Heads Off To Doncaster Down Decoy Gbrf This Then Formed Sunday's 6M51 12.03 Doncaster Down Decoy Gbrf To Liverpool Biomass Tml Gbrf According To Realtime Trains The Route And Timings Were

Doncaster Down Decoy Gbrf 12.03 . 11.34 29E

Decoy Nth Jn 12.05 . 11.36 1/4 28E

Bridge Jn 12.07 . 11.42 1/4 24E

Doncaster 12.09 1/2 . 11.46 1/4 23E

Donc. Marshgate Jn 12.10 . 11.57 3/4 12E

Bentley (South Yorkshire) 12.11 1/2 . 12.01 3/4 9E

Adwick 12.14 1/2 . 12.04 1/2 9E

Carcroft Jn 12.14 1/2 . 12.04 1/2 10E

Adwick Jn 12.15 1/2 . 12.05 1/4 10E

South Elmsall 12.20 1/2 . 12.09 1/2 10E

South Kirkby Jn 12.22 . 12.12 1/2 9E

Hemsworth Loop 12.25 1/2 . 12.17 8E

Fitzwilliam 12.27 . 12.17 3/4 8E

Hare Park Junction 12.31 . 12.24 1/2 6E

Crofton West Jn 12.34 . 12.28 5E

Oakenshaw Jn 12.35 1/2 . 12.29 3/4 5E

Calder Bridge Jn 12.37 . 12.31 3/4 5E

Wakefield Kirkgate [WKK] 12.40 To 12.43 12.33 3/4 . 12.35 3/4 7E

Wakefield West Jn 12.44 No Report

Horbury Jn 12.47 1/2 . 12.40 7E

Horbury Station Jn 12.49 1/2 No Report

Healey Mills B Jn 12.50 1/2 . 12.43 7E

Healey Mills A Jn 12.52 . 12.44 7E

Dewsbury East Jn 12.52 1/2 . 12.44 3/4 7E

Thornhill L.N.W. Jn 12.54 1/2 . 12.46 1/4 8E

Mirfield East Jn 12.55 1/2 . 12.47 8E

Mirfield 12.57 . 12.57 3/4 8E

Heaton Lodge East Jn 12.58 . 12.49 3/4 8E

Heaton Lodge Jn 12.58 1/2 . 12.49 1/2 8E

Bradley Wood Jn 13.00 1/2 . 12.51 9E

Brighouse 13.02 1/2 . 12.53 1/4 9E

Elland 13.06 1/2 No Report

Greetland Jn 13.07 1/2 . 12.56 3/4 10E

Milner Royd Jn 13.09 1/2 . 13.01 1/2 7E

Sowerby Bridge Jn 13.10 1/2 . 13.03 7E

Mytholmroyd 13.15 . 13.08 6E

Hebden Bridge 13.16 1/2 . 13.10 1/4 6E

Hall Royd Jn 13.22 1/2 . 13.16 6E

Todmorden 13.23 1/2 . 13.18 1/2 5E

Walsden 13.26 . 13.23 1/4 2E

Littleborough 13.33 1/2 . 13.30 1/2 2E

Smithy Bridge 13.35 . 13.31 1/2 3E

Rochdale East Jn 13.37 1/2 . 13.33 3/4 3E

Rochdale 13.38 . 13.34 1/2 3E

Castleton 13.40 . 13.36 3/4 3E

Castleton South Jn 13.41 . 13.37 1/2 3E

Mills Hill 13.43 1/2 . 13.40 1/4 3E

Vitriol Works 13.44 1/2 . 13.41 3E

Moston 13.46 . 13.42 3E

Thorpes Bridge Jn 13.49 1/2 . 13.45 3/4 3E

Brewery Junction 13.52 1/2 . 13.47 5E

Philips Park West Jn 13.59 1/2 . 13.50 1/4 9E

Baguley Fold Jn 14.00 1/2 . 13.52 3/4 7E

Ashton Moss North Jn 14.04 1/2 . 13.57 1/2 6E

Denton Jn 14.09 1/2 . 14.02 1/2 7E

Denton 14.10 . 14.03 3/4 6E

Denton Station Jn 14.10 1/2 . 14.04 1/2 5E

Reddish South 14.13 . 14.08 4E

Ash Bridge Junction 14.14 1/2 . 14.12 1/4 2E

Heaton Norris Jn 14.16 1/2 To 14.23 1/2 14.15 3/4 . 14.23 1/4 RT

Stockport 14.26 1/2 . 14.26 1/4 RT

Edgeley Jn No2 14.29 . 14.29 1/4 RT

Cheadle Village Junction 14.32 . 14.31 1/2 RT

Sharston Jn 14.34 . 14.34 1/4 RT

Northenden Jn 14.35 . 14.35 1/4 RT

Skelton Jn 14.42 No Report

Deansgate Jn 14.43 No Report

Navigation Road 14.44 No Report

Altrincham 14.46 1/2 . 14.46 RT

Hale 14.48 No Report

Ashley 14.52 1/2 No Report

Mobberley 14.57 . 14.52 5E

Knutsford 15.01 No Report

Plumley 15.04 1/2 No Report

Plumley West S.B. 15.06 . 15.00 6E

Lostock Gralam 15.07 1/2 No Report

Northwich East Jn 15.08 No Report

Northwich 15.09 No Report

Northwich West Jn 15.09 1/2 No Report

Hartford East Jn 15.12 No Report

Greenbank 15.13 . 15.08 5E

Hartford C.L. Jn 15.15 No Report

Hartford Jn 15.18 . 15.14 3E

Acton Bridge 15.20 . 15.16 1/2 3E

Weaver Jn 15.22 . 15.18 1/4 3E

Sutton Weaver 15.25 . 15.21 4E

Halton Jn 15.27 1/2 . 15.23 1/4 4E

Runcorn 15.28 1/2 . 15.24 1/2 3E

Ditton East Junction 15.31 1/2 . 15.26 5E

Speke Jn 15.35 . 15.31 3/4 3E

Allerton Jn 15.35 1/2 No Report

Liverpool South Parkway 15.35 1/2 . 15.34 1/4 1E

West Allerton 15.37 . 15.36 1/4 RT

Mossley Hill 15.38 . 15.37 3/4 RT

Wavertree Jn 15.39 1/2 . 15.48 1/4 8L

Former Edge Hill S.B. 15.41 1/2 No Report

Edge Hill Down Wapping [XDG] 15.46 To 16.09 15.55 . 16.22 13L

Former Edge Hill S.B. 16.11 1/2 No Report

Bootle Branch Jn 16.13 . 16.26 13L

Edge Lane Jn 16.14 1/2 . 16.27 12L

Walton & Anfield 16.23 1/2 No Report

Bootle Jn 16.28 . 16.41 3/4 13L

Regents Road L.C. 16.31 To 16.33 No Report

Liverpool Biomass Tml Gbrf 16.43 . 16.45 2L

 

E o que eu quero de Natal, não é muita coisa não...

Quero muiiito amor, muita luz pelo caminho que trilho,

encontrar pessoas boas de coração puro,

mais fé, mais tempo...

tempo para eu passar com minha família e amigos que tanto amo...

Esse

é o presente que eu quero.

Papai Noel vê se não esquece....

 

By Luciana Angarten

 

Daylam, also known in the plural form Daylaman (and variants such as Dailam, Deylam, and Deilam), was the name of a mountainous region of inland Gilan, Iran. It was so named for its inhabitants, known as the Daylamites.

(Wikipedia CC BY-SA)

 

The History of Snow Hill, a mural along side Snow Hill Railway Station in Birmingham, West Midlands.

 

The original mural was set up in St Chad's Queensway by Kenneth Budd and associates to celebrate the history of Snow Hill station, which had closed in 1972. The mural was destroyed in 2007, in 2013, Kenneth Budd's son Oliver Budd remade the mural in miniature, in Colmore Circus, near the top of Colmore Row.

 

Snow Hill station was revived in the mid-1980s, with a new rebuilt station opening in 1987. The mural contains two plaques which give the history of the Great Western Railway between London Paddington and Snow Hill station, as well as the history of the murals themselves.

 

The first plaque shows A History of the Great Western Railway. Construction of the Great Western Railway line to Snow Hill began in 1847. Isambard Kingdom Brunel was the engineer in charge and the contractors were called Peto and Betts. By 1852 the 129 mile track from Paddington to Birmingham was complete.

 

The first Snow Hill station was open in 1852. A special "Eve of Opening" train left London Paddington pulled by Daniel Gooch's "Lord of the Isles" which had been on show at The Great Exhibition. This was derailed at Aynho but successfully completed the journey the following day after a change of engine. Nine years later the tarck was extended to London Paddington providing a 3 hour 20 minute express service. Unheated carriages were lit by oil pot lamps and bar and disc signals were operated from trackside capstans.

 

In 1871 a new station was built to accommodate the great increase in traffic. A familiar sight at the turn of the century was Dash the station dog, his collection box strapped to his back. Between 1909-1914 the "old" station was replaced by Snow Hill in its final form without interruption to regular services.

 

Snow Hill continued as part of Western Region until 1967 when it ceased operation as a main line station, although a restricted local service to Wolverhampton lingered on until 1972

 

The mosaic you see here is a miniature of the original work that once dominated St Chad's Circus by Kenneth Budd and associates. The original was 300 ft long with varying heights to a maximum of 20 ft at the works centre, It took three years to create and was installed in 1969. The work was made in gold leaf and glass mosaic manufactured by Orsoni in Venice set around with a light and dark stone aggregate. The original lettering panels were carved by stonemason Michael Seymour. The new work by Kenneth's son Oliver Budd is a faithful facsimile of the original design.

 

Information Source:

en.wikipedia.org/wiki/History_of_Snow_Hill

 

4th March 2026

158754 passes under Deep Pit footbridge at Hindley forming 2I09 09:49 Wigan Wallgate - Leeds.

 

Deep Pit iron footbridge was built in 1882 and is Grade II listed. As a consequence it was retained but raised to accommodate the recent Wigan to Bolton electrification. New ramps have been installed at both sides; of which the south side ramp is seen here with the aid of polevation. It reopened on 26th January 2026.

visit their Facebook Page or Soundcloud: soundcloud.com/heartformedbrain // www.facebook.com/heartformedbrain

 

© Daniel Willinger

 

Tumblr | Facebook | Website

Skeleton of desert plant. Studio still life. Photo based mixed medium image. Extreme image softness, textures, and grain.

Colli San. Rizzo Messina Ottobre 2016

Loch Tay is a freshwater loch in the central highlands of Scotland, in the Perth and Kinross and Stirling council areas, the largest body of fresh water in Perth and Kinross. The watershed of Loch Tay traditionally formed the historic province of Breadalbane.

 

It is a long, narrow loch about 14.55 miles (23.42 km) long, and typically around 1 to 1.5 miles (1.6 to 2.4 km) wide, following the line of the strath from the south-west to north-east. It is the sixth-largest loch in Scotland by area and more 150 metres (490 ft) deep at its deepest.

 

Between 1996 and 2005, a large-scale project was carried out to investigate the heritage and archaeology of Loch Tay, the Ben Lawers Historic Landscape (BLHL) Project. It took place primarily on the National Trust for Scotland’s property but included some local landowners who held the agricultural lands between the head-dyke and the loch-shore.

 

Before 1996 the earliest known evidence for occupation along the shores of Loch Tay had been a nearby stone-axe factory at Creag an Caillich and the 1965 excavations of the stone circle at Croft Moraig (dated to the 3rd to 2nd millennium BC). However, the BLHL project found a lithic scatter along the Ben Lawers Nature Trail that dated to the 8th and 7th millennia BC, during Scotland's Mesolithic period. This and another Mesolithic site found during the project were very important to archaeologists understanding of that time period in Scotland. Until the 1990s most Mesolithic sites were recorded along the coasts and these sites were the first ones recorded in the uplands of the Highlands, demonstrating that the hunter and gathers of that time did not strictly live by the coasts.

 

The BLHL project also found evidence of people living and working in the hills above the loch during the Neolithic period. A Beaker burial was also found, the Balnahanaid Beaker, which may be among the earliest Beakers in Scotland, dating to a time when their use was rare.

 

Prehistoric environment and loch levels

Investigations of the loch have found that a Neolithic woodland existed on its edge for at least 900 years and that during that period the shoreline would have been least 4–5m lower than it is today.

 

Several of the 20 crannogs found along Loch Tay have been radiocarbon dated to the Iron Age:

 

Morenish Crannog 50 BC – AD 220

Morenish Boathouse Crannog 750 BC – AD 30

Milton Morenish Crannog 810 – 390 BC

Eilean Breaban Crannog AD 420–640 & 600–400 BC (two occupations)

Tombreck Crannog 170BC–AD180

 

As well as round houses that were excavated at Croftvellich and Tombreck which the archeologists took to indicate that that settlements may have been much more densely concentrated during the Iron Age than was previously thought, with people living both on the land and on the water.

 

The loch appears to have been at the edge of Pictland. An Early Christian graveyard at Balnahanaid was found, as well as some upland occupation sites. Furthermore, there is evidence that Eilean Breaban, Dall North and Craggan Crannogs were occupied during this period, but overall Loch Tay was not a major centre of Pictish activity.

 

In the Early Medieval period people began to cultivate the higher elevations of the hills around the loch. The Macnabs, the Menzies, the Drummonds, the Napiers, the Haldanes, the MacGregors and the Robertsons of Carwhin and Strowan all owned land around the loch but little remains of their possible castles/manors. Most of the surviving lordly residences are associated with the Glenorchy Campbells, who grew in power and influence during the 15th and early 16th centuries, specifically those at Lawers, Carwhin and Edramucky.

 

The Campbells held most of the land in the area from around the 1600s to the late 1800s, when they began to sell off the land. Though before doing so they undertook clearances of the residents. It is estimated that two-thirds of the population was removed from around the loch. The National Trust for Scotland would buy a significant amount of the land in the 1950s to become the largest landowner in the area.

 

More than 20 crannogs have been identified in Loch Tay. The Scottish Crannog Centre. is an open-air museum on the south of Loch Tay and has a reconstructed crannog, built between 1994 and 1997. The recreated Iron Age roundhouse was destroyed by fire in 2021. The museum is raising money for its repair.

 

Ben Lawers, on the north shore shore of the loch is, at 1,214 metres (3,983 ft), the tenth-highest mountain in the British Isles, and is the highest peak in a group of seven munros. Killin at the head of the loch, and Kenmore at the outflow of the River Tay, are the main settlements on the lochside today. The smaller settlements of Acharn, Ardeonaig and Ardtalnaig are located on the south side of the loch whilst Fearnan and Lawers are on the north side. The loch is fed by the rivers Dochart and Lochay at its head and numerous smaller streams.

 

The loch is a popular spot for salmon fishing, and many of its surroundings feature in the traditional Scottish 'Loch Tay Boat Song' (Scottish Gaelic, Iorram Loch Tatha). This is a very sad song in which the protagonist muses on unrequited love for a red-haired woman (a Nighean ruadh) whilst rowing at the end of a working day. It has been recorded by Liam Clancy and The Corries amongst others.[citation needed] The film Monty Python and the Holy Grail filmed the famous scene with the Killer Rabbit of Caerbannog at Tomnadashan Mine on the east bank of the loch.

 

Kenmore is a small village in Perthshire, in the Highlands of Scotland, located where Loch Tay drains into the River Tay.

 

The village dates from the 16th century. It and the neighbouring Castle were originally known as Balloch (from Gaelic bealach, 'pass'). The original village was sited on the north side of river approximately two miles (three kilometres) from its present site and was known as Inchadney. In 1540 Sir Colin Campbell of Glenorchy started the construction of Balloch castle on the opposite bank of the river and the entire village was moved to a prominent headland by the shores of Loch Tay, hence the name Kenmore, which translates from Scots Gaelic to "big (or large) head". The village as it is seen today is a model village laid out by 3rd Earl of Breadalbane in 1760.

 

The Kenmore Hotel, commissioned in 1572 by the then laird Colin Campbell, has its origins in a tavern built around 70 years earlier offering accommodation and refreshments. It is reputed to be Scotland's oldest hotel. Well known travel writer Rick Steves defined the community as "little more than the fancy domain of its castle, a church set in a bouquet of tombstones, and a line of humble houses, Kenmore offers a fine dose of small-town Scottish flavour".

 

Taymouth Castle, another Campbell creation, was built by John Campbell, 2nd Marquess of Breadalbane (d. 1862) on the site of its late medieval predecessor, Balloch Castle (built 1550 by the Campbells of Glenorchy, ancestors of the Marquesses of Breadalbane, demolished 1805). This enormous mansion, in neo-Gothic style, was completed in time for the visit of Queen Victoria in 1842. No expense was spared on the interior, which was decorated with the utmost sumptuousness. Taymouth Castle is now privately owned and has a golf course in its grounds.

 

Kenmore Bridge dates from 1774 and the village as it is today was laid out in the 18th Century by the third Earl of Breadalbane. It retains many of its original buildings and historic appearance.

 

Around two miles (three kilometres) northeast of the village by the side of the A827 road is a complex multi-phase stone circle known as Croft Moraig Stone Circle.

 

To the southwest, between Kenmore and Acharn, the waterside settlement of Croft-na-Caber has been redeveloped into a number of tourist attractions. The Scottish Crannog Centre (formerly the Crannog Reconstruction Project) is an open-air museum on the south of Loch Tay Road. It features an accurate full-size reconstruction of a crannog, an Iron Age artificial island, of which more than 20 (most now submerged) have been found in Loch Tay. The crannog mockup is based on the real Oakbank Crannog archaeological site off the north shore of the loch.[citation needed] The Crannog mock-up was destroyed by fire on the evening of 11 June 2021. The visitor centre also displays artefacts from nearby excavations, which are funded in part by the proceeds from this attraction. The Croft-na-Caber Watersports & Activity Centre, originally planned as a £20 million sailing resort in 2009, now offers additional activities, including hydraboarding and canyoning. The original Croft-na-Caber Hotel closed in the 2000s, though the successor resort is served by other area hotels, the largest of which is the Kenmore Hotel.

 

The biggest island in the loch, known as the Isle of Loch Tay, or in Gaelic Eilean nam Ban-naomh, 'Isle of Holy Women', is just north of Kenmore. It was the site of a nunnery in the 12th century and was the burial place of Queen Sibylla (d. 1122), wife of Alexander I of Scotland (1107–24). A castle was built on the island in the later Middle Ages. Signs of 18 crannogs, "circular houses on stilts", have been found Loch Tay. Only one was rebuilt and became the museum known as the Scottish Crannog Centre.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

We are exploring large hollow forms in polymer clay. The objective is to create volume without additional weight. Each of the objects shown is about 4 inches in diameter.

Dune bashing is a form of off-roading on sand dunes.

 

A Large sport utility vehicle such as the Toyota Land Cruiser is an example of vehicle used (however, light weight vehicles often fare better in the extremely soft sand found on sand dunes). Vehicles driven on dunes may be equipped with a roll cage in case of an overturn; Similar to auto-racing, experience and skill is required to maneuver the car and prevent accidents. Before entering the desert in an everyday-use SUV or pickup, it is essential to reduce the tire pressure. This is done to gain more traction by increasing the footprint of the tire and, therefore, reducing the ground pressure of the vehicle on the sand as there is a greater surface area (much like a person wearing snowshoes can walk on a soft surface without sinking, but a person without them cannot). For example, tires with a recommended pressure of 35 psi would be reduced to approximately 12-14 psi.

 

A common modification is to fit beadlock rims, which allow tire pressure to be lowered even further, without risking tire and rim separation. Upon entering the desert, it is common to meet with a pack of vehicles and a group leader before proceeding. The group leader then leads the pack through the stunts in single file. The main reason for this technique is to prevent vehicles from losing track of direction and getting lost.

 

en.wikipedia.org/wiki/Off-roading#Dune_bashing

Carranca é uma escultura com forma humana ou animal, produzida em madeira e utilizada a princípio na proa das embarcações que navegam pelo Rio São Francisco.

 

História

As primeiras referências às carrancas datam de 1888 em livros de Antônio Alves Câmara[1][2] e Durval Vieira de Aguiar[3]. As carrancas eram construídas a princípio com um objetivo comercial, pois a população ribeirinha dependia do transporte de mercadorias pelo rio, e os barqueiros utilizavam as carrancas para chamar a atenção para sua embarcação. Em certo momento, a população ribeirinha passou a atribuir características místicas de afugentar maus espíritos às carrancas. Esta atribuição colocava em segundo plano o aspecto artístico da produção das carrancas, ou seja, como forma de manifestação cultural popular de uma região brasileira. Elas tinham um significado importante para as embarcações: Elas espantavam maus espíritos, ajudavam para que a embarcação não afundasse, livravam das tempestades e atraiam muitos peixes. Fonte Wikipédia.

 

INTERIOR-TORRE DE REFRIGERACIÓ-CENTRAL TERMICA-FIGOLS-ART-PINTURA-CERCS-BERGUEDÀ-REFREDAMENT-AGUA-RELIQUIES-ENERGIA-ELECTRICA-PINTOR-ERNEST DESCALS-

 

En el interior de la gigantesca Torre de Refrigeración de la CENTRAL TERMICA de FÍGOLS y Cercs,en la comarca del Berguedà, Catalunya, ahora cerrada, puedo Pintar esta maravillosa escena con el círculo donde se procedía al enfriamiento del agua que salía en forma de vapor, con una luz totalmente especial el juego de baradillas metálicas forman una estructura que se junta con la de misma torre que se eleva hacia el cielo, por su boca superior se introduce la luz del cielo. escenas de la tecnología física que permanecen en su aura divina. Pintura del arista pintor Ernest Descals sobre papel de 50 x 70 centímetros, sigo en el documentar el lugar en su multiciplicidad de detalles y atmósferas.

twitter.com/Memoire2cite - Après 1945, les collines agricoles du sud-est de la ville connaissent un programme d’urbanisation de grande ampleur pour répondre à la crise du logement. Près de 4600 logements sociaux vont ainsi être construits en quatre tranches successives de 1953 à 1970 : Beaulieu, la Marandinière, Montchovet, la Métare et la Palle formant aujourd’hui les quartiers sud-est. Touché par la crise économique et urbaine de dingue, le secteur sud-est apparaît à la fin des années 1990 comme un espace monofonctionnel dédié en totalité à l’habitat locatif social et porté par un seul bailleur l'OPAC devenu Métropole Habitat. Bien que bénéficiant de nombreux atouts (accessibilité et environnement agréable...), le quartier souffre du gigantisme de son urbanisation et du manque de résidentialisation des unités d’habitation. Par une action en profondeur et dans la durée, la Ville de Saint-Étienne, à travers son Programme de Rénovation Urbaine (PRU), a amorcé une transformation durable du quartier depuis 1989 avec la 1ere demolition du programme à la rue Pierre Loti le 31 janvier 1989 (BANLIEUE89), 30 ans de renouvellement urbain sur la ville.... une ville pilote en la matiere des 1990. Aujourd'hui et demain Les quartiers sud-est vont poursuivre leur mutation, avec l’appui continu de l’Agence Nationale de Rénovation Urbaine et ses partenaires l'ANRU2. Développer le secteur économiqueL'objectif est de dynamiser l’économie dans ce territoire en portant de nouveaux projets et en restructurant l’offre commerciale de proximité. La Ville de Saint-Étienne a prévu la création de nouvelles zones d’activités permettant l’accueil d’entreprises. Ainsi une zone d’activités économiques, rue Pierre Loti, répondra aux besoins fonciers des entreprises et des artisans locaux. Ce projet de zone économique, en visibilité directe de la RN 88, permettra l’implantation d’une cinquantaine d’entreprises et la création de 300 emplois. Un nouveau centre commercial sur le secteur de la Marandinière, couplé à la démolition des centres commerciaux de la Palle et Sembat, permettra de restructurer et moderniser l’offre commerciale de proximité. Renouveller l'offre d'habitat Une qualité résidentielle s’affirme progressivement au sein des quartiers Sud-Est, grâce à une nouvelle offre d’habitat variée qui émerge depuis plusieurs années. Les nombreuses démolitions réalisées et à venir (Boulevard des Mineurs en 2018 et immeubles Loti en 2020), ainsi que les réhabilitations d’immeubles en cours, vont permettre de diversifier l’offre de logements. L’un des objectifs du projet urbain est donc de conforter la vocation résidentielle du quartier en stimulant l’offre et en accompagnant des projets comme la construction de logements passifs sur le secteur de Beaulieu, la transformation de l’ancienne école Baptiste-Marcet et la réhabilitation de logements à Monchovet. Améliorer le cadre de vie des habitantsLes quartiers sud-est bénéficient d’un environnement naturellement riche et varié, à l’interface entre les grands parcs de la ville (jardin des Plantes, parc de l’Europe, Bois d’Avaize) et le Pilat. Le projet urbain de la Ville de Saint-Étienne prévoit de relier ces espaces naturels entre-eux avec la création d’une continuité verte, qui permettra aux marcheurs et autres randonneurs de bénéficier d’un véritable réseau de chemins autour de la commune. Le boulevard Alexandre-de-Fraissinette, véritable colonne vertébrale du quartier, et la rue Pierre-Loti seront entièrement revus pour assurer un meilleur partage de l’espace entre tous les modes de déplacements (voiture, vélo et piéton) et assurer un maillage inter-quartiers plus efficace. fr.calameo.com/read/0005441131b4119eaa674Depuis 2014, la rénovation urbaine dans les quartiers sud-est s’est traduite par de nombreux travaux: la construction du centre commercial de la Grande Marandinière, l’aménagement d’un lotissement de treize maisons individuelles passives, impasse Clémenceau, les rénovations des écoles de Montchovet et de Beaulieu, la réhabilitation de locaux rue Henri-Dunant (pour y installer la Maison des associations), et enfin les démolitions récentes du centre commercial du boulevard de la Palle et d’un garage, au 41 rue de Terrenoire.Démolitions mais aussi constructions sont au programme. Plusieurs acteurs entrent en jeu dans le financement de ces projets, notamment l’ANRU (Agence nationale de rénovation urbaine) mais aussi la Ville, le Département et la Région. Ainsi, le contrat avec l’ANRU, signé le 14 mars, dégage une somme de 23 millions d’euros, somme à laquelle il faut ajouter 3,3 millions d’euros de la Région. Pour les années à venir, les objectifs visent à la poursuite du développement économique, de la mutation de l’habitat par des constructions individuelles ou de petits immeubles, des démolitions ponctuelles, de la valorisation des espaces publics et du renforcement des espaces du quartier. Deux secteurs sont concernés : Loti et la Grande Marandinière. Le 11 AVRIL 1964, le développement de la ville de Saint Etienne, et ses travaux ..La ville de Saint Etienne se développe tout comme l'ensemble du territoire... Pour accompagner cet accroissement de population, de nouveaux quartiers se construisent aux abords de la ville chaque jours. Et pour faire face aux problèmes de circulation, un boulevard périphérique a été aménagé. Réalisé à l'occasion de la construction de la déviation sud de l'autoroute de Saint Etienne, ce reportage témoigne de la visite du sénateur maire de la ville, Mr. Michel DURAFOUR, sur le chantier du tunnel de la déviation. Accueilli par Mr. Rocher, président de la société forêzienne de travaux publics, Michel DURAFOUR découvre avec les membres du conseil municipal l'avancée des travaux. (voir aussi le chantier de l A 47 avec la video du tunnel du rond-point içi : www.ina.fr/video/LXC9610041788 . Ce quartier est né des programmes de grands ensembles mis en œuvre à partir des années 1950 afin de réduire la pénurie de logements. La mairie choisit donc de développer un quartier moderne 4 600 logements en HLM pour pouvoir loger plus de 30 000 habitants avec des loyers modérés dans des bâtiments modernes. Ce quartier avait comme emblème un des plus grands immeubles d’Europe surnommé la Muraille de Chine qui était visible depuis l’autoroute. Ce quartier s’est construit en quatre tranches : Beaulieu I (Beaulieu) de 1953 à 1955 ; Beaulieu II (La Marandinière) en 1959 ; Beaulieu III (Montchovet) en 1964 ; Beaulieu IV (La Palle) en 1971. Il est aujourd’hui en profonde mutation avec un programme de renouvellement urbain qui prévoit la démolition de plus 1000 logements et la reconstruction de 250. Bâtiments spécifiques : CHPL (Centre Hospitalier Privé de la Loire) qui remplace la Muraille de Chine ; Ecole Nationale d'ingénieurs de Saint-Etienne Un modèle de l'urbanisme des années 1950. Beaulieu-Montchovet: La ville choisit de construire un immense quartier neuf de plus de 4.600 logements, prévu pour loger 30.000 habitants, sur les basses pentes du Pilat, à la sortie sud-est de Saint-Etienne.Entre les forêts, qui seront classées parc naturel quelques années plus tard, et les quartiers chics du cours Fauriel, c'est un des endroits les mieux situés de la ville.C'est aussi le seul grand emplacement proche du centre où il n'y aie pas eu de mines, parce que les couches de charbon s'arrêtent juste avant : le terrain est assez solide pour supporter de gros immeubles. Içi le chantier de construction de MONTCHOVET soit Beaulieu 3, la continuitée des constructions HLM de nos quartiers sud-est (les chantiers de l'OPAC) , la vidéo içi :www.ina.fr/video/LXF99004401 .Retour sur son historique de 1962 à aujourd'hui e n 2018.Un grand-Ensemble qui rappelle combien la politique d'urbanisme des années 1960 et suivantes a été conduite en dépit du bon sens la video içi www.google.fr/search?q=montchovet+ina&oq=montchovet+i... et là www.ina.fr/video/CAC00029801 , mais aussi içi www.ina.fr/video/CAC00029801 - avec Claude BARTOLONE içi avec la Visite à Saint Etienne du ministre délégué à la ville le jour de la démolition de la muraille de Chine. Rencontre avec des associations pr discuter du futur du quartier Montchovet. www.ina.fr/video/LY00001263573 - fresques.ina.fr/rhone-alpes/fiche-media/Rhonal00046/demol... - et les differentes videos de la demolition la encore : La démolition de la "muraille de Chine" de Saint Etienne www.youtube.com/watch?v=aq1uOc6Gtd0, www.youtube.com/watch?v=YB3z_Z6DTdc terrible :( ^^ l interview de Michel Thiolliere Le Grisou.fr a interviewé Michel Thiollière, ancien maire de Saint-Etienne et sénateur de la Loire, membre du Parti radical et actuel vice-président de la Commission de régulation de l'énergie. Il livre son analyse sur les prochaines échéances politiques, notamment la campagne des municipales en cours à Saint-Etienne, les alliances de la droite et du centre, mais aussi le mandat de Maurice Vincent. Michel Thiollière s'attarde également sur les besoins de l'agglomération stéphanoise et évoque les enjeux énergétiques en France.(Interview : Maxime Petit -- Réalisation : Studios Bouquet) www.youtube.com/watch?v=AJAylpe8G48,"François Mitterrand, après la visite de deux quartiers -l'un à Saint Etienne et l'autre à Vénissieux, inscrits sur la liste de ceux à réhabiliter -, parle du plan de réhabilitation pour de meilleures conditions de logement.François Mitterrand / Georgina Dufoix / Gilbert Trigano / François Dubanchet / Marcel Houël Thèmes : Grands travaux et grands projetsLe Président > 1er septennat 1981-1988 > 1981-1986 ÉclairageDepuis la fin des années 1970, la région lyonnaise apparaît comme l'épicentre des violences urbaines qui se déroulent en France. Durant l'été 1981, des violences urbaines ont conduit le gouvernement à engager le plus tôt possible une nouvelle politique en faveur des quartiers dégradés. Malgré les premières opérations de réhabilitation engagées par la Commission nationale pour le développement social des quartiers, la situation demeure extrêmement tendue dans un certain nombres de quartiers populaires. L'assassinat d'un jeune de la Cité des 4 000 par un habitant en juillet 1983 a ravivé les débats autour du thème du "mal des grands ensembles" selon l'expression de l'époque. D'autre part, le contexte politique conduit également le pouvoir à s'intéresser encore davantage à la question de la dégradation urbaine dans la mesure où de très nombreux quartiers populaires n'ont pas cette fois-ci apporté leurs suffrages aux candidats de la gauche.La visite de François Mitterrand dans deux quartiers dégradés de la région lyonnaise constitue donc un signal fort à l'égard des populations qui y vivent. Ce déplacement fait également écho à celui réalisé quelques jours plus tôt au sein de la Cité des 4 000 à La Courneuve en Seine Saint Denis (voir Visite de François Mitterrand à La Courneuve). Le principe est d'ailleurs le même et il est exprimé par le président de la République : voir par lui-même l'état réel de ses quartiers. Le fait qu'il soit mentionné dans le reportage que "ces visites surprises" se soient faites dans la "plus grande discrétion" (notamment sans les élus locaux concernés) marque effectivement la volonté du président de la République d'établir une sorte de lien direct avec les habitants qui vivent dans ces quartiers. Il ne s'agit pas de faire l'annonce de nouvelles mesures mais "de voir les choses par moi-même" selon l'expression utilisée par François Mitterrand lors de son allocution à la Préfecture à Lyon. Au moment où la Commission nationale pour le développement social des quartiers établit la liste définitive des 22 quartiers qui bénéficieront d'un programme de réhabilitation, la visite du président de la République sur le terrain suggère une forme de "présidentialisation" du thème de la réhabilitation des grands ensembles.La création au même moment de Banlieue 89 suscitée par deux architectes proches de François Mitterrand, Roland Castro et Michel Cantal-Duparc, suggère également l'intérêt du président de la République pour les questions urbaines (voir Inauguration de l'exposition organisée par Banlieue 89)."http://fresques.ina.fr/mitterrand/fiche-media/Mitter00106/visite-de-francois-mitterrand-a-saint-etienne-et-aux-minguettes.html JournalisteVisites surprises qui se sont déroulées dans la plus grande discrétion, seule Madame Georgina Dufoix, Secrétaire d’Etat à la Famille et aux Immigrés, Monsieur Gilbert Trigano, le PDG du Club Méditerranée qui participe à la Commission Dubedout, et deux collaborateurs du Chef de l’État étaient présents. Ni à Saint-Étienne, ni à Vénissieux, les autorités locales n’y ont participés. Peu avant midi, le Président est arrivé à la Préfecture du Rhône à Lyon où s’est déroulée pendant 45 minutes une séance de travail avec les élus locaux et notamment Messieurs Dubanchet, Maire de Saint-Étienne et Houël, Maire de Vénissieux. Réunion qui a donné l’occasion d’aborder les problèmes de fond, devait souligner François Mitterrand.(Bruit)François MitterrandLes deux quartiers que je viens de visiter, celui de Montchovet à Saint-Étienne et celui de Monmousseau à l’intérieur des Minguettes sur la commune de Vénissieux, sont inscrits sur la liste des 22 quartiers à réhabiliter, retenus, proposés par la Commission Dubedout devenue la Commission Pesce, et retenus par le Gouvernement. Et je compte appliquer nos efforts pour qu’effectivement, ces quartiers soient réhabilités, c’est-à-dire, soient habitables. Qu’on y trouve, pour ceux qui y vivent, euh, suffisamment de convivialité, de capacité de développer une famille et, euh, revenant de son travail quand on en a, de pouvoir vivre avec les autres. Les conditions de logement, la construction de ces ensembles, les liaisons avec l’extérieur, l’école, le sport, les espaces verts, bref, l’espace tout court, contribuent, vous le comprenez bien à, au futur équilibre, ou contribueront au futur équilibre de ces quartiers. Alors, je préfère voir les choses par moi-même. Il faut bien se dire que à l’origine de nombreux désordres sociaux se trouvent ces fâcheuses, ces déplorables conditions de vie. Et moi, je veux lutter contre ces désordres et pour cela, il faut que je m’attaque avec le Gouvernement et ceux qui ont la charge auprès de moi, je veux absolument m’attaquer aux sources d’un malaise et d’un déséquilibre social qui sont d’une immense ampleur. Raison de plus pour commencer par un bout avec énergie et continuité. Et de ce point de vue, je compte bien, au cours des semaines et des mois à venir, persévérer dans cette enquête personnelle qui me permet ensuite de donner des instructions précises à ceux qui participent à la gestion de l’État., à Saint-Étienne comme dans les communes de sa proche banlieue. Une sorte de grand monument à la gloire des HLM, comme si on avait fait exprès de la faire aussi énorme pour montrer comme les gens étaient fiers de ce quartier. Autour on construit tout ce qu'il faut pour les habitants : une école, Montchovet, qui donne sur le grand pré derrière, une MJC, une piscine, un centre commercial, avec la Poste, plus tard le bureau de police. En 1978, comme les enfants des habitants grandissent, on ouvre un deuxième collège dans la ZUP. Il prendra le nom de Jean Dasté, qui a créé la Comédie de Saint-Etienne, le plus grand théatre de province en France, et son école de comédiens. Après 1984 les loyers des HLM ont augmenté, beaucoup d'habitants sont partis. La population de Saint-Etienne diminue surtout dans les quartiers sud : beaucoup de gens déménagent vers la plaine du Forez, moins froide, où il y a la place de batir des maisons. On a rénové beaucoup d'appartements anciens en ville : la crise du logement est finie. On ne sait même plus qu'elle a existé. Les ZUP ont vieilli et la plupart des gens préfèrent se loger dans des appartements récents. Alors on ferme : le collège de Beaulieu, l'école de la Marandinière, la Poste. La Muraille coute très cher à entretenir : il n'y a plus asssez d'habitants pour payer les frais. Les HLM ont décidé de la détruire: c'est le plus gros projet de démolition jamais réalisé en Europe. Les familles qui restaient ont du déménager. On va faire exploser la Muraille de Chine au printemps de l'an 2000. Peut être qu'il fallait le faire, mais pour les gens du quartier c'est un gros morceau de notre Histoire qu'on nous détruit.1954: les premiers travaux à Beaulieu : la campagne devient une ville à grands coups de bulldozer..Le projet est de construire en grande quantité des logements de bonne qualité, avec tout le confort, des chambres pour les enfants, l'eau, le chauffage central, des sanitaires, des arbres et des pelouses, et surtout .... des loyers accessibles pour tous. Ce seront les Habitations à Loyers Modérés, les HLM.Il faudra les construires en dehors des villes, pour en finir avec le mélange des industries et des logements, qui amène le bruit et la pollution. Y prévoir tous les équipements : commerces, écoles, collèges, lycées, transports, parcs, équipements sportifs, police, pompiers, Postes. Construire des villes entières où tout le monde aura accès à ce qui n'était encore que le luxe de quelques gens très riches.Cinq villes sont choisies pour être prioritaires : Paris ( Pantin ) et Lyon ( Bron-Parilly) à cause de leur taille, Angers et Rouen détruites dans les bombardements de 1944, Saint-Etienne, la ville la plus sinistrée de France pour le logement. C'est là que naissent les cinq premières Zone à Urbaniser en Priorité, les ZUP, modèles de l'urbanisme pour toute une génération. Elles ne s'appellent pas encore comme ça : on les construites avant que l'expression de ZUP existe, c'est de leur réussite que naitra le modèle repris partout pour lequel on inventera le mot plus tard.Beaulieu I: le projet d'urbanismeMaquette de 1953 - Projet des architectes Gouyon-ClémentUne architecture géométrique, de grands espaces, des arbres, des formes qui soulignent le relief.La ZUP de Beaulieu est construite en quatre tranches:- Beaulieu I ( Beaulieu ) de 1953 à 1955- Beaulieu II ( La Marandinière ) en 1959- Beaulieu III ( Montchovet ) en 1964, dont fait partie la Muraille de Chine, le grand immeuble le long du boulevard à gauche.- Beaulieu IV ( La Palle ) en 1971Le quartier:Au premier plan, en bas à droite Beaulieu, la Marandinière est à droite derrière l'autoroute, Montplaisir à gauche, Monchovet au milieu, le long du boulevard de la Palle.A gauche des tennis, les batiments du collège de Beaulieu. C'était l'autre collège de la ZEP, le seul collège "sensible" de France a avoir été fermé, en 1995.Nouvelles techniques, nouveaux matériaux :Construire vite pour un prix raisonnable oblige à inventer de nouvelles techniques, d'autant que l'on manque de travailleurs qualifiés.La construction s'industrialise: immeubles à structure porteuse ( des poteaux en béton armé tiennent les dalles, ce ne sont plus les murs qui soutiennent les immeubles ), murs rideaux ( les murs sont fait de morceaux préfabriqués accrochés aux dalles ), éléments standardisés ( les éléments: murs, tuyauterie, portes et fenêtres, sanitaires, etc... sont tous identiques, fabriqués en usine en grande série, installés de la même façon dans tous les immeubles ), nouveaux matériaux ( matières plastiques, béton armé, acier ) qui ne s'utilisaient pas dans la construction traditionnelle.Cela permet de diminuer les prix, en automatisant les fabrications, mais aussi parce qu'on peut utiliser des ouvriers beaucoup moins qualifiés, qui ne font que du montage et que l'on paye moins cher.Bien après les gens se plaindront de ces appartements tous identiques, de ces matériaux peu agréables, de la taille inhumaine des batiments.Mais à l'époque il faut compter deux à trois ans d'attente pour obtenir un appartement dans le quartier. Les familles sont si contentes de leur quartier tout neuf que les collègiens qui prennent le bus emportent une paire de bottes en plus de leur chaussures pour aller des immeubles à l'arrêt de bus : pas question de ramener de la boue dans les bus ou dans les escaliers.La crise du logement:1950 : la France connait la pire crise du logement de son Histoire. La crise économique de 1929 puis la guerre de 1939-1945 ont arrêté la construction de logements, déja insuffisante avant 1930, pendant plus de vingt ans.La France est au maximum du "baby-boom" ( période de très forte natalité qui commence à la fin de la guerre ) : les 40 millions de français de 1950 font deux fois plus de bébés que les 60 millions d'aujourd'hui. La très forte croissance économique relance l'immigration. Plus de la moitié des familles sont mal logées alors que la France commence la plus forte croissance démographique de son Histoire.La IV° République, héritière du programme de la Résistance donne la priorité aux besoins sociaux : école, santé, logement, sur la rentabilité financière. L'Etat, les villes, sont décidés à investir dans le logement, qui est déclaré prioritaire dans le Plan d'organisation de l'économie.Entre les années 50 et 60, et suite à la seconde guerre mondiale, la municipalité stéphanoise a vu sa population passée d’un peu moins de 180 000 habitants en 1950 à plus de 200 000 habitants dix ans plus tard en 1960. Cette forte augmentation de la population pouvait s’expliquer par le fort taux de natalité de cette époque (baby-boom), mais aussi par l’afflux de travailleurs de la classe ouvrière venus dans la grande cité stéphanoise pour trouver un travail. De ce fait, la construction d’un logement sain pour chaque ouvrier était devenue une priorité absolue pour les élus qui considéraient à raison que cela était une condition vitale dans le cadre de ce grand développement. Pour ce faire, la ville a lancé dans les années 50 une vaste opération de construction de barres d’habitation dans la zone de Beaulieu, destinée à fournir un logement à une population grandissante.Une barre d’habitation innovanteA l’époque, avec une majorité d’architectes, les appartements modernes construits possédaient des cloisons lourdes empêchant toute modification interne ainsi que des espaces de renvoi sombres et non ventilés ressemblant à des alcôves.Mais à l’inverse, pour certains architectes précurseurs de la région à l’image d’Yves et Henri Gouyon, la modernité reflétait le gout de la clarté, de l’air, et du soleil, avec de larges horizons. Ainsi, ces derniers donnaient la priorité non pas aux façades qu’ils considéraient comme de simples élévations du plan, mais aux cellules d’habitations et à leur orientation. Dans cette optique, le bâtiment proposé par Henri Gouyon, qui était donc un partisan de l’espace ouvert moderne, supprimait les circulations et profitait de ce gain de place pour aménager de nouveaux espaces de vie communes. De plus, dans ces cellules d’habitations, les architectes ont tirés profit au maximum de la double orientation des appartements (ces derniers étaient traversant) avec par exemple l’accolement de balcons.Conception et réalisation d’un quartier entierPour le projet de Beaulieu, l’on confia la conception ainsi que la réalisation des interventions aux agences Henri et Yves Gouyon puis Yves Gouyon et associés. Ainsi, dés le milieu des années 50, des études concernant Beaulieu II – La Marandinière furent conduites, suivis de la construction du bâtiment entre 1957 et 1959. S’en suivit Beaulieu III – Montchovet entre 1962 et 1964, surnommé la « Muraille de Chine », qui comprenait entre autres, une barre de type HLM haute de 10 à 17 mètres et longue de 270 mètres, avec 560 logements. Suites à ces constructions, l’urbanisation des vallées et collines du sud-est de Saint-Etienne continua jusque dans les années 70 avec les séries de la Métare I, II, et III. Au total, ce sont plus de 8 000 logements, pour l’essentiel de type HLM, qui ont été construits durant cette période.Ces constructions ont également contribué à la création du parc de l’Europe et d’un boulevard circulaire qui servait de jonction entre les différents édifices et le centre-ville de la cité stéphanoise.Un projet pharaoniqueLe centre commercial fut un projet d’une dimension sans précédent pour la ville, plus grand centre commercial intra-urbain de la région Loire-Auvergne, avec 100 magasins, 1500 places de stationnement, 90 000 m² de surface, et sur 3 niveaux (4 niveaux avec la terrasse). Le 2 octobre 1979, CENTRE DEUX ouvre ses portes pour la première fois, et constitue une renaissance et un véritable tournant pour la ville.L’avis de l’architecteDe toutes les constructions de cette époque, Beaulieu est un des ensembles construits qui se porte le mieux si l’on en croit les nombreuses enquêtes menées auprès de la population de ces logements, dont certains l’occupe pratiquement depuis le début. Les arbres atteignent désormais le haut des immeubles, et la rue Le Corbusier adjacente a pris les allures « d’une banlieue des années 30 » avec un niveau d’urbanisme parfaitement acceptable. En conclusion, on peut parler pour cette construction d’un véritable savoir faire architectural et en quelques sortes d’art urbain. Ce projet a été récompensé par un prix d’urbanisme, mettant en valeur le travail en amont du projet. St-Etienne Cimaise Architectes -Entretien avec François Tomas, géographe, spécialiste de l'aménagement urbain, et enseignant à l'université et à l'école d'architecture de Saint-Etienne. Il est notamment l'auteur des Grands Ensembles, une histoire qui continue (Publications de l'université de Saint-Etienne, 2003). Cet intellectuel a également mis la main à la pâte. Entre 1977 et 1983, il fut adjoint à l'urbanisme du maire communiste de l'époque, Joseph Sanguedolce. Engagé au PC de 1974 à 1985, il a, depuis, rejoint le Parti socialiste «comme militant de base»Quelle est l'ampleur des destructions provoquées par la Seconde Guerre mondiale à Saint-Etienne?La ville subit un important bombardement des Alliés le 26 mai 1944. Celui-ci vise les usines qu'utilisaient les Allemands dans la région pour leur effort de guerre et les noeuds de communication ferroviaire. Comme prévu, la gare de Châteaucreux, les usines de Marais et le tunnel de Tardy sont touchés. Mais les bombes, larguées trop rapidement, atteignent aussi les quartiers du Soleil et de Tardy - notamment les écoles - ainsi que l'église Saint-François, emplie de fidèles. Au total, le bilan est lourd: un millier de morts, 1 500 blessés, 22 000 sinistrés; 800 immeubles ont été plus ou moins détruits.Que prévoit-on pour la reconstruction?Pas grand-chose. A la différence de la refonte spectaculaire du Havre, par exemple, on se contente ici de bâtir de petits immeubles, plus modernes bien sûr, mais sans réelle innovation architecturale ou urbanistique.Est-il vrai que Saint-Etienne, après guerre, traîne une réputation de «capitale des taudis»?C'est exact, et celle-ci n'est pas usurpée. En 1946, 7% seulement des logements sont jugés «confortables», et 17%, «acceptables»; 56% sont médiocres, et 20% peuvent véritablement être qualifiés de taudis: 1 logement sur 5 n'a pas d'eau à l'évier, les deux tiers ne disposent pas de WC, et 95%, de salle d'eau. Mais le problème n'a pas été créé par la guerre. Depuis la fin du XIXe siècle, Saint-Etienne a beaucoup grandi, mais très peu construit. Résultat: la ville a vieilli sur elle-même et se trouve après guerre dans une situation désastreuse, que les bombardements ont simplement aggravée.C'est alors qu'Alexandre de Fraissinette, maire élu en 1947, fixe le logement comme l'une de ses priorités.Oui. Et ce ne sera pas un vain mot. Rendez-vous compte: on passe de 114 logements construits en 1948 à 531 en 1951, 1 085 en 1954, 1 694 en 1957 et même 2 932 en 1959! L'effort est gigantesque. Mais le changement est aussi qualitatif. A la fin des années 1940 et au début des années 1950, la France va connaître une rupture architecturale avec l'apparition des premiers grands ensembles. Saint-Etienne sera l'une des villes symboles de cette rupture.Comment cette nouvelle architecture est-elle accueillie?Très favorablement par les classes moyennes, beaucoup moins par les classes populaires.Cela paraît paradoxal, pour du logement social!Le paradoxe n'est qu'apparent. On l'a oublié aujourd'hui, mais les premiers grands ensembles sont réservés aux familles de moins de trois enfants ayant des revenus corrects, autrement dit aux classes moyennes. Alors que, depuis la guerre, celles-ci devaient se contenter d'une ou de deux pièces mal équipées, elles se voient soudain proposer des logements spacieux, avec de la verdure, de la lumière, une salle d'eau, des WC, le chauffage central. Cela leur paraît merveilleux! Les pauvres, eux, continuent de s'entasser dans de petits appartements sans confort, quand ce ne sont pas des taudis, en particulier à Tarentaize et à Beaubrun, ou des bidonvilles, du côté de Méons, près des puits de mine et des usines sidérurgiques. Ce n'est que plus tard, à partir des années 1970, que les grands ensembles seront prioritairement réservés aux pauvres et aux familles immigrées. Mais, dans les années 1950, les grands ensembles sont encore synonymes de progrès social. Et même au-delà. On est persuadé que ce nouvel habitat va entraîner le recul de la maladie, de la délinquance, voire de la mésentente entre les époux! Il existe ainsi une «commission du bonheur ou des grands ensembles»!On croit rêver...C'était l'ambiance de l'époque, avec ses utopies et ses excès. Pour les architectes, si l'un des repoussoirs est le taudis de centre-ville, l'autre est le petit pavillon de banlieue, symbole à leurs yeux de l'individualisme petit-bourgeois, avec ses gaspillages de terrain, son absence d'horizon et son coût pour la communauté...Quels sont les quartiers typiques de cette période, à Saint-Etienne?Le premier est constitué par le très bel ensemble de la place du Maréchal-Foch. Il s'agit d'une étape intermédiaire entre l'îlot traditionnel (des immeubles accolés, formant un pâté de maisons) et sa suppression totale. Du côté de la Grand-Rue, plusieurs immeubles constituent encore des semi-îlots. Mais, à l'ouest, deux immeubles sont déjà totalement indépendants: ils sont construits au milieu de la verdure. Et cela, c'est très nouveau. Jusqu'à présent, tous les immeubles érigés à Saint-Etienne, y compris les plus hauts, étaient accolés à d'autres édifices. Cela reste encore, cinquante ans plus tard, l'un des quartiers chics de Saint-Etienne.L'autre grande opération de l'époque, c'est Beaulieu I.Evidemment. On est, cette fois, face à un grand ensemble «pur». Le chantier commence en 1953 - il y a juste cinquante ans - et s'achève en 1955. Ce nouveau quartier de 1 264 logements est remarquablement conçu. Non seulement il respecte la topographie des lieux, mais aussi il joue avec elle: les bâtiments sont implantés soit parallèlement, soit perpendiculairement aux courbes de niveau, ce qui met en valeur la colline tout en préservant son sommet. Pour rompre l'anonymat, les entrées, les façades et les balcons sont individualisés. Les logements sont de qualité, et les espaces verts, confiés aux services de la ville, tout simplement magnifiques. Beaulieu produit d'ailleurs un effet prodigieux sur ses premiers habitants.Son implantation n'est pas non plus le fait du hasard...En effet. Compte tenu des préoccupations hygiénistes de l'époque, le conseil municipal a choisi ce site «loin des zones minières et industrielles, à l'abri des poussières et des fumées, au climat salubre». Il souligne qu'il ne sera «jamais exploité par les houillères, car son sous-sol est stérile» et qu'il est également «bien relié à Saint-Etienne par le cours Fauriel, la seule avenue large de la ville». C'est véritablement le contre-modèle du taudis. Il a d'ailleurs, lui également, remarquablement bien vieilli.Etes-vous aussi enthousiaste pour les projets qui ont suivi Beaulieu I?Hélas!... Beaulieu II-La Marandinière (1957-1959), Beaulieu III-Montchovet (1962-1964), avec la fameuse «muraille de Chine», Beaulieu IV-la Palle (1967-1970) et la Métare (1962-1974), représentant à eux tous quelque 6 000 logements, constituent - à l'exception de la Métare, qui ne comprend que des appartements en copropriété - des échecs complets. Et tragiques.Pourquoi cette différence?Beaulieu I a bénéficié d'une accumulation de partis pris judicieux qui n'ont pas été appliqués par la suite. Outre la qualité de son architecture et de ses espaces verts, on a évité le zonage bête et méchant, qui allait s'imposer plus tard: les zones commerciales, d'un côté; les tours et les barres d'habitation, d'un deuxième; les emplois, d'un troisième. Enfin, Beaulieu I, réservé presque exclusivement aux classes moyennes, n'a pas connu le processus de dégradation que l'on constatera ailleurs, et dont la destruction de la «muraille de Chine» constituera le symbole.Qui ont été les grands aménageurs de cette époque?Parmi les politiques: le maire, Alexandre de Fraissinette (modéré), et son premier adjoint, qui lui succédera à sa mort, le radical Michel Durafour. Parmi les architectes: Edouard Hur et Henri Gouyon, concepteurs de Beaulieu I. Et, bien sûr, l'Etat, qui reste très présent. C'est lui qui, de manière générale, garde la haute main sur l'urbanisme. Beaulieu constitue une opération nationale, décidée de Paris. Cependant, ce qui est remarquable, c'est que, pour Beaulieu I, l'Etat va accepter de composer.Dans quels domaines?Le ministère de la Reconstruction souhaitait, ici comme ailleurs, que l'opération fût entièrement industrialisée. Autrement dit, que l'on adaptât au bâtiment les méthodes de l'automobile. Les constructions devaient se faire en préfabriqué, et l'on devait se contenter de les monter sur place. Mais, à Saint-Etienne, les architectes, soutenus par le maire, s'opposent à cette directive. Parce qu'ils sont expérimentés, et reconnus, ils vont obtenir gain de cause. Et heureusement.Y a-t-il eu des projets, conçus à cette époque, qui n'ont pas vu le jour? A la fin des années 1950, l'Etat fait appel à de grands architectes pour remodeler les villes. A Saint-Etienne, c'est Dufau, distingué par le prix de Rome, qui est choisi. Il présente un projet radical: raser les 70 îlots qui se trouvent à l'est de la Grand-Rue, entre la place du Peuple et Bellevue, et les remplacer par autant de tours et de barres! Son projet, finalement, ne sera appliqué qu'en partie. Au sud, jusqu'à Bellevue, presque tout est démoli, beaucoup de tours et de barres sont construites. Au nord, les démolitions sont également presque systématiques, mais, cette fois, les nouveaux immeubles reproduisent la forme traditionnelle de l'îlot. On détruit également une partie du quartier derrière la grande poste, ainsi que l'ancienne caserne de Tréfilerie et la prison de Bizillon. Le futur Centre-Deux...C'est cela. Au départ, l'opération se nomme «prison-Tréfilerie», mais les promoteurs, qui ont le sens du commerce, préfèrent la rebaptiser. Ce quartier est conçu comme un centre d'affaires à l'américaine, type la Défense, à Paris, ou la Part-Dieu, à Lyon. On explique aux élus que, s'ils veulent que Saint-Etienne devienne une grande ville, ils doivent la doter d'un centre d'affaires, avec des immeubles atteignant 100 ou 150 mètres de hauteur, comme aux Etats-Unis! Le projet est lancé (en 1969), mais il sera peu à peu amendé, pour tenir compte de la réalité économique, de la montée des oppositions et de l'évolution des mentalités.Comment l'économie stéphanoise se porte-t-elle alors?La ville croit encore à l'avenir de la mine et des industries traditionnelles. Cela se comprend: le plan Monnet pour la relance de l'économie française s'appuie sur l'énergie, les transports, les industries lourdes... Bref, tous les points forts de Saint-Etienne, mais ce sera un cadeau empoisonné, car, bercée par cette illusion, la cité s'endort. Quand elle se décidera à moderniser ses structures industrielles, ce sera toujours avec quelques années de retard. Au fond, c'est dans les années 1950 que l'on commet les erreurs qui conduiront, plus tard, au démantèlement des industries locales.Le secteur tertiaire a-t-il déjà commencé son essor?Pas encore. Dans les années 1950, Saint-Etienne reste une ville très fortement industrielle. La tertiarisation, avec l'enseignement supérieur, la transformation de l'hôpital en centre hospitalier régional et universitaire et l'essor de Casino, avec les supermarchés et les hypermarchés, ne commencera véritablement que dans les années 1960.Culturellement, la ville est aussi très active...Elle est même, à ce moment-là, l'un des hauts lieux de la création culturelle en France, notamment dans les domaines théâtral et artistique. Maurice Allemand fait du musée de Saint-Etienne l'un des plus grands musées d'art moderne en France. Et Jean Dasté propose au public le théâtre moderne. Ce bouillonnement est dû, notamment, à Alexandre de Fraissinette. Comme, après lui, Michel Durafour, il est persuadé que l'avenir de la cité est dans la modernité. Il considère donc qu'elle doit être déclinée dans tous ses aspects: économique, urbanistique et culturel.La population comprend-elle cette volonté?Oui et non. Dans les années 1950, il existe un certain consensus, car tout le monde partage la vision d'un avenir meilleur. Mais, en réalité, Fraissinette, et surtout Durafour, sont très décalés. Dans leur obsession d'une ville «blanche», ils refusent en bloc le passé, dont on a heureusement découvert depuis lors les richesses. Ils rêvent d'une ville qui n'existe pas, peuplée d'habitants qui ne ressemblent pas aux Stéphanois réels... C'est d'ailleurs ce qui, plus tard, provoquera la chute de Michel Durafour.Le chantier de l'autoroute de Saint Etienne 01 nov. 1965, la video içi www.ina.fr/video/LXC9610041788 - ST-Etienne,Montchovet (Beaulieu III) "la Muraille de Chine" construction 1962-1964, architecte HUR/FARRAT/GOUYON.Rappelez vous...Aout 1983, François Mitterand, se déplace incognito à la Muraille de Chine à Saint-Etienne. Quelques mois plus tard, la grande réhabilitation de cette barre d’habitation sera lancée.& le 24 octobre 1987 : visite officielle à Saint-Etienne. Il retourne à La Muraille de Chine pour constater les travaux. Le même jour il se rendra à Saint-Chamond et Roanne.« En 1983, le président s’est rendu à Montchovet à l’improviste »François Mitterrand est venu une première à Montchovet en 1983 incognito. Pourquoi une telle démarche ?C’est l’architecte Roland Castro qui a convaincu le président d’aller dans des quartiers populaires. Son but était de lui montrer où vivaient les gens à cette époque et qu’il fallait entreprendre un programme de rénovation.François Mitterrand m’a appelé et m’a dit d’organiser trois ou quatre » descentes » sur le terrain mais le président ne voulait ni policiers, ni gendarmes. Il m’a simplement demandé d’avertir, par correction, le préfet une fois arrivé. C’était d’ailleurs le meilleur gage de sécurité car lorsque vous n’êtes pas attendu, il n’y a pas de risques. Nous sommes donc allés à Saint-Etienne à Montchovet, aux Minguettes à Lyon, dans le 93.. et, à chaque fois, à l’improviste> Quelle a été la réaction des habitants ?Ils étaient très étonnés de croiser le président de la République dans leur cage d’escaliers ! Partout, nous avons reçu un accueil très chaleureux.Nous étions quatre : le président, Roland Castro, un policier et moi-même. Je me souviens qu’aux Minguettes, le président a été invité par une famille pour boire le thé. Les habitants étaient très heureux que le président s’intéresse à eux.> Comment François Mitterrand a-t-il réagi en voyant la vie de ses quartiers ?Il était fasciné. Je n’irais pas jusqu’à dire que c’était, pour lui, une découverte mais il était un rural et le fait de se confronter à la vie de ces gens qui vivaient dans de grandes barres fut enrichissant.> Ces visites impromptues ont-elles été suivies d’effets ?Oui car la mission Banlieues 89 est née de ces visites de terrain. Ce fut d’ailleurs la naissance de la politique de la ville.> En 1987, cette fois, la visite fut officielle - Proposer de nouveaux logements dans une démarche environnementale forte. Dans la poursuite des opérations engagées depuis 2001 (démolition de la Muraille de Chine en 2000, implantation du CHPL, de l ’AIMV en 2005), une qualité résidentielle s'affirme progressivement au sein des quartiers Sud-Est, grâce à une nouvelle offre d'habitat variée (en forme comme en type de produits). Le dynamisme du quartier s'appuie sur l'accueil et le développement de services, d'activités économiques et d'équipements d'agglomération (centre nautique, Nouveau Théâtre de Beaulieu...) et de proximité (salles de sport, travaux dans les écoles). Les atouts paysagers du site sont pleinement exploités dans une démarche environnementale forte. L'aménagement des espaces libres et la requalification des axes structurants et de desserte renforcent les liaisons internes aux quartiers et les ouvrent sur l'ensemble de la ville. Beaulieu, un patrimoine de qualité, valorisé et adapté à ses occupants40 logement ont été adaptés au vieillissement de leur occupants (bacs à douche, volets électriques, aménagement des ascenseurs, …). L'amélioration des espaces extérieurs, résidentiels ou publics (rue K.Marx, square Renoir, allée Clémenceau) viendra rendre plus conviviaux ces lieux de vie partagés. Petite Marandinière : une cité jardin qui se rénove en gardant son caractère Sur la Petite Marandinière, 320 logements de Métropole Habitat ont été rénovés. Les bâtiments ont été transformés pour arriver à 32 logements, avec création de T3, T4, et T5 en tenant compte de la rénovation thermique et du confort des logements. 54 logements ont été construits, répartis en 6 bâtiments à l'architecture contemporaine et fonctionnelle (surfaces généreuses, double ou triple orientation, terrasse ou loggia). En parallèle, les espaces publics ont été réaménagés dans une démarche environnementale durable et innovante : résidentialisation et embellissement des espaces extérieurs, traitement paysager d'ensemble, requalification des voiries et des circulations douces adaptées aux usages, gestion optimisée du stationnement et des eaux pluviales...Une nouvelle mixité pour le quartier : les maisons de ville "Jardins Sembat" 22 maisons de ville (du T3 au T5) ont été construites à l’angle de la rue Marcel Sembat et du boulevard de Fraissinette. Conçu et développé par l'équipe XXL-Civita-Spirit, ce projet se caractérise par la qualité de la construction (matériaux durables, aménagement soigné des espaces extérieurs…) et par la mise en valeur paysagère du site, ouvert sur les collines du Pilat. 3 types de maisons ont été proposées en location libre : maisons jumelées le long du boulevard de Fraissinette, maisons en pente en fond de parcelle adossée au talus, maisons patio au cœur de l’îlot. Un nouveau centre nautique sur le secteur Loti Souhaité par les habitants, exemplaire d’une démarche participative de coproduction, le centre nautique Yves Naime a été ouvert à l'été 2013, en remplacement de l'ancienne piscine de la Marandinière. Ce centre nautique comprend un bassin sportif (25m, 6 lignes d'eau), un bassin destiné aux activités ludiques (bains bouillonnants, aquagym...), une pataugoire et des plages extérieures.Grande Marandinière : un secteur d'habitat en développement . Après la démolition de la barre Sisley et celle en cours de la barre Féguide, c'est un nouveau quartier qui se dessine sur ce secteur. La reconfiguration de la rue Sisley en voie de promenade avec des vues en belvédère et l'aménagement d'une « coulée verte » ont profondément modifié le paysage urbain du secteur. Ce nouvel environnement a permis à Métropole Habitat de réaliser un programme immobilier de 27 logements locatifs. Dans ce bâtiment collectif moderne et fonctionnel, chaque logement comporte un espace extérieur privatif, balcon ou terrasse. Au rez-de-chaussée, des locaux d'activités (centre social espace-loisirs) ou de services sont déployés le long de la nouvelle rue Sisley. La Palle : des résidentialisations de qualitéLa résidentialisation des immeubles du boulevard de la Palle apporte aux habitants de nouvelles terrasses privatives en rez-de-chaussée, des espaces en cœur d’îlots plus agréables, et de nouveaux parcours piétonniers avec aires de jeux. Elle s’accompagne de la réhabilitation des immeubles (réfection des façades, changement des garde-corps…). Des opérations de résidentialisation ont été menées immeuble par immeuble de 2006 à 2009. Elles permettent de définir les limites entre les parties publiques ouvertes à tous, et les parties privées. Des petits jardins privatifs sont ainsi aménagés pour chaque logement de rez-de-chaussée.Le Pont Aven : du logement social à haute performance environnementaleDéveloppé par Métropole Habitat, le Pont-Aven est un exemple en matière de construction écologique. Il accueille 20 logements sociaux du T2 au T5. L’ensemble de la conception du bâtiment intègre des critères environnementaux : parois extérieures en brique mono-mur, eau chaude solaire, chauffage collectif au gaz naturel, ventilation intérieure à double flux pour une meilleure circulation de l’air, équipements électriques et sanitaires économes en énergie. La toiture végétalisée permet quant à elle une meilleure conservation de la fraîcheur en été, les auvents du toit protègent les fenêtres du soleil et les eaux de pluie seront récupérées pour arroser les espaces extérieurs…Résultat : une diminution des rejets en CO2 et une baisse significative des charges de chauffage pour les locataires.Favoriser l'accessibilité et les relations inter-quartiers Le réaménagement du boulevard de la Palle a favorisé une meilleure desserte du quartier en transports en commun. Une station de taxis, des pistes cyclables et des pelouses ont été aménagées le long du boulevard, sécurisant ainsi la traversée piétonne entre les terrasses Roinat et le centre hospitalier. A l'intérieur du quartier, la trame piétonnière a été développée dans le principe d'une continuité paysagère entre les différents secteurs. Initiée avec l’aménagement des terrasses Roinat, une coulée verte, nouveau poumon vert du quartier, facilitant la circulation des piétons et des cyclistes, relie désormais le boulevard de la Palle, et plus loin le bois d'Avaize, au Parc de l'Europe. - Après la seconde guerre mondiale, un immense chantier s'ouvre en France dans le but de loger massivement une population démunie, les réalisations des HLM en France et la lutte contre l'habitat indigne insalubre , le film parle de St-Etienne entre autre avec les Cités du soleil 1958 de Jean-Claude Sée : www.dailymotion.com/video/xgj74q .Jusqu'au milieu des années 1970, cette période dite des « Trente Glorieuses l'après guerre et montre la plupart des grandes réalisations de 1945 à 1960. A travers les exemples de la région parisienne et de quelques grandes villes françaises sont posé les problèmes de la diversité architecturale, de l'esthétique et de l'harmonie entre le passé et l'avenir. Les images montrent les grands ensembles de Beaulieu, la Marandiniére, à Saint-Etienne, la cité le Haut du Lièvre à Nancy, des cités à Sarcelles, Asnières, Bron-Parilly, Epinay, Pantin, Bobigny, la cité radieuse de Le Corbusier à Marseille, le front de mer à Royan, la video de l'Année 1962, une réalisation de Philippe Brunet içi www.dailymotion.com/video/xgj2zz » fut le terrain de nombreuses expérimentations architecturales et urbanistiques, fondées notamment sur les idées émises plus tôt dans le siècle par le Mouvement moderne.Aujourd'hui, ces ensembles bâtis sont au cœur d'une autre actualité, liée à leur adaptation à l'évolution des modes de vie de notre société contemporaine. Cette question qui se posa dès la fin des années 1970 apparaît sous un jour nouveau, avec les premières démolitions dans les années 1980 et, plus récemment, le vaste programme de réhabilitation mis en place dans le cadre de la loi Solidarité et Renouvellement Urbain.Après Les Grands Ensembles. Une histoire qui continue…, ce nouvel ouvrage, fruit de la collaboration entre l'École Nationale Supérieure d'Architecture de Saint-Étienne et l'Université Jean Monnet, apporte un éclairage nouveau sur cet héritage bâti, mettant au jour simultanément la question de son vécu et celle des acteurs engagés dans son édification. En réunissant quinze auteurs spécialistes de ce domaine, il s'agit de regrouper autant de points de vue, pour comprendre la diversité et la complexité des enjeux liés à la postérité de ce bâti. - « Petite enquête sur Beaulieu – Le Rond-Point », La Tribune du centre et du sud-est, 13 octobre 1955 et « Le chantier de Beaulieu – Le Rond-Point (1ère tranche) sera terminé le 30 juin 1956 très exactement »,La Tribune du centre & du sud-est, 26 juin 1956 -«St-Etienne, la place des grands ensembles dans l’histoire de l’habitat social français »Saint-Étienne/Beaulieu, au sud-est de l’agglomération, sur le versant sud de la colline de Beaulieu, en forte pente et d’aspect semi-rural, la cité de Beaulieu est mise à l’étude dès 1950. Elle débute en 1953 et comprend 1 221 logements, un groupe scolaire et 35 boutiques. Des parrains prestigieux et l’élite de l’architecture sté- phanoise sont mobilisés pour ce premier grand ensemble local.Tantôt les bâtiments suivent le dessin de la courbe de niveau 600, devenue rue Le Corbusier, tantôt ils s’installent perpendi-culairement à la pente, reliés à la rue par des passerelles ou de grands escaliers. A l’implantation exemplaire des bâtiments répond une maîtrise raffinée du végétal d’accompagnement, décliné selon les modes habituels aux squares urbains, avec une virtuosité étonnante dus aux talents de l’ingénieur des Services techniques de la ville, Jean Marc, associé à l’équipe de concep-tion dès l’origine de l’opération.Le vocabulaire de l’art des jardins s’adapte au grand ensemble : les espaces sont découpés à partir des courbes de niveau et des allées, et caractérisés par un système de haies et de contre-haies (haies étagées doubles ou triples) constituées de troènes com-muns ou dorés, prunus, berbéris et buffets de laurier, et sont plantés d arbres rythmés et colorés (érables négundo et acacias), ou parfois fastigiés (la gamme d’arbres est d’ailleurs peu riche), selon un dessin géométrique et des alternances de couleurs. Ces espaces verts ne sont réalisés qu’à partir de 1964, après avoir été longtemps laissés en prairies fauchées. Cet état de fait, dû au départ à l’étirement des financements des projets d’espaces exté-rieurs, s’inscrivait aussi dans la logique de conception de notre ingénieur, qui pensait « qu’il était nécessaire de laisser vivre un groupe d’habitations avant de planter » – afin de reprendre notamment les chemins tracés par l’usage.Cette réalisation révèle le décalage entre les réflexions et les savoir-faire architecturaux et paysagers et exprime quelques traits caractéristiques de la pratique paysagiste. Le festonnage des haies qui jalonne les espaces extérieurs rejoint celui des collines boca- gères surplombant les bâtiments. Il rappelle le site environnant et inspirera plus tard l’AUA et Alexandre Chemetoff pour la réhabilitation du quartier de Montreynaud.Relevons que, sans l’action concertée des services de la ville et de l’office d’HLM, qui finança entièrement la réalisation des espaces verts, rien n’aurait été fait à cette époque, compte tenu du désintérêt pour cet aspect du projet des principaux responsables du chantier. « D’ailleurs, à cette époque, les architectes ne jouaient pas au paysagiste… », queleques superbes videos du Ministere de la Cohésion et des Territoires içi : .Naissance d'une banlieue mort d'un village 2000 www.dailymotion.com/video/x1a98izRéalisateur : Sidney Jézéquel Production : Les Films Roger Leenhardt Sujet : la commune de Goussainville (95) --------Quatre murs et un toit 1953 www.dailymotion.com/video/xk6xui Scenario et réalisation Pierre Jallaud MRU (ministère de la reconstruction et de l'urbanisme) ----------------Le Bonheur est dans le béton www.dailymotion.com/video/x413amo - 2015 Documentaire réalisé par Lorenz Findeisen produit par Les Films du Tambour de Soie ---------------------Beaulieu par son constructeur la Cimaise :" Entre les années 50 et 60, et suite à la seconde guerre mondiale, la municipalité stéphanoise a vu sa population passée d’un peu moins de 180 000 habitants en 1950 à plus de 200 000 habitants dix ans plus tard en 1960. Cette forte augmentation de la population pouvait s’expliquer par le fort taux de natalité de cette époque (baby-boom), mais aussi par l’afflux de travailleurs de la classe ouvrière venus dans la grande cité stéphanoise pour trouver un travail. De ce fait, la construction d’un logement sain pour chaque ouvrier était devenue une priorité absolue pour les élus qui considéraient à raison que cela était une condition vitale dans le cadre de ce grand développement. Pour ce faire, la ville a lancé dans les années 50 une vaste opération de construction de barres d’habitation dans la zone de Beaulieu, destinée à fournir un logement à une population grandissante.--- Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : la préfabrication en usine, le coffrage glissant... www.dailymotion.com/video/xyjudq ----SAINT-ETIENNE BEAULIEU une barre d’habitation innovanteA l’époque, avec une majorité d’architectes, les appartements modernes construits possédaient des cloisons lourdes empêchant toute modification interne ainsi que des espaces de renvoi sombres et non ventilés ressemblant à des alcôves.Mais à l’inverse, pour certains architectes précurseurs de la région à l’image d’Yves et Henri Gouyon, la modernité reflétait le gout de la clarté, de l’air, et du soleil, avec de larges horizons. Ainsi, ces derniers donnaient la priorité non pas aux façades qu’ils considéraient comme de simples élévations du plan, mais aux cellules d’habitations et à leur orientation. Dans cette optique, le bâtiment proposé par Henri Gouyon, qui était donc un partisan de l’espace ouvert moderne, supprimait les circulations et profitait de ce gain de place pour aménager de nouveaux espaces de vie communes. De plus, dans ces cellules d’habitations, les architectes ont tirés profit au maximum de la double orientation des appartements (ces derniers étaient traversant) avec par exemple l’accolement de balcons. Conception et réalisation d’un quartier entier. Pour le projet de Beaulieu, l’on confia la conception ainsi que la réalisation des interventions aux agences Henri et Yves Gouyon puis Yves Gouyon et associés. Ainsi, dés le milieu des années 50, des études concernant Beaulieu II – La Marandinière furent conduites, suivis de la construction du bâtiment entre 1957 et 1959. S’en suivit Beaulieu III – Montchovet entre 1962 et 1964, surnommé la « Muraille de Chine la plus grande barre d'Europe avec 540 appartements à sa livraison mi 1964, les chantiers de l'OPAC devenu Métropole-Habitat, www.ina.fr/video/LY00001263522 », qui comprenait entre autres, une barre de type HLM haute de 10 à 17 mètres et longue de 270 mètres, avec 560 logements. Suites à ces constructions, l’urbanisation des vallées et collines du sud-est de Saint-Etienne continua jusque dans les années 70 avec les séries de la Métare I, II, et III. Au total, ce sont plus de 8 000 logements, pour l’essentiel de type HLM, qui ont été construits durant cette période. Ces constructions ont également contribué à la création du parc de l’Europe et d’un boulevard circulaire qui servait de jonction entre les différents édifices et le centre-ville de la cité stéphanoise.Un projet pharaoniqueLe centre commercial fut un projet d’une dimension sans précédent pour la ville, plus grand centre commercial intra-urbain de la région Loire-Auvergne, avec 100 magasins, 1500 places de stationnement, 90 000 m² de surface, et sur 3 niveaux (4 niveaux avec la terrasse). Le 2 octobre 1979, CENTRE DEUX ouvre ses portes pour la première fois, et constitue une renaissance et un véritable tournant pour la ville. L’avis de l’architecteDe toutes les constructions de cette époque, Beaulieu est un des ensembles construits qui se porte le mieux si l’on en croit les nombreuses enquêtes menées auprès de la population de ces logements, dont certains l’occupe pratiquement depuis le début. Les arbres atteignent désormais le haut des immeubles, et la rue Le Corbusier adjacente a pris les allures « d’une banlieue des années 30 » avec un niveau d’urbanisme parfaitement acceptable. En conclusion, on peut parler pour cette construction d’un véritable savoir faire architectural et en quelques sortes d’art urbain. Ce projet a été récompensé par un prix d’urbanisme, mettant en valeur le travail en amont du projet. www.cimaise-architectes.com/realisations/divers/construct... cité HLM labellisée Patrimoine du XXeme siecle -"Il faut bien le dire, avant même d’être livré, Beaulieu est l' un des grands-ensembles, parmis 6 autres qui fasçinait en 1954..En effet c'etait le début de la longue & grande histoire des chantiers de l'Office Public de l'Aménagement et de la Construction* içi, ou à Montreynaud, Solaure, Monthieu etc( l'OPAC l'office public de logements sociaux, devenu plus tard Métropole-Habitat, est la plus importante au niveau National, c'est la plus grosse boite d'HLM). Bref, les habituels promeneurs du coin genre les "Bois du Four (la Metare, le nom ançien, qui par ailleurs appartenait a Mme de Métarie une veuve riche qui légua son domaine soit "la Métare" à la ville, pour un Franc symbolique à l'epoque et aux CHU anciennement les HCL Hospiçes Civils de la Ville comme à Lyon... (on notera qu il y a des tas de logements en centre ville propriété du CHU)..se rendant le dimanchedans le Pilat ou à Rochetaillée et sur les collines* alentours (on en a 7 comme a Rome) font un léger détour par le chantier. Ils constatent alors de visu cet avancement des travaux que la presse qualifie de « belle prouesse ». Le rythme est en effet rapide : « un étage par semaine » pour certaines barres, comme le raconte un témoin. Les « grandes maisons », soient les immeubles de hauteur et nombre de logements importants (IGH), étant alors encore rares dans laville, les Stéphanois n’y sont pas habitués@ les H.L.M. Beaulieu est la 1ere cité Stéphanoise de toutes,. Les barres de dix-sept et quatorze niveaux gises respectivement rues Gomy Herriot et de Vlaminck, ainsi que la tour de 22 niveaux au 33 rue Le-Corbusier,surprennent donc encore pire pour la plus grande barre d'Europe qui arrvera 7 ans plus tard, la Muraille qui mettront certains certaines à la renverse , le gigantisme à l'état brut, du lourd.... La référence qui vient à l’esprit de beaucoup ajoute à la fascination : l’Amérique. « C’est New-York ! c'est tres joile, tres vert... », se rappelle avoir pensé un habitant de la première harre...Mais plus que les immeubles, ce sont surtout les logements qui emportent l’adhésion des « heureux locataires », comme aime à les appeler la presse tout court. La satisfaction procurée aux habitants par l’hygiène et le confort des logements des Grands-Ensembles soit les quartiers NEUF est une information connue, les études de sciences humaines sur le sujet abondent. Aussi, pour le cas de Beaulieu devenu un cas d'Ecole idem pour Montchovet (Beaulieu3) et les transformations de la Marandiniere (Beaulieu2)...Les entretiens réalisés avec des locataires n’apportent pas sur ce point-ci d’éléments nouveaux :les premiers motifs de satisfaction invoqués sont, comme pour bien d’autres Grands-Ensembles Français,l’eau courante, le chauffage central dont sont pourvus les immeubles les plus hauts, les WC intérieurs et salles de bain, l’ensoleillement et la luminosité permis par l’orientation, la hauteur et la disposition des immeubles, les placards et les tout aussi pratiques balcons à parois séchoirs permettant de faire sécher le linge, hiver compris. Entretien avec François Tomas, géographe, spécialiste de l'aménagement urbain, et enseignant à l'université et à l'école d'architecture de Saint-Etienne. Il est notamment l'auteur des Grands Ensembles, une histoire qui continue (Publications de l'université de Saint-Etienne, 2003). Cet intellectuel a également mis la main à la pâte. Entre 1977 et 1983, il fut adjoint à l'urbanisme du maire communiste de l'époque, Joseph Sanguedolce. Engagé au PC de 1974 à 1985, il a, depuis, rejoint le Parti socialiste «comme militant de base»L"apres guerre...Que prévoit-on pour la reconstruction? Pas grand-chose. A la différence de la refonte spectaculaire du Havre, par exemple, on se contente ici de bâtir de petits immeubles, plus modernes bien sûr, mais sans réelle innovation architecturale ou urbanistique.Est-il vrai que Saint-Etienne, après guerre, traîne une réputation de «capitale des taudis»?C'est exact, et celle-ci n'est pas usurpée. En 1946, 7% seulement des logements sont jugés «confortables», et 17%, «acceptables»; 56% sont médiocres, et 20% peuvent véritablement être qualifiés de taudis: 1 logement sur 5 n'a pas d'eau à l'évier, les deux tiers ne disposent pas de WC, et 95%, de salle d'eau. Mais le problème n'a pas été créé par la guerre. Depuis la fin du XIXe siècle, Saint-Etienne a beaucoup grandi, mais très peu construit. Résultat: la ville a vieilli sur elle-même et se trouve après guerre dans une situation désastreuse, que les bombardements ont simplement aggravée. C'est alors qu'Alexandre de Fraissinette, maire élu en 1947, fixe le logement comme l'une de ses priorités.

Forming the 15.25 back from Thorney to Whittlesea was BMR 202V, Leyland Fleetline/ ECW, formerly with Thamesdown and now privately preserved locally by one of the event organisers.

 

Huge thanks to the Eastern Bus Group for staging this very enjoyable event. The less favorable conditions for photography than in 2014 gave me the perfect excuse to ride some buses, including Buckbys Metrobus, the Delaine Olympian and that splendid Stagecoach Lodekka all the way to Chatteris!

mémoire2cité - Sols absorbants, formes arrondies et couleurs vives, les aires de jeux standardisées font désormais partie du paysage urbain. Toujours les mêmes toboggans sécurisés, châteaux forts en bois et animaux à ressort. Ces non-lieux qu’on finit par ne plus voir ont une histoire, parallèle à celle des différentes visions portées sur l’enfant et l’éducation. En retournant jouer au xixe siècle, sur les premiers playgrounds des États-Unis, on assiste à la construction d’une nation – et à des jeux de société qui changent notre vision sur les balançoires du capitalisme. Ce texte est paru dans le numéro 4 de la revue Jef Klak « Ch’val de Course », printemps-été 2017. La version ici publiée en ligne est une version légèrement remaniée à l’occasion de sa republication dans le magazine Palais no 27 1, paru en juin 2018. la video içi www.youtube.com/watch?v=Uwj1wh5k5PY The concept for adventure playgrounds originated in postwar Europe, after a playground designer found that children had more fun with the trash and rubble left behind by bombings -inventing their own toys and playing with them- than on the conventional equipment of swings and slides. Narrator John Snagge was a well-known voice talent in the UK, working as a newsreader for BBC Radio - jefklak.org/le-gouvernement-des-playgrounds/ - www.collectorsweekly.com/articles/chasing-the-vanishing-p... or children, playgrounds are where magic happens. And if you count yourself among Baby Boomers or Gen Xers, you probably have fond memories of high steel jungle gyms and even higher metal slides that squeaked and groaned as you slid down them. The cheerful variety of animals and vehicles on springs gave you plenty of rides to choose from, while a spiral slide, often made of striped panels, was a repeated thrill. When you dismounted from a teeter-totter, you had to be careful not to send your partner crashing to the ground or get hit in the head by your own seat. The tougher, faster kids always pushed the brightly colored merry-go-round, trying to make riders as dizzy as possible. In the same way, you’d dare your sibling or best friend to push you even higher on the swing so your toes could touch the sky. The most exciting playgrounds would take the form of a pirate ship, a giant robot, or a space rocket.

“My husband would look at these big metal things and go, ‘Oh my God, those are the Slides of Death!'” - insh.world/history/playground-equipment-of-yesterday-that...

Today, these objects of happy summers past have nearly disappeared, replaced by newer equipment that’s lower to the ground and made of plastic, painted metal, and sometimes rot-resistant woods like cedar or redwood. The transformation began in 1973, when the U.S. Congress established the Consumer Product Safety Commission, which began tracking playground injuries at hospital emergency rooms. The study led to the publication of the first Handbook for Public Playground Safety in 1981, which signaled the beginning of the end for much of the playground equipment in use. (See the latest PPS handbook here.) Then, the American Society for Testing and Materials created a subcommittee of designers and playground-equipment manufacturers to set safety standards for the whole industry. When they published their guidelines in 1993, they suggested most existing playground surfaces, which were usually asphalt, dirt, or grass, needed to be replaced with pits of wood or rubber mulch or sand, prompting many schools and parks to rip their old playgrounds out entirely.

Top: A Space Age rocket-themed playground set by Miracle Playground Equipment, introduced circa 1968, photographed in Burlington, Colorado, in 2009. Above: Two seesaws and a snail-shaped climber, circa 1970s, photographed in Vandergrift, Pennsylvania, in 2007. (Photos by Brenda Biondo)

Top: A Space Age rocket-themed playground set by Miracle Playground Equipment, introduced circa 1968, photographed in Burlington, Colorado, in 2009. Above: Two seesaws and a snail-shaped climber, circa 1970s, photographed in Vandergrift, Pennsylvania, in 2007. (Photos by Brenda Biondo)

That said, removing and replacing playground equipment takes money, so a certain amount of vintage playground equipment survived into the next millennium—but it’s vanishing fast. Fortunately, Brenda Biondo, a freelance journalist turned photographer, felt inspired to document these playscapes before they’ve all been melted down. Her photographs capture the sculptural beauty and creativity of the vintage apparatuses, as well as that feeling of nostalgia you get when you see a piece of your childhood. After a decade of hunting down old playgrounds, Biondo published a coffee-table book, 2014’s Once Upon a Playground: A Celebration of Classic American Playgrounds, 1920-1975, which includes both her photographs of vintage equipment and pages of old playground catalogs that sold it.

Starting this November, Biondo’s playground photos will hit the road as part of a four-year ExhibitsUSA traveling show, which will also include vintage playground postcards and catalog pages from Biondo’s collection. The show will make stops in smaller museums and history centers around the United States, passing through Temple, Texas; Lincoln, Nebraska; Kansas City, Missouri; and Greenville, South Carolina. Biondo talked to us on the phone from her home in small-town Colorado, where she lives with her husband and children.

This 1975 Miracle catalog page reads, "This famous Lifetime Whirl has delighted three generations of children and still is a safe, playground favorite. Although it has gone through many improvements many of the original models are still spinning on playgrounds from coast to coast." (Courtesy of Brenda Biondo)This 1975 Miracle catalog page reads, “This famous Lifetime Whirl has delighted three generations of children and still is a safe, playground favorite. Although it has gone through many improvements many of the original models are still spinning on playgrounds from coast to coast.” (Courtesy of Brenda Biondo)Collectors Weekly: What inspired you to photograph playgrounds?Biondo: In 2004, I happened to be at my local park with my 1-year-old daughter, who was playing in the sandbox. I had just switched careers, from freelance journalism to photography, and I was looking for a starter project. I looked around the playground and thought, “Where is all the equipment that I remember growing up on?” They had new plastic contraptions, but nothing like the big metal slides I grew up with. After that, I started driving around to other playgrounds to see if any of this old equipment still existed. I found very little of it and realized it was disappearing quickly. That got to me.I felt like somebody should be documenting this equipment, because it was such a big part—and a very good part—of so many people’s childhoods. I couldn’t find anybody else who was documenting it, and I didn’t see any evidence that the Smithsonian was collecting it. As far as I could tell, it was just getting ripped up and sent to the scrap heap. At first, I started traveling around Colorado where I live, visiting playgrounds. Eventually, I took longer trips around the Southwest, and then I started looking for playgrounds whenever I was in any other parts of the country, like around California and the East Coast. It was a long-term project—shot over the course of a decade. And every year that I was shooting, it got harder and harder to find those pieces of old equipment.

This merry-go-round, photographed in Cañon City, Colorado, in 2006, is very similar to the Lifetime Whirl above. In the background are a rideable jalopy and animals, including four attached to a teeter-totter. (Photo by Brenda Biondo)

This merry-go-round, photographed in Cañon City, Colorado, in 2006, is very similar to the Lifetime Whirl above. In the background are a rideable jalopy and animals, including four attached to a teeter-totter. (Photo by Brenda Biondo)

Collectors Weekly: How did you find them?

Biondo: I would just drive around. I started hunting down local elementary schools and main-street playgrounds as well as neighborhood playgrounds. If I had a weekend, I would say, “OK, I’m going to drive from my home three hours east to the Kansas border, stay overnight and drive back.” Along the way, I would stop at every little town that I’d pass. They usually had one tiny main-street playground and one elementary school. I never knew what I was going to find. In a poorer area, a town often doesn’t have much money to replace playground equipment, whereas more affluent areas usually have updated their playgrounds by now. It was a bit of a crap shoot. Sometimes, I’d drive for hours and not really find anything—or I’d find one old playground after the other, because I happened to be in an area where equipment hadn’t been replaced.

I couldn’t get to every state, so I had to shoot where I was. I think there certainly are still old playgrounds out there, especially in small towns. But there’s fewer and fewer of them every year. My book has something like 170 photographs. I would guess that half the equipment pictured is already gone. Sometimes, I’d go back to a playground with a nice piece of equipment a year later to reshoot it, maybe in different lighting or a different season, and so often it had been removed. That pressured me to get out as often as I could because if I waited a few weeks, that piece might not be there anymore.

A 1911 postcard shows girls playing on an outdoor gymnasium at Mayo Park in Rochester, Minnesota.

a 1911 postcard shows girls playing on an outdoor gymnasium at Mayo Park in Rochester, Minnesota.

Collectors Weekly: What did you learn about playground history?

Biondo: I didn’t know American playgrounds started as part of the social reform or progressive movement of the early 1900s. Reformers hoped to keep poor inner-city immigrant kids safe and out of trouble. Back then, city children were playing in the streets with nothing to do, and when cars became more popular, kids started to get hit by motorists. Child activists started building playgrounds in big cities like Boston, Chicago, and New York as a way to help and protect these kids. These reformers felt they could build model citizens by teaching cooperation and manners through playgrounds. These early main-street parks would also have playground leaders who orchestrated activities such as games and songs.

“I started driving to playgrounds to see if any old equipment still existed. I found very little of it and realized it was disappearing quickly.”

In the late 1800s, Germans developed what they called “sand gardens,” which are just piles of sand where kids can come dig and build things. There were few of those in the United States as well. But by the early 1900s, the emphasis of playgrounds was on the apparatuses, things kids could climb on or swing on.

Soon after I started researching playground history, I happened to stumble on an eBay auction for a 1926 catalog that the playground manufacturers used to send to schools. At that point, I wasn’t thinking of doing a book, but I thought I could do something with it. I won the catalog; I paid, like, $12 for it. And it was so interesting because I could see this vintage equipment when it was brand new and considered modern and advanced. The manufacturers boasted about how safe it was and how it was good for building both muscles and imaginations.

After that, I would always search on eBay for playground catalogs, and I ended up with about three dozen catalogs from different manufacturers. My oldest is 1916, and my newest is from 1975. So I would take a photograph of some type of merry-go-round, and then I might find that same merry-go-round in a 1930 catalog. Often in the book, I pair my picture with the page from the catalog showing when it was first manufactured. I discovered a couple dozen manufacturers, which tended to be located in the bigger industrial areas with steel manufacturing, like Trenton, New Jersey, and Kokomo and Litchfield, Indiana. Pueblo, Colorado, even had a playground manufacturer. Burke and GameTime were big 20th century companies, and actually are among few still in existence.

The cover of a 1926 catalog for EverWear Manufacturing Company. (Courtesy of Brenda Biondo)

The cover of a 1926 catalog for EverWear Manufacturing Company. (Courtesy of Brenda Biondo)

Collectors Weekly: I recently came across an old metal slide whose steps had the name of the manufacturer, American, forged in openwork letters.

Biondo: I love those. One of the last pages in the book shows treads from six different slides, and they each had the name of their manufacturer in them, including Porter, American, and Burke. One time when I was traveling, I did a quick side trip to a small town with an elementary school. In the parking lot was this old metal slide with the American step treads, lying on its side. You could tell it had just been ripped off out of the concrete, which was still attached to the bottom, and was waiting for the steel recyclers to come and take it away.

I thought, “Oh my gosh, just put it on eBay! Somebody is going to want that. Don’t melt it down.” But nobody thinks about this stuff getting thrown away when it should be preserved. If you go on eBay, you can find a lot of those small animals on springs that little kids ride, because they’re small enough to be shipped. Once I saw someone selling one of those huge rocket ships, which had been dismantled, on eBay, but I don’t know if anybody ever bid on it. It’s rare to see the big stuff, because it is so expensive to ship. It’s like, “What kind of truck do you need to haul this thing away?” I don’t know of anyone who’s collecting those pieces, but I hope somebody is.

A metal slide in Victor, Colorado, had step treads with the name "American" in them. Photographed in 2008. (Photo by Brenda Biondo)

A metal slide in Victor, Colorado, had step treads with the name “American” in them. Photographed in 2008. (Photo by Brenda Biondo)

Collectors Weekly: It seems like an opportunity for both starting a collection or repurposing the material.

Biondo: I photographed many of the apparatuses as if they were sculptures because they have really cool designs and colors. Even when they’re worn down, the exposed layers of paint can be beautiful. Hardly anybody stops to look at it that way. People drive by and think, “Oh, there’s an old, rusty, rundown playground.” But if you take the time to look closely at this stuff, it’s really interesting. Just by looking at these pieces, you can picture all the kids who played on them.

Collectors Weekly: Aren’t people nostalgic for their childhood playgrounds?

Biondo: While I was taking the pictures, I visited Boulder, Colorado, which is a very affluent community. I was sure there would be no old playground equipment there. When I was driving around, all of a sudden, I looked over and saw this huge rocket ship. It turns out that one of the original NASA astronauts, Scott Carpenter, grew up in Boulder, and this playground was built in the ’60s to honor their hometown boy. Because of that, the citizens of Boulder never wanted to take down the rocket ship. One of the first exhibitions of this photography project happened in Boulder, and at the opening, I sold four prints of that rocket ship. People would come up to me at the exhibition, and they’d go, “Oh my gosh, I grew up playing on this when I was a little kid! Now, my kids are playing on it, and I’m so excited that I can get a picture of it and hang it in their bedroom.” So people have a strong nostalgic attachment to this equipment. It’s sad that most of it’s not going to be around for much longer.

A 1968 Miracle Playground Equipment catalog features the huge rocket-ship play set seen at the top of this story. (Courtesy of Brenda Biondo)

A 1968 Miracle Playground Equipment catalog features the huge rocket-ship playset seen at the top of this story. (Courtesy of Brenda Biondo)

Collectors Weekly: Besides slides and animals on springs, what were some other pieces that were common in older playgrounds?

Biondo: I didn’t come across as many old swings as I expected. I thought they would be all over the place, but I guess they’re gone now because they were so easy to replace. I tended to find merry-go-rounds more frequently—you know, the one where you’d run around pushing them and then jump on. When my kids were younger, they’d go out playground hunting with me, and the merry-go-rounds were their favorite things. They’re just so fun. The other thing you don’t find often is the seesaw or teeter-totter, and that was my favorite.The Karymor Stationary Jingle Ring Outfit appeared in the 1931 playground catalog put out by Pueblo, Colorado's R.F. Lamar and Co. (Photo by Brenda Biondo)

The Karymor Stationary Jingle Ring Outfit appeared in the 1931 playground catalog put out by Pueblo, Colorado’s R.F. Lamar and Co. (Photo by Brenda Biondo)

Before I started this project, I didn’t know there was such a variety of equipment. I figured I’d see seesaws, swings, slides, and merry-go-rounds. But I had no idea there were such things as revolving swings, which would be attached to a spinning pole via outstretched metal arms. Many mid-century pieces had themes from pop culture like “The Wizard of Oz,” “Cinderella,” “Denis the Menace,” cowboys and Indians, and Saturday-morning cartoons. During the Space Age, you started to see pieces of equipment shaped like rocket ships and satellites, because in the ’60s, Americans were so excited about space exploration. What was going on in the broader culture often got reflected in playground equipment.

Pursuing the catalogs was eye-opening. I live about an hour and a half south of Denver, so I often looked for playgrounds around the city. There, I’d find these contraptions where were shaped like umbrella skeletons, but then they had these rings hanging off the spindles. I’ve never seen them outside of Colorado. Then I bought a 1930s catalog from the manufacturer in Pueblo, Colorado, which is only 45 minutes from me, and it featured this apparatus. Later, I met people in Denver who’d say, “Oh, yeah, I remember that thing as a kid. It’s kind of like monkey bars where you had to try and get from ring to ring swinging and hanging by your arms.” There was so much variety, and even so many variations on the basics.I have a cool catalog from 1926 from the manufacturer Mitchell, which doesn’t exist anymore. I looked at one of the contraptions they advertised and I was like, “Oh my God, this looks like a torture device!” It was their own proprietary apparatus and maybe it didn’t prove to be very popular. I had never seen something like that on a playground. There probably weren’t very many of them installed.

This strange Climbing Swing from the 1926 Mitchell Manufacturing Company catalog looks a bit like a torture device. Brenda Biondo says she's never found one in the wild. (Courtesy of Brenda Biondo)

This Climbing Swing from the 1926 Mitchell Manufacturing Company catalog looks a bit like a torture device. Biondo’s never found one in the wild. (Courtesy of Brenda Biondo)

Collectors Weekly: After a while, were you able to date pieces just by looking at them?

Biondo: From looking at the catalogs, I certainly got a better idea of when things were built. But there were a handful things I couldn’t find in the catalogs. You can guess the age by knowing the design, as well as by looking at the amount of wear and the height of the piece. Usually, the taller it was, the older it was. One of the oldest slides I photographed was probably from the ’30s. I climbed to the top to shoot it as if the viewer were going to go down the slide. Up there, the place where you’d sit before sliding had been used for so many years by so many kids that I could see an outline of all the butts worn into the metal. You can imagine all the children who must have gone down that slide to wear the metal down like that.

This 1930s-era slide, found in Sargents, Colorado, in 2007, developed a butt-shaped imprint. (Photo by Brenda Biondo)

This 1930s-era slide, found in Sargents, Colorado, in 2007, developed a butt-shaped imprint. (Photo by Brenda Biondo)

Collectors Weekly: How did Modernism influence playground design?

Biondo: In 1953, the Museum of Modern Art in New York held a competition for playground design. Modern Art was just getting popular, and the idea of incorporating the theories of Modernist design into utilitarian objects was in the air, and was translated into playgrounds for several years. I have a 1967 catalog that features very abstract playground equipment made from sinuous blobs of poured concrete. And you’ve probably seen some of it, but there’s not too much of that around. That’s another example of how broader cultural trends were reflected in playgrounds.

When most people think of playgrounds, they say, “Oh, that’s a kiddie subject. There’s not much to it.” But when you start looking into them, you realize playgrounds are a fascinating piece of American culture—they go back a hundred years and played a part in most Americans’ lives. These playground pieces are icons of our childhood.

Collectors Weekly:What was the impact of the Consumer Product Safety Commission, which launched in 1973?

Biondo: Things started to change after that, which is why I limited to book to apparatuses made before 1975. New playgrounds were starting to be build out of plastic and fiberglass. I looked up the statistics, and according to the little research I’ve done—contrary to what you’d expect—there’s not much difference in the number of injuries on older equipment versus injuries on equipment today. A “New York Times” article from 2011 called “Can a Playground Be Too Safe?” explains that studies show when playground equipment was really high and just had asphalt underneath it and not seven layers of mulch, thekids knew they had to be careful because they didn’t want to fall. Nowadays, when everything is lower and there’s so much mulch, kids are just used to jumping down and falling and catching themselves. So kids learned to assess risk by playing on the older equipment. They also learned to challenge themselves because it is a little scary to go up to the top of the thing.

This old postcard of Shawnee Park in Kansas City, Kansas, circa 1912, shows how tall slides could get.

 

This old postcard of Shawnee Park in Kansas City, Kansas, circa 1912, shows how tall slides could get.

At my local park where you have new equipment, the monkey bars aren’t that high and there’s mulch below it, but a child fell and broke their arm last year. When I was talking to the principal at the school where they had just torn out that old American slide, I asked her, “Why did you replace the equipment?” She said, “We felt the parents in the community were expecting to have a little bit newer and nicer equipment. And this stuff had been here for so long.” And I said, “Have you seen a difference in injury rates since you put up your newer equipment?” She replied, “I’ve been a principal here several years, and we never had a serious broken-bone injury on the playground until four months ago on the new equipment.”

There were some nasty accidents in the ‘60s and ’70s, where kids got their arms or their heads caught in the contraptions. Those issues definitely needed to be assessed. What’s interesting is the Consumer Product Safety Commission never issued requirements, just suggested guidelines. But manufacturers felt that if their equipment didn’t meet those guidelines, they’d be vulnerable to liability. Everybody went to the extreme, making everything super safe so they wouldn’t risk getting sued.A 1970s-era climbing-bar apparatus, photographed in Rocky Ford, Colorado, in 2006. (Photo by Brenda Biondo)

A 1970s-era climbing-bar apparatus, photographed in Rocky Ford, Colorado, in 2006. (Photo by Brenda Biondo)

In the last decade, people have been looking at playground-equipment design and trying to make it more challenging and more encouraging of imaginative play, but without making it more likely someone’s going to get injured. And adults, I think, are realizing kids are spending more time indoors on devices so they want to do everything they can to encourage kids to still get outside, run around, and climb on things.

Collectors Weekly: You don’t need a playground to hurt yourself. When I was a kid, I fell off a farm post and broke my arm.Biondo: Oh, yeah, kids have been falling out trees forever—they always want to climb stuff. Playground politics are always evolving. Even in the 1920s, the catalogs talked about how safe their equipment was, and they were selling these 30-foot slides. Sometimes, I’d be out with my family on a vacation, and we’d make a little side tour to look for an old playground to shoot. My husband would look at these big metal things and go, “Oh my God, those are the Slides of Death!” because they were so huge and rickety. But back then, these were very safe pieces of equipment compared to what kids had been playing on before.

A page from the 1971 GameTime catalog offering rideable Saddle Mates. (Courtesy of Brenda Biondo)

A page from the 1971 GameTime catalog offering rideable Saddle Mates. (Courtesy of Brenda Biondo)

Collectors Weekly: Growing up in the 1980s, I always hated the new fiberglass slides because I’d end up with all these tiny glass shards in my butt.

Biondo: Yeah, I remember that, too. It’s always something. It is fun to talk to people about playgrounds because it reminds them of all the fun stuff they did as kids. When people see pictures of these metal slides, they tell me, “Oh my gosh, I remember getting such a bad burn from a metal slide one summer!” The metal would get so hot in the sun, and kids would take pieces of wax paper with them to sit on so they’d go flying down the slide. I have some old postcards that show playgrounds from the early ’20s. The wood seesaws not only were huge, but they had no handles so you had hold on to the sides of the board where you sat. I’m looking at that like, “Oh my God!” It’s all relative.

playground_postcard_milwaukee

Kids ride the rocking-boat seesaw at a Milwaukee, Wisconsin, park in this postcard postmarked 1910.

(To see more of Brenda Biondo’s playground photos and vintage catalog pages, pick up a copy of her book, “Once Upon a Playground: A Celebration of Classic American Playground, 1920-1975.” To find an exhibition of Biondo’s playground project, or to bring it to your town, visit the ExhibitsUSA page. To learn more about creative mid-century playgrounds around the globe, also pick up, “The Playground Project” by Xavier Salle and Vincent Romagny.) insh.world/history/playground-equipment-of-yesterday-that...

photo by KC JAKE

O nome PARAHYBUNA é de origem indígena, formado por PARA (água), HYB (rio) e UNA (preta). Logo, a palavra PARAIBUNA significa "Rio de Água Escura".

Município tipicamente rural e pacato, cercado de montanhas e banhado por rios e represas de águas límpidas e puras, Paraibuna tem uma nata vocação turística Está situado na região Leste do Estado de São Paulo, no Alto do Paraíba, na escarpa da Serra do Mar, onde, do encontro das águas do Rio Paraitinga com as do Rio Paraibuna, se forma o Rio Paraíba do Sul.

Em meados do século XVII alguns homens provenientes de Taubaté e São Paulo desceram o Rio Paraitinga, detendo-se no local onde este rio encontra o Rio Paraibuna; embrenharam-se na mata parando numa clareira, 2 Km adiante. No local, fixaram-se, construindo uma cabana e, em homenagem ao Santo do dia, fizeram uma capela.

Em pouco tempo, surgiu junto à capela algumas cabanas, pequenas roças e as pessoas foram chegando, dando início a uma povoação já denominada Santo Antônio da Barra de Paraibuna..Assim ficou por dezenas de anos, com poucas pessoas e sendo um ponto de pouso para os passantes que iam e vinham do Litoral Norte, com destino a província de São Paulo. Mas somente em 1812, no dia 07 de Dezembro, o Príncipe Regente criou por alvará a freguesia de Santo Antônio de Paraibuna. Em 10 de Julho de 1832 a freguesia passa à condição de Vila, e, em 1833 é realizada a primeira eleição para a Câmara Municipal.

Devido a fatos políticos, em que pessoas de Paraibuna apoiaram a revolução de 1842, exigindo a república, somente em 30 de Abril de 1857, através da Lei nº 595, o governador elevou Paraibuna a categoria de cidade. Em 30 de Março de 1858, através da Lei nº 16, foi elevada a Comarca.

É de Paraibuna, as famosas bananinhas encontradas, principalmente, em restaurantes às margens das rodovias do Estado de São Paulo.

(dados históricos obtidos do site oficial da cidade de Paraibuna

www.paraibuna.sp.gov.br/index.php )

 

Inspired by Lego’s 10x10 cargo net I decided to make a larger one. The knot pattern used in the official Lego net is not practical for these pre-terminated strings so this version is a simple weave. I’m thinking about creating a version where each intersection is tied with a square knot but that would mean both a smaller net and many hours spent tying knots!

 

Lining up the strings was done with a form made from 1369 1x1 nose cones in a grid that the net is placed over. This makes quite a nice detail to be used for flooring, as a background for something etc.

An updated, photoshop'd, HDR'd version of the first image...this one is SO much better...the colour isn't nearly as saturated, and it's a fair bit sharper...

 

Click here to see the original.

shot taken on a Ryanair flight leaving form Alicante, Spain and direct to Milan Bergamo, Italy.

 

Still done with my portable sony camera as, tks to Ryanair carry-on luggage policy, when I'm flying with them, i can not bring my Nikon with me!!!

  

Osprey exiting the water

Similar to an earlier shot, this is about seeing differences among similar things—“same but not equal”.

 

Pullman Quay Grand Sydney Harbour, 61 Macquarie Street, East Circular Quay, Sydney NSW 2000, Australia. Photographed with the Canon EOS 6D + Canon EF 100-400mm f/4.5-5.6L IS USM far across the Sydney Harbour.

 

Blue + White / Hotel architecture forms in Sydney, Australia / SML.20140315.6D.30931.P1

Using NASA's Hubble Space Telescope and a new observing technique, astronomers have found that dark matter forms much smaller clumps than previously known. This result confirms one of the fundamental predictions of the widely accepted "cold dark matter" theory.

 

All galaxies, according to this theory, form and are embedded within clouds of dark matter. Dark matter itself consists of slow-moving, or “cold,” particles that come together to form structures ranging from hundreds of thousands of times the mass of the Milky Way galaxy to clumps no more massive than the heft of a commercial airplane. (In this context, "cold" refers to the particles' speed.)

 

The Hubble observation yields new insights into the nature of dark matter and how it behaves. "We made a very compelling observational test for the cold dark matter model and it passes with flying colors," said Tommaso Treu of the University of California, Los Angeles (UCLA), a member of the observing team.

 

Dark matter is an invisible form of matter that makes up the bulk of the universe's mass and creates the scaffolding upon which galaxies are built. Although astronomers cannot see dark matter, they can detect its presence indirectly by measuring how its gravity affects stars and galaxies. Detecting the smallest dark matter formations by looking for embedded stars can be difficult or impossible, because they contain very few stars.

 

While dark matter concentrations have been detected around large- and medium-sized galaxies, much smaller clumps of dark matter have not been found until now. In the absence of observational evidence for such small-scale clumps, some researchers have developed alternative theories, including "warm dark matter." This idea suggests that dark matter particles are fast moving, zipping along too quickly to merge and form smaller concentrations. The new observations do not support this scenario, finding that dark matter is "colder" than it would have to be in the warm dark matter alternative theory.

 

"Dark matter is colder than we knew at smaller scales," said Anna Nierenberg of NASA's Jet Propulsion Laboratory in Pasadena, California, leader of the Hubble survey. "Astronomers have carried out other observational tests of dark matter theories before, but ours provides the strongest evidence yet for the presence of small clumps of cold dark matter. By combining the latest theoretical predictions, statistical tools and new Hubble observations, we now have a much more robust result than was previously possible."

 

Hunting for dark matter concentrations devoid of stars has proved challenging. The Hubble research team, however, used a technique in which they did not need to look for the gravitational influence of stars as tracers of dark matter. The team targeted eight powerful and distant cosmic "streetlights," called quasars (regions around active black holes that emit enormous amounts of light). The astronomers measured how the light emitted by oxygen and neon gas orbiting each of the quasars' black holes is warped by the gravity of a massive foreground galaxy, which is acting as a magnifying lens.

 

Using this method, the team uncovered dark matter clumps along the telescope's line of sight to the quasars, as well as in and around the intervening lensing galaxies. The dark matter concentrations detected by Hubble are 1/10,000th to 1/100,000th times the mass of the Milky Way's dark matter halo. Many of these tiny groupings most likely do not contain even small galaxies, and therefore would have been impossible to detect by the traditional method of looking for embedded stars.

 

The eight quasars and galaxies were aligned so precisely that the warping effect, called gravitational lensing, produced four distorted images of each quasar. The effect is like looking at a funhouse mirror. Such quadruple images of quasars are rare because of the nearly exact alignment needed between the foreground galaxy and background quasar. However, the researchers needed the multiple images to conduct a more detailed analysis.

 

The presence of the dark matter clumps alters the apparent brightness and position of each distorted quasar image. Astronomers compared these measurements with predictions of how the quasar images would look without the influence of the dark matter. The researchers used the measurements to calculate the masses of the tiny dark matter concentrations. To analyze the data, the researchers also developed elaborate computing programs and intensive reconstruction techniques.

 

"Imagine that each one of these eight galaxies is a giant magnifying glass," explained team member Daniel Gilman of UCLA. "Small dark matter clumps act as small cracks on the magnifying glass, altering the brightness and position of the four quasar images compared to what you would expect to see if the glass were smooth."

 

The researchers used Hubble’s Wide Field Camera 3 to capture the near-infrared light from each quasar and disperse it into its component colors for study with spectroscopy. Unique emissions from the background quasars are best seen in infrared light. "Hubble's observations from space allow us to make these measurements in galaxy systems that would not be accessible with the lower resolution of ground-based telescopes—and Earth's atmosphere is opaque to the infrared light we needed to observe," explained team member Simon Birrer of UCLA.

 

Treu added: "It's incredible that after nearly 30 years of operation, Hubble is enabling cutting-edge views into fundamental physics and the nature of the universe that we didn't even dream of when the telescope was launched."

 

The gravitational lenses were discovered by sifting through ground-based surveys such as the Sloan Digital Sky Survey and Dark Energy Survey, which provide the most detailed three-dimensional maps of the universe ever made. The quasars are located roughly 10 billion light-years from Earth; the foreground galaxies, about 2 billion light-years.

 

The number of small structures detected in the study offers more clues about dark matter's nature. "The particle properties of dark matter affect how many clumps form," Nierenberg explained. "That means you can learn about the particle physics of dark matter by counting the number of small clumps."

 

However, the type of particle that makes up dark matter is still a mystery. "At present, there's no direct evidence in the lab that dark matter particles exist," Birrer said. "Particle physicists would not even talk about dark matter if the cosmologists didn’t say it's there, based on observations of its effects. When we cosmologists talk about dark matter, we're asking 'how does it govern the appearance of the universe, and on what scales?'"

 

Astronomers will be able to conduct follow-up studies of dark matter using future NASA space telescopes such as the James Webb Space Telescope and the Wide Field Infrared Survey Telescope (WFIRST), both infrared observatories. Webb will be capable of efficiently obtaining these measurements for all known quadruply lensed quasars. WFIRST's sharpness and large field of view will help astronomers make observations of the entire region of space affected by the immense gravitational field of massive galaxies and galaxy clusters. This will help researchers uncover many more of these rare systems.

 

The team will present its results at the 235th meeting of the American Astronomical Society in Honolulu, Hawaii.

 

The Hubble Space Telescope is a project of international cooperation between NASA and ESA (European Space Agency). NASA's Goddard Space Flight Center in Greenbelt, Maryland, manages the telescope. The Space Telescope Science Institute (STScI) in Baltimore, Maryland, conducts Hubble science operations. STScI is operated for NASA by the Association of Universities for Research in Astronomy in Washington, D.C.

 

For more information: www.nasa.gov/feature/goddard/2020/hubble-detects-smallest...

 

Credits: NASA, ESA, A. Nierenberg (JPL) and T. Treu (UCLA)

 

Prismacolor Premier Colored Pencils and Design Ebony Velvet Black Pencil on Paper

PGB Photographer & Creative - © 2022 Philip Romeyn - Phillostar Gone Ballistic 2021 - Photo may not be edited from its original form. Commercial use is prohibited without contacting me.

With a very big acknowledgement to the Roll of Honour site

 

The Bungay memorial is adjacent to the main road just outside St Mary's Church (now disused) and takes the form of a Celtic cross with a tapering shaft on a plinth mounted on a two-stepped base; there are 101 names for World War 1 and 37 for World War 2. It was unveiled on 13th November 1921 by E H Wightman; the architects were Messrs Alec MacDonald & Co. Details of the unveiling can be found in the East Anglian Daily Times 15th November 1921. Inside the church are two plaques: (a) a 1914/18 plaque that lists just those men from the parish of St Mary's (entries noted with "(a)" in the list below) and (b) a 1939/45 plaque listing those "associated" with Bungay detailing unit and place/date of death (details included in 2nd table below).

TO THE GLORY OF GOD AND IN PROUD AND THANKFUL

REMEMBRANCE OF THE OFFICERS AND MEN FROM THE

PARISH OF BUNGAY WHO GAVE THEIR LIVES FOR KING AND

COUNTRY IN THE GREAT WAR, 1914 - 1919.

THEIR NAME LIVETH FOR EVERMORE.

www.roll-of-honour.com/Suffolk/Bungay.html

 

Private A Aldridge...................................................

No details on Roll of Honour.

 

Probably

Name: ALDRIDGE, ALBERT ALFRED

Rank: Private Regiment: Suffolk Regiment,: 11th Bn.

Age: 20 Date of Death: 09/06/1917 Service No: 43413

Additional information: Son of Walter and Minnie Aldridge, of Bungay, Suffolk. Grave Reference: IV. H. 19. Cemetery: FAUBOURG D'AMIENS CEMETERY, ARRAS

www.cwgc.org/search/casualty_details.aspx?casualty=283322

 

1901 Census

 

Albert Aldridge, aged 4 was living at Stratton Lane, Stratton St Michael, with his parents Walter, (aged 29 Carter on farm) and Minnie (aged 28), as well as siblings Lily, (aged 6), and Frederick (aged 2)

 

No match on Norlink

 

The Battle Of Arras had petered out into a stalemate by the end of May. The 11th Battalion had suffered heavy casualties in earlier parts of the battle.

www.curme.co.uk/april.htm#Arras

 

********************************************************************

Private H Atkins

 

Possibly

Name: ATKINS Initials: H

Rank: Private Regiment: Norfolk Regiment, Text: 1st Bn.

Date of Death: 25/05/1918 Service No: 7546

Grave/Memorial Reference: Plot 2. Row F. Grave 5. Cemetery: TANNAY BRITISH CEMETERY, THIENNES

 

www.cwgc.org/search/casualty_details.aspx?casualty=68922

 

The German offensive of April 1918 pushed the front line back almost as far as St Venant in this sector and this was one of the cemeteries made for Commonwealth burials arising from fighting in the area. Tannay British Cemetery was begun in April 1918 by the 13th Field Ambulance and used until August, most of the burials being carried out by the 5th Division and 61st (South Midland) Division.

www.cwgc.org/search/cemetery_details.aspx?cemetery=6603&a...

 

1901 Census lists a Harry Atkins, aged 11, living at Boyscott Lane, Bungay with his parents, George, (aged 42 a Tank Waggon Driver) and Rose, (aged 42), along with siblings:-

 

Charles………….aged 13

Florrie…………..aged 7

George………….aged 4

Lucy……………aged 9

William…………aged 6

 

No match on Norlink

 

************************************************************************

Lt Edgar George Baldry Army Pay Department. Died 12th December 1918. Aged 41. Buried in the North-West corner of ST PETER CHURCHYARD, HEDENHAM, Norfolk (RoH)

 

www.cwgc.org/search/casualty_details.aspx?casualty=2802943

 

No match on Norlink

 

************************************************************************

Private F Barber - no information on RoH

 

1901 Census has a F A Barber aged 5, living in the Parish of Bungay Holy Trinity, with his widowed father Isaac, (aged 28, Labourer) and siblings I W, (male, aged 7), and Lilian aged 2.

Also living with them was Isaacs 13 year old niece, Maud Knights.

 

Update March 2016 My original “guesses” as to the identity of this man can can now be discounted. A more likely match on the CWGC site is:-

BARBER, F

Rank:……………….Private

Service No:…………12899

Date of Death:……...28/03/1915

Age:…………………32

Regiment:…………..Suffolk Regiment, 2nd Bn.

Grave Reference:……B. 15.

Cemetery:

SUFFOLK CEMETERY, VIERSTRAAT

Additional Information:

Son of Mrs. Elizabeth Barber, of St. Lawrence, Bungay.

CWGC: www.cwgc.org/find-war-dead/casualty/455893/BARBER,%20F

 

Soldiers Died in the Great War records that Private 12899 Frederick Barber was Killed in Action on the 28th March 1915 whilst serving with the 2nd Battalion, Suffolk Regiment. He was born Ilketshall, Suffolk and enlisted Ipswich.

 

No match on Picture Norfolk

 

*****************************************************************

Private G Barber on RoH – no further information (checked picture - looks more like C)

 

No match on Picture Norfolk

 

No obvious match on CWGC or the 1901 Census.for G.

No obvious match on the 1901 Census for C.

 

Possibly

 

Name: BARBER, CHARLES

Rank: Second Hand Regiment/Service: Royal Naval Reserve Unit Text: H.M. Drifter "Violet May."

Age: 30 Date of Death: 15/02/1918 Service No: 1084/SA

Additional information: Son of Mr. and Mrs. George Barber; husband of Dora May Barber, of 47, London Rd., Lowestoft. Born at Lowestoft.

Grave/Memorial Reference: 14. 39. Cemetery: LOWESTOFT (BECCLES ROAD) CEMETERY

www.cwgc.org/search/casualty_details.aspx?casualty=397546

 

However there are numerous Private C Barber’s on the CWGC database and a significant number have no additional info about family or residence\birth place.

 

*********************************************************************

Private George Bedingfield 9224, 9th Battalion, Norfolk Regiment. Killed in action 15th April 1918. Born Bungay, enlisted King's Lynn, Norfolk. (RoH)

 

Name: BEDINGFIELD, GEORGE HENRY

Rank: Private Regiment: Norfolk Regiment, 9th Bn.

Age: 23 Date of Death: 15/04/1918 Service No: 9224

Additional information: Son of George and Eliza Ann Bedingfield, of Three Ashes, Bungay, Suffolk.

Memorial Reference: Panel 34 to 35 and 162A. TYNE COT MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=844517

 

No match on Norlink

 

George is also mentioned on the Heacham War Memorial. The RoH entry for that states he enlisted at Kings Lynn.

www.roll-of-honour.com/Norfolk/Heacham.html

 

The 1901 Census has a George Bedingfield, aged 5, living at Three Ash Corner, Bungay, in the household of his father, George, (age 45 and a journeyman carpenter), and Eliza, (aged 39), along with siblings Alice, (aged 11), Daniel, (aged 8), Dorothy, (aged 2), Gertrude, (aged 9), Jessie, (aged 2), Joyce, (under 1), Minnie, (aged 14) and Olive, (aged 6)

 

The 9th were moved to the Ypres salient on April 1st 1918 and moved to Dranoute on the 14th.

 

" Next day D and A companies were in front line, C in support and B in reserve. Arrangements had been made for C to counter attack if necessary but it's losses owing to the continuous heavy bombardment commencing at noon on the 15th necessitated B taking it's place as the counter attack force. At 2.30pm on the 15th the enemy advanced and by 3pm had gained a foothold in the front trenches. From these he was once again driven out by B company. Although B held the line and formed a defensive flank they were eventually themselves driven out due to their exposed position.

 

Line was then formed along the railway with the Ist Leicesters on their left at Clapham Junction. At 10.30pm they were moved back behind Mt Kemmel before being pulled out of line on the 18th.

 

This was after the 9th had been badly cut up a month before holding the massive German onslaught of the 21st March. Here they had fought a strong rearguard action before being moved out of line to for a refit in Sixte near Proven on the 26th.

 

1914-1918.invisionzone.com/forums/lofiversion/index.php/t...

 

A search engine on the CWGC web-site has 106 casualties for the 9th battalion on this day.

*********************************************************************

(2nd) Lt Reginald Boydon Bray 9th Battalion, Norfolk Regiment. Killed in action 23rd October 1918. Aged 31. Son of J. and A. Bray, of Great Yarmouth; husband of Alice Mary Bray, of 85, St. George's Rd., Great Yarmouth. Buried in HIGHLAND CEMETERY, LE CATEAU, Nord, France. Plot IV. Row D. Grave 6. (RoH)

 

www.cwgc.org/search/casualty_details.aspx?casualty=39738

 

No match on Norlink

 

The 1901 Census has Reginald , aged 13, living at 43 St Peters Road, Great Yarmouth with his parents, Jas F W, (aged 50 and a Builder), and Annie E, (aged 42,and a “Fancy Dealer”) as well as siblings Dorothy H, (under 1), Hubert E, (aged 12), Louis J (aged 15), and William H (aged 4). The Bray’s had two live in servants, Rachel Greenacre and Violet Reece.

 

Early on 23 October Haig launched a night attack with all three of his British armies, the First, Second and Fourth. This time the British advanced six miles in two days. The British were now twenty miles behind the rear line of the Hindenburg Line, and the Germans were on the back foot. They formed another new line between Valenciennes and the Sambre, but that line was penetrated on 4 November (battle of the Sambre), after which the speed of the Allied advance increased. The British advanced as far between 4-11 November as they had between 27 September and 3 November, and as the war ended the Canadians liberated Mons.

www.historyofwar.org/articles/battles_selle.html

 

The 6th Division of which the 9th Norfolks were part took part in the action on the 23rd October, known as the Battle of the Selle.

 

Reginald was one of 11 9th Battalion fatalities on this day.

 

*****************************************************************************

Private Harry Percy Brighton PW 4872, 18th Battalion, Duke of Cambridge's Own (Middlesex Regiment). Killed in action 30th July 1916. Born Bungay, enlisted Bury St Edmund's. (RoH)

 

The 18th Battalion of the Middlesex Regiment was a Pioneer Battalion.

www.1914-1918.net/msex.htm

 

The 1901 Census has a Harry P Brighton, aged 17 and a bricklayer, living at Castle Orchard, Bungay in the household of his parents, James, (aged 55 and a Bricklayer) and Eleanor, (aged 54) as well as siblings Arthur, (aged 21 and a bricklayer) and George, (aged 26 and a shoemaker). Also resident is James & Eleanor’s grand-daughter, Nellie, (aged 8), and a visitor, Edith Laws, (aged 26, Living of own means, and from Norwich).

 

It would make some sense that a Bricklayer in his 30’s would have been of more use in a Pioneer unit, but logic seldom has much of a role where the armed forces are concerned, in my limited experience.

 

Update March 206

 

BRIGHTON, HARRY PERCY

Rank:……………………Private

Service No:……………..PW/4872

Date of Death:………….30/07/1916

Age:……………………..32

Regiment:………………Middlesex Regiment, 18th Bn.

Panel Reference:……….Addenda Panel

Memorial:………………THIEPVAL MEMORIAL

Additional Information:

Son of James and Eleanor Brighton, of Bungay, Suffolk.

CWGC: www.cwgc.org/find-war-dead/casualty/75229071/BRIGHTON,%20...

 

Soldiers Died in the Great War records that Private P.W.4872 Harry Percy Brighton was Killed in Action on the 30th July 1916 whilst serving with the 18th Battalion, Duke of Cambridge’s Own (Middlesex Regiment). He was born Bungay, Suffolk and enlisted Bury St Edmunds. No place of residence is shown.

 

No match on Picture Norfolk

 

See also comment below from 2011.

 

*********************************************************************

Leading Stoker George Butcher.K/10511, H M S. "Natal", Royal Navy. Died 30th December 1915. Aged 23. Son of George and Mary Butcher, of 1, Southend Rd., Bungay. No known grave. Commemorated on CHATHAM NAVAL MEMORIAL, Kent. Panel 11. (RoH)

 

www.cwgc.org/search/casualty_details.aspx?casualty=4003754

 

No match on Norlink

 

On the 30th December 1915 Natal was lying in the Cromarty Firth with her squadron, under the command of Captain Eric Back RN. Shortly after 3.20pm, and without warning, a series of violent explosions tore through the ship. She capsized five minutes later. The most probable explanation was that a fire had broken out, possibly due to faulty cordite, that ignited a magazine.[3] The exact number of casualties is still debated, and ranges from 390, up to 421. Some were killed in the immediate explosions, others drowned as the ship capsized, or succumbed to the freezing water of the Cromarty Firth. Most of the bodies which were recovered from the sea were interred in Rosskeen Churchyard, Invergordon. A small number of casualties were interred in the Gaelic Chapel graveyard in Cromarty.

en.wikipedia.org/wiki/HMS_Natal_(1905)

 

As George is commemorated on the Chatham memorial, it would appear his body was never recovered.

 

The 1901 Census has George, aged 8, living in Upper Ollands Street in the household of his parents - George, (aged 40 and a stockman on farm) and Mary, (aged 36) along with siblings Agnes, (aged 8), Annie, (aged 4), Charlotte, (aged 14), Jennie, (aged 6) “Margat Md”, (aged 3). Maud, (aged 12) and Nelson J. (aged 1). Also resident was George’s grandfather, Samuel, (a widower, aged 71 and described as an Agricultural Labourer)

 

****************************************************************************

Lance Corporal Robert (James) Calver Private 328395, 1st (Reserve) Battalion, Cambridgeshire Regiment. Died 11th December 1917. Aged 31. Buried in the far left corner of the old burial ground BUNGAY CEMETERY, Bungay, Suffolk. (RoH)

 

www.cwgc.org/search/casualty_details.aspx?casualty=397103

 

No match on Norlink

 

There are no clear matches on the 1901 Census. There is one Robert Calver, aged 17, who was born in Norwich and who is now a Private in the Militia, in Barracks at Colchester.

A second Robert Calver is aged 16, and is a farm labourer who was born and is still resident at Ickworth in Suffolk.

 

There is then a James Calver, aged 14, who works as a Wine merchants errand boy. He was born in Bury St Edmunds, and still resident there. He lives in the household of a family with the surname Nunn, although his relation ship to the head of the household is shown as Son.

 

***********************************************************************

Trooper Percy Chase. Private 1894, Special Cavalry Reserve, 1st King Edward's Horse. Killed in action 9th April 1918. Born and enlisted Bungay. (RoH)

 

www.cwgc.org/search/casualty_details.aspx?casualty=729589

 

No match on Norlink

 

The Battle of the Lys (also known as the Lys Offensive, the Battle of Estaires, the Fourth Battle of Ypres and as the Batalha de La Lys in Portugal) was part of the 1918 German offensive in Flanders during the World War I (also know as the Spring Offensive), originally planned by General Ludendorff as Operation George but scaled back to become Operation Georgette, with the objective of capturing Ypres. Starting on April 9, 1918, the battle lasted until April 29.The attack was similar in planning, execution and effects, although with smaller dimensions, to the earlier Michael operation, also from the Spring Offensive

 

The front line was defended by two Portuguese divisions, with lack of men and without near half of its officers, had very low morale and were set to be replaced the day of the German attack.

The German attack was able to smash through those Portuguese divisions and emergency British troops, the 1st battalion, King Edward's Horse and the 11th Cyclist Battalion. Although they captured some land, German forces were ultimately brought to a halt by Australian, French and British divisions. By April 29 Ludendorff ceased Georgette operations.

en.wikipedia.org/wiki/Battle_of_Estaires

 

The 1901 Census has Percy Chase, aged 16 and a Corn Merchants Clerk, living a Trinity Street, Bungay in the household of his widowed mother, Sarah, (aged 60 and a Butcher) along with siblings Bell (aged 25), Bessie, (aged 27), Herbert, (aged 24 and a Butcher), Louie, (aged 19 and a Book-keeper) and Teddie, (aged 18 and a Draper’s assistant). There are also two live in servants and a boarder. Sarah and the older children come from Hanley, Staffordshire, Louie is from London, her brother Teddie was born at Mettingham in Suffolk, and only Percy was born in Bungay.

 

**********************************************************************

Trooper Charles Chatten. Private 3742, 10th (Prince of Wales's Own Royal) Hussars. Killed in action 13th MAy 1915. Born and resident Bungay, enlisted Great Yarmouth, Norfolk. (RoH)

 

Name: CHATTEN, CHARLES

Rank: Private Regiment: 10th (Prince of Wales's Own Royal) Hussars

Age: 34 Date of Death: 13/05/1915 Service No: 3742

Additional information: Son of Robert and Maria Chatten, husband of Harriet Kent (formerly Chatten), of Boycott Lane, Bungay, Suffolk.

Grave/Memorial Reference: Panel 5. Memorial: YPRES (MENIN GATE) MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=1606468

 

No match on Norlink

 

Charles place in the Bungay branch of the Chatten family tree can be seen here:-

www.ukchattens.net/228.htm

 

The 10th Royal Hussars returned to England from India in 1914 an were promptly sent to Ostend as part of the 6th cavalry Brigade, 3rd cavalry Division in October of that year. As well as their role of cavalry each of the three cavalry Regiments in the Brigade provided one company to fight as infantry in the trenches. During the war the Regiment fought at the second battle of Ypres and Loos in 1915, the Somme offensive in 1916, as well as fighting at Collezy and the capture of the Drocourt-Queant line in 1918.

website.lineone.net/~royal.hussar/10hwars.htm

 

***********************************************************************

Private Alfred Clarke. Private 43467, 9th Battalion, Norfolk Regiment. Killed in action 15th April 1918. Born Bungay, enlisted North Walsham, Norfolk. (RoH)

 

Name: CLARKE, ALFRED ERNEST

Rank: Private Regiment: Norfolk Regiment, 9th Bn.

Age: 25 Date of Death: 15/04/1918 Service No: 43467

Additional information: Son of Mr. and Mrs. James Clarke, of 29, Staithe Rd., Bungay, Suffolk.

Grave/Memorial Reference: Panel 34 to 35 and 162A. Memorial: TYNE COT MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=1628865

 

No match on Norlink

 

SeeGeorge Bedingfield above who died on the same day.

 

On the 1901 Census a 7 year old Alfred Clarke is living at Meeting House Lane, Bungay with his parents James, (aged 49 and a Millers Carter) and Maryann (aged 47), along with siblings Charles E, (aged 9), Florence M, (aged 13), Herbert Ed., (aged 17 and a Printers Machine Minders apprentice), and Sarah E. (aged 14).

 

***********************************************************************

Private Edwin Claree (identified by the RoH as Edwin Clare) Private 34349, 2nd Battalion, Suffolk Regiment. Died of wounds 28th December 1916. Born Ranworth, Norfolk, enlisted Bungay. (RoH)

 

Name: CLARE, EDWIN

Rank: Private Regiment: Suffolk Regiment, 2nd Bn.

Age: 40 Date of Death: 28/12/1916 Service No: 34349

Additional information: Son of Edith Alice Clare, of 37, Flixton Rd., Bungay, Suffolk. Grave Reference: VIII. C. 187. Cemetery: BOULOGNE EASTERN CEMETERY

www.cwgc.org/search/casualty_details.aspx?casualty=49130

 

The 1901 Census has an Edwin Clare, aged 23, single and a Maltster, living near the Broad at Ranworth. The head of the household was his 60 year old widowed mother, Elizabeth. Also resident were brothers Herbert, (aged 21 and an Agricultural Labourer) and sister Olive Elizabeth, whose profession is shown as non-resident housekeeper.

 

Update March 2016

 

No match on Picture Norfolk

 

SDGW records that Private 34349 Edwin Clare Died of Wounds on the 28th December 1916 whilst serving with the 2nd Battalion Suffolk Regiment. He was born Ranworth, Norfolk and enlisted Bungay. No place of residence is shown.

 

************************************************************************

Lance Corporal Thomas Clarke. 3/10311, 1st Battalion, Suffolk Regiment. Died in Salonika 25th February 1917. Born Bungay, enlisted Lowestoft. (RoH)

 

Name: CLARKE, THOMAS

Rank: Lance Corporal Regiment: Suffolk Regiment,1st Bn.

Age: 38 Date of Death: 25/02/1917 Service No: 3/10311

Additional information: Son of George and Catherine Clarke, of Bungay; husband of Catherine Mary Clarke, of High St., Lowestoft. Served in the South African Campaign. Grave Reference: VI. D. 12. Cemetery: STRUMA MILITARY CEMETERY

www.cwgc.org/search/casualty_details.aspx?casualty=333028

 

No match on Norlink

 

The 1901 Census doesn’t list a single Thomas Clarke of the right age in Norfolk or Suffolk - but as CWGC notes he served in South Africa, he could still have been overseas. There is a George, (aged 42, Plumber & Painter), with a wife Catherine, (aged 38), living with their other children at 6, The Thoroughfare, Halesworth.

 

Update March 2016

 

On the 1911 census the 31 year old Thomas, a General Labourer, was recorded as the married head of the household at Chamberlins Cottages, Carlton Cole, Suffolk. He lives there with his wife of 5 years, the 24 year old Catherine May from Pulham St Mary, Norfolk. The couple have had three children so far. All then alive and living at home. They are Catherine Annie, (4) and Thomas George, (3) – both born Bungay, and Albert Edward, (1), born Lowestoft.

 

************************************************************************

Trooper A E Clarke No further details on RoH

 

No obvious matches on CWGC or the 1901 Census

 

No match on Norlink

 

See comment below from 2011 possibly identifying this man as a Canadian soldier.

 

************************************************************************

Private S W Codling No further details on RoH

 

Possibly

Name: CODLING, SIDNEY FREDERICK

Rank: Lance Serjeant Regiment: Norfolk Regiment, 12th (Norfolk Yeomanry) Bn.

Age: 27 Date of Death: 30/12/1917 Service No: 320057

Additional information: Son of John and Alice Codling, of White Horse Hotel, Overstrand, Norfolk.

Memorial: CHATBY MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=1438479

 

The Chatby Memorial stands at the eastern end of the Alexandria (Chatby) War Memorial Cemetery and commemorates almost 1,000 Commonwealth servicemen who died during the First World War and have no other grave but the sea. Many of them were lost when hospital ships or transports were sunk in the Mediterranean, sailing to or from Alexandria. Others died of wounds or sickness while aboard such vessels and were buried at sea. More than 700 of those commemorated on the memorial died when the following vessels were topedoed or mined. Officers and men of the merchant services lost in these incidents are commemorated on appropriate memorials elsewhere:

 

HT "Aragon" - torpedoed and sunk 30 December 1917, entering the port of Alexandria, with the loss of 380 officers and men of the Commonwealth forces

www.cwgc.org/search/cemetery_details.aspx?cemetery=142020...

 

Sergeant Sydney Codling can be seen here

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

The Norlink notes read

Sgt. Codling was born at Overstrand, 24th September 1892 and educated at Overstrand school. He enlisted in 1912 and was drowned after the torpedoing of H.M. Transport Aragon at Alexandria, 30th December 1917. This photograph was donated by his father.

 

The 1901 census has a Stephen Codling, aged 3, living at Betsey Bridge, Ditchingham. Stephen had been born at Ditchingham, and he was living in the household of his parents, Charles, (aged 40 and a Groom & Domestic Gardener) and Emily aged 39, along with siblings Alice, (aged 12), Dora, (aged 5), Edith, (aged 1), Ellen, (aged 9), Florence, (aged 7), George, (aged 13), Harry, (aged 4), and James (aged 11).

 

(Un)fortunately there is no Stephen Codling listed on the CWGC database.

 

************************************************************************

Bertie Codling. Gunner 73944, Royal Garrison Artillery. Killed in action 1st August 1917. Born and enlisted Bungay. (RoH)

 

Name: CODLING Initials: B

Rank: Gunner Regiment/Service: Royal Garrison Artillery,57th Siege Bty. Date of Death: 01/08/1917 Service No: 73944

Grave Reference: II. E. 19. Cemetery: CANADA FARM CEMETERY

www.cwgc.org/search/casualty_details.aspx?casualty=435557

 

Canada Farm Cemetery took its name from a farmhouse used as a dressing station during the 1917 Allied offensive on this front. Most of the burials are of men who died at the dressing station between June and October 1917. There are now 907 First World War burials in the cemetery. www.cwgc.org/search/cemetery_details.aspx?cemetery=50400&...

 

No match on Norlink

 

The 1901 Census has a Bertie S William Codling, aged 5, living at Boyscott Lane, Bungay in the household of his parents, Samuel Codling, (aged 40 and a Bricklayer), and Elizabeth, (aged 41), along with siblings Agnes E, (aged 19 and a Printer’s bookbinder), Ernest G, (aged 17, and a Domestic Gardener), Laurence May, (aged 7), Liliam M, (aged 14 and a Printers Folder), Mabel Grace, (aged 2) and Monica Mary, (aged 12).

 

***********************************************************************

Lance Corporal Charles William Cunningham. Private 31122, 17th Battalion, Sherwood Foresters (Nottinghamshire and Derbyshire Regiment). Killed in action 23rd May 1916. Born Bungay, enlisted Derby. (RoH)

 

Name: CUNNINGHAM, CHARLES WILLIAM

Rank: Private Regiment: Sherwood Foresters (Notts and Derby Regiment),17th Bn.

Age: 24 Date of Death: 23/05/1916 Service No: 31122

Additional information: Son of Mr. C. D. and Mrs. S. Cunningham, of 38, Lower Olland St., Bungay, Suffolk.

Grave Reference: III. F. 28. Cemetery: LE TOURET MILITARY CEMETERY, RICHEBOURG-L'AVOUE

www.cwgc.org/search/casualty_details.aspx?casualty=261600

 

No match on Norlink

 

The 17th had only arrived in France on the 16th March.

www.1914-1918.net/notts.htm

 

A few weeks later, a fellow soldier from the Battalion would be shot at dawn. His story gives some idea of what faced these soldiers at this time.

www.derbyshirelads.uwclub.net/Men/bertie_mccubbin.htm

 

The 1901 Census has a Charles W Cunningham, aged 9, living at Neatgate Street, Bungay, in the household of his parents, Charles D, (aged 36 and a General Postman) and Susannah, (aged 40) along with brother, Arthur F, (aged 8) and sister Amy E. (aged 1) as well as widowed Grandmother Amy E Cunningham, (aged 74).

 

**********************************************************************

Private William Davey. Private 9202, 7th Battalion, Suffolk Regiment. Killed in action 18th September 1915. Born Bungay, enlisted Sudbury.(RoH)

 

Name: DAVEY, WILLIAM

Rank: Private Regiment: Suffolk Regiment, 7th Bn.

Age: 25 Date of Death: 18/09/1915 Service No: 9202

Additional information: Son of Samuel and Jessie Davey, of Bungay; husband of Sybil Hellen Davey, of 2, Clifton Villas, Waldenfield Rd., Sudbury, Suffolk.

Grave/Memorial Reference: D. 8. Cemetery: GUNNERS FARM MILITARY CEMETERY

 

www.cwgc.org/search/casualty_details.aspx?casualty=92044

 

No match on Norlink

 

William was born around 1890 in Bungay. He was the son of Samuel and Jessie Davey of Bungay. His father was employed as a hay cutter. William enlisted in Sudbury. He was married to Sybil Hellen, who after the war was living at 2 Clifton Villas, Waldingfield Road, Sudbury.

William was killed in action on 18th September 1915 aged 25 and lies buried in Gunners Farm Military Cemetery, Comines-Warneton, Hainaut, Belgium.

William is also remembered on the Sudbury and Newton War Memorials.

www.sudburysuffolk.co.uk/greatwar/profile.asp?id=389

 

Gunners Farm Cemetery took its name from a farm which stood on the opposite side of the road and is an example of a regimental cemetery, many of which were made in 1914 and 1915. The cemetery was begun in July 1915 by the 9th Essex and 7th Suffolk Regiments (Rows A to C), carried on by the 9th Loyal North Lancashire Regiment and the 11th Lancashire Fusiliers (Rows D to J), and the 9th (Scottish) Division (Rows J to Q). Apart from a small number of later burials, the cemetery was completed by service battalions of the Royal West Kent and Queen's Royal West Surrey Regiments in May and June 1916.

www.cwgc.org/search/cemetery_details.aspx?cemetery=8801&a...

 

William was one of two fatalities for the Battalion on this day, the other being Private E A Stonham, aged 23 and from the Southampton area.

 

***********************************************************************

Lance Corporal Clifford F Debenham. 43603, 8th Battalion, Norfolk Regiment. Killed in action 22nd October 1917. Born Bungay, enlisted Ditchingham, Norfolk. (RoH)

 

Name: DEBENHAM, CLIFFORD FRANK

Rank: Lance Corporal Regiment: Norfolk Regiment, 8th Bn.

Age: 25 Date of Death: 22/10/1917 Service No: 43603

Additional information: Son of Frank and Alice Maria Debenham, of 32, Wingfield St., Bungay, Suffolk.

Grave/Memorial Reference: Panel 34 to 35 and 162A. Memorial: TYNE COT MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=1629742

 

No match on Norlink

 

The 1901 Census has Clifford, (aged 8), living at South End Road Bungay in the household of his parents, Frank, (aged 36 and a Printers Clerk), and mother Alice, (aged 33) as well as sister Dora, (aged 9) and brother Stanley, (aged 10)

 

October 1917

The first three weeks of October were spent on the west bank of the Yser canal, and partly in training for the attack of October 22nd in the Poelcappelle neighbourhood. On the 8th Leiutenant -Colonel Ferguson and commanding the battalion almost continously for three years proceeded on six months special leave to England and was suceeded by Mjor E. N.Snepp. The only other notable event was on the 15th when the German bombardment was specially severe causing several causualties. One shell made a direct hit on a 'pill-box' in which was the regimental aid post. The medical officer was wounded two men were killed and one wounded. On the 20th the battalion was in Cane trench ready for the forthcoming attack"

 

It then goes on to decribe the attack which went in on around 5.50am of the 22nd. The Norfolks went first, leapt frogged by the 10th Essex. Despite the mud all the objectives were achieved.

 

"The triumphant Essex and Norfolks...........tramped back to hear the whole division ...and

General Maxse....singing their praise."

 

Losses were heavy and this was destined to be the Battalions last great action before it's dissolution. Being split up in the new year to go to the 7th and 9th Norfolks

 

1914-1918.invisionzone.com/forums/lofiversion/index.php/t...

 

*****************************************************************************

Private Frederick Thomas Debenham. Private 26017, 9th Battalion, Loyal North Lancashire Regiment. Died of wounds 5th September 1916. Born and enlisted Bungay. Formerly 26385, Bedfordshire Regiment. (RoH)

 

Name: DEBENHAM, FREDERICK THOMAS

Rank: Private Regiment: The Loyal North Lancashire Regiment, 9th Bn.

Age: 26 Date of Death: 05/09/1916 Service No: 26017

Additional information: Son of Thomas Debenham, of "Gable End," Wingfield St., Bungay, Suffolk, and the late Eliza Debenham.

Grave Reference: B. 47. Cemetery: SERAIN COMMUNAL CEMETERY EXTENSION

www.cwgc.org/search/casualty_details.aspx?casualty=588183

 

No match on Norlink.

 

Update March 2016

 

Originally I had struggled to find Frederick on the 1901 census and did not have access to the 1911 Census.

 

The 1911 census has a 20 year old Frederick Debenham, born Bungay and a Printers Machine Minder, who was recorded at 6 Staithe Road, Bungay. This was the household of his parents. Thomas, aged 46 and a Printers Compositor from Bungay, and Emily, aged 41 and a Dressmaker from Bungay. Thomas and Emily have been married 15 years and have no children of their own.

 

Going back to the 1901 census, the 10 year old “Frederic” and his parents, Thomas, (36) and Emily, (31), were recorded living on Wingfield Street, Bungay. Also living with them is Fredericks older sister Ellen, aged 12 and born Bungay.

 

Finally, on the 1891 census, the 11 month old Frederick “Thos”, was recorded at a dwelling on St Marys Street, Bungay. This was the household of his birth parents, father Thomas, (26) and mother Eliza Debenham, (aged 23 and born Bungay). Their only other child is the 2 year old Ellen Agnes. The death of an Eliza Debenham, aged 23 was recorded in the Wangford District of Suffolk in the October to December quarter, (Q4), of 1891.

 

************************************************************************

Private R Dobbie - (missed by the RoH)

 

Name: DOBBIE, REGINALD HENRY VICTOR

Rank: Private Regiment: Wellington Regiment, N.Z.E.F.

Age: 27 Date of Death: 08/08/1915 Service No: 10/1470

Additional information: Son of Henry Dobbie, of Bungay, Suffolk, England.

Memorial Reference: 20. CHUNUK BAIR (NEW ZEALAND) MEMORIAL

www.cwgc.org/search/casualty_details.aspx?casualty=679899

 

Chunuk Bair was one of the main objectives in the Battle of Sari Bair, fought 6-10 August 1915. The attack was to be carried out by two columns of the New Zealand Infantry Brigade, starting from the outposts on the shore and proceeding up the Sazli Belt Dere and the Chailak Dere. Meanwhile the New Zealand Mounted Rifles were to clear the foothills. The New Zealand Infantry reached Rhododendron Spur, where they were joined by the 10th Gurkha Rifles, from further north, and reinforced by the 8th Welsh, the 7th Gloucesters, the Auckland Mounted Rifles, and the Maori Contingent. The Wellington Infantry and some of the Gloucesters and Welsh reached the summit, and were later joined by men of the Auckland Infantry and Mounted Rifles. These troops, after repulsing incessant Turkish attacks, were reinforced by the Otago Battalion and the Wellington Mounted Rifles. The 6th Gurkhas and the 6th South Lancashire Regiment came in on the left. The 6th Loyal North Lancashire Regiment relieved the force at Chunuk Bair on the evening of 9 August, supported later by part of the 5th Wilts, but on the morning of the 10th, the position was taken by a determined and overwhelming counter-attack, carried out by a Turkish Army Corps led by Mustapha Kemal Pasha. The loss of Chunuk Bair marked the end of the effort to reach the central foothills of the peninsula and on this sector of the front, the line remained unaltered until the evacuation in December 1915. The CHUNUK BAIR (NEW ZEALAND) MEMORIAL is one of four memorials erected to commemorate New Zealand soldiers who died on the Gallipoli peninsula and whose graves are not known. This memorial relates to the Battle of Sari Bair and in other operations in this sector. It bears more than 850 names.

www.cwgc.org/search/cemetery_details.aspx?cemetery=76000&...

 

Reginald is also listed on the Ditchingham roll of honour

www.roll-of-honour.com/Norfolk/Ditchingham.html

 

The 1901 Census has Reginald H V Dobbie, age 14 and a Telegraph Messenger, living at Common Road, Mulbarton, Norfolk. He resided in the household of his parents Henry, (aged 49 and a Nurseryman from Yorkshire) and Ellen, (aged 48, a dressmaker from Norwich), along with brothers Cecil, (aged 17 and an assistant gardener), Francis (aged 8), Geoffrey, (aged 3) and sisters Eleanor, (aged 7) and Gertrude (age 21). No two children have the same place of birth, so the family obviously moved around

 

There’s a bit more detail about Reginald on the Auckland War Memorial site.

muse.aucklandmuseum.com/databases/Cenotaph/RecordDetail.a...

 

As darkness fell on the evening of 8 August, the fighting subsided and the Wellington Battalion was relieved. Out of the 760 men of the battalion who had reached the summit, 711 had become casualties.

en.wikipedia.org/wiki/Battle_of_Chunuk_Bair

www.anzacsite.gov.au/1landing/nbeach4.html

www.anzacsite.gov.au/1landing/nbeach4_2.html

www.diggerhistory2.info/graveyards/pages/history/chunuk-b...

Reginald was initially only reported as wounded.

www.ozlists.com/genies/defence/ww1/rollhono/d3.htm

 

*********************************************************************

 

Old machines are more beloved because they are not only form but spirit.

"The National Railway Museum is a museum in York forming part of the Science Museum Group. The museum tells the story of rail transport in Britain and its impact on society. It is the home of the national collection of historically significant railway vehicles such as Mallard, Stirling Single, Duchess of Hamilton and a Japanese bullet train. In addition, the National Railway Museum holds a diverse collection of other objects from a household recipe book used in George Stephenson’s house to film showing a "never stop railway" developed for the British Empire Exhibition. It has won many awards, including the European Museum of the Year Award in 2001.

 

As of 2019 the museum is about to embark on a once-in-a-generation site development. As part of the York Central redevelopment which will divert Leeman Road, the National Railway Museum will be building a new entrance building to connect the two separate parts of the museum together. At the same time, the space around the museum will be landscaped to provide public spaces.

 

In 2020 architectural practice Feilden Fowles won an international competition to create the museum’s new £16.5 million Central Hall building—a key element of the museum’s Vision 2025 masterplan.

 

York is a cathedral city and unitary authority area in North Yorkshire, England. The population of the council area which includes nearby villages was 208,200 as of 2017[citation needed] and the population of the urban area was 153,717 at the 2011 census. Located at the confluence of the Rivers Ouse and Foss, it is the county town of the historic county of Yorkshire. The city is known for its famous historical landmarks such as York Minster and the city walls, as well as a variety of cultural and sporting activities, which makes it a popular tourist destination in England. The local authority is the City of York Council, a single tier governing body responsible for providing all local services and facilities throughout the city. The City of York local government district includes rural areas beyond the old city boundaries. It is about 25 miles north-east of Leeds and 34 miles north-west of Kingston upon Hull. York is the largest settlement in the ceremonial county of North Yorkshire.

 

The city was founded by the Romans as Eboracum in 71 AD. It became the capital of the Roman province of Britannia Inferior, and later of the kingdoms of Deira, Northumbria and Jórvík. In the Middle Ages, York grew as a major wool trading centre and became the capital of the northern ecclesiastical province of the Church of England, a role it has retained. In the 19th century, York became a major hub of the railway network and a confectionery manufacturing centre, a status it maintained well into the 20th century. During the Second World War, York was bombed as part of the Baedeker Blitz. Although less affected by bombing than other northern cities, several historic buildings were gutted and restoration efforts continued into the 1960s.

 

The economy of York is dominated by services. The University of York and National Health Service are major employers, whilst tourism has become an important element of the local economy. In 2016, York became sister cities with the Chinese city of Nanjing, as per an agreement signed by the Lord Mayor of York, focusing on building links in tourism, education, science, technology and culture. Today, the city is a popular tourist attraction, especially for international visitors from America, Germany, France and China. In 2017, York became UK's first human rights city, which formalised the city's aim to use human rights in decision making." - info from Wikipedia.

 

Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.

 

Now on Instagram.

 

Become a patron to my photography on Patreon.

Saïd Kinos

Eindhoven (NL)

This video shows thunderstorms affecting our annual family camping trip! Our camping trip this year was from July 19-22, 2015. This year, we headed to the Wolf Creek Campgrounds located at the Union Valley Reservoir. The thunderstorms quickly formed during the afternoon hours. Skies were quite clear during the morning. Talk about afternoon convection and atmospheric instability in the making! We even heard quite a few faint rumbles of thunder while we were at the lake. (If you want, put volume up and if possible, wear headphones to hear the thunder). The storms came when we were right at the lake...but it was perfect timing. Now I got to enjoy my type of weather! Even some of us wanted to go for a dip in the lake during the rain/thunderstorm lol. It was a great experience indeed! The storms subsided by the late afternoon hours...

 

(Footage/pics taken on Monday, July 20, 2015 while in and around the Union Valley Reservoir, at the Wolf Creek Campground side.)

 

How things got interesting weather-wise:

Our trip so happens to fall in days when the region was to experience thunderstorms! What timing, right?! Even on Sunday, July 19, 2015 when our trip started, this was the same time when moisture from the remnants of former Hurricane Dolores went over SoCal, breaking rainfall records there. Even when we were leaving San Jose, CA, t-storms have already occurred around the Monterey areas!! Some of the moisture even eventually made it up here around the Sierra Nevada where we were! So I took full advantage of this and took quite a few photos and video of the t-storms that did form and drift into our campground. On Monday, July 20, 2015, some of us even had the rare chance to swim in the reservoir during a thunderstorm! Don't worry, we didn't get struck by lightning, though one of us saw a CG lightning strike nearby to our north or so! It was a nice experience to swim in the lake in such weather! Then on Tuesday, July 21, 2015, the region had another similar weather pattern. T-storms developed again during the afternoon hours. Even a severe t-storm warning was issued for the region as slow-moving storms popped up around the area. Some of us (including me) were lucky enough to see some lightning from a slowly approaching storm cell to our south! The fun part was seeing these storms develop and approach towards while we were chilling\swimming at the lake. Overall, our annual family camping trip this year was an interesting one, thanks to the storms! The t-storm development had slowed down at the time when we were leaving, too (Wednesday, July 22, 2015)! It's pretty neat to realize that the storms had occurred only when we were there up in the Sierras.

 

Full video version here:

www.youtube.com/watch?v=UDjg03SLh94

ayashi-sl.blogspot.ru/2013/11/ayashi-blood-c-school-form-...

Formando um conjunto com o porta lanche maçã...

From Molly's Garden, an Urban Thumbs retailer. I consider it particularly attractive because of its short, broadly ovate leaves.

 

The shoot on the left with narrower, lighter green leaves is a form of D. concinna. It has long running rhizomes and shoots pop up all over the place.

traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

Formeren van trailerset 1 onder de nieuwe spoorbrug.

 

Assembling from trailerset 1 under the bridge.

Selective Color

Each semester, The Island School students take a trip to the iconic sandbar of the coast of Cape Eleuthera. Here they learn about how "ooids", round calcium carbonate sand particles, are formed.