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This free form embroidery is stitched on raw cotton canvas and framed with a 12x12 inch frame. I used satin, chain, running stitch and French knots.
formato A4, acquarello e grafite su carta satinata, ispirato allla bellissima fotografia di Lajos Peszt
Imagine a world before the Internet, where there was hardly any form of communication amongst the crossdressing/transvestite community. All was not completely lost however. One single light in the UK during the 1980's and 90's was Swish Publications's "World of Transvestism" (or WOTV as it became abbreviated). A successor to the much earlier "Tranz" magazine, WOTV was published monthly, inside was an "Aladin's Cave" of letters, photos (black and white), occasionally stories and illustrations. The publishing quality was quite poor and WOTV was not cheap (I think it was £6 when I first started to acquire my own personal copies).The cover usually graced some of the more photogenic girls, many of whom I am pleased to say are on Flickr. In view of their privacy I shall not post those, but I would like to share this cover showing an example of the sorts of illustrations that were often printed.
Stockists were few in fact in my area there was only one newsagent that stocked maybe one or two copies a month, but one could travel to Swish's main store in Greek Street London, to purchase missing copies or "bargain bundles".
Sadly I now longer have the magazines, but I did scan all the covers and most of the images of some of the girls from those magazines. If you did appear and would either like a scan, or have no objection to your cover (or image) being published here, by all means get in touch. The issues I have scans from are below.
Vol 11_10, Vol 12_01, Vol 12_02, Vol 12_03, Vol 12_05, Vol 12_09, Vol 13_01, Vol 13_02, Vol 13_04, Vol 13_08, Vol 13_09, Vol 13_10, Vol 13_11, Vol 13_12, Vol 14_01, Vol 14_02, Vol 14_03, Vol 14_04, Vol 14_05, Vol 14_06, Vol 14_07, Vol 14_08, Vol 14_09, Vol 14_10, Vol 14_11, Vol 14_12, Vol 15_01, Vol 15_02, Vol 15_03, Vol 15_04, Vol 15_05, Vol 15_06, Vol 15_07, Vol 15_08, Vol 15_09, Vol 15_10, Vol 15_12, Vol 16_01, Vol 16_02, Vol 16_03, Vol 16_04, Vol 16_06, Vol 16_11, Vol 17_04, Vol 17_05, Vol 17_07, Vol 18_10, Vol 19_03, Vol 20_06, Vol 21_01, Vol 21_04, Vol 21_05, Vol 21_12, Vol 22_02.
DISCLAIMER: I am not the copyright owner of the image and my publication on flickr is not intended to infringe any such copyright. I seek to make no financial gain from the reproduction. If you are the original copyright owner and wish the image to be removed, please contact myself.
A massive, spacetime-warping cluster of galaxies is the setting of today’s NASA/ESA Hubble Space Telescope image. The galaxy cluster in question is Abell 209, located 2.8 billion light-years away in the constellation Cetus (the Whale).
This Hubble image of Abell 209 shows more than a hundred galaxies, but there’s more to this cluster than even Hubble’s discerning eye can see. Abell 209’s galaxies are separated by millions of light-years, and the seemingly empty space between the galaxies is filled with hot, diffuse gas that is visible only at X-ray wavelengths. An even more elusive occupant of this galaxy cluster is dark matter: a form of matter that does not interact with light. Dark matter does not absorb, reflect, or emit light, effectively making it invisible to us. Astronomers detect dark matter by its gravitational influence on normal matter. Astronomers surmise that the universe is comprised of 5% normal matter, 25% dark matter, and 70% dark energy.
Credit: ESA/Hubble & NASA, M. Postman, P. Kelly
#NASAMarshall #NASA #NASAHubble #Hubble #NASAGoddard #GalaxyCluster #galaxy
The Jinroh is my first bioformer :D Haven't been touching my herofactory/bionicle builds. Finally happy to make another HF based moc :D The Jinroh consist of 3 forms, Mech form, Speed form and Blast form.
I recently acquired a +3 magnifying filter that threads onto my Nikkor 18-200mm lens and allows me to truly "fill the frame" when I use both of these tools together.
It is a bit tricky to work with since the combo produces a very shallow depth of field, but I'm pleased that a $25.00 filter can be so helpful for those of us who enjoy seeing the nature world up close......
Pieridae
Pareronia hippia – Indian Wanderer
The philomela form is rare and identified by yellow coloration at the base of the wings. this form is reported more in North-East India.[1] According to Wynter-Blyth this form mimics Danais aspasia, which is not found west of Myanmar. He rejects the assumption that the wagtail carries the eggs of D. aspasia to India. It seems that in bygone era the D. aspasia might have been found in India in the past along with the Common Wanderer and later eliminated.__Wiki
This is taken in South India
The beautiful forms of the handicraft of the brazilian indigenous people.
Press “L” for a better view. Enjoy …
Copyright © Clywton Oliveira 2011 - All rights reserved.
Please don’t use this photo without my permission.
La Motilla del Azuer es un yacimiento prehistórico de la Edad del Bronce, situado en España, en el municipio castellano-manchego de Daimiel, en la provincia de Ciudad Real.
Los yacimientos arqueológicos que se conocen con el topónimo de motillas representan uno de los tipos más singular de asentamiento prehistórico de la península ibérica. Ocupan la región de La Mancha durante la Edad del Bronce entre el 2200 y el 1500 a. C. Se trata de montículos artificiales, de entre 4 a 10 m de altura, resultado de la destrucción de una fortificación de planta central con varias líneas amuralladas concéntricas. Su distribución en la llanura manchega, con equidistancias de 4 a 5 kilómetros, afecta a las vegas de los ríos y las zonas deprimidas donde hasta momentos recientes era frecuente la existencia de lagunas y áreas palustres. Las especiales características de este yacimiento, así como la monumentalidad de las estructuras de su fortificación, con muros de mampostería que conservan más de 8 metros de alzado, confieren al asentamiento del Azuer un carácter relevante dentro de la Edad del Bronce de la península ibérica.
El montículo de la fortificación, con un diámetro de unos 40 m, está integrado por una torre, tres líneas concéntricas de murallas y un gran patio. Su núcleo central está formado por una torre de mampostería de planta cuadrada, cuyos paramentos este y oeste conservan una altura superior a los 10 m. A su interior se accede mediante rampas embutidas en estrechos pasillos.
Dentro del área fortificada se delimitan otros amplios espacios: un patio y dos grandes recintos separados por una línea de muralla intermedia. En el interior del patio, de planta trapezoidal, los habitantes del Azuer excavaron un pozo, que perforó la terraza aluvial hasta alcanzar el nivel freático y abastecía de agua al asentamiento. Esta estructura hidráulica se mantuvo en uso durante todo el periodo de ocupación del yacimiento y alcanza por el momento una profundidad de al menos 16 m.
This little building served as the northernmost point of the entire CTA Elevated (the"El") Rapid Transit System. The North Shore Line continued past this station onto Greenleaf Avenue for some street running and its Shore Line. The new(er) Linden station is out of view to the left. From Wikipedia: "A station house designed by Arthur Gerber was added in 1913. In 1984, it was added to the National Register of Historic Places." It now houses the Wilmette/Kenilworth Chamber of Commerce. Wilmette, Illinois
While on "assignment" for the flickr group Get Pushed!! , I took this one in Auch.
(For ODC:"Bottle")
"When clouds form in the skies we know that rain will follow but we must not wait for it. Nothing will be achieved by attempting to interfere with the future before the time is ripe. Patience is needed."
-I Ching-
Form is no other than emptiness, emptiness no other than form.
Form is exactly emptiness, emptiness exactly form.
Sensation, conception, discrimination, awareness are likewise like this.
(Prajnaparamita Sutra)
All rights reserved. © copyright by Seung Kye Lee
- Website: www.leeseungkye.com
- Blog: www.seungkyelee.wordpress.com
Kecak Fire & Trance Dance is a form of Balinese dance and music drama that developed in the 1930s in Bali. It is performed primarily by men. Also known as the Ramayana Monkey Chant, the piece, performed by a circle of 150 or more performers wearing checked cloth around their waists, percussively chanting "cak" and throwing up their arms, depicts a battle from the Ramayana. The monkey-like Vanara helped Prince Rama fight the evil King Ravana. Kecak has roots in sanghyang, a trance-inducing exorcism dance.
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Château de Villandry : le jardin de légumes date du Moyen-Âge. Les moines aimaient disposer leurs légumes selon des formes géométriques. Les nombreuses croix du potager de Villandry rappellent cette origine monacale.
True to form, the weather would predict my route to Lancashire for my eagerly awaited week away with one of my best mates, my mountain bike and which would include encountering the classic Cumbrian Coastline.
Having no real time restraints heading East rather than North would have been my ideal choice as this would mean the weather was forecast fine and the chance to kick off the week in style was on !
Hitting the back of the net for the opener was 'Powerhaul' liveried 'Skoda'049 - 90 minutes to go . . . . !
L'ensemble formé par les doubles écluses, le pont-aqueduc sur l'Ognon, la porte de défense et les épanchoirs sur le canal du Midi à Olonzac est inscrit au titre des monuments historiques en 1998
Rôle de la porte de garde ou de défense:
www.canaldumidi.com/Minervois/Olonzac/Porte-de-Garde-d-Og...
Monument historique
Eléments protégés :
Ensemble formé par les doubles écluses, le pont-aqueduc sur l'Ognon, la porte de défense et les épanchoirs sur le canal (cad. non cadastré, domaine public) : inscription par arrêté du 28 janvier 1998
Historique :
Le canal du Languedoc ou canal de communication des Deux Mers a été réalisé sous Louis XIV d'après les plans de l'ingénieur Pierre-Paul Riquet, communiqués à Colbert en 1662. Les travaux commencent en 1667 par la partie du canal située entre Toulouse et Naurouse. En 1672, la première partie du canal est terminée. Après quelques rectifications, le canal est définitivement achevé à la fin de l'année 1682.
Périodes de construction : 2e moitié 17e siècle, 18e siècle, 19e siècle
Architecte ou maître d'oeuvre : Riquet Pierre-Paul (ingénieur)
Mersey Rail unit 777148 forming train,
2F37 14.41 Headbolt Lane (Kirkby)-Liverpool Central.
The albeit short run from Kirkby up to Headbolt lane, and return, is made under battery power. (they were not flat, honest)
The Red tail markers, along with the now extinguished front lights, look like battery state indicators, well to me, anyhow ;-))
Des formes qu’on aperçoit souvent en survolant notre planète : on dirait une collection de vinyles géants… ou une invasion de Pacman 😨 Il s’agit de champs agricoles irrigués, au milieu de zones très arides. Ils utilisent de l'eau fossile pompée à des kilomètres sous la surface, qui est ensuite répandue sur les cultures à partir du centre, à l’aide d’un grand bras qui décrit un cercle. Dans les régions où l'eau douce est rare, c'est une façon faire pousser sa nourriture... Pas d’eau, pas de vie !!! L’emplacement de ces zones peut sembler aléatoire, mais ils suivent les nappes souterraines.
A sight we see often while flying over our planet: peas in the desert, a Pacman invasion, or Earth's record collection? The shapes are of course agriculture, using fossil water pumped up from km below the surface and spread to the crops from the centre in a circular formation. In areas where fresh water is scarce this is one way of growing food, that like all life relies on water to flourish. Their location might seem random, but they follow the underground reservoirs.
Credits: ESA/NASA–T. Pesquet
513C1428