View allAll Photos Tagged fluidart
61 cm x 152 cm
24" x 60"
2015
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
aka Heptagram / Elven Star / Fairy Star / Magicians' Star
Fluidacrylic, hand painting, transfer metal leaf and rhinestone crystals on canvas 40*40 cm, 2023
91 cm x 113 cm
24" x 44 1/2"
2018
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
sold
I was playing with new ink color combination and some wisp techniques from Instagram today. And then why not just add a rose too? So here it is.
SOLD
61 cm x 61 cm
24" x 24"
2010 - 2018
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
This painting was originally named, "Pinkeye" 2010. It was rotated 90 degrees clockwise and repainted. (Pinkeye > Eye of the Storm > Irma, (hurricane Irma, Sept - Aug. 2017)
Pink Eye www.flickr.com/photos/rileyart/8376301905/in/album-721576...
So far this one took me the least amount of time to finish. I think a quick decision and a prompt action are quite necessary for this medium.
30 cm x 30 cm
11.75" x 11.75"
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Buddha is painted on a 1/4" opaque black plexiglass panel. The panel is mounted on 1/2" plexiglass.
Buddha has multiple paint layers with a finish layer of resin. I consider this painting to be a portrait of sorts.
"Cosmic Crescent", 2017.
Acrylic painting on wood canvas, 8"x8", 1 3/4" in depth.
For sale, visit: Street Grapes Bigcartel, or email: streetgrapes@gmail.com.
30 cm x 30 cm
11.75" x 11.75"
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Caldera is painted on a 1/4" opaque black plexiglass panel. The panel is mounted on 1/2" plexiglass.
Caldera has multiple paint layers with a finish layer of resin. I was thinking about Yellowstone and recent geologic activity when this painting was titled.
152 cm x 91 cm
60" x 36"
2020 - 2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel
Sold
I am currently taking part in the UKMON Fireball Challenge, and my challenge is to create an astronomy sketch or piece of astronomy art every day for 2 months.
This is my day 33 artwork and it's an acrylic fluid art painting depicting a supernova remnant. It isn't based on anything in particular; it's just an artist representation of a fictional supernova remnant.
I created this painting using a Dutch Pour technique. My acrylic paint was mixed one part paint to two parts Floetrol as a pouring medium then water was added until I had a very fluid consistency. The paints were poured into the centre of the canvas then I blew them out, initially with a hairdryer, then using a straw. The day after, once the background had almost fully dried, I added individual stars using embossing tools dipped into white paint, and the finer stars were added by flicking a toothbrush.
36 cm x 30 cm
14" x 12"
Urethane and acrylic binders, pigments in dispersal water on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Daft, 2002 - 2017, is painted on a 1/4" mdf panel mounted on a wooden frame.
The central image in Daft is executed over an early experiment with self leveling materials. The darker monochromatic under painting creates an organic armature for the brighter center form as it's colors gently vibrate. I recommend holding the painting at a comfortable length and looking at it like an album cover.
I think of Daft as off kilter, madcap, outside the normal, delightfully unexpected but not dangerous. Daft seemed to fit my response to this painting.
183 cm x 122 cm
72" x 48"
2007 -2012
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/162390409282
-------------
✰ Now Featuring Cassy ✰
-Explore @cassylyttleart here and on instagram for more!
‘She was effortlessly herself’. #40x50cm #artforsale #myart #originalart #interiorart #artofvisuals #creativeprocess #artforyourwalls #artdaily #beyourself #aiartcomm #fluidart #artcollectors #gallerywall #abstractimpressionism #bowral #sydney
30 cm x 30 cm
12" x 12"
2009 - 2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Mandible Chatter is painted on a 1/4" mdf panel . The paint layer is 1/2 " thick.
It is hard to tell how many layers this painting has. Not that it has innumerable layers. More that I just can not make out. A resin top coat was allowed to pour over obscuring the layer separations. The yellow background was a test panel from a project. A layer of resin with black particles is poured over this first paint layer. The upper layers sit suspended above glowing darkly with the light that is transmitted through the clear resin layers below. At one time during this panting's evolution it was titled Angle Dust.
This is a dark painting that does well in light but not direct sun. I recommend holding at a comfortable distance it like a record album.
61 cm x 61 cm
24" x 24"
2002 - 2020
mixed paint media on plexiglass panel
purchase inquiries to bruceriley@bruce-riley.com
107 cm x 56 cm
42" x 22"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
30 cm x 30 cm
12" x 12"
2020 - 2021
mixed paint media on panel
sold
Silent Running is a painting that is not easily dissected. It was painted in numerous sittings using translucent media making it hard to discern the different layers. It probably has at least one resin layer that separates paint layers above and below. This painting could have continued to be layered with more paint and resin if I had not decided it was finished. I was about to start a new paint layer on top of what is now the finished resin surface when I understood it did not need more. Usually this type of self restraint looses. Silent Running uses lighter underpainting to illuminated upper layers of translucent media and reticulated pigment dispersions.
107 cm x 56 cm
42" x 22"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
122 cm x 244 cm
48" x 96"
2011
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
In memory of Doug Garofalo, visionary Chicago architect and friend.
25 cm x 19 cm
10” x 7.5”
2020
mixed paint media on panel
purchase at brucerileygallery.com/products/tongue
122 cm x 122 cm
48" x 48"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
40.6 cm x 40.6 cm
16" x 16"
2017 - 2019
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Sputnik is painted on a 3/4" mdf panel . The paint layer is 1/8 " thick.
Sputnik is one of a group of found 16" square format panels. There is student art on the back of each painting.
This painting took on a sense of portraiture that I liked. What type of being is it referencing is hard to tell. Against the blue green of the textured central image are some warm pigment dispersions. The bottom cloud was encouraged to grow and reticulate creating a mouth space. The two top antenna were controlled into a specific shape. The head is defined by overlapping shapes. Transparency was an obvious concern in the making of Sputnik. A resin finish layer flattens all surface texture to a smooth shinny flat screen.
If you must know, this one has been redone three times! Just drop more isopropyl alcohol to start all over.
I am getting a hang of this alcohol ink, I think! Thank you for all the amazing artists who post a how-to out there. A hair dryer seems to give a more gentle flow.
183 cm x 122 cm
72" x 48"
2011
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on canvas.
Sold
61 cm x 61 cm
24" x 24"
2012
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
This painting was rotated 90 degrees clockwise and repainted. It is now called "Irma", 2018. (Pinkeye > Eye of the Storm > Irma, (hurricane Irma, Sept - Aug. 2017)
www.flickr.com/photos/rileyart/39977427000/in/album-72157...
61 cm x 61 cm
24" x 24"
2010
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
201930.48 cm x 30.48 cm
12" x 12"
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
61 cm x 61 cm
24" x 24"
2016 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
purchase inquiries to bruceriley@bruce-riley.com
Sea Monkey is painted on a 1 1/2" hollow core panel panel . The paint layer is 1/8 " thick.
"My Sea Monkey went to the river and now we are friends."
Sea Monkey was originally a commission from a car company to make several films of my paint spreading on two foot panels. The films were to be used as source material for touch screens in driverless cars. They wanted the human touch. I suggested setting me up with a studio in Paris for a year would yield some good source material. I've not heard back. The films can be seen on my website. www.bruce-riley
I got to keep all but one of the paintings per contract. This painting sat around for several years until 2019 when I started reworking it.
152 cm x 91 cm
60" x 36"
2020
urethane binders with carbon black pigment in dispersal water, and resin on panel
purchase inquiries to bruceriley@bruce-riley.com
Quid is painted on a 1 1/2' hollow core panel. Quid has a finish layer of resin over a pigment dispersion of carbon black that floats above another resin layer that covers the yellow background layer. When you enlarge the image above, it seems unfocused because of the delicate black pigment dispersion is casting a shadow in exact profile. The yellows used for the background have a green tint to them that plays with the natural warmth of the black pigment. You can see the transition from yellow to green to brown. This is a quiet painting
Quid can be hung in any orientation; vertical or horizontal.
Chewed and expectorated quids are indigestible stringy fibers from the roasted inner pulp of agave or yucca root that hold human DNA from earlier civilizations. Quid became a group of small paintings that I thought had reached an end until this piece came about.
25 cm x 20 cm
10" x 8"
2008 - 2021
mixed paint media on panel
Sold
Floater is a heavily layer painting that slowly grew over the course of 13 years. You can see the magnification of light around its edges. The central image might appear a bit blurry due to the paint layers casting shadows on to the lower layers.
25 cm x 19 cm
10” x 7.5”
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
122 cm x 91 cm
48" x 36"
2018
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Star Maker is painted on a 1 1/2" hollow core panel . I work flat using self leveling media. This painting is built up with alternating layers of paint and clear resin. The paint/resin layer is thick with a physical depth that allows light to enter the painting and reflect back up through translucent glazes glowing with an inner light.
Star Maker is in reference to star-formation activities in space.
99 cm x 91 cm
39" x 36"
2010
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Took this pic today. Again used no Tripods, Flashguns & Macro Lens, simply bcoz i do not have any ;). Simply made a soap film in a glass and shot it in sunlight using 18-55 zoom lens with the glass held in my left hand and camera in the other. I hope you'll like it.
30 cm x 30 cm
12" x 12"
2002 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
61 cm x 61 cm
24" x 24"
2008 - 2017
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Fez Merchant in the Lascaux Parking Lot is painted on a 1 1/2" hollow core panel panel. The paint layer is 3/8" thick.
The merchant becomes the apish big galoot of a head. The elements are all connected in a conjoined way. Pressed tight to each other.
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/158330112710
-------------
✰ Featuring Ilze ✰
-Explore @ilzelucerodesigns here and on instagram for more!
Loving the magenta on white #fluidacrylic #fluidart #flowarts #flowart #flowpainting
26 cm x 21 cm
10.25" x 8.25"
2005 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
Jimmy is painted on a 1/2" medium density fiberboard panel (MDF). This painting hangs in either vertical orientation. When Jimmy is hung 180 degrees from the image here it is called "Upside Down Jimmy".
Jimmy has been in progress for fifteen years. My small work is painted on upcycled panels and usually start as a gesture or an experiment to see what will happen. These paintings get worked and reworked until the seem done.
I've been making some portraits of imaginary organisms the past year or so. They always start out as organic abstractions but somewhere along the line they pick up a personality that lends itself to being interpreted as a portrait. This painting Jimmy is one of these portraits.
My grandfather Eli had all kinds of pets, domestic and wild. He named a lot of these animals Jimmy.