View allAll Photos Tagged frameable
Captain Cook fountain, with the jet behind, Lake Burley Griffin, Canberra.
Nikon L35AF camera, AgfaPhoto Vista 100 colour negative film (expired 2013), HRT polarizer.
Tired of those pesky heat sinking missiles getting a target lock on you? Worry no more! The Helmet Head Counter Measure Frame is here to help. Once those missiles are launched, the Helmet Head zips into the line of fire! The large vents on it's hull create a much larger heat signature than your standard frame and the missiles lock onto the Helmet Head instead. But it doesn't just take the beating. This speedy little frame will then speed off again taking those missiles with it. Heading straight for the frame that shot the missiles in the first place, the Helmet Head will slip right past and at the last minute shoot a burst of coolant hiding itself from the missiles who now lock on the nearest heat signature, the frame that shot those missiles in the first place.
Make those TTA Marines think twice before they take another shot!
Dickinson Point, Bermagui, NSW, looking for whales, dolphins, seals.
Fujifilm GW690II camera, Ilford HP5+ black-and-white negative, Tiffen 85C filter, monopod.
Ha, je l'aime d'amour mon vélo :)
Camera : Polaroid Supercolor 635
Film : Impossible PZ 600 Silver Shade UV+ Black Frame
you know, it seems like this kind of thing must be some kind of cliche, but I've never seen it. hmm...
this is actually a fairly obtuse visual pun, in a couple of ways.
en.wikipedia.org/wiki/Frame-dragging
Floriade, Commonwealth Park, as seen from the ferris wheel.
Mamiya C220 TLR camera, Mamiya-Sekor 65mm f/3.5 lens, Fomapan 100 black-and-white negative film, Tiffen yellow 12 filter, Adox Adonal developer at 1:50 for 8 minutes.
I only discovered today that there are three versions of the Sony SEL18200 [ APS-C]. My version which came with the SONY VG10E camcorder was the original and it has always been my favourite E-Mount lens. When I first purchased my Sony NEX-7 other than the kit lens I could not obtain any other suitable lens but I discovered that Sony were marketing an excellent camcorder that complete with an 18mm - 200mm E-Mount lens and it was available to me at €2000 which was a deal that I could not refuse as the lenses alone [if one was willing to wait about 6 months] cost €1200 here in Ireland.
The disappoint fact is that there is not an equivalent lens available for Sony’s full-frame E-Mount cameras but there is some good news in that the A7RM2 can be set to APS-C mode. I have already tried the lens with the camera set to full-frame mode and images were not really usable without a lot of processing in Lightroom. In APS-C mode the results are not at all bad considering the resolution is reduced by about 50%.
Image Sources:
Mug shot of Hazel McGuinness, Central Police Station, Sydney (1929)
Murder of Alice and Morris Anderson, Waverley, NSW (1944)
We were on a walk in the evening sun when I discovered this small field of grass with all the little flowers.
She layed down and held her hand over her head to protect her eyes from the sun – a wonderful frame for a portrait!
For the description click the image below.
Lens used on the Pentax MX: SMC Pentax-M 28/2.8.
Lens used on the Pentax K100D: Sigma 50/2.8 EX DG macro.
Projection screen: a piece of tracing paper.
Per la descrizione cliccare l'immagine sotto.
Ottica usata sulla Pentax MX: SMC Pentax-M 28/2.8.
Ottica usata sulla Pentax K100D: Sigma 50/2.8 EX DG macro.
Schermo di proiezione: carta da lucido.
ODC January 14 - Framed.
ODC January 18 - Arranged.
MM January 21 - Reflections - The Set Up
Three mirrors (one of which is Framed), two glass tealight holders and a Petzl headlamp arranged for a macro shoot.
Framed this shot up in hopes that someone wearing red would walk by but after 5 minutes of waiting nobody in red walked by. Just then, I saw this gentlemen limping by and snap! Got the shot while he's lifting his legs to take his next step.
Caleb Cull grave stone, located in the Cornelian Bay cemetery, January 2014.
Canon Rebel 2000 camera, EF 40/f2.8 lens, Kodak Gold 100 colour negative film.
Scenes from the old Army bombing range at Pt Prime. The seashells, the mud, the car wrecks.
We saw a weird building and also what seemed to be a kite surfers lost kite.
We were not going to investigate these things.
I had learnt my leason.
We saw a wreck, way out in the seaweed. Walking to it was easy. It took us about 30 minutes to walk there. After we had looked it over, we descided instead of walking back at an angle to the beach (Which is how we got there) we walked straight in.
After 5 minutes, I started sinking in smelly grey mud up to my knees. It took all my strength to pull out one leg, only to get my other one stuck. All this whilst the tide was coming in. I was balancing my shoes in one hand, my expensive Canon 5D and 70-200 L Lens in the other. I did not want to drop anything.
The distance was about 1/5 the distance we had walked to get out to the wreck but it took over 2 hours to get back to the shore line.
I was very tired. The walk back, sinking (in the end I sank up to my Hips) was exhausting so we left the object that looked like a kite and I descided I was never coming back here again.
Anyway, I had photos so if I wanted to come back, I just needed to look at the photos.
The wreck, I think it is a Holden VB Commodore and a second car (Isuzu) that came out to rescue it. Both have very much been claimed by the sea.
Canon EOS5D, 70-200 L lens.
2013
Img_4279
At the Western Wall Jewish Religious people usually don't take pictures of Their own kind. It seems that taking pictures ruins the Religious Experience. So when you see a picture like the one above you may guess that the photographer is a Non-Religious-Jew. This sort of pictures captures the tension between believers and non-believers. Anyhow there is a mutual influence: the non-believer absorbs some atmosphere of Holiness, while the Jewish Religious people see that they are not alone...that there are Jews who come to the Western Wall not to meet the Lord- but to meet them!
Teledyne Titan titanium frames were introduced in 1974 and continued production until 1976. The Titan frame was the brainchild of former Canadian Champion cyclist Barry Harvey. Harvey became interested in titanium as a potential frame material while working as an aluminum salesman for a company that also owned a titanium division. The Achilles heel of Titan frames was that they were welded from CP, or commercially pure titanium. This non-alloyed titanium was prone to breakage and many of the frames suffered this fate. However, many Titan frames were also raced successfully, particularly by lighter riders. Once frame builders switched to alloyed titanium tubing they had great success using titanium as a suitable frame material. This Titan frame was donated to this collection by Tim Zazadny, former US National Track Champion in the Kilometer TT event.
This butterfly will live forever in this photo box, and deserves a home that loves bright and happy colours. If you want a butterfly in a frame like this, but in a different colour or something, contact me and I'll get right on it for you.
Dubai Frame - presents views of old Dubai in the north and new Dubai in the south.
wiki - Dubai Frame