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30 cm x 30 cm
11.75" x 11.75"
2009 - 2020
mixed paint media on black plexiglass panel
purchase at brucerileygallery.com/products/freak-flag
Freak Flag is painted on a 1/4" opaque black plexiglass panel. The panel is mounted on 1/2" plexiglass spacers.
Freak Flag has multiple paint and resin layers with the finish layer being resin. Freak Flag started as an organic dot pattern on black. A black glaze was applied covering the dots in a self leveling media. The effect of the glaze floats the dots up from a murky depth. The dots are a bit soft around the edges. Sometime later a layer of clear resin was applied. This was done to cover damage in all probability. The painting sat around and got damaged some more until this year I reworked a bunch of small stuff laying around. I just haven't had the energy to sustain an eight foot vision. That will come later. With this painting I feel like I'm taking notes. The title references long haired males of the sixties letting "their freak flags fly". The central animal shape has a waver to it as if it were an early TV screen getting bad reception. It's a ghost of a painting that took eleven years to make.
30 cm x 25 cm
12” x 10”
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
20 cm x 15 cm
8” x 6”
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
41 cm x 41 cm
16" x 16"
2018 -2021
mixed paint media on panel
send purchase inquires to bruceriley@bruce-riley.com
61 cm x 61 cm
24" x 24"
2016 - 2021
mixed paint media on panel
SOLD
Jacked is painted on a 1 1/2" hollow core panel panel .
Jacked was originally a commission from a car company to make several films of my paint spreading on two foot panels. The films were to be used as source material for touch screens in driverless cars. They wanted the human touch. I suggested setting me up with a studio in Paris for a year would yield some good source material. I've not heard back. The films can be seen on my website.
I got to keep all but one of the paintings per contract. This painting sat around for several years until 2019 when I started reworking it.
36 cm x 30 cm
14" x 12"
2021
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
30 cm x 30 cm
12" x 12"
2017
Urethane and acrylic binders, pigments in dispersal water and resin on panel.
She’s swinging a sponge on the end of a string
Don’t you wish you never met her? [x4]
She’s not bad
She’s just genetically mean
Dirty Blue Gene
Dirty [x3]
Dirty Blue Gene
She’s…
Not…
Bad…
Purchase inquiries to bruceriley@bruce-riley.com
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
61 cm x 25 cm
24" x 10"
2008 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Sounding is painted on a 1 1/2" hollow core panel panel . The paint layer is 1/8 " thick. The painting can hang in any of its vertical or horizontal positions.
Sounding is one of two paintings in a loose diptych . The other painting is called Sonar. These two painting were originally an experiment in patterns. Sonar's central image is painted over the more organized dot pattern where Sounding's underlying pattern is organic.
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
Acrylic painting using the "flip cup" technique. It actually took a bit of experimenting to get the process down (and lots of scouring the internet for information).
It's not readily visible here, but it has some metallic golds.
Inspired by the warm streaks of light over an evening sky in summer.
180 x 60cm. Acrylic on canvas.
Available from www.juleelatimer.com
36 cm x 30 cm
14" x 12"
2021
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
30 cm x 30 cm
12" x 12"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Took this pic today. Again used no Tripods, Flashguns & Macro Lens, simply bcoz i do not have any ;). Simply made a soap film in a glass and shot it in sunlight using 18-55 zoom lens with the glass held in my left hand and camera in the other. I hope you'll like it.
36 cm x 30 cm
14" x 12"
2020
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
Strobist info: two Canon Speedlite, one with a blue gel aimed at a black background paper sheet and one on the left with a small softbox. Another white paper sheet is also placed at the top right to add come reflection in the water thin film. Colors are shifted in PP.
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
36 cm x 30 cm
14" x 12"
2021
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
My latest pour - I have a lot of pieces to post here, time to get caught up! I'm really happy with this one!!
2019
29.85 cm x 29.85 cm
11.75" x 11.75"
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Transducer in this painting refers to the human organism's ability to convert observation into electro-chemical memory that becomes part of that organism's lexicon.
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
25 cm x 20 cm
10" x 8"
2017
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
36 cm x 30 cm
14" x 12"
2021
mixed paint media on panel
send purchase inquires to bruceriley@bruce-riley.com
43 cm x 30 cm
17" x 12"
2017
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
When this painting was done the title John Wayne Gacy popped into my head when I sat back and looked at it. That direct association was to severe for me so I went with Galoot.
30 cm x 25 cm
12" x 10"
2021
mixed paint media on panel
send purchase inquires to bruceriley@bruce-riley.com
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
2002 - 2019
17.78 cm x 17.78 cm
7" x 7"
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
2005 - 2019
26 cm x 20.32 cm
10.25" x 8.25"
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com