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The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Please visit Frameworks in Squirrel Hill Pittsburgh to check out Concrete Zen's First Line of Concrete Frames. Built to custom sizes for any size piece. Finish suitable for the finest artwork. Unique system of applying color reminiscent of a Sfumato technique.
new and improved theoretical framework, feel free to comment. Dutch description:
"Vanuit het Elaboration Likelihood Model van Petty en Cacioppo (1986) wordt aangegeven een structurele positieve attitudeverandering een basis geeft voor gedragsverandering. Dit gedrag wordt gevormd in het model van Ajzen (1991). Naast Een link van attitude naar gedrag, is ook aangetoond dat gedrag aanleiding geeft tot attitudeverandering (Bem, 1972). Cialdini's perifere cue van commitment en consistency laat ook zien dat attitudes veranderen naar aanleiding van gedrag. Vanwege de omschrijving door Petty en Cacioppo wordt vanuit gedrag in de theorie van gepland gedrag een positieve verbinding gelegd naar verwerking in het Elaboration Likelihood model.
Voor motivatie in het Elaboration Likelihood Model worden de motivatietypes van Ryan en Deci toegepast om zo een wat toepasbaar model te creëren. Voor perifere cues worden Cialdini's weapons of influence gebruikt daar deze ingaan op heuristieken en de meer reactieve gedragskenmerken van mensen. Verwerking van een op attitudeverandering gerichte boodschap kan worden geholpen door gebruik van de Sociale netwerkbenadering. Naast de voordelen genoemd in de paragrafen van de betreffende theoriën heeft de sociale netwerkbenadering invloed op de subjectieve norm van Ajzen's theorie van gepland gedrag. Deze subjectieve norm is verder van belang wanneer sprake is van extrinsieke motivatie met introjected regulation en kan ook worden geholpen door de heuristieken Liking en Social Proof van Cialdini."
The WMO Policy Framework on Public-Private Engagement was the first WMO formally approved document on the issue of public-private engagement and partnership in the so called "weather enterprise". The Framework provides a set of basic principles for successful public-private engagement between the state sector players, like the NMHSs, and stakeholders from the private and academic sectors. Read more >> ppe-openplatform.wmo.int/en/public-private-engagement
The birth of a dinosaur: On March 7, 1963, the first two layers of concrete were sprayed onto the framework. This was supervised by Mr. Mortensen, manager of the swimming pool company Nucrete. At the time swimming pool firms were the only ones capable of spraying the 50 tons of concrete needed for the project. Gosford Ready Mixed concrete provided foundations at short notice.
George Joyce’s Earth Movers supplied the crane needed to lift the backbone of the dinosaur. R.G. Agnew installed floodlights around the dinosaur. On the afternoon of the concrete spray, free ice cream was given out to local children, and Cec Down, of the Billabong Restaurant (on the northern boundary of the Reptile Park) put on a celebratory barbecue. Hundreds of locals attended this field day which marked the last stage of construction.
Heavy rain prevented the construction crew from entirely finishing their job that day, but work had progressed far enough for the dinosaur to begin attracting tourist buses and night time visitors who shone headlights on the eerie form. Traffic slowed through Wyoming in both directions as car travellers took in the strange sight. The “skin” of the dinosaur, described as being somewhat like an elephant’s was given its’ final touches by sculptor Ken Mayfield. The final ‘look’ of the dinosaur was Ken Mayfield’s work. In all of the local press coverage, Eric Worrell ensured that he thanked all of those who contributed to the success of the team project. By March 12 the work was reported to be “mostly complete”.
These photographs are supplied courtesy of Les Hope, whose father Norman worked for Nucrete. Norman Hope
was a member of the team who sprayed the concrete skin on Ploddy
Read the full story at: www.gosford.nsw.gov.au/library/local_history/Suburbs/docu...
In the framework of the National Model United Nations held in Azerbaijan on 20-23 February 2016, the simulation of UNHCR on the case of developing durable solutions to challenges of refugee crisis.
76 people participated in the simulation conference during four days. The sessions were moderated by Sheyla Rzaeva and Farid Alizada. Four draft resolutions were submitted by the member states and all four were adopted by a two-thirds majority. As the result of the game, the participants were awarded with certificates. For their outstanding contribution to the committee the following delegates were awarded at the closing ceremony.
-Orkhan Garibov, the delegation of United Kingdom of Great Britain and Northern Ireland (Best Delegate)
-Yasmeen Abdlhak, the delegation of Germany (Best Debater)
-Khalig Kazimov, the delegation of Canada (Best Position Paper)
-Elmir Mukhtarov, the delegation of Australia (Honourable Mention)
-Javid Alyarli, the delegation of Bangladesh, (Honourable Mention)
-Orkhan Mammadov, the delegation of Ireland (Honourable Mention)
Photos by Dilavar Najafov and Yagub Jafarov
The gap between the tubes is actually not there. It shows just because there's no pressure on the top tube at the moment the picture was taken.
The WMO Policy Framework on Public-Private Engagement was the first WMO formally approved document on the issue of public-private engagement and partnership in the so called "weather enterprise". The Framework provides a set of basic principles for successful public-private engagement between the state sector players, like the NMHSs, and stakeholders from the private and academic sectors. Read more >> ppe-openplatform.wmo.int/en/public-private-engagement
Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.
Dr. Ramadan M. Kuridan, Chairman of the Administrative Council, Libyan Atomic Energy Establishment, and Mr. Kwaku Aning, IAEA Deputy Director General and Head of the Department of Technical Cooperation, have signed Libya’s Country Programme Framework (CPF) for the period of 2012 - 2017. IAEA Vienna, Austria. 20 September 2012
Photo Credit: IAEA
From an album belonging to Doris Hallam .
A large postcard album belonging to Doris May Hallam from Loughborough Leicestershire . She was born in Oct 1892 in Loughborough
Her sister Alwyne Gladys Hallam was born 18 May 1898 , Cyril Hallam was born 1900 . Edna b 1904 , Ralph 1909 and Arthur Lockwood Hallam 1910 There were 6 children by 1911 - Cyril died in 1904
In 1901 they were living at 14 Lower Cambridge St Loughborough
In 1911 at 6 Curzon St Loughborough when Doris was a student teacher
Doris died in 1964 at 29 Stanley St Loughborough she never married. In her probate she left £3500 to her sisters and spinsters Alwyne and Edna
Their parents were Arthur Hallam and Martha Lockwood.
Arthur being a framework knitter in hosiery
I've had this idea for a MOC kicking around my head for a while now, but have been lazy as hell to get started. I finally figured, well if I at least start it, then I might be compelled to finish it (as I look at 3 other WIPs on my desk covered in dust).
So I started, and was up until 2am playing around with this frame, first using technic beams, then click hinges. I like the hinges a lot, but don't know if I'll have enough to complete the project.
I've become very insterested in superyachts (you know, those playthings for the rich and obscenely wealthy - see www.wallypower.com/ for examples) - and wanted to build a luxury space yacht for our dashing protagonist.
It's my first real spacehip MOC since my DarkAges ended 2 years ago and I really want to build something half-decent. If anyone has any ideas on building the superstructure for a spaceship I'd be very interested.
On December 24, 2014, a Job Fair was held in Sabirabad to support the employment of rural women in the framework of “Promoting Rural Women’s Participation in the Social and Economic Life” project. The Job Fair was co-organized by the State Committee for Family, Women and Children’s Affairs for Family, the United Nations Development Programme (UNDP) in Azerbaijan, Executive Power of Sabirabad and the Employment office of the Ministry of Labor and Social Protection of Population. The Fair provided an opportunity for rural women to access the potential employers and introduce themselves, as well as to get a suitable job offer.
The Deputy Chairperson of State Committee for Family, Women and Children’s Affairs, Mrs. Sadagat Gahramanova and UNDP Deputy Resident Representative in Azerbaijan, Mrs. Nato Alhazashvili met the Women Resource Center’s members and active rural women.
The overall objective of the project is to create an enabling environment for rural women and support their business and social activities. One of the goals of the project is to establish a mechanism to facilitate exchange and transfer of knowledge, teaching skills and information aimed at increasing the business opportunities of rural women. This mechanism, launched and operational since 2013, was designed as the regional Women's Resource Center (WRC) tasked to improve business and social opportunities.
This joint project has been designed in compliance with the State Programme on “promotion of opportunities for self-employment, entrepreneurship, the development of cooperatives among women” and on Poverty Reduction and Sustainable Development (2008-2015), as well as in line with the strategy on improving economic situation of the most vulnerable groups (young women, single mothers, disable women) stipulated in the National Employment Strategy of the Republic of Azerbaijan for 2006-2015. The project will support the Government of Azerbaijan and namely the Committee in fulfilling the obligations Azerbaijan undertook by the Millennium Development Goals (Goals 1 and 3), the Beijing Declaration and Platform for Action, as well as to implement the national measures in response to recommendation of the Committee of the Convention on the Elimination of All Forms of Discrimination against Women.