View allAll Photos Tagged fluidart
30 cm x 30 cm
12" x 12"
2009 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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Today I just practiced using a heat gun chasing the isopropyl alcohol around to avoid having those drying dots. I think using a hair dryer is easier to get this effect.
30 cm x 25 cm
12" x 10"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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25 cm x 20 cm
10" x 8"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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I started this early this week but am not sure if I should continue or stop. The hardest question for alcohol ink!
25 cm x 30 cm
10" x 12"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
personal collection
I am getting a hang of this alcohol ink, I think! Thank you for all the amazing artists who post a how-to out there. A hair dryer seems to give a more gentle flow.
Thanks to all who comment or favorite; it is always appreciated!
I took this amazing photo at the National Gallery of Art in Washington. The unique perspective blurs the lines between the sky and water, creating an abstract composition where clouds and bubbles mix. The texture of the water bubbles against the backdrop of a clear blue sky evokes a sense of wonder and fluidity, turning the ordinary into something extraordinary.
Thanks for viewing! If you like this photo, please remember to favorite it and follow for more! I'd love to hear your thoughts on discovering abstract beauty in everyday moments—share your comments below!
152 cm x 91 cm
60" x 36"
2020 - 2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel
purchase inquiries to bruceriley@bruce-riley.com
Height: 20 Inches; Width: 20 Inches; Depth: 0.5 Inches
Original acrylic pour painting on canvas “Coastal Escape” is a unique, one of a kind work of art. Ideal for decorating your beautiful home: hang it above the couch, bed or table.
ORIGINAL ARTWORK, ONE OF A KIND FLUID ACRYLIC ART!
Artist: Helen Janow Miqueo
HJM Art Gallery
2018 - 2019
120.65 cm x 242.57 cm
47.5" x 95.5"
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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I started Binary Breakdown in early 2018. It was my intention to let the painting grow and develop without meaning. I wanted to stay in a state of active meditation throughout the process of creation by keeping thought conceptually loose. Nothingness is the dominate influence in this painting.
Working flat I was able to suspend a sense of bottom and top, allowing this painting to be hung in four orientations with four different titles. I applied the titles after the painting was documented. The title Binary Breakdown refers to the disintegration of gender identity based on anatomy in contemporary culture.
Feminine and masculine symbols create a duality in the lower half of the painting. All things flow from the single feminine symbol on the left toward the multiple masculine symbols center right. The simplicity of this dichotomous separation speaks of the human need for meaning when confronted with the discomfort of chaos. But it also speaks of the bifurcation into opposites from a single source. The Eastern philosophical symbol of Yin and Yang comes to mind. Suspended above this separation is a mass of organic shapes and colors whose individuated details can only be grasped through close observation.
I was trying to get the petal looking again. Somehow ended up with wispy...again. But I'll take it. This is one of the few that I can complete without messing with it too many times.
I was also playing with Photoshop on the last two images and like the look of them.
30 cm x 30 cm
12" x 12"
2002 - 2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Purchase inquiries to bruceriley@bruce-riley.com
Boaty is painted on a panel that has been around for 18 years. The paint layer is thick with multiple resin applications that lets light glow from underneath.
Boaty McBoatface is the name of the lead boat of the Autosub Long-Range class 3 of autonomous underwater vehicles (AUVs). It is used for scientific research and is carried on the research vessel RRS Sir David Attenborough. Boaty McBoatface is owned by the Natural Environment Research Council (NERC) and operated by the British Antarctic Survey (BAS).[4][5] Because of its complexity and its extended range, NERC classifies it as an autosub long range autonomous vehicle.
Boaty McBoatface is the name of an unmanned submersible used in the Arctic. They let the internet pick the name. At first people were aghast! Oh my! Then they saw the publicity and became happy again. The painting just got named recently because I like to say Boaty McBoatface. Feels good. And the painting kept becoming a face against my better informed art persona. So make it human but not. Maybe even not animal but machine.
Over the years it is a painting that has been worked on when it stuck out enough from the other works in progress. Boaty is one of my over the top excessive paintings. I can’t get it right so I keep adding. It becomes a battery of sorts.
122 cm x 122 cm
48" x 48"
2020 - 2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel
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20 cm x 15 cm
8” x 6”
2020
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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122 cm x 203 cm
48 " x 80 "
2014
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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25 cm x 25 cm
10" x 10"
2016
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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I recently started to learn some acrylic pouring techniques with a view to creating some nebula/space themed art. I really love fluid art because it's much freer than the kinds of art I usually do and it's almost impossible to plan what the final painting will look like!
This painting was created on a 20cm x 20cm canvas using the flip cup technique, with my paints mixed with Floetrol and water, no silicone added
61 cm x 61 cm
24" x 24"
2016 - 2019
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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Tree of Life is painted on a 1 1/2" hollow core panel panel . The paint layer is 1/8 " thick.
Tree of Life was originally a commission from a car company to make several films of my paint spreading on two foot panels. The films were to be used as source material for touch screens in driverless cars. They wanted the human touch. I suggested setting me up with a studio in Paris for a year would yield some good source material. I've not heard back, The films can be seen on my website. www.bruce-riley
I got to keep all but one of the paintings per contract. This painting sat around for several years until 2019 when I reworked it. The paint layer is built up from the original commission with a loose, accidental hand. On top of the dried paint I applied a thin coat of resin. Another paint layer was applied on top of the dried resin surface. The final resin layer was poured using a tape dam. The resin does not roll over the edge. It is squared off with a block plane.
En Biodiversidad virtual y también en Twiter
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A @flo.vixen por su maravilloso Arte...extendido más allá de las burbujas que a borbotones fluyen y laten dejando sus estelas de colores. Planetas vivos pequeños y grandes de realidades y sueños, mundos de arcoíris en universos diminutos e infinitos en los que la imaginación vuela libre como Eudorina en el agua, belleza en movimiento, inspiración ¡ Gracias por tu trabajo que en el líquido, al fluir imprevisible, abre las fronteras de lo infinito !
Eudorina es burbuja de burbujas, y como su nombre dice se da generosamente, 32 burbujas, y cada cada una, multiplicándose en verde, estallará silenciosamente en otras 32,y todas a la vez como en un juego y así hasta lo inalcanzable. Harán florecer el agua en esferas de esferas infinitas y animadas que pintarán el agua de color más allá del espacio fluyendo por tiempo.
Eudorina es alga colonial, esfera perfecta o algo comprimida formada por 32 individuos también esféricos y verdes, no es tan grande como Volvox, pero gira fluyendo como él. Los individuos que forman esta asociación perfecta se disponen ordenados en cinco pisos, el superior y el inferior formados por cuatro células mientras que los tres centrales tienen ocho. Cada una de ellas está provista de dos largos flagelos, sus cloroplastos, un núcleo y una pequeña mancha ocular de intenso color rojo, con la que pueden seguir la luz del sol.
Todas las células que forman la colonia de Eudorina son hermanas gemelas y permanecen unidas y envueltas por una cubierta transparente y gelatinosa que las protege. Eudorina constituye un paso intermedio entre las colonias planas de Gonium y las grandes esferas rodantes de Volvox, un paso intermedio entre los organismos unicelulares y los pluricelulares.
Eudorina elegans al igual que Volvox se mueve en el agua y se desplaza girando guiada por la luz del sol. Es una especie cosmopolita que con frecuencia vive en medios acuáticos enriquecidos con nutrientes. Citada por Margalef en 1956 en el NW de la Península en diferentes ecosistemas, los hábitats en los que aparece consignada no se corresponden con el del Lago de Sanabria en donde tampoco ha sido citada en trabajos posteriores.
Con su presencia en el Lago de Sanabria Eudorina trajo la alegría de su belleza, de su fluir armónico y de su vida, pero también el reconocimiento de que la salud de este Lago hermoso peligra por la contaminación. Aguas sucias que vierten las depuradoras que nunca han funcionado, más las que llegan desde otros cinco puntos de vertidos sin tratar.
Y para no ser excepción en los tiempos de corrupción que vivimos, se opta por pagar un informe adulterado a quienes tienen la indecencia de mentir por un fajo de billetes, amparándose en membretes de Universidad y de organismos oficiales...es el mundo al revés, mientras Eudorina nada y nos hace soñar con otros mundos diferentes y posibles mejores para todos.
La fotografía, tomada a 400 aumentos con la técnica de contraste de interferencia, procede de una muestra de agua tomada a dos metros de profundidad en el Lago de Sanabria junto a la Isla de Moras, y recogida por María José Orozco y Tomás Pérez el 18 de febrero de 2018 desde el catamarán Helios Sanabria el primer catamarán del mundo propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
122 cm x 57 cm
48" x 22.5"
2018 - 2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.com
76 cm x 61 cm
30 " x 24"
2012
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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Strobist info: two Canon speedlite, one aimed at a red background paper sheet and one on the left with a small softbox. Another white paper sheet is also placed at the top right to add come reflection in the water thin film. Colors are shifted in PP.
61 cm x 122 cm
24" x 48"
2017
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
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41 cm x 41 cm
16" x 16"
2018 - 2020
Urethane binders with carbon black pigment in dispersal water, and resin on panel
91 cm x 50 cm
36" x 19 7/8"
2019 - 2020
send purchase inquires to bruceriley@bruce-riley.com
Our Heart is painted on a 1 1/2" hollow core panel panel . The paint layer is 1/8 " thick. The painting is ready to hang when it leaves the studio.
Our Heart is one of three paintings in a loose triptych called Corazón. The other two are in progress and could very well split off from this grouping.
.On a cold morning, those first rays of golden sunlight shooting over the sky are a welcome note of optimism about the day to come.
76 x 122cm. Acrylic on canvas.
Available from www.juleelatimer.com.
That wrapped up some of my alcohol ink projects. Back to work on 2021 Project365 sketchbook this weekend!
36 cm x 30 cm
14" x 12"
2021
mixed paint media on panel
send purchase inquires to bruceriley@bruce-riley.com
61 cm x 61 cm
24" x 24"
2016 - 2020
mixed paint media on panel
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Electroweak is painted on a 1 1/2" hollow core panel.
Electroweak was originally a commission from a car company to make several films of my paint spreading on two foot panels. The films were to be used as source material for touch screens in driverless cars. They wanted the human touch. I suggested setting me up with a studio in Paris for a year would yield some good source material. I've not heard back. The films can be seen on my website.
I got to keep all but one of the paintings per contract. This painting sat around for several years until 2019 when I started reworking it.
122 cm x 203 cm
48" x 80"
2014
Urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments and resin on panel.
Sold
36 cm x 30 cm
14" x 12"
2022
urethane and acrylic binders, pigments in dispersal water, dry iridescent pigments on panel
purchase inquiries to bruceriley@bruce-riley.co
I recently started to learn some acrylic pouring techniques with a view to creating some nebula/space themed art. I really love fluid art because it's much freer than the kinds of art I usually do and it's almost impossible to plan what the final painting will look like!
This painting was created on a 20cm x 20cm canvas board using the flip cup technique, with my paints mixed with Floetrol and water, no silicone added