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Bessa R3a,+Heliar 15mm/f 4,5, Kodak Ektar 100 © Ramon Robusté Mialet

  

As you study this photograph, you see the many forms of water. You see waterfalls of different speeds, some short, some tall, grouped, single, arced, straight, and even a few which have all of these characteristics. Regardless of its characteristic, water doesn't stop when a boulder is in its way. We have more to learn from this natural resource.

 

This looks best full-screen.

Photo # KS5_8967bw.

Location: Woolly Hollow State Park, Arkansas. May/2014.

(c) Kelly Shipp Photography.

A shelf. At least, a shelf when made by Zaha Hadid.

Polish-born Theodore Roszak's sculpture depicting the exhilaration of powered flight for the U.S. Space Pavillion at the 1964 - 1965 New York World's Fair.

MS WHITE IN WHITE COLD SHOULDER SHEATH DRESS FROM WHBM

WALK ON WITH HOPE IN YOUR HEART AND YOU WILL NEVER WALK ALONE

OK, one more and I'm done! I'm thinking black and red.

 

www.flickr.com/photos/yoderism/sets/72157625958909373/

As usual, I feel that one cannot fully comprehend an architectural space without a panorama, so here is one such. This shows the inside of the main arena, with the exposed skylight, which is both functional and beautiful. Form follows function.

 

This panorama is stitched together using 16 images captured with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM. It covers a FOV (field of view) of 219.20 x 74.48 degrees.

 

# More Information

+ en.wikipedia.org/wiki/Beijing_National_Aquatics_Center

 

水立方北京國家游泳中心全景 The Water Cube, Beijing National Aquatics Center (Panorama) / 中國北京體育建築之形 Sports architecture forms in Beijing, China / SML.20140502.6D.31824-SML.20140502.6D.31839-Pano.i16.C.219.20x74.48(2.56).P1

Water, saturated with dissoluted Calciumhydrogencarbonate forms dripstones. Drop for drop a little quanitity of calcite (or aragonite) is left (when carbondioxide vanishes in the air of the cave) and accumulates to a dripstone.

"From the beginning

Small lifeforms

They can kill without warning

So you don't explode"- Daughter

 

Spent way to much time editing this today but... oh well :)

Exploratory Art from the Historical Sloss Furnace in Birmingham, Alabama

Droplet light painting @ 100mm - 1.6 sec at f/6.3

 

...Planet scan --- Epsilon 3E-858

Log date: 2046 - Deep space probe scan

---sensors online---

Atmosphere: nitrogen, carbon dioxide, argon, helium

Orbit sequence: 4-RE-001100

Objective complete: Scans confirm -carbon based signatures...

 

photo edit-lightroom

creature sculp-zbrush

final edit-photoshop

 

life form by © Zack Podratz 2012

typography must be clear communication in its most vivid form

Dark grey day today, but on this morning, the sun was shining on this lovely yogi, making her perfect form quite dramatic!

  

Since taking up full-frame photography, I have found the Canon 35mm F2.0 IS USM to be a great all purpose lens. View other shots taken with this lens here.

When I woke that morning, I mean very early, and saw the fog, I got out right away without taking my coffee. I was hoping for sunshine so I could capture spiderwebs. It never lasts long so one needs to be there before the sun dries everything out.

Kathmandu, Nepal.

Much as they did so many years ago, two B-17s turn to form up on each other.

 

_MG_3665_DxO1_raw

A rose is a woody perennial flowering plant of the genus Rosa, in the family Rosaceae, or the flower it bears. There are over three hundred species and tens of thousands of cultivars. They form a group of plants that can be erect shrubs, climbing, or trailing, with stems that are often armed with sharp prickles.[citation needed] Their flowers vary in size and shape and are usually large and showy, in colours ranging from white through yellows and reds. Most species are native to Asia, with smaller numbers native to Europe, North America, and northwestern Africa.[citation needed] Species, cultivars and hybrids are all widely grown for their beauty and often are fragrant. Roses have acquired cultural significance in many societies. Rose plants range in size from compact, miniature roses, to climbers that can reach seven meters in height.[citation needed] Different species hybridize easily, and this has been used in the development of the wide range of garden roses.

 

The leaves are borne alternately on the stem. In most species they are 5 to 15 centimetres (2.0 to 5.9 in) long, pinnate, with (3–) 5–9 (–13) leaflets and basal stipules; the leaflets usually have a serrated margin, and often a few small prickles on the underside of the stem. Most roses are deciduous but a few (particularly from Southeast Asia) are evergreen or nearly so.

 

The flowers of most species have five petals, with the exception of Rosa sericea, which usually has only four. Each petal is divided into two distinct lobes and is usually white or pink, though in a few species yellow or red. Beneath the petals are five sepals (or in the case of some Rosa sericea, four). These may be long enough to be visible when viewed from above and appear as green points alternating with the rounded petals. There are multiple superior ovaries that develop into achenes.[3] Roses are insect-pollinated in nature.

 

The aggregate fruit of the rose is a berry-like structure called a rose hip. Many of the domestic cultivars do not produce hips, as the flowers are so tightly petalled that they do not provide access for pollination. The hips of most species are red, but a few (e.g. Rosa pimpinellifolia) have dark purple to black hips. Each hip comprises an outer fleshy layer, the hypanthium, which contains 5–160 "seeds" (technically dry single-seeded fruits called achenes) embedded in a matrix of fine, but stiff, hairs. Rose hips of some species, especially the dog rose (Rosa canina) and rugosa rose (Rosa rugosa), are very rich in vitamin C, among the richest sources of any plant. The hips are eaten by fruit-eating birds such as thrushes and waxwings, which then disperse the seeds in their droppings. Some birds, particularly finches, also eat the seeds.

 

The sharp growths along a rose stem, though commonly called "thorns", are technically prickles, outgrowths of the epidermis (the outer layer of tissue of the stem), unlike true thorns, which are modified stems. Rose prickles are typically sickle-shaped hooks, which aid the rose in hanging onto other vegetation when growing over it. Some species such as Rosa rugosa and Rosa pimpinellifolia have densely packed straight prickles, probably an adaptation to reduce browsing by animals, but also possibly an adaptation to trap wind-blown sand and so reduce erosion and protect their roots (both of these species grow naturally on coastal sand dunes). Despite the presence of prickles, roses are frequently browsed by deer. A few species of roses have only vestigial prickles that have no points.

 

Evolution

The oldest remains of roses are from the Late Eocene Florissant Formation of Colorado. Roses were present in Europe by the early Oligocene.

 

Today's garden roses come from 18th-century China. Among the old Chinese garden roses, the Old Blush group is the most primitive, while newer groups are the most diverse.

 

Species

Hulthemia (formerly Simplicifoliae, meaning "with single leaves") containing two species from southwest Asia, Rosa persica and Rosa berberifolia, which are the only roses without compound leaves or stipules.

Hesperrhodos (from the Greek for "western rose") contains Rosa minutifolia and Rosa stellata, from North America.

Platyrhodon (from the Greek for "flaky rose", referring to flaky bark) with one species from east Asia, Rosa roxburghii (also known as the chestnut rose).

Rosa (the type subgenus, sometimes incorrectly called Eurosa) containing all the other roses. This subgenus is subdivided into 11 sections.

Banksianae – white and yellow flowered roses from China.

Bracteatae – three species, two from China and one from India.

Caninae – pink and white flowered species from Asia, Europe and North Africa.

Carolinae – white, pink, and bright pink flowered species all from North America.

Chinensis – white, pink, yellow, red and mixed-colour roses from China and Burma.

Gallicanae – pink to crimson and striped flowered roses from western Asia and Europe.

Gymnocarpae – one species in western North America (Rosa gymnocarpa), others in east Asia.

Laevigatae – a single white flowered species from China.

Pimpinellifoliae – white, pink, bright yellow, mauve and striped roses from Asia and Europe.

Rosa (syn. sect. Cinnamomeae) – white, pink, lilac, mulberry and red roses from everywhere but North Africa.

Synstylae – white, pink, and crimson flowered roses from all areas.

 

Uses

Roses are best known as ornamental plants grown for their flowers in the garden and sometimes indoors. They have been also used for commercial perfumery and commercial cut flower crops. Some are used as landscape plants, for hedging and for other utilitarian purposes such as game cover and slope stabilization.

 

Ornamental plants

The majority of ornamental roses are hybrids that were bred for their flowers. A few, mostly species roses are grown for attractive or scented foliage (such as Rosa glauca and Rosa rubiginosa), ornamental thorns (such as Rosa sericea) or for their showy fruit (such as Rosa moyesii).

 

Ornamental roses have been cultivated for millennia, with the earliest known cultivation known to date from at least 500 BC in Mediterranean countries, Persia, and China. It is estimated that 30 to 35 thousand rose hybrids and cultivars have been bred and selected for garden use as flowering plants. Most are double-flowered with many or all of the stamens having morphed into additional petals.

 

In the early 19th century the Empress Josephine of France patronized the development of rose breeding at her gardens at Malmaison. As long ago as 1840 a collection numbering over one thousand different cultivars, varieties and species was possible when a rosarium was planted by Loddiges nursery for Abney Park Cemetery, an early Victorian garden cemetery and arboretum in England.

 

Cut flowers

Roses are a popular crop for both domestic and commercial cut flowers. Generally they are harvested and cut when in bud, and held in refrigerated conditions until ready for display at their point of sale.

 

In temperate climates, cut roses are often grown in greenhouses, and in warmer countries they may also be grown under cover in order to ensure that the flowers are not damaged by weather and that pest and disease control can be carried out effectively. Significant quantities are grown in some tropical countries, and these are shipped by air to markets across the world.

 

Some kind of roses are artificially coloured using dyed water, like rainbow roses.

 

Perfume

Rose perfumes are made from rose oil (also called attar of roses), which is a mixture of volatile essential oils obtained by steam distilling the crushed petals of roses. An associated product is rose water which is used for cooking, cosmetics, medicine and religious practices. The production technique originated in Persia and then spread through Arabia and India, and more recently into eastern Europe. In Bulgaria, Iran and Germany, damask roses (Rosa × damascena 'Trigintipetala') are used. In other parts of the world Rosa × centifolia is commonly used. The oil is transparent pale yellow or yellow-grey in colour. 'Rose Absolute' is solvent-extracted with hexane and produces a darker oil, dark yellow to orange in colour. The weight of oil extracted is about one three-thousandth to one six-thousandth of the weight of the flowers; for example, about two thousand flowers are required to produce one gram of oil.

 

The main constituents of attar of roses are the fragrant alcohols geraniol and L-citronellol and rose camphor, an odorless solid composed of alkanes, which separates from rose oil. β-Damascenone is also a significant contributor to the scent.

 

Food and drink

Rose hips are high in vitamin C, are edible raw, and occasionally made into jam, jelly, marmalade, and soup, or are brewed for tea. They are also pressed and filtered to make rose hip syrup. Rose hips are also used to produce rose hip seed oil, which is used in skin products and some makeup products.

 

Rose water has a very distinctive flavour and is used in Middle Eastern, Persian, and South Asian cuisine—especially in sweets such as Turkish delight, barfi, baklava, halva, gulab jamun, knafeh, and nougat. Rose petals or flower buds are sometimes used to flavour ordinary tea, or combined with other herbs to make herbal teas. A sweet preserve of rose petals called gulkand is common in the Indian subcontinent. The leaves and washed roots are also sometimes used to make tea.

 

In France, there is much use of rose syrup, most commonly made from an extract of rose petals. In the Indian subcontinent, Rooh Afza, a concentrated squash made with roses, is popular, as are rose-flavoured frozen desserts such as ice cream and kulfi.

 

The flower stems and young shoots are edible, as are the petals (sans the white or green bases). The latter are usually used as flavouring or to add their scent to food. Other minor uses include candied rose petals.

 

Rose creams (rose-flavoured fondant covered in chocolate, often topped with a crystallised rose petal) are a traditional English confectionery widely available from numerous producers in the UK.

 

Under the American Federal Food, Drug, and Cosmetic Act, there are only certain Rosa species, varieties, and parts are listed as generally recognized as safe (GRAS).

 

Rose absolute: Rosa alba L., Rosa centifolia L., Rosa damascena Mill., Rosa gallica L., and vars. of these spp.

Rose (otto of roses, attar of roses): Ditto

Rose buds

Rose flowers

Rose fruit (hips)

Rose leaves: Rosa spp.

As a food ingredient

The rose hip, usually from R. canina, is used as a minor source of vitamin C. Diarrhodon (Gr διάρροδον, "compound of roses", from ῥόδων, "of roses") is a name given to various compounds in which red roses are an ingredient.

 

Art and symbolism

The long cultural history of the rose has led to it being used often as a symbol. In ancient Greece, the rose was closely associated with the goddess Aphrodite. In the Iliad, Aphrodite protects the body of Hector using the "immortal oil of the rose" and the archaic Greek lyric poet Ibycus praises a beautiful youth saying that Aphrodite nursed him "among rose blossoms". The second-century AD Greek travel writer Pausanias associates the rose with the story of Adonis and states that the rose is red because Aphrodite wounded herself on one of its thorns and stained the flower red with her blood. Book Eleven of the ancient Roman novel The Golden Ass by Apuleius contains a scene in which the goddess Isis, who is identified with Venus, instructs the main character, Lucius, who has been transformed into a donkey, to eat rose petals from a crown of roses worn by a priest as part of a religious procession in order to regain his humanity. French writer René Rapin invented a myth in which a beautiful Corinthian queen named Rhodanthe ("she with rose flowers") was besieged inside a temple of Artemis by three ardent suitors who wished to worship her as a goddess; the god Apollo then transformed her into a rosebush.

 

Following the Christianization of the Roman Empire, the rose became identified with the Virgin Mary. The colour of the rose and the number of roses received has symbolic representation. The rose symbol eventually led to the creation of the rosary and other devotional prayers in Christianity.

 

Ever since the 1400s, the Franciscans have had a Crown Rosary of the Seven Joys of the Blessed Virgin Mary. In the 1400s and 1500s, the Carthusians promoted the idea of sacred mysteries associated with the rose symbol and rose gardens. Albrecht Dürer's painting The Feast of the Rosary (1506) depicts the Virgin Mary distributing garlands of roses to her worshippers.

 

Roses symbolised the Houses of York and Lancaster in a conflict known as the Wars of the Roses.

 

Roses are a favored subject in art and appear in portraits, illustrations, on stamps, as ornaments or as architectural elements. The Luxembourg-born Belgian artist and botanist Pierre-Joseph Redouté is known for his detailed watercolours of flowers, particularly roses.

 

Henri Fantin-Latour was also a prolific painter of still life, particularly flowers including roses. The rose 'Fantin-Latour' was named after the artist.

 

Other impressionists including Claude Monet, Paul Cézanne and Pierre-Auguste Renoir have paintings of roses among their works. In the 19th century, for example, artists associated the city of Trieste with a certain rare white rose, and this rose developed as the city's symbol. It was not until 2021 that the rose, which was believed to be extinct, was rediscovered there.

 

In 1986 President Ronald Reagan signed legislation to make the rose the floral emblem of the United States.

 

Pests and diseases

Main article: List of pests and diseases of roses

Wild roses are host plants for a number of pests and diseases. Many of these affect other plants, including other genera of the Rosaceae.

 

Cultivated roses are often subject to severe damage from insect, arachnid and fungal pests and diseases. In many cases they cannot be usefully grown without regular treatment to control these problems.

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

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Photograph taken at an altitude of Fifty eight metres at 07:18am just as the light broke through the dawn on an Autumn morning, Saturday Octyober 22nd 2022 off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.

 

Here we see an adult male Carrion crow (Corvus corone), one of a pair who I have fed for three years now. Nicknamed Russell, he sits on an aerial opposite my front door, calling to Sheryl his wife, and Baboo, thier young'en from this year.

  

AN IN DEPTH LOOK AT CORVUS CORONE

  

LEGEND AND MYTHOLOGY

By Paul Williams

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.

  

A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.

  

Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.

  

Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....

  

I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

  

A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.

  

I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rumbunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.

  

Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months. The two adults are still here in December and now taking the food that I put out to help all birds survive in the winter months. They also have a pair of Magpies to compete with now.

 

Late February 2022 and Cheryl and Russell and their youngster are still with me, still dominant in the area and still taking raw chicken, hotdogs, biscuits and fatballs that I put out for them. Today I saw them mating for the first time this year in the tree and the cycle continues.

 

By October 2022 the pair had successfully reared a new baby who we nicknamed Baboo, and the other youngster flew the coup. The three no recognised our car returning from weekends away, and were enjoying sausages, hotdogs, raw chicken, fish and especially cheese, but life was hard as they aged with daily morning and evening tustles in the air with invaders and intruders hoping to take their land.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021 (Updated in October 2022)

  

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Nikon D850 Focal length 550mm Shutter speed: 1/40s Aperture f/11.0 iso640 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering ISO Sensitivity: Auto 360 White balance on: Auto1 (5390k) Colour space: RGB Picture control: Standard (Sharpening +3)

  

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

     

LATITUDE: N 51d 28m 28.36s

LONGITUDE: E 0d 8m 10.61s

ALTITUDE: 58.0m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 90.90MB

PROCESSED (JPeg) FILE: 40.00MB

    

PROCESSING POWER:

 

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

 

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

   

Twisting Light #3. The next experimental shot exploring the patterns formed by light passing through shaped and formed plastics. These are analog images taken direct onto 35mm film.

 

I'd be interested to see what they remind you of.

  

Sufi whirling (or Sufi spinning) is a form of Sama or physically active meditation which originated among Sufis, and which is still practiced by the Sufi Dervishes of the Mevlevi order. It is a customary dance performed within the Sema, or worship ceremony, through which dervishes (also called semazens) aim to reach the source of all perfection, or kemal. This is sought through abandoning one's nafs, egos or personal desires, by listening to the music, focusing on God, and spinning one's body in repetitive circles, which has been seen as a symbolic imitation of planets in the Solar System orbiting the sun.

In the symbolism of the Sema ritual, the semazen's camel's hair hat (sikke) represents the tombstone of the ego; his wide, white skirt (tennure) represents the ego's shroud. By removing his black cloak (hırka), he is spiritually reborn to the truth. At the beginning of the Sema, by holding his arms crosswise, the semazen appears to represent the number one, thus testifying to God's unity. While whirling, his arms are open: his right arm is directed to the sky, ready to receive God's beneficence; his left hand, upon which his eyes are fastened, is turned toward the earth. The semazen conveys God's spiritual gift to those who are witnessing the Sema. Revolving from right to left around the heart, the semazen embraces all humanity with love. The human being has been created with love in order to love. Mevlâna Jalâluddîn Rumi says, "All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!

 

www.tavlas.com

NO PHOTOSHOP PHOTOGRAPHY

History of the World Kite Museum, Long Beach, Washington

 

The World Kite Museum and Hall of Fame has its roots in the local community. In the mid 1980’s a group of kite enthusiasts began to discuss the idea of forming a museum dedicated to kites and kite flyers.

 

The group met informally and developed a plan of action. They researched building opportunities, nonprofit status requirements, storage facilities, and other basic details that were needed to establish a museum. The group was eager to create a place where people could go to learn about kite history and see kiting displays.

 

Several auspicious things happened during this period of development: 1989 was the Washington State’s 100th birthday and with this celebration came an initiative focused on developing museums and history preserving organizations.

 

There were many workshops offered by the state to encourage upgrading and fostering museums. Our developing museum board picked areas that interested them and attended. We learned about how to run a gift shop, accession artifacts, write a mission statement, goals, and objectives, recommended storage techniques, 501 c 3 status – all these topics of importance to an new museum organization.

 

Also in 1989 the David Checkley’s widow donated his collection of 700 Japanese, Chinese and Malaysian kites to the World Kite Museum. The 300 Japanese kites in the collection are considered the most complete collection of Japanese kites outside of Japan.

 

Our first exhibit, “The History of Kites in Washington State”, was a week long affair in the Long Beach City Council rooms during the 1989 Washington State International Kite Festival. This same year a famous Japanese kite maker Eiji Ohashi also brought kite-making materials to Long Beach. With the help of World Kite Museum volunteers every child at Long Beach Elementary made a flyable Japanese kite. The Museum had begun with an exhibit, a unique kite display on the beach, and a school kite making class.

 

Due to the success of these exhibits and activities the museum believed a freestanding building was necessary to house the collection. Jim Buesing went to the City of Long Beach with a proposal for the use of the Coulter home in the southwest corner of the one half block of beach cottage vacation rental property the city had acquired. Through the assistance of the City of Long Beach this building became the Museum home from 1990-2004.

 

By August 1990, led by Buesing, the inside of the home plus the two rental rooms attached became a four-room exhibit space. The kitchen morphed into an admission desk and gift shop. The bathroom, tub and sink removed were computer room and print, picture, video and book storage. The laundry room stored kites not on exhibit. One of the exhibit rooms was designated as the Long Beach room. It was a nostalgic place for festival participants. Admission included the ability to make a kite to fly, from materials provided by the museum, a tradition which the current museum still promises.

 

During the 14 years the World Kite Museum was in this location the museum grew their community partnerships – using the Long Beach Elementary gymnasium for adult workshops and bringing cultural experiences to their students. We also worked closely with Long Beach Peninsula Merchant Associations, providing programs for local clubs and libraries. We developed in house programs and activities like membership drives, quarterly newsletters, demonstrations, and traveling exhibits. Little did we know that running into each other in our crowded building cause us to make so many new and wonderful friends.

 

As the museum grew we began to search for a larger space to accommodate the needs of the collection and the visitors. A 10,360 square foot, two-story building was available on Sid Snyder Drive in late 2004. By November 2005, the Board of Directors was able to purchase this building that provides over 6,000 square feet of exhibit space, room for storing research artifacts, both photos and printed ephemera, plus workshop and office space. The current World Kite Museum collection now houses over 1500 kites from 26 countries around the world. The American Kite Association combined their archives with ours in the late 1990’s. These materials coupled with our active oral history program makes the World Kite Museum resource for research on kites around the world. Textbook companies and freelance writers have utilized our ephemera to create articles and books about the history of kiting. The History of the World Kite Museum and Hall of Fame now proceeds with educating and entertaining visitors, protecting and increasing our collections plus researching and discovering more about kites past and present.

kitefestival.com/about/

Avui és Nadal, diuen.

Un dia d'alegria per uns i de certa tristor i enyorament per altres. Allò evident és que a quasi ningú deixa indiferent.

La meva sensació és de barreja, per un costat estic molt content, doncs, estic sortint molt bé i amb moltes ganes endavant millorant dia a dia la meva salut i per l'altra, com aquesta fulla, se m'acumula un cert glaç al cim... i em sap greu, molt de greu.

Si una cosa ha estat important en la recuperació i en l'alegria ha estat la mostres d'amistat que he tingut... amistat profunda i seriosa, d'aquella que no té condicions, ni lleis, una amistad sincera, de cor. Per l'altra banda tinc els meus dubtes de si he sabut correspondre, una mica, a tota aquesta generositat, si la meva, a vegades, fredor i retreiment no haurà fet mal a algú. Amb sabria molt i molt de greu.

Sé que entrem a l'hiver un temps d'estar molt pendents de nosaltres i del nostra entorn, acabades les festes és queda molt d'espai de treball i reflexió, per a dies molt curts i poc generosos..No voldria glaçar.. voldria que el solet, fins i tot el d'hivern, fos l'acompanyant meu i el de tots vosaltres i que fos molt més capaç de transmetre escalfor... o com a mínim una mica de caliu.

Pale form of Common Buzzard (Buteo buteo). Until recently, the buzzard was only found in the north and west of the country due to severe population declines. Over the last couple of decades, however, it has been doing very well and can now be found almost everywhere in the UK. Listen out for its cat-like,'kee-yaaa' calls as it soars in high circles over grassland, farmland and woodlands. buzzards eat small birds, mammals and carrion, but will also eat large insects and earthworms when prey is in short supply.

How to identify

Buzzards are the most frequently seen medium-sized birds of prey. They have broader wings and shorter tails than the harriers or Red Kite. Their plumage can vary from a uniform dark brown to much paler shades. Photo by Nick Dobbs, Bournemouth, Dorset 12-12-17

Disregard the four generations snapshot; it sneaked the form example past Flickr. Here's a bonus. Although I have plenty of photos to go, I recently posted the James Meadow cover page that I used for one of the stories in my genealogy project. My cousin dumped a wardrobe box of family images and documents on me some time ago, not that I don't have the tools to do the work. Admittedly, I attended some genealogy meetings and received a copy of their standard pedigree form. Frankly, my aunts did the heavy family research. I set the Pedigree page aside. Genealogists seem to heavily rely on blood letting and letting the FBI track down their criminally weird cousins through blood banks. Meanwhile, I'm avoiding finishing the box of old photos and documents for cooler weather and took time to convert the genealogical Pedigree form into a digital Acrobat fill in form to avoid passing on hen scratches on paper.

 

Download the empty PDF from DropBox: [www.dropbox.com/s/hxoc25vzxz4u8l9/Pedigree.pdf?dl=0]

 

I offered the form earlier but then added a help page to the form to reveal form details. This time I am offering the free form to interested Flickerites; I popped it up on my Yahoo DropBox for a quick download - it's only 59k in size or a mere blip in D/L time. Have at it and enjoy but any feedback would be valuable. Perhaps you don't like the input verification. The form includes a link to my e-mail.

 

Note, I boiled my family genealogy catalog project down to sections. After the Contents, the Pix catalog inventories and includes descriptions of collected photographs and snapshots, each with a link to a high resolution print page. Recipients receive all the pix as reproductions. The Documents mimics the snaps section. The third section is my Genealogy section of individual family charts. Often, these pages link to individual personal or family stories. The fourth cemetery Marker section is a list of the various tomb stones. Again, some marker images link to individual personal or family stories. The last major section is History, a collection of family histories that brought them to the Rockies and their lives here. My catalog accounts for most of the retouched family photos I have posted here over time. I am up to nearly 500 pages of my Photoshop, Quark and Adobe Acrobat work done well over a year. This form was a side project. I picked a likely family section, filled my form in and found empty sections. That caused me to take to the Google and other genealogy sources. I found a lot of work remains.

  

Made from a slablet that was a gift from a friend.

 

Like most crazy lace, this piece has a lot going on, some of which didn't really reveal itself until I started polishing. The patterns were visible in the raw slablet, but just kept getting better and better.

 

From the Flor de Durazno claim

Colonial Williamsburg is the historic district of the independent city of Williamsburg, Virginia. It consists of many of the buildings that, from 1699 to 1780, formed colonial Virginia's capital. The capital straddled the boundary of two of the original shires of Virginia, James City Shire (now James City County), and Charles River Shire (now York County). For most of the 18th century, Williamsburg was the center of government, education and culture in the Colony of Virginia.

 

Colonial Williamsburg is meant to be an interpretation of a Colonial American city, with exhibits including dozens of authentic or accurately-recreated colonial houses and relating to American Revolutionary War history. Prominent buildings in Colonial Williamsburg include the Raleigh Tavern, the Capitol, The Governor's Palace, and Bruton Parish Church. However, rather than simply an effort to preserve antiquity, the combination of extensive restoration and thoughtful recreation of the entire colonial town facilitates envisioning the atmosphere and understanding the ideals of 18th century American revolutionary leaders. It was here that Thomas Jefferson, Patrick Henry, James Monroe, James Madison, George Wythe, Peyton Randolph, and dozens more helped mold democracy in the Commonwealth of Virginia and the United States.

 

The Historic Area is located just east of the College of William and Mary, founded at Middle Plantation in 1693, just prior to the establishment of the town as capital of Virginia and its renaming. The university's historic Wren Building stands at the west end of Duke of Gloucester Street.

 

Colonial Williamsburg is a major source of tourism to Williamsburg, as well as a touchstone for many world leaders and heads of state, including U.S. Presidents. The United States hosted the first World Economic Conference at Colonial Williamsburg in 1983. It is the centerpiece of the surrounding Historic Triangle of Virginia area, which has become a popular tourist destination for visitors domestic and foreign. The other two points of the Historic Triangle are Jamestown and Yorktown.

Contents

 

Early in the 20th century, the restoration and recreation of Colonial Williamsburg, one of the largest historic restorations ever undertaken, was championed by the Reverend Dr. W.A.R. Goodwin and the patriarch of the Rockefeller family, John D. Rockefeller, Jr., along with the active participation of his wife, Abby Aldrich Rockefeller, who wanted to celebrate the patriots and the early history of the United States.

 

Many of the missing Colonial structures were reconstructed on their original sites during the 1930s. Other structures were restored to the best estimates of how they would have looked during the eighteenth century, with all traces of later buildings and improvements removed. Dependency structures and animals help complete the ambiance. Most buildings are open for tourists to look through, with the exception of several buildings that serve as residences for Colonial Williamsburg employees.

 

Notable structures include the large Capitol and the Governor's Palace, each carefully recreated and landscaped as closely as possible to original 18th century specifications, as well as Bruton Parish Church and the Raleigh Tavern.

 

The major goal of the Restoration was not to merely preserve or recreate the physical environment of the colonial period, but to facilitate education about the origins of the idea of America, which was conceived during many decades before the American Revolution.

 

In this environment, Colonial Williamsburg strives to tell the story of how diverse peoples, having different and sometimes conflicting ambitions, evolved into a society that valued liberty and equality.

en.wikipedia.org/wiki/Colonial_Williamsburg

  

Frankfurt am Main - My Zeil

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