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another out of focus attempt. taken at the state of the art gallery opening on friday. probably should have gotten a little lower so i didn't cut off that first frame.
Keep the memories of your favorite moments alive with photographs mounted in stylish wall picture frames. We offer a variety of frames ranging from classic wood frames that keep the focus on the picture inside to frames encrusted with eye-catching decorative accents.
After the frames are spun, the honey pours out. It still has some bits of honeycomb and wax in it though. Each bowl has a strainer, and then it is poured into... (see next photo).
Nur Frames HD
Nur Frames HD application will allow you add a frame to a new or existing photo and share it with your friends. You can frame your digital photos on your iPad. Share your photos with decorative frames, surprise your friends. In Nur Frames HD there are 50 Portrait and 50 Landscape digital frames to choose from. Extremely easy and fun to use. You can pan and zoom your image to make it fit the frame. Turn the ipad to go horizontal or vertical frames.
Get NurFrames HD at the website:
barco de papel
Isadora Lopes Parrella, Larissa P.S.Souza e Rebeca Guglielmi
2012
duração:00:20:00
A performance consiste em uma pessoa que entrará em um barco de papel relativamente grande. Este barco de papel será posto sobre uma banheira ou piscina. O estranhamento está não somente na proposta mas nas proporções do barco, que serão maiores que a da piscina ou banheira que vamos inseri-lo. A pessoa será como um peso que levará o barco para o fundo, amassando e deformando a sua forma, brincando com a ideia de leveza e peso, suave e rude, violência e tranquilidade.
Entry for The Frames T-Shirt Design Comp.
(e-mail: dave_moloney@hotmail.com)
theframes-competition-july2007
Previously seen with a golden rim on the interior. It was destroyed during an attempt to seal it with Krylon Crystal Clear Statin Indoor/Outdoor Finish. Anyone in the Somerville, MA area want a free canister?
Loads of new little frames in the store now!
Thinking of buying as a gift for someone? Gift wrap is available!
Email - sam_dunn@live.co.uk after you order if you'd like it to be sent ready-wrapped!
Pic-17-Frames
The long title of this painting is “Dubliners sketched from a cafe window window”. The original sketches for these figures were initially made from people hurrying along Lower Abbey Street towards Busaras and Connolly Station in Dublin. These and similar characters appear four other paintings in this series. The anonymity of the white walking figure has been a fascination. The separate frames of this painting are like pages from my sketchpad.
A pile of old, used picture frames. Some of them dusty, some of them where the glass is broken.
What do you do when your walls are full, we all have finite space to put our pictures on our walls.
This is so cool to me! This family used old scrabble boards as frames for pictures and then spelled out words! This would be so nice in our home office b/c Troy and I used to play scrabble like every other night when we first got married. And we are trying to get back into that routine. It was so much fun and time well spent together!
Various coats of arms depicted in one of the church windows at Bebenhausen. Should I have left the frames darker as in the original shot, or does it add interest to be able to see more detail in the stonework?
This mansion – called “a palace” in Polish – was built in the first half of the 16th century by the Hetman, Jan Tarnowski, as an elegant Renaissance residence. Windows with characteristic divisions and stone frames and a crenellated parapet wall survive from that period. The mansion was redeveloped around the middle of the 17th century at the behest of the new owners of the mansion: the Wielopolski magnate family. The impressive hallway and stairs leading to the first floor, as well as portals and ceilings date from this period. The Palace remained the property of the Wielopolskis until the tragic fire of the city in 1850. After a makeshift rebuilding of the burnt interiors, the building housed, among other things, an elegant café and a ballroom.
In 1864, the Palace was purchased by the Municipality of Kraków as headquarters for the Municipal Offices. The ballroom on the second floor was at that time replaced by the elegant Assembly Hall designed by Filip Pokutyński. Early in the 20th century, following the major geographical expansion of the city and following the concept of Greater Kraków, it was necessary to expand the Municipal Office accordingly and give it a radical rebuilding which was completed in 1913 to the design of Jan Rzymkowski. New wings of the complex in Poselska Street were also built at that time. The rooms used for official functions were decorated in historicist style in the spirit of the Viennese Art Nouveau making use of motives taken from folk art. In 1926, the Main Assembly Hall was consumed by fire yet was meticulously restored within the space of several months, respecting the original designs, but at the same time embellishing them in Art Déco style, fashionable at the time.
This mansion – called “a palace” in Polish – was built in the first half of the 16th century by the Hetman, Jan Tarnowski, as an elegant Renaissance residence. Windows with characteristic divisions and stone frames and a crenellated parapet wall survive from that period. The mansion was redeveloped around the middle of the 17th century at the behest of the new owners of the mansion: the Wielopolski magnate family. The impressive hallway and stairs leading to the first floor, as well as portals and ceilings date from this period. The Palace remained the property of the Wielopolskis until the tragic fire of the city in 1850. After a makeshift rebuilding of the burnt interiors, the building housed, among other things, an elegant café and a ballroom.
In 1864, the Palace was purchased by the Municipality of Kraków as headquarters for the Municipal Offices. The ballroom on the second floor was at that time replaced by the elegant Assembly Hall designed by Filip Pokutyński. Early in the 20th century, following the major geographical expansion of the city and following the concept of Greater Kraków, it was necessary to expand the Municipal Office accordingly and give it a radical rebuilding which was completed in 1913 to the design of Jan Rzymkowski. New wings of the complex in Poselska Street were also built at that time. The rooms used for official functions were decorated in historicist style in the spirit of the Viennese Art Nouveau making use of motives taken from folk art. In 1926, the Main Assembly Hall was consumed by fire yet was meticulously restored within the space of several months, respecting the original designs, but at the same time embellishing them in Art Déco style, fashionable at the time.
This mansion – called “a palace” in Polish – was built in the first half of the 16th century by the Hetman, Jan Tarnowski, as an elegant Renaissance residence. Windows with characteristic divisions and stone frames and a crenellated parapet wall survive from that period. The mansion was redeveloped around the middle of the 17th century at the behest of the new owners of the mansion: the Wielopolski magnate family. The impressive hallway and stairs leading to the first floor, as well as portals and ceilings date from this period. The Palace remained the property of the Wielopolskis until the tragic fire of the city in 1850. After a makeshift rebuilding of the burnt interiors, the building housed, among other things, an elegant café and a ballroom.
In 1864, the Palace was purchased by the Municipality of Kraków as headquarters for the Municipal Offices. The ballroom on the second floor was at that time replaced by the elegant Assembly Hall designed by Filip Pokutyński. Early in the 20th century, following the major geographical expansion of the city and following the concept of Greater Kraków, it was necessary to expand the Municipal Office accordingly and give it a radical rebuilding which was completed in 1913 to the design of Jan Rzymkowski. New wings of the complex in Poselska Street were also built at that time. The rooms used for official functions were decorated in historicist style in the spirit of the Viennese Art Nouveau making use of motives taken from folk art. In 1926, the Main Assembly Hall was consumed by fire yet was meticulously restored within the space of several months, respecting the original designs, but at the same time embellishing them in Art Déco style, fashionable at the time.
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