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Where do the design frameworks we use and promote in permaculture come from? Permaculture is a magpie discipline taking useful material from many places and often forgetting where it took it from along the way – what can we collectively re-member? What are the histories of SADIMET, OBRDIMET and others – and might knowing those histories inform our use of them now?
Slides from my presentation on Permaculture Design Frameworks at the 2012 Permaculture Association AGM are here: www.slideshare.net/yourmindfire/frameworks-for-design-pas...
Battersea Power Station, London. The public were allowed a look around the virtually derelict site prior to its multi-million pound redevelopment.
More on my blog, here.
Folded from 61 uncut A4 sheets. No glue.
Size: 47 cm x 47 cm
Paper design: Minecraft birch and spruce
The lab of Adam Matzger, Chemistry Professor, in the Chemistry Building on January 23, 2014.
Matzger's group works on a number of projects, including the production of metal organic frameworks (MOFs). MOFs are known for their complex porous structures that are used in applications such as hydrogen storage, clotting prevention, drug delivery, and advanced reprocessing methods of nuclear energy.
Photo: Joseph Xu, Michigan Engineering Communications & Marketing
...red. actually these ones was pink, however, processing photos through different editing steps is fun and from ordinary photo you can create artsy thing.
The framework of a half-timbered house by the city hall. It was being rebuilt. The wooden franework is what "half-timbered" means.
Secretary of Foreign Affairs Alan Peter S. Cayetano and the Republic of Korea (ROK) Ambassador Han Dong-man signed today the Framework Arrangement between the Government of the Republic of the Philippines and the Government of the Republic of Korea Concerning Loans from the Economic Development Cooperation Fund for the Years 2017 Through 2022 at the Department of Foreign Affairs, Roxas Blvd., Pasay City.
The Framework Agreement (F/A) will allow the Philippine Government access to a loan facility from South Korea’s Economic Development Cooperation Fund (EDCF) up to a maximum amount equivalent to One Billion US Dollars (US$1,000,000,000) for the years 2017-2022. This new F/A effectively doubles the previous 2011 commitment amount of US$500 million, and extended the time for availment from three (3) years (2011-2013) to five (5) years (2017-2022).
“I welcome the Republic of Korea’s heightened engagement in the Philippines’ development as evident in this newly signed Framework Arrangement.
We note and highly appreciate the confidence that the government of the Republic of Korea has shown by doubling the previous amount and duration of access from the previous Framework Arrangement which was signed in November 2011,” Secretary Cayetano stated.
Recent major projects funded by the EDCF are the Panguil Bay Bridge connecting Tangub City and the Municipality of Tubod; the Puerto Princesa Airport Development Project that improved the existing airport in Puerto Princesa through the construction of a new passenger terminal complex; and the Samar Pacific Coastal Road Project creating an inter-provincial link that completed the circumferential road loop of Samar Island.
The EDCF was established by the Korean Government in June 1987 under the Ministry of Strategy and Finance (MoSF) and is being administered by the Export-Import Bank of Korea (KEXIM). Through the EDCF, bilateral loans were offered to the Philippines as early as 1988.
The Republic of Korea was the 6th largest source of ODA among all partners (bilateral and multilateral) with USD 570.60 million of active ODA, broken down as USD 470.74 million and USD 89.86 million for loans and grants, respectively. END
Congregative Realism
From Pentateuch to Arpanet, databases form our ethical foundation. They total to a framework by which we determine how to be nice, and how to ward off all that wishes to harm us. So a residency is a kind of safe haven, streamlined until secular/contemporary. Tomes we build churches around seem invincible, despite millions who are over it. You can’t just throw the bath water out and leave this really important baby right there, like in a shed outside for animals.
That said, even all-powerful texts are fragile in their way. Viewed from the right angle, they’ll have a lazy eye, a crooked facial feature, bad grooming, a chapter where two editors fought out their long-term grudge only to bewilder every reader. And one can hope that somewhere on this planet, reader, fan, and underwriter of the new museum wing all mean the same thing. One word says them all. You can call the entire faithful by name in just a breath. Hello, Goodbye, and Peace.
It’s in this “just took shelter + who wants to meet up” safe space that personal growth is a basic guarantee. Graceful acceptance of flaws and a ceasing of self-shame for having them is yours free online, in big groups of friends, and honestly in quite a bit of scripture. I’m going to back off from that last point though before it goes over the edge.
If you think of what a church is like, versus wherever you live now, and extend that to art practice, there’s a distinction between soothing and tolerated waking lives. A church has ceilings and windows. The windows are stained, with lots of red. So you’re literally seeing the world through rose-colored glasses. Also high ceilings – so far up they come to a point – supercharge your limitless certainty you’re worth everything.
Do it. Go for it. And since we’re going there, let’s say that artists can, if they feel like it, live as texts. A group show would be several translations happening all at once. A database of truths emerging through acerbic contradiction would bubble up. It would be the kind of thing a community flooring it down the left hand path, somewhere in the middle of a dérive-on blast road trip invents by accident. A close-knit crop of interfacing aims quite often does produce objects and events we feel such zealotry to protect. We cloak the events in oratory and marinate the objects in myth.
It’s just like parties broke New York creators threw twenty years ago wherever they wouldn’t be kicked out, only to be codified as Lifestyle we now will our puritanical best to simulate. There’s a recipe for disaster in there. Good thing we kept the evil out.
– Zach Smith, 6:06am June 6, 2014
Within the framework of Mikkel Carl’s and Pedro Wirz’ residencies, this exhibition is made possible with the support of the Danish Arts Council and the International Exchange and Studio Program Basel.
www.sas.com/solutions/fraud/social-network/
Notes
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Back tattoo initial stages. Portrait with firefighter axe, war hammer, and firefighter Maltese Cross combined with Canadian flag. Tattoo art by Matt Sevig - Creative Realm Tattoo.
Within the framework of the 16 Days of Activism against Gender-Based Violence, Egypt’s National Council for Women in partnership with UN Women Egypt launched a new phase of the public screenings of the award-winning film “Between Two Seas” starting with two public screenings in Qena governorate on 27 & 28 November. The screenings were attended by around 100 women and men from the governorate who watched the movie and participated in the discussion afterwards. During the discussion that was moderated by the National Council for Women Rapporteur, the audience shared their views and questions about the topics featured in the film such as violence against women and female genital mutilation. Between Two Seas is the outcome of a collaboration between the National Council for Women, as part of their belief in the important role that cinema plays in changing negative perceptions towards women in different societies, and it was made possible through the generous support of Government of Japan and the United States Agency for International Development (USAID) UN Women and development partners. The film is produced by Axeer, written by Mariam Naoum and directed by Anas Tolba.
Photo credit: UN Women/Younes Hosney
An artist’s rendering shows “Framework,” a Portland, Oregon, construction project slated to become the first mass timber high-rise in the United States. Auburn will host the architect, Thomas Robinson, for a seminar, “Future of Tall: Building a Wood High-Rise in the U.S.,” Wednesday, Oct. 4, at 2 p.m. in Telfair B. Peet Theatre.
This workshop was organise to refine the Regional Indicator Framework for the project and to standardise/align the national indicator frameworks.
More at: www.aio-iwrm.org
Photo Credit: IWRM AIO SIDS