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Highlighting the light and lines: in modern architectural project – new building construction | Construccion en el poligono de Ibi |
Veins form delicate patterns branching into smaller and smaller veins that form the framework of the leaf.
Ochsenhof (built in 1537) on the left and old gymnasium (built in 1860) on the right, Bad Windsheim, Franconia (Bavaria)
Olympus OM2 SP, Fomapan 400. Semi stand developed in Bellini HC, 1+100, 30+30 minutes. Scanned with an Epson V800.
With one week to go before Rheine depot's official public farewell to DB steam, and just under two months before the final DB steam workings between Rheine and Emden took place, some of its locos, especially the Class 042s, were receiving a liberal coating of red paint, as witnessed by the stains on the inspection pit in the foreground. The workaday three-cylinder 'Jumbos' were not so treated, with only some routine minor cleaning being carried out around the wheels and framework. On 3rd September 1977, 043 321-9 simmers on shed shortly after arriving following working a freight diagram. The oil-fired 2-10-0 was officially withdrawn from service on 26th October 1977 but, like some of its other classmates, was more than likely laid up some time before then as diesel traction infiltrated.
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
This HYBYCOZO sculpture is titled Floura and is along the Discovery Trail.
Floura
Stainless Steel, Powder Coat Pigment, LED
2022
dbg.org/events/light-bloom/2024-10-12/
www.youtube.com/watch?v=FFelgzzzQqg
LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.
HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.
dbg.org/meet-the-artists-behind-light-bloom/
Q: Walk us through your creative process?
A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.
Q: What inspired the concept of LIGHT BLOOM?
A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."
Desert Botanical Garden
DBG HYBYCOZO Light Bloom
The historic 1905 Fine Arts Building in Detroit was demolished in 2009 but it's brick facade was delicately maintained with an extensive steel framework support in anticipation of future development. Louis Kamper architect.
En 1999, Dani Karavan, sculpteur israélien né en 1930 à Tel Aviv et vivant entre Tel Aviv, Paris et Florence, y termine l’aménagement du Jardin du souvenir, dans la zone du « port intérieur », dans le cadre d’un projet urbain dont l’architecte en chef est Norman Foster. Karavan est connu pour avoir réalisé entre autres le Monument du Negev2 (1963-1968) et l’Axe majeur de Cergy-Pontoise (1980- ). Il a réalisé des sculptures environnementales (site specific) symboliques, dans une démarche et une pensée optimistes quant à leur impact social et politique potentiel.
Certains jardins contemporains sont conçus comme des « jardins philosophiques ». Pour le Jardin du souvenir (1999) à Duisburg, Dani Karavan a ancré son travail sur le thème de la mémoire, comme dans plusieurs de ses projets. Cette signification latente, par les symboles utilisés, s’allie au niveau perceptif, dans le cas de l’une des sculptures, à de multiples cadres sur l’environnement. Le sens de ces cadres peut être rapproché de la philosophie de l’histoire de Walter Benjamin, qui est une référence profonde de Dani Karavan.
Les « ruines » déposées par Karavan recréent un paysage familier de la fin de la Seconde Guerre mondiale, reconstitué « artificiellement », en particulier devant la maison de retraite, dans un geste quelque peu provocateur. Ces restes s’apparentent aux « rebus de l’histoire » dont parle Walter Benjamin. Les ruines sont entreposées dans une des zones cadrées au sol par les chemins et également au fond d’une impasse, celle du Philosophenweg, comme si Karavan avait fait un tri, sur le modèle de la méthode d’historien de Benjamin : « D’un côté se trouve la partie "féconde", "pleine d’avenir", "vivante", "positive", de l’autre la partie inutile, arriérée et morte de cette époque. »
In 1999, Dani Karavan, an Israeli sculptor born in 1930 in Tel Aviv and living between Tel Aviv, Paris and Florence, completed the development of the Garden of Remembrance there, in the "inner port" area, as part of a project urban whose chief architect is Norman Foster. Karavan is known for having produced, among other things, the Negev2 Monument (1963-1968) and the Cergy-Pontoise Major Axis (1980- ). He has produced symbolic environmental sculptures (site specific), with an optimistic approach and thought regarding their potential social and political impact.
Some contemporary gardens are designed as “philosophical gardens”. For the Garden of Remembrance (1999) in Duisburg, Dani Karavan anchored his work on the theme of memory, as in many of his projects. This latent meaning, through the symbols used, is combined at the perceptual level, in the case of one of the sculptures, with multiple frames of the environment. The meaning of these frameworks can be compared to Walter Benjamin's philosophy of history, which is a deep reference of Dani Karavan.
The “ruins” deposited by Karavan recreate a familiar landscape of the end of the Second World War, reconstructed “artificially”, in particular in front of the retirement home, in a somewhat provocative gesture. These remains are similar to the “rebuses of history” of which Walter Benjamin speaks. The ruins are stored in one of the zones framed on the ground by the paths and also at the end of a dead end, that of the Philosophenweg, as if Karavan had made a sorting, on the model of Benjamin's method of historian: "D' one side is the "fruitful", "future", "alive", "positive" part, on the other the useless, backward and dead part of this time. »
A Julia fractal based on a Sierpinski Square L-System orbit trap created with the Fractal Science Kit fractal generator. See www.fractalsciencekit.com/ for details.
The Sierpinski Square is named after the Polish mathematician Waclaw Sierpinski.