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Intended to be a Christmas pour but some of the colors got muddles up together. I still like it a lot and may varnish or resin it after it cures. Sprinkled a little glitter on this one as well....seemed appropriate given it is Christmas related :D
Playing in the paint once again. This one started out as a bottom bottle pour but I really didn't like it. I proceeded to work with the paint, blowing it around with a straw. I started to see wings and then a figure....I thought...hmmm...I can work with that!
This is my favorite thus far. It will be my first fluid art piece that I attempt to apply a finish to. A lot of folks finish their pieces with resin but I'm not feeling confident with handling resin just yet. I am thinking of using a spray acrylic finish. If anyone has other ideas, please do share! I am open to suggestions :-)
dieser bogen japanpapier war als unterlage, um die ĂĽberschĂĽssige tinte aufzufangen unter meiner malerei deponiert.
beim malen mit alkoholtinte gibts, bei mir, immer eine suaerei und mich reuht es die ĂĽberschĂĽssige farbe zu verschwenden.
diese „unterlage“ gibt doch richtig was her...
This is maybe my fourth project in fluid art. It is also my first attempt with the flip and drag technique. I very pleased with the results! I chose pink as the primary color for breast cancer awareness month and for my dear sister-in-law who lost her battle with breast cancer several years ago. I miss her dearly.
kopie eines tintenstrahldruckers, mit flĂĽssigkeiten bearbeitet, zeichnerisch sanft ĂĽberarbeitet
29 x 20 cm
2022
art ... in B&W ...
in my Art Series ...
Taken Nov 7, 2019
Thanks for your visits, faves, invites and comments ... (c)rebfoto
Vivid! Hmmmm I don't know why the version uploaded has so much noise/dots. The actual version is very clean. I may have uploaded a .png instead of .jpg? If that makes a difference?
Simple shape, but I'm still experimenting with color blending. Reminds me of a frosted glass lampshade.
This abstract seascape captures the ocean’s raw power in a poetic dance of light and motion. The use of intentional camera movement blurs the crashing waves into flowing textures, transforming rugged reality into an ethereal visual rhythm.
122 cm x 91 cm
48" x 36"
2010
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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