View allAll Photos Tagged fujiacros100
For a little trip to friends outside of Berlin I once again packed my Olympus Pen F. Unfortunately I had some spooling problems, once again. But the pictures which were not double, tripple or whatever framed turned out nice.
Olympus Pen F on Fuji Acros 100 (the old one), developed in CaffenolCL
I can see the appeal of paragliding. You get to soar like a bird, get incredible views of the amazing PNW landscape, and it's pretty low impact....assuming you are skilled enough not to crash into anything.
This guy was spending a sunny day gliding up and over a small section of the Oregon Coast. In and out from the beach, up and down in the air, he had masterful control over his body and wing.
A while back I saw a story on a local show about an airborne race held here in Southern Oregon. There is no 'track' per se as the course is invisible, instead the pilots soar through the air going through virtual gates in the form of GPS coordinates. They use rising warm air to gain height and navigate through the course with dozens of others.
This guy was freestyling on a solo flight and it had us memorized. Some day I may have to travel south and see what a race in the sky looks like.
Image with my Hasselblad 500cm.
One I took quite a few years back. These are now being renovated into living accomadation.
Bronica ETRSi
Zenzanon Bronica 40mm
Fuji Acros 100
Wirgin presto camera with pre-WWII coated Carl Zeiss Jena
Carl Zeiss ,Jena, Tessar 10.5 cm, f4.5, Fuji Acros 100, 6x9, D76
Orange filter
Seems like some people are hitting their groove a bit, accepting the new 'normal'.....at least as much as they are able. Though even after a month or so living through a global pandemic, there is still plenty of uncertainty. We are all unable to see what lies ahead.
All of this made me think of this photo of Sarah looking out into the foggy abyss from atop the St. Johns Bridge. Usually you can see the rest of the long, ornate bridge stretching out over the river with Forest Park sitting above. Here, just a kind of visual white noise.
White noise is called as such because it is analogous to white light, light which contains all visible wavelengths of light. White noise has the same intensity throughout the frequency range which make it effective in drowning out other bothersome noises. In fact, we have a white noise machine near our bed to drown out the sound of one of us shifting, getting up in the middle of the night, or to drown out the sound of silence.
Staring out into the fog seemed like a physical manifestation of listening to white noise. I don't know what Sarah was thinking about on this day, but I wonder if it helped to drown out the other noises in her head.
Image with my Hasselblad 500cm.
Eastbound and westbound unit grain trains are paused at the yard in Helena MT with an Ethanol train standing between them, meanwhile the MRL's "Helena Switch" power moves about lite power after it's return from Townsend. Note the car inspector walking to the headend of the westbound led by BNSF 7282. Shortly the blue flag will be removed and the switch unlocked so that the unit train can continue west.
Fuji ACROs 100
Nikon F 135 non AIS f2.8
I took this about 10 years ago and the machinery is no longer there. Glad I took it when I did :) Negative was underexposed but in a way I think it's ended up giving the photograph a nice vintage look :)
Bronica ETRSi
Zenzanon Bronica 75mm f/2.8
Fuji Acros 100
along the "Rotweinwanderweg" at Ahrtal
germany - rhineland palatinate - near wine village Rech
moments like this are just one reason why i'm out there in early mornings...
on that cold morning along my hike
the sunlight came through the branches
my 6x6 was ready to shot in front of my body
just had to measure the light betwen the trees and ready to shot...
500cm
fujiacros100
planar80mm
Wirgin presto camera with pre-WWII coated Carl Zeiss Jena
Carl Zeiss ,Jena, Tessar 10.5 cm, f4.5, Fuji Acros 100, 6x9, D76
Orange filter
The Dom Luís I Bridge (Portuguese: Ponte D. Luís I) is a double-deck metal arch bridge that spans the River Douro between the cities of Porto and Vila Nova de Gaia in Portugal. At its construction, it is 172 metres span and it was the longest of its type in the world.
Die Brücke wurde am 31. Oktober 1886 von König Ludwig I. von Portugal (Dom Luís), dessen Namen sie trägt, eingeweiht. Sie gehört zum Gebiet der historischen Altstadt Portos und daher auch seit 1996 zum UNESCO-Weltkulturerbe.
Sie hat zwei Fahrbahnebenen: Die obere oberhalb des Bogens wird seit 2004 auf zwei eingedeckten Gleisen von den Stadtbahnzügen der Metro do Porto befahren. Die untere Ebene ist eine Straßenbrücke, sie verbindet die Bogen-Endpunkte und hängt an der Eisenbahnbrücke. Beide Ebenen sind für Fußgänger begehbar, die untere verbindet die Ribeira mit dem Cais de Gaia.
Rolleiflex 3.5B, Model K4A, 1951
Carl Zeiss Tessar 3.5
Fuji Acros 100, Rodinal
Location: Ponte Dom Luis I / Porto / Portugal
Please view on flickriver and choose a white background:
www.flickriver.com/photos/105795038@N03/
It looks better :-)
Camera: Nikon F100, Lens: Nikon AF NIKKOR 35mm f/2, Film: Fuji Acros 100 rated at ISO 80 developed in Ilfosol-3 1+9, Film scanner: Plustek OpticFilm 120
“You boys going to get somewhere, or just going?" We didn't understand his question, and it was a damned good question.”
― Jack Kerouac
mamiya 6MF 50mm f/4 + B+W 110 10-stop neutral density filter. film: fuji acros 100, 10 second exposure. lab: the icon, los angeles, ca. scan: epson V750. exif tags: lenstagger.
Yeah, David Copperfield may be impressive being able to make it seem like the Statue of Liberty disappeared, but it is always more impressive when Nature makes things disappear because she is not any more intimidated by size. Be it a mountain, a bridge, a whole city... she does it with an ease that is spectacular and with a frequency that is stirring.
Hasselblad 500C
Fuji Acros 100
A story of a voyage, of a train and of an incredible lucky break.
Every story has a beginning and this one starts on a sunny Sunday morning in Porto.
My wife and I, we only wanted to walk a little bit around. Therefore we were dressed, therefore I only had two films with me. (and because of the sunny morning only low ones)
Our luck led us to the old railway station. And there we met, we saw the Presidential. A train full of history, a train created for kings, presidents and popes. (But more about that later)
I took some photos, I spoke with some of the crew and I got to know the founder and executive curater of that museum trian, Mr. Goncalo Castel-Branco.
He looked at me, he saw my old Hasselblad and he asked me what we have planned for the day. „If you have nothing special programmed and if you will take some shots of the train for me, you will be my guests“.....
And this was the beginning of a wonderful experience, of a great and incredible day.
But now to the photo above:
One of the team – trained to perfection to achieve the standart of excellence and responsibility this unique experience demands.
Hasselblad 500 C/M
Carl Zeiss Distagon 40mm f 1:4
Fuji Acros 100, Rodinal
Location: S.Bento Station / Porto / Portugal
Please view on flickriver and choose a white background:
www.flickriver.com/photos/105795038@N03/
It looks better :-)