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Obra de arte expuesta durante el evento ArtBo 2022, en Bogotá, Colombia

"Form and substance"

Waone.

Acrylic on canvas

cm 200 x 200

2011.

My new book. :)

The book quality is as same as my previous book (Paper & Form).

 

About this book:

Hardcovered and 188 colored pages.

Language: English and Hungarian.

Product dimensions: 21 cm x 30 cm.

27 models with step-by-step computer diagrams. Moreover 17 additional new models you can fold from this book with a little experience. (And there are some other photos from the variations of the models.)

I think most models of them are perfect in two-dimensional version, but of course, they will be better if you shape them to 3D.

All models are made from one uncut square.

 

You can see the photos of the models, which you could fold from this book here:

www.flickr.com/photos/65167262@N04/albums/72157719905809681

Available here for now:

www.origami-shop.com/en/zsebe-jozsef-m-129.html

You can also inquire from AEP (Asociación Española de Papiroflexia) shop here:

www.pajarita.org

...and I have sent some copies of it to CDO (Centro Diffusione Origami) Shop:

www.origami-cdo.it/

...or you can buy it from the Origami Source:

origamiusa.org/catalog/products/paper-form-2

 

I wish you enjoyable folding!... :)

Bamboo Forest, Hamilton Gardens, Hamilton, New Zealand

from the garden and going back there again!

these kale leaves were a little too old, but they still make elegant organic forms, in rich tones, to me, anyway

Castle set HST GW15 formed of power cars 43188 & 43098 pass the 1879 built signal box at Par and its still plentiful semaphores, with 2P17 1350 Penzance to Plymouth on 5th May 2021. Would have been better with a Fifty on load 6 but you can't have it all....

 

The sign "No public Toilets Available" on the box window shows the pitfalls of having a 24/7 manned location on a station - it was presumably a source of frequent knocking on the cabin door!

 

Not much changed by the looks of things since the last time I took a shot with the box in - 39 years ago:

 

www.flickr.com/photos/jjm2009/8179251557/in/photolist-28x...

 

Tout près de l'Hôtel de ville de Reims, la rue de Tambour a changé de couleur. Mardi 30 avril, à la demande de la Ville et avec les commerçants, une entreprise a peint chaque pavé d'une couleur différente. Une forme de street art qui enchante les passants. Mais pourquoi dans cette rue ?

C'est le nouveau spot des instagramers à Reims. Et il fait un tabac. La rue de Tambour, située près de la place de l'Hôtel de Ville, a été décorée mardi 30 avril par une entreprise de peinture. Chaque pavé de cette rue considérée comme la plus ancienne de la Cité des sacres est désormais peint en jaune, bleu, rouge, orange, vert et bleu...Une idée qui a germé dans la tête des élus chargés de l'urbanisme.

 

"On avait envie de donner un peu de dynamisme à ce secteur, précise Laure Miller, élue à la mairie de Reims, en charge des espaces verts, car nous allons inaugurer le 9 mai la nouvelle place de l'Hôtel de ville, baptisée place Simone Veil. On a eu l'idée en regardant ce qui s'est fait ailleurs. Et c'est au Puy-en-Velay que l'on a repéré le concept de pavés colorés". Une opération similaire a eu lieu en décembre 2018 dans la commune auvergnate.

 

Séduits, les commerçants de cette rue à Reims ont participé eux aussi à la mise en peinture le 30 avril. Une opération orchestrée par une entreprise locale, spécialisée dans la peinture urbaine, mais pas dans le street art. L'oeuvre a été relayée sur les réseaux sociaux et rencontre un succès croissant. Suscitant des commentaires variés, parfois polémiques. L'opération a coûté quelques milliers d'euros, précise la mairie. Aucune autorisation n'est nécessaire pour ce genre d'oeuvre éphémère. Les pavés vont rester colorés jusqu'à l'hiver. La nature devrait effacer les couleurs de manière naturelle car peu de véhicules l'empruntent. Si l'idée séduit, la Ville de Reims réfléchit à renouveler cette expérience sous une forme ou une autre.

    

Blue tailed damselfly-common UK species. Teneral forms change colour as they mature. Is either a male or a female as conflicting publications show this as male or conversely female.

Folded from a square of blue tant paper

East Bight, in Lincoln, Lincolnshire.

 

A back-street dating from around 1150 that skirts the former defences to the East and North of Roman Lincoln. It also formed the boundary of the parishes of St Margaret on the north and east, and St Paul and St Mary Magdalene on the south.

 

It has held many names over the years including Bight Lane, Beight End, Thomas a Becketts Lane, Tom a Beight Lane, Bit Lane, Turn-a-Back Lane, Tomabeck Lane. "Bight" means "bend" or land in the bend".

 

During the Roman Colonia Era, a legionary fortress was constructed on the upper slopes of the north escarpment. The Character Area is located in the north-east corner of the former upper walled Roman city, and the northern and eastern boundaries of the area broadly follow the former line of the defences. In addition, two short sections of the wall survive in the far north and east of the Character Area. The sharp curve on East Bight may also follow the course of a possible Roman intramural wall, which may have run along the internal side of the defences.

 

Lincoln experienced a considerable phase of decline during the Early Medieval Era, both economically and in terms of its population. It is likely that the defences were not completely abandoned and that the upper walled enclosure may have served as a ‘reserved enclosure’ for religious or political activities during the period.

 

During the High Medieval Era the former Roman walled enclosure may have been occupied by the Vikings, for its defensive and symbolic value. The first castle occupied the full extent of the upper walled enclosure until mid-way through the 12th century, and its establishment would have entailed considerable alteration of the defences.

 

It may have initially formed the back lane to burgage plots off properties along the east of Bailgate, mirroring West Bight to the west of Bailgate, before the development of large houses in the area. Up until 1780, James Street connected with East Bight. During the High Medieval Era, several large buildings were constructed off James Street, parts of which survive in 12 Eastgate and 5, 17 and 18 James Street.

 

ROLLEICORD IV 75mm./f3,5 Xenar,

Fuji Reala 100 asa. © Ramon Robusté Mialet

 

mixed media on paper. ca. 30 x 40 cm.

 

www.saatchiart.com/art/Collage-forming-sentences/703169/2...

 

Sätze bilden.

Mischtechnik auf Papier. ca. 30 x 40 cm.

This is so beautiful in colors........

Organic and inorganic sculptures. Human and non-human shapes.

walkaround in Kaltern, South Tyrol/Italy

SHOW STOPPING RED DRESS

Described in 2017. Previously considered to be a form of P. solium or P. crocodiliceps.

"The Hidden Cage" by Die Form

1976 - Walter J. Diethelm

Coripe está situado en la Sierra -Sur de la provincia de Sevilla (Piedemonte Subbético) y forma parte de un paisaje natural de gran belleza y entreteje diversos episodios históricos muy relevantes.

Arropado entre olivares de montaña y bosques naturales, ha sido testigo de numerosos acontecimientos históricos muy significativos a lo largo del tiempo.

La diversidad de hallazgos prehistóricos es muy notable en todo su entorno. Casi todos corresponden desde el Paleolítico inferior hasta la edad de los metales.

En plena Sierra de Algodonales, en la confluencia del Arroyo Guadalporcún con el río Guadalete. Se encuentra en el límite de las provincias de Sevilla y Cádiz al sudeste de la provincia de Sevilla, a 77 kilómetros de la capital. El término municipal tiene una extensión de 60 km cuadrados y una altitud de 325 metros sobre el nivel del mar.

Parte del término municipal forma parte de la Vía Verde de la Sierra de Cádiz. En concreto, la estación de Coripe.

También destaca el monumento natural del Chaparro de la Vega.

 

1976 - Walter J. Diethelm

La pointe de Dinan est une pointe de Bretagne dans la presqu'île de Crozon, marquant la limite nord-ouest du cap de la Chèvre. Elle est située au sud de Camaret-sur-Mer, sur le territoire de la commune de Crozon.

I love the colour and shapes of this exterior dining table at a diner. The colours matched the facade of the building.

The iconic "Beauty of Flight" sculpture that greets visitors at the main gate of the Pima Air and Space Museum in Tucson, Arizona.

________________________________________________

 

Emptiness is Form and Form is Emptiness

Li is Shih and Shih Li

  

[...] The fusedness says far more about the relationship between the individual things in the world of Shih and Li than on the myriad forms of this relationship, which may arise between the individual things in the world of Shih. Some of the most characteristic forms that belong here are:

 

1. simultaneous mutual identification

2. simultaneous mutual in-transformation (gegenseitige Einverwandlung)

3. Identity of the subject and the object of doing or an act

4. Identity of the One and the Many

5. Simultaneous sudden emergence.

 

All these have the purpose of formulation, the dynamic interaction of different types of Li to describe how they as Shih-shih are known Wu-ai in the world of Shih.

 

Shih-shih means any individual details in the world of Shih and Wu-ai means "to be unhindered."

 

Each is individually Shih unhindered not only fused with Li, but also with each other every Shih, individually, each other and totalistic.

 

So that when I lift a finger, the whole world of Shih is contained in it, separately and not only the world as such, but each individual reality severally.

 

Another consequence of Hua-yen terms, which we have referred here to make the mind-edifice of the Hua-yen to understand are:

 

1. interfuse (pien) and embrace (yang )

2. take (something) into herself (she) and

3. into something enter (je)

_____________________________________________________________________________

 

Leere ist Form und Form ist Leere.

Li ist Shih und Shih Li

 

[...] Das Verschmolzensein sagt weit mehr über das Verhältnis zwischen den individuellen Dingen in der Welt des Shih und Li ans sich aus als über die unendlichen Formen dieses Verhältnisses, die zwischen den individuellen Dingen in der Welt des Shih entstehen. Einige der kennzeichnendsten Formen, die hierher, gehören sind:

 

1. gleichzeitiges gegenseitige Identifikation

2. gleichzeitige gegenseitige Einverwandlung

3. Identität des Subjekt und des Objekts des Tuns oder einer Tat

4. Identität des Einen und des Vielen

5. gleichzeitiges plötzliches Entstehen.

 

Alle diese Formulierung haben den Zweck, die verschiedene Arten des dynamischen Wirkens von Li zu beschreiben, wie sie als Shih-shih Wu-ai in der Welt des Shih bekannt sind.

 

Shih-shih bedeutet jede individuelle Einzeilheit in der Welt des Shih, und Wu-ai bedeutet "Ungehindertsein".

 

Jedes individuelle Shih ist nicht nur ungehindert mit Li verschmolzen, sondern auch jedes Shih mit jedem anderen, individuell, gegenseitig und totalistisch.

 

Sodaß, wenn ich einen Finger hebe, die ganze Welt des Shih in ihm enthalten ist, und nicht nur die Welt als solche, sondern jede individuelle Wirklichkeit gesondert.

 

Eine andere Folge von Hua-Yen-Begriffen, die wir hier anführen müssen, um das Gedankengebäude des Hua-Yen verständlicher zu machen, sind:

 

1. "Durchdringen" (pien) und "Umfassen" (yang)

2. In-sich-Hineinenehmen (she) und

3. In-etwas-Eingehen (ju) [...]

______________________________________________________________________________

|| Source: D.T.Suzuki "Wesen und Sinn des Buddhismus" "Ur-Erfahrung und Ur-Wissen" - Part II - Hua-Yen-Philosophie || Wikipedia: D. T. Suzuki ||

   

I debated a long time from a quality point of view as to whether to upload this photograph from 1979. It does not form part of my “official” collection and is from the reject box which contains the lucky few “interesting” photographs that were not discarded into the waste paper bin at the time. 08128 is approaching Doncaster on a grey 29th May 1979 working a very long transfer freight made up of both vacuum and air braked wagons. The first vehicle is a conflat which appears to be "loaded".with tail lamps, followed by two 16 ton mineral wagons, a plate wagon, a high sided goods, another 16 ton mineral, two 12 ton vans all of which are unfitted or vacuum braked. Then comes two bogie freight vehicles I can not really identify which are followed by a ferry van, three air braked HBA coal hoppers , nine air braked HAA MGR coal hoppers and then around another ten wagons I can not identify with a 20 ton brake van bringing up the rear.

 

Locomotive History

08128 was originally 13196 and later D3196. It was built at Derby Works and entered traffic in December 1955 allocated to Reading MPD and would spend the next twelve years allocated to depots in the Western Region, London Division with spells at Reading Southall and Old Oak Common. In September 1967 it moved west to Bristol and in November 1968 to South Wales with transfer to Landore. In December 1969 it transferred back to Reading for a four month spell which was mainly spent in store before transfer to Swindon for a couple of weeks before returning to South Wales at Ebbw Junction in April 1970. I wonder if it actually ever reached Reading at this time and I suspect it was actually in a works somewhere. Its next move was to the Eastern Region in January 1972 when it transferred to Tinsley moving on to Shirebrook after a couple of weeks. Its final transfer was to Doncaster in March 1978 from where it was withdrawn in August 1980. It was broken up during February 1984 at Swindon Works.

 

Canon AT1, Ektachrome 200

Hamburg - Street Art by Marlix

Form

mitt bidrag till temat form efter potatisupptagning!

Amazing nature created her form to be the wonderful flowers, see her details especially petals and stamens.

 

I captured when it was late evening by RAW; edited by Apertured; just a bit.

 

Thank you to planted some trees:)

As you study this photograph, you see the many forms of water. You see waterfalls of different speeds, some short, some tall, grouped, single, arced, straight, and even a few which have all of these characteristics. Regardless of its characteristic, water doesn't stop when a boulder is in its way. We have more to learn from this natural resource.

 

This looks best full-screen.

Photo # KS5_8967bw.

Location: Woolly Hollow State Park, Arkansas. May/2014.

(c) Kelly Shipp Photography.

A shelf. At least, a shelf when made by Zaha Hadid.

Pink form of an Angulose Prominent (Peridea angulosa) on Oak (Quercus sp.). Catoctin Mountains, Frederick County, Maryland.

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