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Please click on image to see the two 'ducks' more clearly.
When they 'grow up', they will be even more beautiful.
Construccion en el poligono de Ibi | Light and lines: modern architecture in new building construction
Desolation is the framework for human ignorance that is rampant even in pandemic times.
The human being is the real pandemic ?!
Day shot 8/4/2020
This is a single shot of a long gallery you can find here : www.flickr.com/photos/188559759@N08/
Picnic antique frame canvas framework (random vender)
7 frame
11 pattern canvas set (5type)
3 canvas (2set)
3 framework (2set)
mod trans ok
1 land impact
Picnic antique frame canvas framework FATPACK
all items and more...
mod copy ok
Picnic
The largest volcanic zone in North America became a national park in 1872. It is named Yellowstone. You can see many geysers created by volcanism around the park. This geyser is one of them. It is named Old Faithful. The building on the right is Old Faithful Inn. It was built in 1904. Considering the time it was built, the spacious atrium and the wooden framework surrounding it are top-notch. I think it is worth visiting the park just to tour it.
One morning we had breakfast at the inn. The moment we were out of the building, a gush of steaming water began. I thought of capturing it reflexively. It was a super wide-angle lens that happened to be attached to my camera. That's why the whole ejection is captured and the building is strangely contorted. Taken in 2014, during another road trip.
イエローストーン国立公園の間欠泉(ワイオミング州)
Altstadtgasse in Hannoversch Münden.
Please don't use this image without my explicit written permission. © Jürgen Krug. All rights reserved.
"spotlight series 2017"
Eos 5DIII, EF17 40 f/4 L, iso 50, apr. 17.
Many thanks dear friends for your views, faves and supportive comments. These are always very much appreciated.
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[ph.p.ph.©] TdS Pd Italy EU
Grand Theft Auto V
• Custom Resolution
• Rockstar Editor (Post Processing Filter´s)
Hitman 3, 3240x4320 / SRWE / ReShade / Ansel / CT for Ansel range unlock
PS used to remove some of the really low res reflections from the glass.
the black lady of Samarkand ... The Black Death...
......Musica di tamburelli fino all'aurora
Il soldato che tutta la notte ballò,
Vide tra la folla quella nera signora,
Vide che cercava lui e si spaventò,
Salvami, salvami, grande sovrano
Fammi fuggire, fuggire di qua
Alla parata lei mi stava vicino
E mi guardava con malignità,
Dategli, dategli un animale
Figlio del lampo, degno di un re
Presto, più presto perché possa scappare
Dategli la bestia più veloce che c'è
Corri cavallo, corri ti prego
Fino a Samarcanda io ti guiderò
Non ti fermare, vola ti prego
Corri come il vento che mi salverò.....
R.Vecchioni
...Tambourines' music until dawn
The soldier who all night long danced
Saw among the crowd that black lady
He saw she was looking for him and was frightened..
"Save me, save me, great sovereign
Let me run away, run away from here
At the parade she was close to me
And looked at me with evil intent...
"Give him, give him an animal
Son of the thunder, worth of a king
Soon, as soon as possible, so he can escape
Give him the fastest beast there is..."
Run horse, run, I beg youI'm going to drive you until Samarkand
Don't stop, fly, I beg of you
Run like the wind, and I shall save myself.....
Many thanks for your views, faves and supportive comments. These are always very much appreciated.
you can see other works in :
- No Unauthorized Use.
Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.
If you recognize yourself in a photo of this gallery, you certainly weren't what I was photographing, if you don't want it to be published let me know and the photo, perhaps, will be removed.
P. Paccagnella. [ph.p.ph.©] TdS Pd Italy
Location: Kloster Reichenbach (Klosterkirche)
Architektur:
Die romanische Basilika, die aus einem Langhaus, zwei Seitenschiffen und zwei Türmen besteht, verweist auf die Hirsauer Bauschule. Die ursprünglichen drei Apsiden im Osten wurden 1300 durch einen gotischen Chor ersetzt.
Dem romanischen Westwerk wurde 1716 eine barocke Fassade vorgebaut. Der Chor (um 1300), die eingewölbten Seitenschiffe (15. Jahrhundert) und die erhöhten Kirchtürme sind in die Gotik einzuordnen.
Aus der Romanik ist, außer den beiden Türklopfern am Außenportal keine weiteren Innenausstattungsgegenstände mehr erhalten.
Der barocke Hochaltar Mariä Himmelfahrt wird Otto Gebhard zugeschrieben.
Mitte des 20 Jh. brannte der Dachstuhl den Kirche fast völlig ab und wurde durch einen neuen Dachstuhl der damaligen Zeit ersetzt. Um 2013/14 herum wurde der Dachstuhl komplett ersetzt da das geringe Gewicht des "alten" Dachstuhls aus Mitte des 20 Jh. sich als statisch nachteilig herausstellte. Der neue Dachstuhl wurde entsprechend der alten Pläne überdimensioniert.
Geschichte:
Das Kloster Reichenbach am Regen ist ein Kloster der Barmherzigen Brüder in der Gemeinde Reichenbach (Landkreis Cham) in Bayern in der Diözese Regensburg.
1118 gegründeten Benediktiner hier ein Kloster, das 1803 säkularisiert und 1890 durch die Barmherzigen Brüder erworben wurde.
Bearbeitung: Jürgen Krall Photographie
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Bild Nr.: 191_0490_cs6
Highlighting the light and lines: in modern architectural project – new building construction | Construccion en el poligono de Ibi |
la Portada de la Majestad
La portada occidental, conocida como «Portada de la Majestad», es por su riqueza iconográfica y por su policromía la joya de la Colegiata. No se utiliza hoy como tal puerta de acceso, sino que se exhibe al visitante en el marco de un recinto museístico que forma el atrio, luego cerrado, que la precede.
Iniciada en fecha no determinada, tal vez a mediados del siglo XIII, bajo una concepción todavía románica tardía, se debió finalizar en las postrimerías de dicho siglo cuando ya las corrientes estilísticas del gótico desplazaban pujantes las caducas formas constructivas basadas en el arco de medio punto.
Sólo las columnas que habían de soportar las arquivoltas pertenecen al periodo románico, es decir, al de construcción del templo, aunque fuese en su fase final ya entrado el siglo XIII. No dejan de ser atípicas por la aparente formación de un doble orden superpuesto, si bien el inferior es más bien un alto podio cuyo paramento no es liso sino compuesto de una sucesión de semicilindros en correspondencia con las columnas. Los esperados arcos que estribarían sobre la columnata no se ejecutaron nunca y en su lugar, para alcanzar la altura del hueco adintelado, se levantaron ocho hornacinas que albergan otras tantas figuras estáticas de unos personajes cuya disposición a uno y otro lado de la portada pretende guardar una cierta simetría: así, al interior, dos reyes de Judá: Salomón a la izquierda y David a la derecha; las dos figuras centrales de ambos grupos son imágenes de profetas: Isaías y Daniel a la izquierda y Jeremías y Ezequiel a la derecha; por fin, las figuras extremas pertenecen a dos ángeles o arcángeles: el de la izquierda sin identificar y Gabriel a la derecha.
Esta maravilla está expuesta y en perfecto estado en la Colegiata de Toro, Zamora, España.
the Cover of Majesty
The western portal, known as the Cover of Majestiy, is the jewel of the Collegiate Church due to its iconographic richness and its polychromy. It is not used today as such an access door, but rather it is exhibited to the visitor within the framework of a museum enclosure that forms the atrium, later closed, that precedes it.
Started on an undetermined date, perhaps in the middle of the 13th century, under a still late Romanesque conception, it must have been finished at the end of that century when the stylistic currents of the Gothic were already moving the outdated constructive forms based on the semicircular arch. .
Only the columns that were to support the archivolts belong to the Romanesque period, that is, to the construction of the temple, although it was in its final phase well into the 13th century. They are still atypical due to the apparent formation of a double superimposed order, although the lower one is more of a high podium whose wall is not smooth but composed of a succession of semi-cylinders in correspondence with the columns. The long-awaited arches that would rest on the colonnade were never executed and instead, to reach the height of the flat lintel, eight niches were built that house as many static figures of characters whose arrangement on either side of the portal aims to keep a certain symmetry: thus, inside, two kings of Judah: Solomon on the left and David on the right; the two central figures of both groups are images of prophets: Isaiah and Daniel on the left and Jeremiah and Ezekiel on the right; Finally, the extreme figures belong to two angels or archangels: the unidentified one on the left and Gabriel on the right.
This wonder is exposed and in perfect condition in the Collegiate Church of Toro, Zamora, Spain.
Harpa is a concert hall and conference centre in Reykjavík, Iceland. The building features a distinctive colored glass facade inspired by the basalt landscape of Iceland. Harpa was designed by the Danish firm Henning Larsen Architects in co-operation with Danish-Icelandic artist Olafur Eliasson. The structure consists of a steel framework clad with geometric shaped glass panels of different colours. The glass façade consists of 714 LED lights, 486 in the eastern part of the building and 228 in the western part.