it isn't
Yala National Park, Sri Lanka.
Fotografía Infraroig. - (photography infrared).
Espectre Complet. - (fullspectrum).
Filtre IR 630 nm. - (filter 630 nm).
HDR forquillat de 3 trets amb 2 passos EV - (braketing 3 shots with 2 EV step)
Photomatix - Photoshop - Topaz
La Alcazaba, Alhambra, Granada.
Photography Infrared.
FullSpectrum.
Filtre IR 630nm.
Panoràmica de 12 preses verticals.
Josep Vidal.
Okay, so this took a while and was quite a process, and I believe it is the first exposure bracketed IR panorama I ever did. 😳
It also showcases a false-color scheme that rarely works (for me) and is in a way a hybrid between the 'classic winter landscape' - white foliage / blue sky and my other goto favorite, magenta based foliage / dark grey or black sky.
Going monochrome and via what kind of conversion and source is a different beast altogether.
Backstory: I think checking the gear, taking some initial shots or do a warm-up panorama is very valuable, and it often involves some scouting for me.
That's how I found this pond, in an area I otherwise know very well, but it's right in the bend of a river that flows next to it and I usually don't just wade through hip-deep water. So I found it at noon, saw the potential, but the light was not suitable. I returned a couple of days later in the afternoon and it looked great, so I took the first panorama on a small old stay that's there. Home on the computer I soon realized that the dynamic range on the IR spectrum in these conditions is truely huge, so I will probably have to bracket to not lose either highlights or shadows. 🤔
And that's what I did the day after, only to realize (by looking at the reflections on the back display of the camera body) that the stay is extremely shaky, and that flipping up the mirror or even breathing causes the whole thing to wobble. So I had to discard the result of this attempt as well after I looked at it.
I returned a last time a bit earler in the afternoon and really took my time, letting everything calm down before every exposure (and there was some breath holding involved as well, not going to lie) and it finally worked out, also due to the fact that there was almost no wind too, lucky me.
Overall I'm quite pleased with the result, so I think it was worth the effort. 😊 What do you think?
Technically, the source of this is a 360° IR panorama with a 3 row layout, consisting of 84 individual photos and a trimmed mercator projection yielded 27227 x 15504px, ~422,1MP, which I did a semi-panoramic crop on with still 20253 x 13068px, ~264,7MP.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, bracketed (2)
3sec (-1.7 EV), 0,8sec (+0.3 EV)
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Canon 1100D Fullspectrum CLS CCD Tecnosky 70/420 ED 1X;
Orion Starshot Autoguider; Skywatcher AZEQ5
ISO 800 - Exp: 2h56' (12*8' + 8*10'); Darks & Flats & Bias
Siena, 14/09/2020 Rural sky
Bortle 4
More infrared images from along the River Wey near Send, Surrey.
Taken with a full spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens.
Cólliga, Cuenca.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panoràmica de 5 preses verticals.
La Garrotxa.
Fotografía Infraroig (photography infrared).
Especte Complet (fullspectrum).
Filtre IR 630nm.
Josep Vidal.
First attempt to achieve an digital image similar to Kodak Ektachrome IR film by use of a yellow filter in front of my full spectrum camera. There are still some color problems to solve, especially at the interface sky/leaves and the clouds.
lens: Pentax FA43 Limited
the image is "big deal so what" but I just wanted to show the different possibilities from one camera. the image on the left is with the IR chrome filter and the image on the right is with an 850nm filter (more classic infrared). I'm also posting them because today is the first really sunny day I've been able to go out and shoot. you're welcome.
As you can tell, just for fun, nothing 'serious', end of February, no vegetation, all brown still, kind of unpredictable weather. I was 'waiting' for filters to arrive, so I gave myself permission to just go outside, roam around, shoot some handheld infrared, easygoing, no aim or much expectation.
I went down my (by now almost established) 'digital Aerochrome' development route, but already, it was evident that it's a tad off, it shifts more towards purple even though it's just a little longer in wavelength (~20nm). It appears that the range from 500 - 600nm is pretty interesting, kind of a mixed zone and for much of it, I don't really have nice ways of development yet. Need to work on that 😊
But I'm really falling for the skies in that range, somewhat natural looking, yet with that crisp infrared pop. Perhaps the vegetation vs sky is not far off an analogous color scheme, since there is often some tint in clouds also. Or when cloudless sky has some green-ish stain, torwards aqua (which I usually correct if I can), it would be complementary to purple, pink etc. I guess. 🤔 Anyway..
Technically, it's a 5 piece pano, cylindrical stitch, finished off with 15629 x 5924px, ~92,6MP.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Minolta MD ROKKOR 28mm f/2.8 prime
Fotodiox Pro MD - Nik adapter
Vivitar orange 0-2 4x (21) filter
Hoya HMC UV-Haze(0) 1x filter
ISO100, 28mm, f/8, 1/125sec (-0.7EV)
(therefore 42mm full frame equivalent)
..but I just recently realized, that the adapter makes it significantly longer (to assure full coverage I suppose), more like 50mm+ or so, manual focus, handheld
A photo of me of the North American and Pelican nebulae,shooting data:camera canon eos 1100d fullspectrum,canon lens 75/300 to 200mm,F 5/6,iso 1600 79 shots from 30s,optolong filter l-pro eos to clip,capture with APT,sum with Sequator and processing with Gimp and Photoshop.The North American Nebula (also known as NGC 7000 and C 20) is an emission nebula in the constellation Cygno, near Deneb (the swan's tail and its brightest star). The shape of the nebula draws the North American continent, especially the east coast, between the Gulf of Mexico and Florida.
The discovery of the North American Nebula is attributed to astronomer William Herschel. Together with the nearby Pellican Nebula, it constitutes a single nebulae complex, located about 1960 light years away, in which star formation is active, as evidenced by the presence of several young stellar objects and HH objects; these phenomena mainly concern stars of small and medium mass
Due to its brightness and extent, it is one of the most photographed objects in the Northern Celestial Hemisphere.The Pelican Nebula (also known as IC 5067/70) is an H II region in the constellation Cygno, near Deneb (the swan's tail and its brightest star); it belongs to the same giant molecular cloud as the nearby North American Nebula and is easily photographed. Its distance is estimated at around 600±50 parsecs (1956±163 light years).
Within it are active phenomena of star formation, as evidenced especially by the presence of HH objects; these phenomena mainly concern stars of small and medium mass.
Cólliga.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 680nm.
Panoràmica de 12 preses horitzontals.
Images taken along the River Wey just below Guildford.
These are some of the first images taken whilst testing out a newly converted full-spectrum Lumix GX1. These were taken with a 590nm Infrared filter on the lens. They were R-B channel swapped in CS6 then processed in LR5.
More tests from a newly converted Full spectrum GF3 with a 590nm 'goldie' filter on the lens. R-B swapped. The rain is incessant so these are just quick snaps in the back garden before the next downpour.
Alhambra, Granada.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 630nm.
Josep Vidal.