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Marc Marquez - Honda
Repsol Honda Team
2015 British Grand Prix MotoGP
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The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Barwell Motorsport - Lamborghini Huracan GT3 - Sam De Haan - Jonny Cocker British GT Championship - Media Day - Donington Park Thursday - Media Day
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#50, Chevrolet Corvette C7.Z06, Larbre Competition, driven by Yutaka Yamagishi, Paolo Ruberti, Pierre Ragues during WEC 6 Hours of Silverstone.
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Team ABBA with Rollcentre Racing - Mercedes AMG GT3 #88
British GT Championship 2017 - Brands Hatch
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In 1937, financier Edward Ball took his idea of quiet elegance and placed it gently in the most serene place he’d found on his international travels, Wakulla Springs. He imported marble and tile, hired artisans in iron and stone, and introduced to the world a most unique retreat.
To explore the history of this grand hotel is to take a voyage back in time to Florida’s “land boom”—those glorious days when people and money flowed into the Sunshine State, braving swamps and mud slides with an eye to the future. It started during the 1920s, when Ball was touring Florida’s panhandle looking for land to purchase to grow pulpwood. He found love at first sight at Wakulla Springs. “I knew then that the area had to be preserved,” Ball said, “but I didn’t know exactly how at the time.”
In 1931 Ball bought the Springs and Lodge site from the Christy brothers, who had a small restaurant where the present boat dock stands. He personally handled all facets of the design and construction of Wakulla Springs Lodge, outlining the floor plan, choosing the architects and materials, and insisting on meticulous attention to every detail. Construction of the two-story hotel began in 1935.
The original roof was of wood with steel superstructure. It was replaced after a fire, started unfortunately by a hapless trainee during the Lodge’s use as a military training facility during World War II. The new roof was reinforced with slate and metal on steel to render it totally fireproof.
Ball’s eye to quality and durability can also be seen through his lavish use of Tennessee marble throughout the Lodge on floors, baseboards, thresholds, counters, stairwells, desk tops and table tops in the gift shop, lobby, and veranda. The marble is fitted so meticulously no grout can be seen.
The world’s longest known marble bar, at 70 feet 3 inches, is in the Soda Fountain/Gift Shop. This marble is “face matched.” Eight pieces were cut from one block of marble. This process is known as quarter-sawing: a block of marble is cut in half, cut in half again, and each quarter is again cut in half to get eight panels, thereby producing a matching grain pattern.
The use of “heart” cypress can also be seen throughout the Lodge. Heart cypress is the very interior of the tree. All of the cypress logs used in the Lodge were obtained locally as “dead heads”—cypress that had fallen into water and been immersed for 50 years or longer, making it impervious to rot. The Great Lobby itself heads the list with use of this wood. Although this room is great in size, the height of the ceiling is about 16 feet, a huge expanse of hand-hewn cypress panels is still visible. The expansive transverse “beams” are actually steel girders faced with cypress planks.
The lobby ceiling gets the most attention for its decorative painting of local wildlife scenes. Close examination shows it to be a combination of European folk art, intricate Arabic scroll work, and Native American influences.
Two special features grace the rim of the lobby. The marble and iron staircase and the original elevator are both Art Deco masterpieces. The interior of the elevator walls are walnut, with quarter sewn, face matched grain and marquetry panels—an inlay using varied colored woods. This is the only known surviving period Art Deco elevator still in use.
The staircase’s three landings are massive marble panels with face-matched grain that were cut from one block. The risers and treads also are matched panel of marble and granite. The wrought iron railing was made on site and illustrates wildlife from the river. The limpkins and herons in the balustrade are true to life in outline and size.
True to Ball’s word to preserve the area and to create a serene and peaceful retreat, the Lodge at Wakulla Springs is an example of precise craftsmanship and offers visitors a timeless glimpse into Florida’s pristine and elegant past.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Wakulla_Springs
thelodgeatwakullasprings.com/history-2/
© All Rights Reserved - you may not use this image in any form without my prior permission.
Jordan Witt, Ricardo Sanchez, Struan Moore
GT SPORT MOTUL Team RJN
Nissan GT-R Nismo GT3
Blancpain GT Series 2018 - Silverstone
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Mark POOLE / Richard ABRA - Barwell Motorsport
Lamborghini Huracan GT3
3rd Place in the British GT Race at Silverstone.
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Shot spectator side at Donington Park for the British GT Championship
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Marcel FÄSSLER, André LOTTERER, Benoît TRÉLUYER
Audi R18 e-tron quattro
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#24 RJN Motorsport - Nissan GT-R NISMO GT3 - Jordan Witt, Struan Moore British GT Championship - Snetterton
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Saturday Morning Sketch And Story From The Planet Budahunga
Today's story and sketch by me, you see me wearing the Stylish Man Cave Posse Protectors Of The Galaxy, Super Cool Trench Coat. The MCPPOTG, Secret Agent Trench Coat, is not only stylish, but is fireproof, laser and bullet proof, and can protect the wearer from most known, really stinky chemicals, and keeps the wearer's body at a comfortable 68 degrees. Which is a good thing, because today I had to come out here in the 145 degree Planet Budahunga heat, to investigate who or what had crashed not far from the Man Caves temporary headquarters, which is an actual humongous bat cave. I felt I needed the exercise, having gained a few kilos of weight, Actually 2 kilos, Which Doesn't sound like much at 4.410 Pounds, unless you are keeping your body in perfect, Man Cave Posse Ninja Comando Condition. Anyway the bat cave, and my body, will have to be a story for another time, because the exciting point of this tale is the Crashed Interstellar Glider is piloted why Deputy Twafik, who somehow managed to follow his keen supper detective skills to track down the least likely place in the Galaxy, or known Dimensions that anybody could mistakenly be. Well Twafik has found Budahunga, but does he have a clue how to get all of the Posse back to Earth. Until next Sunday ta ta the Rod Blog.
#95, Aston Martin Vantage, Aston Martin Racing, driven by Darren Turner, Marco Sorensen, Nicki Thiim during WEC 6 Hours of Silverstone race day
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F1 British Grand Prix 2019 - Silverstone
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AF Corse - Ferrari 488 GTE #71 driven by Davide Rigon (ITA) / Sam Bird (GBR)
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The massive gray native granite stone used to build this half-a-block long, multi-story office building is am impressive sight among the now steel and glass modern construction. The Kittredge Building is one of the first office buildings to install elevators to use in moving from floor to floor. It was designed by the architect A. Morris Stuckett and was completed in 1890. It has been used for commercial business since being built and is privately owned.
The Kittredge Building is located at 511 16th Street Mall, Denver,CO 80202. It is across the street from the Hard Rock Cafe, Denver and next adjacent to the historic Masonic Temple Building along 16th Street and the historic Paramount Theatre along Glenarm Place.
When the Kittredge Buidling first opened in 1891, it was one of the first buildings west of the Mississippi River to have an elevator and clay tile fireproofing. Granite (basement through the 2nd floor) and Rhyolite (3rd floor to roof) were quarried from Colorado, and provide the medium for which the ornate exterior designs and corner gargoyles were carved. These beautiful columns and details can be seen throughout the building in numerous tenant suites today.
The building originally had a Rooftop Beer Garden open to the public. As many as 300 people at any given time could have a beer and enjoy the view of the Rocky Mountains from the rooftop. In addition, basketball was first played west of the Mississippi River on the 2nd floor of The Kittredge Building, before becoming a local ballroom dance hall space
The building remains a great retail location on 16th Street Mall and desirable Class “A” office space. Located directly accross from Denver Pavilions shopping center, the building is within walking distance to the light rail and a short Free Mall Bus Ride to Union Station for access to DIA. The Kittredge Building boasts over a century of charm, while offering modern office space for Colorado's best business tenants. Today, the office space continues to house ten of Denver’s finest tenants with a combined continuous occupancy of more that 165 years!
780
Ford Chip Ganassi Team UK - Ford GT #67 driven by Andy Priaulx (GBR) / Harry Tincknell (GBR) / Luis Felipe Derani (BRA)
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#11 SMP Racing BR Engineering BR1: Mikhail Aleshin, Vitaly Petrov, Jenson Button World Endurance Championship - Silverstone - Saturday
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#1 Team Parker Racing Ltd - Bentley Continental GT3 - Rick Parfitt Jnr, Ryan Ratcliffe British GT Championship - Snetterton - Saturday
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Shot trackside a couple of hours ago at Oulton Park
#116 ERC Sport - Mercedes-AMG GT3 - Lee Mowle, Yelmer Buurman British GT Championship - Oulton Park - Monday
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The Lumber Exchange Building was the first skyscraper built in Minneapolis, Minnesota, United States, dating to 1885. It was designed in the Richardsonian Romanesque style by Franklin B. Long and Frederick Kees and was billed as one of the first fireproof buildings in the country.[2] It is the oldest high-rise building standing in Minneapolis, and is the oldest building outside of New York City with 12 or more floors.[3]
Franklin Long had formerly worked with Charles F. Haglin, while Frederick Kees had worked with Leroy Buffington for about four years. The partnership of Long and Kees, lasting from 1884 to 1897, was particularly successful and led to the construction of many of the largest buildings in the city in the 1880s and 1890s. Other buildings by these partners included the Public Library (1884), Masonic Temple (1888) (now the Hennepin Center for the Arts), Flour Exchange (1893–1897), Minneapolis City Hall (1889), and the Kasota Block (1884).[4]
The building was built in multiple stages. Originally a tall, thin structure, an additional wing was added in 1890.[3] Later, two stories were added at the top of the building. James Lileks, Minneapolis writer and architectural critic, says,
“ It's one of the few survivors from the early skyscraper era – and perhaps the ugliest. Of all the buildings on Hennepin, it's the least significant; across the street, the Masonic Temple – a near contemporary – is far more intriguing. The Lumber Exchange survived, though; perhaps it was just too big to knock down. It survived a fire, disrepair, neglect … it just won't go away
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#24 RJN Motorsport - Nissan GT-R NISMO GT3 - Devon Modell, Struan Moore British GT Championship - Oulton Park
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The Crapo building was considered a modern marvel of its time. Built in 1891, the 10,000-square-foot building included passenger and freight elevators, fireproof vaults, grates and electricity.
the building was scheduled for demolition in 2014 but rescued by a development team. It's metal facade was removed this year and now the signs of it's original beauty are being revealed.
According to the Bay County Historical Society, the building's original tenants included the Flint and Pere Marquette Railroad Co.; Bay City Business Men's Association; Oppenheim & Son clothing store; Wendland, Christopher and Co. dry goods; T.A.E. and J.C. Weadock law firm; Dr. C.F. Porter's dentist practice; James B. Corwin insurance firm; McDowell and Hall law firm, E.J. Vance lumber; and George Washington insurance. The Bay City Sunday Times published an article with the headline, "George Washington Moves His Office Into the Crapo Block."
Famous Michigan architects Leverett Pratt and Walter Koeppe, who designed Bay City Hall, the historic Masonic Temple, St. Stanislaus Church, the LaPorte Building and the Webster House, were also responsible for the design of Crapo Building.
217d 9 - TAC_9699 - lr-ps-clone
Booth Hotel, 201 West Main Street, Independence, Kansas. The Booth Hotel was completed in December, 1911, and formally opened on January 31, 1912. It was built by Thomas Jefferson Booth, a very prominent and highly respected citizen of Independence. Booth's architect, Frank Bender, took advantage of the popular material concrete, still relatively new at that time, and made every attempt to construct a completely fireproof building. The Booth was regarded as a first class hotel well into the 1950's. In the early 1960's it was finally sold out of the Booth family and has had several owners since that time. It is currently owned by Tower Resources LLC., and the building is used for apartments. The building is listed on the National Register of Historic Places.
Stefan Bradl - Aprilia Racing Team Gresini
2015 British Grand Prix MotoGP
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These photos were submitted to Buffalo's Common Council in June 2018 as part of a local landmarking application.
The Wonder Bread Factory, 356 Fougeron Street, is an industrial bakery built from 1914 to 1915 and designed by architect and engineer Corry B. Comstock. The plant, closed in 2004, is associated with Ward & Ward Incorporated and the Continental Baking Company, maker of iconic American products Wonder Bread and Hostess Cakes. An icon of the Buffalo Belt Line, the Wonder Bread Factory is an excellent example of restrained classicism applied to early twentieth century fireproof factory architecture, embodying what architectural historian Betsy Hunter Bradley identified as an industrial ideal of "beauty based on function, utility, and process."
Contact me for online and print use. Archival 8x10 prints are also available. davidtorke@gmail.com
See this flickr set for Wonder Bread interior photos.
#6 RAM Racing Mercedes-AMG GT3: Ian Loggie, Yelmer Buurman
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The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Tom Kristensen - Audi Sport Team Joest
Partnering: Allan McNish
Audi R18 ultra
Audi TDI 3.7 L Turbo V6
(Diesel)
Another revisit to an old shot, this time with Mr Le Mans, T. Kristensen. Shot with the old gear back in 2012
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Nico Rosberg - Mercedes AMG
Formula One British Grand Prix 2015 - Silverstone
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"Melbourne's iconic Manchester Unity Building represents a rare blend of art, science, culture and commerce. As a magnificent structure, as a monument to human endeavour and as a hub of personal interaction, it has a special place in the history of Melbourne and the hearts of its citizens as well as the city's economy.
Constructed in 1932 on the site of Stewart Dawson's corner (plus the adjoining site), it was the new headquarters of the Manchester Unity Independent Order of Odd Fellows (IOOF), a non-profit friendly society with a strong sense of tradition and the noble motto 'Friendship, Love and Truth'. The architect, Marcus Barlow, had drawn his inspiration from the 1927 Chicago Tribune Building in the United States.
At that time the tallest building in Melbourne and built in the modern commercial Gothic style, the Manchester Unity Building was described by the Melbourne Age as a 'Wonder Building', with 'every modern convenience for tenants and their clients'. It was far ahead of its time, in terms of both aesthetic splendour and technological sophistication.
Built at a total cost of almost £600,000 for land and buildings, it was of fireproof concrete-and-steel construction and faced with 400 tons of mother-of-pearl coloured glazed terracotta (or faience) tiles. Large plate-glass windows on the first floor and ornamental bay windows on the second floor gave distinction to the base of the building, as did balconies on the third floor. More than 10,000 panes of glass made up some 900 windows on the upper floors, with levels 2 to 5 being double glazed.
At ground and mezzanine levels there were 23 shops and 7 kiosks, and the basement contained a 'beautifully decorated and furnished' tearoom and café. A sub-basement housed secure vaults in which tenants could store documents, as well as large store rooms.
Throughout the ground-floor arcade, bold designs sand-blasted on a series of black-marble tablets and friezes illustrated aspects of Australian life, the services of the MU Order, virtues and other themes. They were complimented at mezzanine level by plaster relief work, 'as attractive as any art gallery'."
www.manchesterunitybuilding.com.au/manchester-unity-build...
#82 BMW Team MTEK BMW M8 GTE: Antonio Felix da Costa, Augusto Farfus & #98 Aston Martin Racing Aston Martin Vantage: Paul Dalla Lana, Pedro Lamy, Mathias Lauda World Endurance Championship - Silverstone - Friday
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Somtimes you spend ages trying to nail a technical shot and when you finally do, it ends up looking like it's been faked anyway... this is one of those times, shot using a CPL this has had very very minimal adjustment applied to brightness only :S all motion is completely SOC.
Team ABBA with Rollcentre Racing - Mercedes AMG GT3 #88 driven by Richard Neary & Martin Short British GT Championship - Round 4 & 5 - Snetterton Sunday - Race 2
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#77 Proton Competition Porsche 911 RSR: Christian Ried, Julien Andlauer, Matt Campbell World Endurance Championship - Silverstone - Saturday
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FIA World Endurance Championship - Silverstone 2018
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The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
#2 Jenson Team Rocket RJN McLaren 720S GT3: James Baldwin, Michael O’Brien
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#47 TF Sport Aston Martin Vantage GT3 2019: Graham Davidson, Jonny Adam - Silverstone 500 - Round 5 - British GT
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Moto GP - British Grand Prix Silverstone 2017
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By ABC7 Staff
Updated: May. 30, 2019 at 7:57 AM EDT
VENICE (WWSB) - Venice City Hall is set to get an upgrade! The architect for the redesign unveiled three scenarios in front of the Venice city council on Tuesday.
All three include a 4,800-square-foot, one-story addition to city hall that would connect it to a new two-story replacement for Fire Station 1, as well as the addition of angled street parking along Venice Avenue and Harbor Drive.
The city says these upgrades will help keep up with the area’s growth. The design process will take about a year, and construction is expected to start in the spring of 2020.
Credit for the data above is given to the following websites:
www.mysuncoast.com/2019/05/30/venice-city-hall-upgrades-l...
www.citydirectory.us/city-venice-florida.html#cityhall
www.sc-pa.com/propertysearch/parcel/details/0176080001
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Kimi Raikkonen - Ferrari
F1 British Grand Prix 2016 - Silverstone
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This is a 7-story, 3-bay domestic building in the Art Deco style built in 1937. The structural system is fireproof. The foundation is reinforced concrete. The exterior walls are stucco. The building has a flat parapet roof. Windows are replacement aluminum casements. Unique octagonal porthole windows just above "Park Central Hotel" signage on the central bay of east elevation and at the same height on the easternmost part of the south elevation; Continuous band of windows rounded at corners wraps around northeast and southeast corners of building There is a single-story, full-span open porch characterized by an integrated (under the main) roof. Simple full-span porch with aluminum railings; Multi-colored terrazzo floor design; Extends slightly out from building set back Primary entryway is centered on east elevation; Glass double-door framed by dark wood; Terrazzo floor design on the porch points directly towards the primary door, which is also ornamented on the interior by different multi-colored terrazzo floor designs.
Symmetrical tripartite design on the primary facade; Round masonry porthole design at cornice; Octagonal porthole windows directly above first-floor level; Horizontal banding at building's corners; Multi-colored terrazzo floor designs; Neon "Park Central Hotel" signage centered directly above the porch on the east elevation; "Park Central Hotel" signage painted vertically on the east corner of the south elevation; Stepped ziggurat parapet roofline on east elevation; Streamlined vertical design with a recessed central section; Rounded corner windows on northeast and southeast corners just above porch level; Lightly ribbed vertical pilasters ornamented with spandrels; on either side of central bay form an inverted "L" design; Aluminum railings.
Credit for the data above is given to the following website:
www.ruskinarc.com/mdpl/all/4630-640%20Ocean%20Dr/view
© All Rights Reserved - you may not use this image in any form without my prior permission.
#66 Team Parker Racing LTD Bentley Continental GT3: Nick Jones, Scott Malvern British GT Media Day 2020 - Snetterton
Shot trackside at Snetterton for the British GT Media Day 2020
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#1, Porsche 919 Hybrid, Porsche Team, driven by Timo Bernhard , Mark Webber , Brendon Hartley during WEC 6 Hours of Silverstone
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Images are copyright, all rights reserved. Do not use without my express permission.
This is a 7-story, 3-bay domestic building in the Art Deco style built in 1937. The structural system is fireproof. The foundation is reinforced concrete. The exterior walls are stucco. The building has a flat parapet roof. Windows are replacement aluminum casements. Unique octagonal porthole windows just above "Park Central Hotel" signage on the central bay of east elevation and at the same height on the easternmost part of the south elevation; Continuous band of windows rounded at corners wraps around northeast and southeast corners of building There is a single-story, full-span open porch characterized by an integrated (under the main) roof. Simple full-span porch with aluminum railings; Multi-colored terrazzo floor design; Extends slightly out from building set back Primary entryway is centered on east elevation; Glass double-door framed by dark wood; Terrazzo floor design on the porch points directly towards the primary door, which is also ornamented on the interior by different multi-colored terrazzo floor designs.
Symmetrical tripartite design on the primary facade; Round masonry porthole design at cornice; Octagonal porthole windows directly above first-floor level; Horizontal banding at building's corners; Multi-colored terrazzo floor designs; Neon "Park Central Hotel" signage centered directly above the porch on the east elevation; "Park Central Hotel" signage painted vertically on the east corner of the south elevation; Stepped ziggurat parapet roofline on east elevation; Streamlined vertical design with a recessed central section; Rounded corner windows on northeast and southeast corners just above porch level; Lightly ribbed vertical pilasters ornamented with spandrels; on either side of central bay form an inverted "L" design; Aluminum railings.
Credit for the data above is given to the following website:
www.ruskinarc.com/mdpl/all/4630-640%20Ocean%20Dr/view
© All Rights Reserved - you may not use this image in any form without my prior permission.
#15 Multimatic Motorsports Ford Mustang GT4: Scott Maxwell, Seb Priaulx British GT - Donington - Media Day - Tuesday
Tutorial: Free eBook Guide to shooting motorsport at Silverstone
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Follow me on Instagram: www.instagram.com/fireproof.creative/
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Images are copyright, all rights reserved. Do not use without my express permission.