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Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance on Whipple Field, Joint Base Myer Henderson-Hall, Va., April 23, 2013. Twilight Tattoo is an hour-long pageant, which showcases the U.S. Army through Old Guard Soldiers and The U.S. Army Band. (U.S. Army photo by Spc. Cody W. Torkelson)
The Alps are the highest and most extensive mountain range that is entirely in Europe, stretching approximately 1,200 km (750 mi) across eight Alpine countries (from west to east): Monaco, France, Switzerland, Italy, Liechtenstein, Germany, Austria and Slovenia.
The Alpine arch extends from Nice on the western Mediterranean to Trieste on the Adriatic and Vienna at the beginning of the Pannonian Basin. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn.
Mont Blanc spans the French–Italian border, and at 4,809 m (15,778 ft) is the highest mountain in the Alps. The Alpine region area contains 128 peaks higher than 4,000 m (13,000 ft).
The altitude and size of the range affect the climate in Europe; in the mountains, precipitation levels vary greatly and climatic conditions consist of distinct zones. Wildlife such as ibex live in the higher peaks to elevations of 3,400 m (11,155 ft), and plants such as edelweiss grow in rocky areas in lower elevations as well as in higher elevations.
Evidence of human habitation in the Alps goes back to the Palaeolithic era. A mummified man ("Ötzi"), determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991.
By the 6th century BC, the Celtic La Tène culture was well established. Hannibal notably crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800, Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular, the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks of the Alps.
The Alpine region has a strong cultural identity. Traditional practices such as farming, cheesemaking, and woodworking still thrive in Alpine villages. However, the tourist industry began to grow early in the 20th century and expanded significantly after World War II, eventually becoming the dominant industry by the end of the century.
The Winter Olympic Games have been hosted in the Swiss, French, Italian, Austrian and German Alps. As of 2010, the region is home to 14 million people and has 120 million annual visitors.
The valleys of the Alps have been inhabited since prehistoric times. The Alpine culture, which developed there, centers on transhumance.
Currently the Alps are divided among eight countries: France, Monaco, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. In 1991 the Alpine Convention was established to regulate this transnational area, whose area measures about 190,000 square kilometres (73,000 sq mi).
The Wildkirchli caves in the Appenzell Alps show traces of Neanderthal habitation (about 40,000 BCE). During the Würm glaciation (up to c. 11700 BP), the entire Alps were covered in ice. Anatomically modern humans reach the Alpine region by c. 30,000 years ago. MtDNA Haplogroup K (believed to have originated in the mid-Upper Paleolithic, between about 30,000 and 22,000 years ago, with an estimated age here of c. 12,000 years BP), is a genetic marker associated with southeastern Alpine region.
Traces of transhumance appear in the neolithic. In the Bronze Age, the Alps formed the boundary of the Urnfield and Terramare cultures. The mummy found on the Ötztal Alps, known as "Ötzi the Iceman", lived c. 3200 BC. At that stage the population in its majority had already changed from an economy based on hunting and gathering to one based on agriculture and animal husbandry. It is still an open question whether forms of pastoral mobility, such as transhumance (alpiculture), already existed in prehistory.
The earliest historical accounts date to the Roman period, mostly due to Greco-Roman ethnography, with some epigraphic evidence due to the Raetians, Lepontii and Gauls, with Ligurians and Venetii occupying the fringes in the south-west and south-east, respectively (Cisalpine Gaul) during the 4th and 3rd centuries BC. The Rock Drawings in Valcamonica date to this period. A few details have come down to modern scholars of the conquest of many of the Alpine tribes by Augustus, as well as Hannibal's battles across the Alps. Most of the local Gallic tribes allied themselves with the Carthaginians in the Second Punic War, for the duration of which Rome lost control over most of Northern Italy. The Roman conquest of Italy was only complete after the Roman victory over Carthage, by the 190s BC.
Between 35 and 6 BC, the Alpine region was gradually integrated into the expanding Roman Empire. The contemporary monument Tropaeum Alpium in La Turbie celebrates the victory won by the Romans over 46 tribes in these mountains. The subsequent construction of roads over the Alpine passes first permitted southern and northern Roman settlements in the Alps to be connected, and eventually integrated the inhabitants of the Alps into the culture of the Empire. The upper Rhône Valley or Vallis Poenina fell to the Romans after a battle at Octodurus (Martigny) in 57 BC. Aosta was founded in 25 BC as Augusta Praetoria Salassorum in the former territory of the Salassi. Raetia was conquered in 15 BC.
With the division of the Roman Empire and the collapse of its Western part in the fourth and fifth centuries, power relations in the Alpine region reverted to their local dimensions. Often dioceses became important centres. While in Italy and Southern France, dioceses in the Western Alps were established early (beginning in the fourth century) and resulted in numerous small sees, in the Eastern Alps such foundations continued into the thirteenth century and the dioceses were usually larger. New monasteries in the mountain valleys also promoted the Christianisation of the population. In that period the core area of supra-regional political powers was mainly situated north of the Alps, first in the Carolingian Empire and later, after its division, in France and the Holy Roman Empire. The German emperors, who received the imperial investiture from the Pope in Rome between the ninth and the fifteenth centuries, had to cross the Alps along with their entourages.
In the 7th century, much of the Eastern Alps were settled by Slavs. Between the 7th and 9th century, the Slavic principality of Carantania existed as one of the few non-Germanic polities in the Alps. The Alpine Slavs, who inhabited the majority of present-day Austria and Slovenia, were gradually Germanized from the 9th to the 14th century. The modern Slovenes are their southernmost descendants.
The successive emigration and occupation of the Alpine region by the Alemanni from the 6th to the 8th centuries are, too, known only in outline. For "mainstream" history, the Frankish and later the Habsburg empire, the Alps had strategic importance as an obstacle, not as a landscape, and the Alpine passes have consequently had great significance militarily.
Between 889 and 973, a community of Muslim raiders operating from their base of Fraxinetum, on the coast of Provence, blocked the Alpine passes to Christian travellers until their expulsion by Christian forces led by Arduin Glaber in 973, at which point transalpine trade was able to resume.
Not until the final breakup of the Carolingian Empire in the 10th and 11th centuries is it possible to trace out the local history of different parts of the Alps, notably with the High Medieval Walser migrations.
Later Medieval to Early Modern Era (1200 to 1900)
The French historian Fernand Braudel, in his famous volume on Mediterranean civilisation, describes the Alps as "an exceptional range of mountains from the point of view of resources, collective disciplines, the quality of its human population and the number of good roads." This remarkable human presence in the Alpine region came into being with the population growth and agrarian expansion of the High Middle Ages. At first a mixed form of agriculture and animal husbandry dominated the economy. Then, from the Late Middle Ages onwards, cattle tended to replace sheep as the dominant animals. In a few regions of the northern slope of the Alps, cattle farming became increasingly oriented toward long-range markets and substituted agriculture completely. At the same time other types of interregional and transalpine exchange were growing in significance. The most important pass was the Brenner, which could accommodate cart traffic beginning in the fifteenth century. In the Western and Central Alps, the passes were practicable only by pack animals up to the period around 1800.
The process of state formation in the Alps was driven by the proximity to focal areas of European conflicts such as in the Italian wars of 1494–1559. In that period the socio-political structures of Alpine regions drifted apart. One can identify three different developmental models: one of princely centralization (Western Alps), a local-communal one (Switzerland) and an intermediate one, characterised by a powerful nobility (Eastern Alps).
Until the late nineteenth century many Alpine valleys remained mainly shaped by agrarian and pastoral activities. Population growth favoured the intensification of land use and the spread of corn, potato and cheese production. The shorter growing season at higher altitudes did not seem to be an impediment until around 1700. Later, however, it became a major obstacle to the further intensification of agriculture, especially in comparison to the surrounding lowlands where land productivity increased rapidly. Inside the Alpine region there was a striking difference between the western and central parts, which were dominated by small farming establishments, and the eastern part, which were characterised by medium or big farms. Migration to the urbanised zones of the surrounding areas was already apparent before 1500 and was often temporary. In the Alps themselves, urbanisation was slow.
Central Alps
In the Central Alps the chief event, on the northern side of the chain, is the gradual formation from 1291 to 1516 of the Swiss Confederacy, at least so far as regards the mountain cantons, and with especial reference to the independent confederations of the Grisons and the Valais, which only became full members of the Confederation in 1803 and 1815 respectively. The attraction of the south was too strong for both the Forest Cantons and the Grisons, so that both tried to secure, and actually did secure, various bits of the Milanese.
The Gotthard Pass was known in antiquity as Adula Mons, but it was not one of the important Alpine passes due to the impassability of the Schöllenen Gorge north of the pass. This changed dramatically with the construction of the so-called Devil's Bridge by the year 1230. Almost immediately, in 1231, the formerly unimportant valley of Uri was granted imperial immediacy and became the main route connecting Germany and Italy. Also in 1230, a hospice dedicated to Gotthard of Hildesheim was built on the pass to accommodate the pilgrims to Rome which now took this route. The sudden strategical importance for the European powers gained by what is now Central Switzerland was an important factor in the formation of the Old Swiss Confederacy beginning in the late 13th century.
In the 15th century, the Forest Cantons won the Valle Leventina as well as Bellinzona and the Valle di Blenio (though the Valle d'Ossola was held for a time only). Blenio was added to the Val Bregaglia (which had been given to the bishop of Coire in 960 by the emperor Otto I), along with the valleys of Valle Mesolcina and of Val Poschiavo.
Western Alps
Further information: County of Savoy and Duchy of Savoy
In the case of the Western Alps (excluding the part from the chain of Mont Blanc to the Simplon Pass, which followed the fortunes of the Valais), a prolonged struggle for control took place between the feudal lords of Savoy, the Dauphiné and Provence. In 1349 the Dauphiné fell to France, while in 1388 the county of Nice passed from Provence to the house of Savoy, which also then held Piedmont as well as other lands on the Italian side of the Alps. The struggle henceforth was limited to France and the house of Savoy, but little by little France succeeded in pushing back the house of Savoy across the Alps, forcing it to become a purely Italian power.
One turning-point in the rivalry was the Treaty of Utrecht (1713), by which France ceded to Savoy the Alpine districts of Exilles, Bardonnèche (Bardonecchia), Oulx, Fenestrelles, and Châtean Dauphin, while Savoy handed over to France the valley of Barcelonnette, situated on the western slope of the Alps and forming part of the county of Nice. The final act in this long-continued struggle took place in 1860, when France obtained by cession the rest of the county of Nice and also Savoy, thus remaining sole ruler on the western slope of the Alps.
Eastern Alps
The Eastern Alps had been included in the Frankish Empire since the 9th century. From the High Middle Ages and throughout the Early Modern era, the political history of the Eastern Alps can be considered almost totally in terms of the advance or retreat of the house of Habsburg. The Habsburgers' original home was in the lower valley of the Aar, at Habsburg castle. They lost that district to the Swiss in 1415, as they had previously lost various other sections of what is now Switzerland. But they built an impressive empire in the Eastern Alps, where they defeated numerous minor dynasties. They won the duchy of Austria with Styria in 1282, Carinthia and Carniola in 1335, Tirol in 1363, and the Vorarlberg in bits from 1375 to 1523, not to speak of minor "rectifications" of frontiers on the northern slope of the Alps. But on the other slope their progress was slower, and finally less successful. It is true that they won Primiero quite early (1373), as well as (1517) the Ampezzo Valley and several towns to the south of Trento. In 1797 they obtained Venetia proper, in 1803 the secularized bishoprics of Trento and Brixen (as well as that of Salzburg, more to the north), besides the Valtellina region, and in 1815 the Bergamasque valleys, while the Milanese had belonged to them since 1535. But in 1859 they lost to the house of Savoy both the Milanese and the Bergamasca, and in 1866 Venetia proper also, so that the Trentino was then their chief possession on the southern slope of the Alps. The gain of the Milanese in 1859 by the future king of Italy (1861) meant that Italy then won the valley of Livigno (between the Upper Engadine and Bormio), which is the only important bit it holds on the non-Italian slope of the Alps, besides the county of Tenda (obtained in 1575, and not lost in 1860), with the heads of certain glens in the Maritime Alps, reserved in 1860 for reasons connected with hunting. Following World War I and the demise of Austria-Hungary, there were important territorial changes in the Eastern Alps.
Switzerland, officially the Swiss Confederation, is a landlocked country located in west-central Europe. It is bordered by Italy to the south, France to the west, Germany to the north and Austria and Liechtenstein to the east. Switzerland is geographically divided among the Swiss Plateau, the Alps and the Jura; the Alps occupy the greater part of the territory, whereas most of the country's population of 9 million are concentrated on the plateau, which hosts its largest cities and economic centres, including Zürich, Geneva and Basel.
Switzerland originates from the Old Swiss Confederacy established in the Late Middle Ages, following a series of military successes against Austria and Burgundy; the Federal Charter of 1291 is considered the country's founding document. Swiss independence from the Holy Roman Empire was formally recognised in the Peace of Westphalia in 1648. Switzerland has maintained a policy of armed neutrality since the 16th century and has not fought an international war since 1815. It joined the United Nations only in 2002 but pursues an active foreign policy that includes frequent involvement in peace building.
Switzerland is the birthplace of the Red Cross and hosts the headquarters or offices of most major international institutions, including the WTO, the WHO, the ILO, FIFA, and the United Nations. It is a founding member of the European Free Trade Association (EFTA), but not part of the European Union (EU), the European Economic Area, or the eurozone; however, it participates in the European single market and the Schengen Area. Switzerland is a federal republic composed of 26 cantons, with federal authorities based in Bern.
Switzerland is one of the world's most developed countries, with the highest nominal wealth per adult and the eighth-highest gross domestic product (GDP) per capita. Switzerland ranks first in the Human Development Index since 2021 and performs highly also on several international metrics, including economic competitiveness and democratic governance. Cities such as Zürich, Geneva and Basel rank among the highest in terms of quality of life, albeit with some of the highest costs of living.
It has four main linguistic and cultural regions: German, French, Italian and Romansh. Although most Swiss are German-speaking, national identity is fairly cohesive, being rooted in a common historical background, shared values such as federalism and direct democracy and Alpine symbolism. Swiss identity transcends language, ethnicity, and religion, leading to Switzerland being described as a Willensnation ("nation of volition") rather than a nation state.
Since 1848 the Swiss Confederation has been a federal republic of relatively autonomous cantons, some of which have a history of federation that goes back more than 700 years, putting them among the world's oldest surviving republics.
The early history of the region is tied to that of Alpine culture. Switzerland was inhabited by the Helvetii, and it came under Roman rule in the 1st century BC. The Gallo-Roman culture was amalgamated with Germanic influence during Late Antiquity, with the eastern part of Switzerland becoming Alemannic territory. The area of Switzerland was incorporated into the Frankish Empire in the 6th century. In the High Middle Ages, the eastern part became part of the Duchy of Swabia within the Holy Roman Empire, while the western part was part of Burgundy.
The Old Swiss Confederacy in the Late Middle Ages (the Eight Cantons) established its independence from the House of Habsburg and the Duchy of Burgundy, and in the Italian Wars gained territory south of the Alps from the Duchy of Milan. The Swiss Reformation divided the Confederacy and resulted in a drawn-out history of internal strife between the Thirteen Cantons in the Early Modern period. In the wake of the French Revolution, Switzerland fell to a French invasion in 1798 and was reformed into the Helvetic Republic, a French client state. Napoleon's Act of Mediation in 1803 restored the status of Switzerland as a Confederation, and after the end of the Napoleonic period, the Swiss Confederation underwent a period of turmoil culminating in a brief civil war in 1847 and the creation of a federal constitution in 1848.
The history of Switzerland since 1848 has been largely one of success and prosperity. Industrialisation transformed the traditional agricultural economy, and Swiss neutrality during the World Wars and the success of the banking industry furthered the ascent of Switzerland to its status as one of the world's most stable economies.
Switzerland signed a free-trade agreement with the European Economic Community in 1972 and has participated in the process of European integration by way of bilateral treaties, but it has notably resisted full accession to the European Union (EU) even though its territory almost completely (except for the microstate Liechtenstein) has been surrounded by EU member states since 1995. In 2002, Switzerland joined the United Nations.
Archeological evidence suggests that hunter-gatherers were already settled in the lowlands north of the Alps in the Middle Paleolithic period 150,000 years ago. Agriculture in Switzerland began around 5500 BC. By the Neolithic period, the area was relatively densely populated. Remains of Bronze Age pile dwellings from as early as 3800 BC have been found in the shallow areas of many lakes. Around 1500 BC, Celtic tribes settled in the area. The Raetians lived in the eastern regions, while the west was occupied by the Helvetii.
A female who died in about 200 B.C. was found buried in a carved tree trunk during a construction project at the Kern school complex in March 2017 in Aussersihl. Archaeologists revealed that she was approximately 40 years old when she died and likely carried out little physical labor when she was alive. A sheepskin coat, a belt chain, a fancy wool dress, a scarf and a pendant made of glass, and amber beads were also discovered with the woman.
In 58 BC, the Helvetii tried to evade migratory pressure from Germanic tribes by moving into Gaul, but were defeated by Julius Caesar's armies and then sent back. The alpine region became integrated into the Roman Empire and was extensively romanized in the course of the following centuries. The center of Roman administration was at Aventicum (Avenches). In 259, Alamanni tribes overran the Limes, putting the settlements on Swiss territory on the frontier of the Roman Empire.
With the fall of the Western Roman Empire, Germanic tribes entered the area. Burgundians settled in the west; while in the north, Alamanni settlers slowly forced the earlier Celto-Roman population to retreat into the mountains. Burgundy became a part of the kingdom of the Franks in 534; two years later, the dukedom of the Alamans followed suit. In the Alaman-controlled region, only isolated Christian communities continued to exist and Irish monks re-introduced the Christian faith in the early 7th century.
Main article: Switzerland in the Middle Ages
Under the Carolingian kings, the feudal system proliferated, and monasteries and bishoprics were important bases for maintaining the rule. The Treaty of Verdun of 843 assigned Upper Burgundy (the western part of what is today Switzerland) to Lotharingia, and Alemannia (the eastern part) to the eastern kingdom of Louis the German which would become part of the Holy Roman Empire.
In the 10th century, as the rule of the Carolingians waned, Magyars destroyed Basel in 917 and St. Gallen in 926. Only after the victory of King Otto I over the Magyars in 955 in the Battle of Lechfeld, were the Swiss territories reintegrated into the empire.
In the 12th century, the dukes of Zähringen were given authority over part of the Burgundy territories which covered the western part of modern Switzerland. They founded many cities, including Fribourg in 1157, and Bern in 1191. The Zähringer dynasty ended with the death of Berchtold V in 1218, and their cities subsequently became reichsfrei (essentially a city-state within the Holy Roman Empire), while the dukes of Kyburg competed with the house of Habsburg over control of the rural regions of the former Zähringer territory.
Under the Hohenstaufen rule, the alpine passes in Raetia and the St Gotthard Pass gained importance. The latter especially became an important direct route through the mountains. Uri (in 1231) and Schwyz (in 1240) were accorded the Reichsfreiheit to grant the empire direct control over the mountain pass. Most of the territory of Unterwalden at this time belonged to monasteries that had previously become reichsfrei.
The extinction of the Kyburg dynasty paved the way for the Habsburg dynasty to bring much of the territory south of the Rhine under their control, aiding their rise to power. Rudolph of Habsburg, who became King of Germany in 1273, effectively revoked the status of Reichsfreiheit granted to the "Forest Cantons" of Uri, Schwyz, and Unterwalden. The Forest Cantons thus lost their independent status and were governed by reeves.
On 1 August 1291, the cantons of Uri, Schwyz, and Unterwalden united to defend the peace upon the death of Emperor Rudolf I of Habsburg, forming the nucleus of the Old Swiss Confederacy.
By 1353, the three original cantons had been joined by the cantons of Glarus and Zug and the city-states of Lucerne, Zürich, and Bern, forming the "Old Federation" of eight states that persisted during much of the 15th century. The Holy Roman Empire built roads and bridges to connect the industrial region of north Italy with the Rhine (linked with the other industrial area of Middle Age Europe, the Burgundian Netherlands), making the peasants and bankers on the road rich, allowing them to buy specialized Italian armor and to stop paying the road collecting taxes to the Empire who built the road. At the Battle of Sempach in 1386, the Swiss defeated the Habsburgs, gaining increased autonomy within the Holy Roman Empire.
Zürich was expelled from the Confederation from 1440 to 1450 due to a conflict over the territory of Toggenburg (the Old Zürich War). The Confederation's power and wealth increased significantly, with victories over Charles the Bold of Burgundy during the Burgundian Wars (1474–1477), greatly due to the success of the Swiss mercenaries, a powerful infantry force constituted by professional soldiers originally from the cantons of the Old Swiss Confederacy. They were notable for their service in foreign armies, especially among the military forces of the Kings of France, throughout the Early Modern period of European history, from the Late Middle Ages to the Renaissance. Their service as mercenaries was at its peak during the Renaissance when their proven battlefield capabilities made them sought-after mercenary troops. The traditional listing order of the cantons of Switzerland reflects this state, listing the eight "Old Cantons" first, with the city-states preceding the founding cantons, followed by cantons that joined the Confederation after 1481, in historical order.
The Swiss defeated the Swabian League in 1499 and gained greater collective autonomy within the Holy Roman Empire, including exemption from the Imperial reforms of 1495 and immunity from most Imperial courts. In 1506, Pope Julius II engaged the Swiss Guard, which continues to serve the papacy to the present day. The expansion of the Confederation and the reputation of invincibility acquired during the earlier wars suffered its first setback in 1515 with the Swiss defeat in the Battle of Marignano and Battle of Bicocca.
The Reformation in Switzerland began in 1523, led by Huldrych Zwingli, priest of the Great Minster church in Zürich since 1518. Zürich adopted the Protestant religion, joined by Berne, Basel, and Schaffhausen, while Lucerne, Uri, Schwyz, Nidwalden, Zug, Fribourg, and Solothurn remained Catholic. Glarus and Appenzell were split. This led to multiple inter-cantonal religious wars (Kappeler Kriege) in 1529 and 1531, as each canton usually made the opposing religion illegal, and to the formation of two diets, the Protestant one meeting in Aarau and the Catholic one in Lucerne (as well as the formal full diet still meeting usually in Baden), despite this the Confederation survived.
During the Thirty Years' War, Switzerland was a relative "oasis of peace and prosperity" (Grimmelshausen) in war-torn Europe, mostly because all major powers in Europe depended on Swiss mercenaries, and would not let Switzerland fall into the hands of one of their rivals. Politically, they all tried to take influence, by way of mercenary commanders such as Jörg Jenatsch or Johann Rudolf Wettstein. The Drei Bünde of Grisons, at that point not yet a member of the Confederacy, were involved in the war from 1620, which led to their loss of the Valtellina in 1623.
At the Treaty of Westphalia in 1648, Switzerland attained legal independence from the Holy Roman Empire. The Valtellina became a dependency of the Drei Bünde again after the Treaty and remained so until the founding of the Cisalpine Republic by Napoleon Bonaparte in 1797.
In 1653, peasants of territories subject to Lucerne, Bern, Solothurn, and Basel revolted because of currency devaluation. Although the authorities prevailed in this Swiss peasant war, they did pass some tax reforms and the incident in the long term prevented an absolutist development as would occur at some other courts of Europe. The confessional tensions remained, however, and erupted again in the First War of Villmergen, in 1656, and the Toggenburg War (or Second War of Villmergen), in 1712.
During the French Revolutionary Wars, the French army invaded Switzerland and turned it into an ally known as the "Helvetic Republic" (1798–1803). It had a central government with little role for cantons. The interference with localism and traditional liberties was deeply resented, although some modernizing reforms took place.
Resistance was strongest in the more traditional Catholic bastions, with armed uprisings breaking out in spring 1798 in the central part of Switzerland. The French Army suppressed the uprisings but support for revolutionary ideas steadily declined. The reform element was weak, and most Swiss resented their loss of local democracy, centralization, new taxes, warfare, and hostility to religion.
Major steps taken to emancipate the Jews included the repeal of special taxes and oaths in 1798. However, many such reforms were turned back in 1815, and not until 1879 were the Jews granted equal rights with the Christians.
In 1803, Napoleon's Act of Mediation partially restored the sovereignty of the cantons, and the former tributary and allied territories of Aargau, Thurgau, Grisons, St. Gallen, Vaud, and Ticino became cantons with equal rights. Napoleon and his enemies fought numerous campaigns in Switzerland that ruined many localities.
The Congress of Vienna of 1814–15 fully re-established Swiss independence and the European powers agreed to recognize permanent Swiss neutrality. At this time, Valais, Neuchâtel, and Geneva also joined Switzerland as new cantons, thereby extending Swiss territory to its current boundaries.
The long-term impact of the French Revolution has been assessed (by William Martin):
It proclaimed the equality of citizens before the law, equality of languages, and freedom of thought and faith; it created Swiss citizenship, the basis of our modern nationality, and the separation of powers, of which the old regime had no conception; it suppressed internal tariffs and other economic restraints; it unified weights and measures, reformed civil and penal law, authorized mixed marriages (between Catholics and Protestants), suppressed torture and improved justice; it developed education and public works.
On 6 April 1814, the so-called "Long Diet" (delegates from all the nineteen cantons) met at Zürich to replace the constitution.
Cantonal constitutions were worked out independently from 1814, in general restoring the late feudal conditions of the 17th and 18th centuries. The Tagsatzung was reorganized by the Federal Treaty (Bundesvertrag) of 7 August 1815.
The liberal Free Democratic Party of Switzerland was strong in the largely Protestant cantons and obtained the majority in the Federal Diet in the early 1840s. It proposed a new Constitution for the Swiss Confederation which would draw the several cantons into a closer relationship. In addition to the centralization of the Swiss government, the new Constitution also included protections for trade and other progressive reform measures. The Federal Diet, with the approval of a majority of cantons, had taken measures against the Catholic Church such as the closure of monasteries and convents in Aargau in 1841, and the seizure of their properties. Catholic Lucerne, in retaliation,1844 recalled the Jesuits to head its education. That succeeded and seven Catholic cantons formed the "Sonderbund." This caused a liberal-radical move in the Protestant cantons to take control of the national Diet in 1847. The Diet ordered the Sonderbund dissolved, igniting a small-scale civil war against rural cantons that were strongholds of pro-Catholic ultramontanism.
The Radical-liberal-Protestant element charged that the Sonderbund violated the Federal Treaty of 1815, § 6 of which expressly forbade such separate alliances. Forming a majority in the Tagsatzung they decided to dissolve the Sonderbund on October 21, 1847. The odds were against the Catholics, who were heavily outnumbered in population; they were outnumbered in soldiers by 79,000 to 99,000 and lacked enough well-trained soldiers, officers, and generals. When the Sonderbund refused to disband, the national army attacked in a brief civil war between the Catholic and the Protestant cantons, known as the Sonderbundskrieg ("Sonderbund War".) The national army was composed of soldiers from all the other cantons except Neuchâtel and Appenzell Innerrhoden (which remained neutral). The Sonderbund was easily defeated in less than a month; there were about 130 killed. Apart from small riots, this was the last armed conflict on Swiss territory. Many Sonderbund leaders fled to Italy, but the victors were generous. They invited the defeated cantons to join them in a program of federal reform, and a new constitution was drafted along American lines. National issues were to be under the control of the national parliament, and the Jesuits were expelled. The Swiss voted heavily in favor of the new constitution by 2 million against 300,000. Switzerland became calm. However, conservatives around Europe became frightened and prepared their forces to meet possible challenges, which indeed soon exploded the Revolutions of 1848. In those violent revolutions, outside Switzerland, the conservatives were always successful.
As a consequence of the civil war, Switzerland adopted a federal constitution in 1848, amending it extensively in 1874 and establishing federal responsibility for defense, trade, and legal matters, leaving all other matters to the cantonal governments. From then, and over much of the 20th century, continuous political, economic, and social improvement has characterized Swiss history.
While Switzerland was primarily rural, the cities experienced an industrial revolution in the late 19th century, focused especially on textiles. In Basel, for example, textiles, including silk, were the leading industry. In 1888 women made up 44% of the wage earners. Nearly half the women worked in the textile mills, with household servants as the second largest job category. The share of women in the workforce was higher between 1890 and 1910 than it was in the late 1960s and 1970s.
Swiss Universities in the late 19th century are notable for the number of female students receiving medical education.
Main article: Switzerland during the World Wars
The major powers respected Switzerland's neutrality during World War I. In the Grimm–Hoffmann Affair, the Allies denounced a proposal by one politician to negotiate peace on the Eastern Front; they wanted the war there to continue to tie Germany down.
While the industrial sector began to grow in the mid-19th century, Switzerland's emergence as one of the most prosperous nations in Europe—the "Swiss miracle"—was a development of the short 20th century, among other things tied to the role of Switzerland during the World Wars.
Germany considered invading Switzerland during World War II but never attacked. Under General Henri Guisan, the Swiss army prepared for the mass mobilization of militia forces against invasion and prepared strong, well-stockpiled positions high in the Alps known as the Réduit. Switzerland remained independent and neutral through a combination of military deterrence, economic concessions to Germany, and good fortune as larger events during the war delayed an invasion.
Attempts by Switzerland's small Nazi party to cause an Anschluss with Germany failed miserably, largely due to Switzerland's multicultural heritage, a strong sense of national identity, and long tradition of direct democracy and civil liberties. The Swiss press vigorously criticized the Third Reich, often infuriating German leaders. Switzerland was an important base for espionage by both sides in the conflict and often mediated communications between the Axis and Allied powers.
Switzerland's trade was blockaded by both the Allies and the Axis. Both sides openly exerted pressure on Switzerland not to trade with the other. Economic cooperation and extension of credit to the Third Reich varied according to the perceived likelihood of invasion, and the availability of other trading partners. Concessions reached their zenith after a crucial rail link through Vichy France was severed in 1942, leaving Switzerland surrounded by the Axis. Switzerland relied on trade for half of its food and essentially all of its fuel, but controlled vital trans-alpine rail tunnels between Germany and Italy.
Switzerland's most important exports during the war were precision machine tools, watches, jewel bearings (used in bombsights), electricity, and dairy products. During World War Two, the Swiss franc was the only remaining major freely convertible currency in the world, and both the Allies and the Germans sold large amounts of gold to the Swiss National Bank. Between 1940 and 1945, the German Reichsbank sold 1.3 billion francs worth of gold to Swiss Banks in exchange for Swiss francs and other foreign currency.
Hundreds of millions of francs worth of this gold was monetary gold plundered from the central banks of occupied countries. 581,000 francs of "Melmer" gold taken from Holocaust victims in eastern Europe was sold to Swiss banks. In total, trade between Germany and Switzerland contributed about 0.5% to the German war effort but did not significantly lengthen the war.
Over the course of the war, Switzerland interned 300,000 refugees.104,000 of these were foreign troops interned according to the Rights and Duties of Neutral Powers outlined in the Hague Conventions. The rest were foreign civilians and were either interned or granted tolerance or residence permits by the cantonal authorities. Refugees were not allowed to hold jobs. 60,000 of the refugees were civilians escaping persecution by the Nazis. Of these, 26,000 to 27,000 were Jews. Between 10,000 and 25,000 civilian refugees were refused entry. At the beginning of the war, Switzerland had a Jewish population of between 18,000 and 28,000 and a total population of about 4 million.
Within Switzerland at the time of the conflict, there was moderate polarization. Some were pacifists. Some took sides according to international capitalism or international communism. Others leaned more towards their language group, with some in French-speaking areas more pro-Allied, and some in Swiss-German areas more pro-Axis. The government attempted to thwart the activities of any individual, party, or faction in Switzerland that acted with extremism or attempted to break the unity of the nation. The Swiss-German speaking areas moved linguistically further away from the standard (high) German spoken in Germany, with more emphasis on local Swiss dialects.
In the 1960s, significant controversy arose among historians regarding the nation's relations with Nazi Germany.
By the 1990s the controversies included a class-action lawsuit brought in New York over Jewish assets in Holocaust-era bank accounts. The government commissioned an authoritative study of Switzerland's interaction with the Nazi regime. The final report by this independent panel of international scholars, known as the Bergier Commission, was issued in 2002.
History after 1945
Further information: Politics of Switzerland
During the Cold War, Swiss authorities considered the construction of a Swiss nuclear bomb. Leading nuclear physicists at the Federal Institute of Technology Zurich such as Paul Scherrer made this a realistic possibility. However, financial problems with the defense budget prevented substantial funds from being allocated, and the Nuclear Non-Proliferation Treaty of 1968 was seen as a valid alternative. All remaining plans for building nuclear weapons were dropped by 1988.
From 1959, the Federal Council, elected by the parliament, is composed of members of the four major parties, the Protestant Free Democrats, the Catholic Christian Democrats, the left-wing Social Democrats, and the right-wing People's Party, essentially creating a system without a sizeable parliamentary opposition (see concordance system), reflecting the powerful position of an opposition in a direct democracy.
In 1963, Switzerland joined the Council of Europe. In 1979, parts of the canton of Bern attained independence, forming the new canton of Jura.
Switzerland's role in many United Nations and international organizations helped to mitigate the country's concern for neutrality. In 2002, Switzerland voters gave 55% of their vote in favour of the UN and joined the United Nations. This followed decades of debate and its previous rejection of membership in 1986 by a 3-1 popular vote.
Swiss women gained the right to vote in national-level elections in 1971, and an equal rights amendment was ratified in 1981, however it was not until 1990 that the courts established full nationwide voting rights for women in all elections.
Switzerland is not a member state of the EU but has been (together with Liechtenstein) surrounded by EU territory since the joining of Austria in 1995. In 2005, Switzerland agreed to join the Schengen treaty and Dublin Convention by popular vote. In February 2014, Swiss voters approved a referendum to reinstitute quotas on immigration to Switzerland, setting off a period of finding an implementation that would not violate the EU's freedom of movement accords that Switzerland adopted.
Following the 2022 Russian invasion of Ukraine, Switzerland decided to adopt all EU sanctions against Russia. According to the Swiss President Ignazio Cassis, the measures were "unprecedented but consistent with Swiss neutrality". The administration also confirmed that Switzerland would continue to offer its services to find a peaceful solution to the conflict. Switzerland only participates in humanitarian missions and provides relief supplies to the Ukrainian population and neighbouring countries.
A whopping 56 years after forming in London, legendary rock and roll group The Rolling Stones played Murrayfield Stadium as part of their "No Filter" tour. It was June, in Scotland, so of course it rained.
Our seats were quite far from the stage, and the only camera I had that would have been acceptable to bring was the camera built in to my LG V30 ThinQ smartphone - which has no optical zoom.
Modern - to reject the traditionally accepted or sanctioned (in art and design). To be of one's time, not antiquated or obsolete.
The ethos of Modernism is exemplified the collaborations between Alessi, the Italian utensils company (founded in 1921 -http://en.wikipedia.org/wiki/Alessi_(company) ) and modern designers, many of whom come from diverse professional backgrounds. This timer exemplifies form and function, the ultimate modern design accolade (IMHO), having survived many moves and daily use, and was designed by Michael Graves, one of America's leading architects of the 20th century en.wikipedia.org/wiki/Michael_Graves.
ODC Modern
TheFlickrLounge, Minimalism
Larger: farm2.static.flickr.com/1282/1097627378_274c654c27_o.jpg
See previous picture for the story: www.flickr.com/photos/kayodeok/1093678749/
Stop Code D: To investigate suspected crime / disorder / anti-social behaviour
Outcome Code 1: No Futher action
Eschscholzia californica 'Coastal Form'
Irish Hills, San Luis Obispo, CA 27May14 BushPhoto
Papaveraceae
Navaratri is a festival celebrating the nine forms of Goddess Durga: a different form every night.
On this first night, Goddess Shailaputri is venerated (‘Shaila’ is another name for the Himalayan mountains and ‘Putri’ means ‘the daughter'). We celebrate the extraordinary focus and determination She had in Her sadhana in order to gain Lord Shiva as Her husband. Shailaputri is the most powerful and glorified of all the nine forms of Durga. She took the aspect of Shailputri to destroy pride and the demons of ‘too much’ and ‘too little’. We pray to Her to help us surrender to the Divine.
The first night included Guru Puja, Kalash-Puja, yajna, abhishekam, and arati, as well as satsangs from different speakers. Gurudev gave a powerful satsang about the Divine Mother and what it means to be human. He spoke about the importance of knowledge, purification, and being grounded on the spiritual path.
paramahamsavishwananda.com
bhaktimarga.org
former Convento de la Encarnación
Secretaría de Educación Pública building
Mexico City
23 January 2014
2014-Mexico 562
The 222 is the only London United operated bus that goes to Uxbridge, and its most common form is the Enviro 400, as shown here.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Es parte del sistema inmunológico, ya que forma parte del sistema linfático Descubrelo aqui t.co/bsejEmWtJq (via Twitter twitter.com/3danimacion1x/status/716264693120151552)
I was reorganizing photos stored on my computer and I came across this one taken right after the snow melted this early spring. It was taken in the wetlands portion of my backyard in Merrimack,NH. It shows decaying leaves on the forest floor under a thin film of water.
This abstract image is best viewed large.
That's a metal workers leather bag under the fender. Filled with sand, it is nonabrasive and easily shaped to the parts making them stable for the hand work. In the previous photo it is inserted in the tanks tunnel making it lean on the handle I've screwed into the filler hole and propped up with an end roll of masking paper. I got mine from Ron Covello, google him if you are interested.
Forms of Nature #16: One Little Bird
digital collage
by Kenneth Rougeau
The 16th image in the new "Forms of Nature" series of digital collages I'm currently constructing. Prints are available in my Etsy store (artfamilia). At present, I'm planning several individual pieces and at least one triptych for the set. More to come soon!
The railway formed a part of the metre gauge Jodhpur Railway and originally extended as far west as Hyderabad which it reached in 1901. The stretch westwards from Mirpur Khas was converted to broad gauge several years ago. The metre gauge lines were separated from the Indian metre gauge system as a result of the partition in 1947. Through services ceased in 1965 during the Indo-Pakistan war that year and the stretch crossing the border east of Khokhrapar was lifted.
The line now exists primarily to serve the numerous army facilities along what remains a volatile border area. In 2004, Pakistani newspapers carried reports of a high level meeting between Pakistani and Indian officials about the proposed reopening of the line across the border. The Pakistani position was that the railway eastwards from Mirpur Khas needed complete reconstruction and should be rebuilt as a broad gauge line since the Pakistanis have no modern metre gauge equipment. They estimated that the work would take about two and a half years. The Indian position was that they could supply metre gauge equipment and diesels as needed to enable through trains to restart quickly – possibly as soon as September 2005.
In the meantime the railway remained something of a time capsule of how the Indian metre gauge must have been in the days of the British Raj. It is worked solely by BESA standard SP class 4-6-0’s designed in 1903, and by IRS standard YD class 2-8-2’s designed in the 1920’s.
Final inspection for concrete housing forms destine for the Bahammas. For more information on formwork visit Concrete Forms
Simplitatea vietii impovareaza pe multi.
Si nu odata,
"cei multi" isi ascund goliciunea sufleteasca
sub voaluri brodate cu slove dulci.
Cand mainile sunt "oarbe"
si nu pot sa simta
dincolo de materialitate,
cand simturile inspira doar conventionalul,
realitatea ramine doar
un banal punct de comparatie.
Cuvantul
are puterea de-a "vedea"
dincolo de exuberante.
Dar "cei multi" sunt orbi si
paralizati intr-un joc anost de-a viata.
Putini au mai ramas cei care "vad".
Dar si mai putini au ramas
"cei care inteleg"
Here’s Rare_Form21 soaking in the last of the summer weather in his Malibu Ken shorts. I was so worried he would look exactly like my Tenzin but I got a completely different vibe from him and I think he’s absoultely gorgeous.
And I touched up the paint on Turquoise, Barbie’s 1989 pet border collie and brushed out his fur. I didn’t plan on it but it seems Rare Form’s claimed Turquoise for himself.
Black Form - Dedicated to the missing Jews
(conception: Sol DeWitt). read more in the village VOICE
Dieser Block wurde im Rahmen der internationalen Skulpuren-Ausstellung Skulptur.Projekte 1987 von Sol LeWitt als Teil eines Projektes vor das Schloss Münster gestellt.
Jetzt steht die Black Form als Mahnmal für die zerstörte jüdische Gemeinde in einem Park gegenüber von dem Rathaus Altona.
form (noun) - a three dimensional geometric figure.
Something about the form of azalea flowers intrigues me. For me, the form of the petals exudes a sort of sensuality and freedom, which is contrasted by the rigidity of the stigma and stamens.
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Hey y'all, it's been over a year since I uploaded my last shot to Flickr. Since then, a lot has changed in my life. I graduated from high school. I FINALLY GOT A DSLR (YAY!). And, a whole lot of other stuff – good and bad – has happened in my life. I'll also be heading off in to the next new phase of my life after this summer: college. I didn't give up photography or Flickr in the year my stream was inactive. I kept shooting, and most of my Flickr time was spent managing my group, Portrait vs. Nature. It definitely turned out to be a successful group, and I enjoyed seeing the beautiful images posted there. Unfortunately, it proved too strenuous to manage, and I closed it down, so that I could repopulate my Flickr stream.
In the coming days, I hope to reconnect with all my Flickr friends and keep the uploads consistent. I have a lot of shots that I'd like to share, and I really want to write more in the description box to accompany my images.
© Copyright rsr418. This image is not to be used by any party other than Flickr for any reason unless consent is given from rsr418.
Yasir also took the same shot and his description about the place and situation says it all
:-)
"Las sociedades orfebres prehispánicas desarrollaron formas particulares de entender el mundo. Con ellas ordenaron su entorno y lo llenaron de contenidos simbólicos. Estas cosmologías dieron respuestas a los problemas centrales de la existencia, como la muerte, la enfermedad y el significado de la vida. Imbuidas de un profundo sentido religioso, convertían el universo, la sociedad y sus creaciones en realidades sagradas, mientras establecían entre los hombres y sus ancestros un vínculo esencial para la continuidad de las tradiciones. Los metales, y en especial el oro, simbolizaron las fuerzas fertilizadoras del sol y expresaron el origen divino del poder de los gobernantes."
A large crowd wait to join the two coaches forming the 17.15 to Longford on 02.10.1998.
Monday - thursday, this train would be formed by a rake of cravens stock, but being a friday, this rake had already been used for the 17.05 FO to Sligo, which was 073. With very little spare coaching stock, this was the regular seen for the friday Longford train. The plus side was that with the "071" working the Sligo, the Longford was a good candidate for either a "121" or a "141".
131 was a good choice for me as it was my last serviceable "121" for haulage!
"The linear ramparts of the bronze age stretched eastward in a circular arch which reached the sea cliff and formed a natural southern defense. These ramparts are provided with external glacis covered with stones. At the end of the 3rd millenium BC they were nearly 30 m.s in width. The northeastern gate, or "land gate" of the early bronze age (2700 BC) cut through the ramparts to form an 18 x 4.8 m corridor [seen here]. The city gate was closed with double doors. It was reinforced by massive wooden frames, installed to support the lateral thrusts of the wall and the weight of the roof. The visible grooves in the floor level and partitions [seen in this shot] are the only traces left of this. The reddish colour of the stone is evidence of the damage caused by the fire that destroyed the city around 2300 - 2100 BC." (a plaque)