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Developed in Rodinal Spezial 1+100 for 1 hour with a 3 minute clean fix.
I just love these kinds of windows in this otherwise bland block of houses.
Photographer : Syed Redwan Haque
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Conatct : +88 01777 686715
© Elegant Frames
My workstation at times feel like a big tv screen where I just stare and watch people pass. My mom came and dropped my car off so this was a perfect picture
Through the weathered walls of history, two souls stand separated yet connected by the still waters. The serene reflections echo stories of tradition, culture, and the timeless beauty of quiet moments. A scene of harmony framed by time itself.
Over 400 hundred frames had to be conserved an restored. This involved insuring the mitres were tight and secure and re-finishing the worn and dirty surface
Photographer : Syed Redwan Haque
Facebook - fb.com/elegantframesbd
Conatct : +88 01777 686715
© Elegant Frames
Photographer : Syed Redwan Haque
Facebook - fb.com/elegantframesbd
Conatct : +88 01777 686715
© Elegant Frames
Following on from my decade long project in which I used a different film camera each week, 522 in total, I have relaxed the pace and set myself a monthly camera project each year. My dad was born 100 years ago in 1924, he collected old cameras and died age 91 in 2015. In this centenary year I've decided to use one of his favourite cameras each month. January's camera is the Zeiss Ikon Contarex “Bullseye”. It's a big heavy camera, and is arguably over-engineered. The exposure meter no longer works, and as I discovered, the film advance is not reliable, with overlapping frames in the second half of the film. The film is Rollei Retro 400s, developed in Rodinal 1:50 for 18 minutes at 22 degrees.
Photographer : Syed Redwan Haque
Facebook - fb.com/elegantframesbd
Conatct : +88 01777 686715
© Elegant Frames
Fotos para el Web Magazine The Concert in Concert
Frames - Sala Caracol - 23/05/12
Please do not copy or use images without permission
This sequence of shots showing Barry Bonds breaking a bat was taken by my father with his new D200 and a 70-200/2.8 VR. Notice how you can see the bat in frames 2 and 3, and then again in frame 6.