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4me4you Features 'Monsters, Chambers, and Trapdoors'.
Artist: Georgia Dymock
In 'Monsters, Chambers, and Trapdoors', Georgia Dymock explores the idea of identity, saturating her figures with subtle mythological and fantastical traits. In doing so, the artist invites viewers to question traditional narratives and their own perceptions of heroism and monstrosity.
4me4you recently visited Monsters, Chambers, and Trapdoors, a captivating exhibition at Gillian Jason Gallery, showcasing the latest works by Georgia Dymock. In this thought-provoking body of work, Dymock invites viewers into a world where myth, fantasy, and identity intertwine, populated by voluminous, anthropomorphic figures that challenge conventional narratives around gender, sexuality, and the human form. With her intricate compositions, Dymock delves deep into the subconscious, exploring themes of transformation, desire, and the complexities of selfhood.
At the heart of Monsters, Chambers, and Trapdoors is the idea of identity, explored through figures imbued with subtle mythological and fantastical traits. By saturating her creations with elements of the unreal, Dymock urges us to question not only the nature of heroism and monstrosity but also how we perceive ourselves and others. One recurring motif in her recent works is the pairing of figures—often physically close yet emotionally distant. Drawing inspiration from Plato’s concept of the soulmate, where humans were once unified beings with four arms, four legs, and two heads, Dymock explores the aching separation and yearning that followed their division by Zeus. These paired figures, while physically intimate, convey a palpable sense of detachment, creating a tension that highlights the alienation and objectification of the human body. The cold, metallic surfaces of these figures further emphasise their non-human qualities, evoking a chilling sense of robotic detachment.
This disconnection raises intriguing questions about whether Dymock is creating figurative works or abstract still-life. Her abstraction reduces human forms to their most elemental features, transforming them into symbolic objects that invite reflection on disintegration, dissolution, and the fragmentation of the self. Works like Bathers and Octopus Hattake this fascination with hybrid and fragmented bodies to an extreme, using oversized limbs and textured contrasts to blur the line between allure and danger, exploring the complex interplay of touch, attraction, and threat.
Dymock's exploration of "monstrosity" offers a powerful subversion of societal norms, drawing upon a wide range of sources to reinterpret classical mythological figures. Works like Two-Faced and Sucking Thumbs reimagine figures such as Medusa and the sirens, imbuing them with ambiguity, empathy, and playful tension. These reinterpretations challenge traditional depictions of the female body in myth and art, critiquing how these archetypes have been shaped by visual culture. By presenting figures that embody traits deemed excessive or grotesque, Dymock invites viewers to reconsider their perceptions of beauty, power, and femininity, breaking down rigid standards of behavior and appearance.
Throughout her work, Georgia Dymock creates a space for introspection and dialogue, encouraging us to look beyond surface appearances and engage with the deeper complexities of identity. Her practice, which seamlessly blends traditional painting techniques with digital processes, reflects her ongoing exploration of transformation and the fluidity of forms. Beginning with digital compositions, Dymock manipulates her imagery using programming software before translating these elements onto the canvas. Through an ongoing exchange between digital and analog media, her work evolves, resulting in richly layered oil paintings that synthesize technology and tradition in a dynamic and innovative way.
Currently based in London and represented by Gillian Jason Gallery, Dymock is an emerging talent with an MFA in Fine Art Painting from the Slade School of Fine Art (2023), a GradD from Chelsea College of Art (2020), and a BSc in Anthropology from UCL (2019). Her accomplishments include winning the 2023 Cass Art Prize, being selected as a finalist for the 2024 Ingram Prize, and being named one of the New Contemporaries. Dymock's work is featured in private collections worldwide and is part of the institutional collection of the Museum Inima de Paula in Belo Horizonte, Brazil.
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Artist: Ruozhe Xue
4me4you features “ xue ruozhe: chronoscape”.
During a recent visit to Rosenfeld Gallery, 4me4you had the opportunity to engage with the thought-provoking exhibition "Xue Ruozhe: Chronoscape" by the artist Ruozhe Xue. This compelling body of work offers a profound meditation on the intersection of time, memory, and painting. In Xue’s hands, painting becomes a time-based medium, where every brushstroke serves as both a reflection of the artist's personal experience and a window into broader, universal concepts of temporality and existence.
At the heart of Xue’s practice is the belief that painting is an evolving process, not just a static act of representation. Time, for Xue, is woven into the very fabric of the artwork—its materiality, its layers, and the artist’s interaction with the medium. Each gesture and each layer of colour is a moment in time, a mark of passage. The works in Chronoscapeinvite the viewer to witness this ongoing dialogue between the artist and the medium, where the passage of time itself is not just a theme but an integral part of the work's form and content. Through a restrained yet emotionally charged methodology, Xue creates paintings that transcend traditional notions of figuration, situating them within the broader context of contemporary art and media. There is a palpable psychological tension in Xue’s works, where reality is subtly distorted, suspended, and re-contextualised—pushing the limits of perception and inviting reflection on the fleeting, fragile nature of life itself.
A cornerstone of Xue’s Chronoscape is the artist’s ongoing series YYYY-MM-DD, where Xue paints a single flower every day, beginning on the day their youngest daughter was born. Each flower is marked with the date, creating a visual record of time’s passage. This daily ritual has become a lifelong practice, a meditation on the transitory nature of both the subject and the artist’s own experience. The flowers, in their quiet simplicity, reflect the constant flow of time, and through their repetitive yet unique presence, Xue offers a profound exploration of how we relate to the moments that make up our lives. This ritual, though intimate, extends beyond the personal to speak to broader themes of endurance, memory, and the human need to mark time in an ever-accelerating world. In this sense, YYYY-MM-DDoffers a quiet counterpoint to the rush of contemporary life, creating a space for reflection and resilience in the face of uncertainty.
Xue’s work also reflects on the very processes of making art, often folding self-referential layers into the work. In the My Studio-based Practice series, for instance, a bouquet of orange lilies from YYYY-MM-DD reappears in a minimalist studio setting. Here, a young woman in black paints at her canvas, but in the painting before her, the lilies have already withered—creating a temporal disjunction that reflects the cyclical nature of life and art. This recursive approach to time and space creates a layered, intertextual dialogue between the artist’s past and present works, offering the viewer an invitation to explore the complex ways in which time and memory shape both the artist and their art.
In works such as The Misplaced Studio, Xue delves even further into the concept of time, space, and the relationship between artist, model, and image. In this painting, three identical figures exist in slightly distorted, disjointed spaces, connected by painted tape in a trompe l’oeil effect. A translucent white cloth, often used in studio settings to establish a scene, becomes a veil that obscures the figure behind it, alluding to the ancient Greek myth of the painters Zeuxis and Parrhasius. In this myth, Zeuxis creates grapes so lifelike that birds attempt to eat them, only for him to realize that the curtain concealing Parrhasius’s painting is itself part of the artwork. In The Misplaced Studio, the veil functions as a metaphor for the illusionary nature of art and space, where time and reality are rendered fluid, ambiguous, and unstable.
Through these works, Xue continues to push the boundaries of painting, interrogating its relationship to time, identity, and the act of creation itself. Their art is a testament to the quiet, ongoing negotiation between past and present, self and other, and the complex, often elusive nature of existence. In Chronoscape, time is not just a theme but the very medium through which the work is created, woven into every brushstroke, every layer of paint. As the viewer moves through the exhibition, they are invited to contemplate not only the artwork but the passage of time itself, and the profound ways in which art can reflect, embody, and transform that passage into a visual language all its own.
Features:
Coco colored Mother of Pearl Shell Flowers (15mm)
Pink Freshwater Pearls (7-8mm)
Pink Button Pearl (4mm)
Sterling Silver earring hooks
Sterling Silver Seed Beads
Sterling Silver Bead Caps
Measures:
Hangs down beautifully from your ear just under 1.5" (4cm)
Redoximorphic features are formed by the processes of reduction, translocation, and/or oxidation of Fe and Mn oxides. They were formerly called mottles and low-chroma colors. This subsoil aggregate has redox concentrations occurring as soft masses and pore linings and redox depletions along a root channel
Features Soft cowhide leather. 2 side adjustable buckles. Removable liner. Shoulder epaulets. Original YKK zippers.
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This album features key moments from the workshop held in Duékoué, focused on the preparatory steps for establishing the Multi-Stakeholder Platform in the Guémon region. The event brought together diverse stakeholders to collaborate on sustainable development initiatives.
Photo by CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: news@cifor-icraf.org and a.sanjaya@cifor-icraf.org
4me4you features “Lost Souls of Saturn”.
Artist: Seth Troxler & Phil Moffa
Lost Souls of Saturn, consisting primarily of Seth Troxler and Phil Moffa alongside other undisclosed participants, represents an innovative fusion of music, technology, and narrative. Rejecting traditional formats, they traverse various mediums—from vinyl records to digital platforms, art installations to augmented reality, and live performances—crafting an interconnected experience.
Through their endeavors, Troxler, Moffa, and collaborators seek to challenge perceptions and reshape our understanding of reality. They blend the psychedelic ethos of science fiction and early rave culture with contemporary art and postmodern philosophy, endeavouring to push the boundaries of artistic expression.
Their performances have graced esteemed venues such as the Metropolitan Museum of Art in New York City, Foundation Beyeler in Basel, and the Saatchi Gallery in London.
Noteworthy collaborations include immersive experiences with installation artists like Olafur Eliasson and Ernesto Neto.
In February 2024, Lost Souls of Saturn presents "Reality" at W1 Curates in London, unveiling an augmented reality comic book and companion app set within an immersive gallery environment.
Teaming up with comic artist and AR pioneer Rob Shields, along with Abstract Comic’s co-founder Mike Bundlie, there creation represents a groundbreaking immersive artwork.
Each page of the comic, visible to the naked eye, transforms into animated 3D vistas when viewed through the LSOS app, creating a unique synthetic experience.
The integration of LSOS's soundtrack with the comic book in augmented reality marks a significant milestone.
The music evolves and intertwines seamlessly with the narrative, enhancing emotional engagement and offering readers a truly immersive encounter.
This pioneering synthesis of art and music heralds a new era of collaboration and exploration in the realm of soundtracks, aiming to redefine the boundaries of artistic expression.
ANATOMY
Reptiles, the group that gave rise through evolution to birds and mammals, have the same basic body structure as those higher vertebrates. Yet just as birds and mammals changed from their reptilian ancestors, reptiles themselves underwent great changes over their millions of years of existence. This exhibit shows some anatomical features of the reptilian body and shows how structures differ among major groups of reptiles.
RETICULATED PYTHON (Python reticulatus)
Typically, snakes have a greatly elongated body and lack limbs. Some snakes such as this python (see partial skeleton) retain vestiges of the hind limbs, however. This skeleton is 7 meters (23 feet) long. Its 321 vertebrae in the body and 91 in the tail number close to the maximum known in snakes; individuals of some species may have fewer than 130 vertebrae. (Human beings have only 24.) A snake does not add vertebrae and ribs as it grows, but has its full amount before it is born or hatched.
KOMODO DRAGON LIZARD (Varanus komodoensis)
AMERICAN ALLIGATOR (Alligator mississippiensis)
These basically similar skeletons differ in many details evident only on close examination. As an aquatic animal, the alligator has a somewhat high, flattened tail for swimming and relatively small legs and feet. The land-dwelling Dragon has a more rounded tail and larger, more powerful legs. The large, heavy skull of the alligator would be a burden on land but is supported by the water. Another difference in these skeletons is the presence of abdominal ribs (gastralia) in the Alligator.
SKIN
Skin, the outermost covering, protects the body from micro-organisms, poisons and physical damage, retains fluids and minerals, and provides structural support. Its sensory receptors receive stimuli (eg, touch, temperature) from the environment, and it maintains the colors and some structural modifications of the species.
Reptile skin typically consists of rows of raised, hardened scales usually connected by soft, flexible tissue. The outermost layer (epidermis) of the skin forms the hard (keratinized) part of the scales. Such scales differ from fish scales, which form in a different part (dermis) of the skin. Amphibians, unlike reptiles, lack epidermal scales and usually maintain a moist skin that may function in respiration. Reptile skin lacks the feathers and hair that characterize birds and mammals, respectively.
Extensive use of reptile skins for purses, shoes and other leather products has led to massive slaughter, especially of crocodilians. Consequently, the survival of many species is endangered.
SKIN STRUCTURE
This cross-section of lizard skin shows two overlapping scales (350X). Important features are:
EPIDERMIS: Outermost skin layer. Its germinative cells produce daughter cells that move outward and transform into the hard, protective outer scale surface through the process of keratinization. Keratin is a strong protein in epidermal derivatives such as claws, fingernails and beaks. Periodically, the keratinized layer is shed and replaced (Growth and Longevity exhibit, Case 2).
DERMIS: Deeper, thicker skin layer, composed chiefly of fibrous connective tissue. Most pigment cells lie within the dermis. Most blood vessels (not shown) are in both the dermis and epidermis.
HINGE REGION: This area with loose folds allows distension of the skin between the keratinized scales.
SCALE TYPES
Reptile scales vary in size, shape and number according to location on the body. For example, in most snakes the scales on the belly (ventral scutes) are enlarged transversely and are important in locomotion. These differ distinctly from the scales on the back.
Reptiles inherit their basic scale pattern, though temperature during embryonic development may influence scale size and number. Comparison of distantly related species reveals a wide variety of scale types. This diversity probably reflects adaptations for various functions, such as body water balance and reception of solar radiation. The lizards here illustrate various reptile scales.
OSTEODERMS
The deep layer of the skin (dermis) in many kinds of lizards, all crocodilians and on the legs and tails of some turtles contains discs or nodules of protective bone. Often these exist in rows corresponding to those of the outer epidermal scales. Nearly all surfaces of the South American Caiman, Caiman crocodilus, whose skin is shown here, are protected by osteoderms, which appear as numerous light patches on the x-ray photograph (claws and bones of the skull are light also).
COLOR CHANGE
In some lizards, particularly True Chameleons of the Old World and Anoles (American Chameleons) of the New World, individuals can change color completely and rapidly. Color change is stimulated by various factors, including excitement, temperature, lighting, and shade of the background behind the animal.
The Green Anole, Anolis carolinensis, shown here can change from brown to brilliant green, or vice versa, in a matter of minutes. Cross-sections (1,000X) show how color change is caused by movement of pigment within melanophores (brown pigment cells).
TEETH
Reptiles of different species may vary greatly in the food they eat, and this shows in their teeth. Seen here are the lower jaws of several reptiles, together with the enlarged drawings of the teeth. Teeth may differ in size and shape from one part of a jaw to another, serving different functions (piercing and holding, cutting, chewing), or may all be much the same. Unlike most mammals, which produce only two sets of teeth in a lifetime, most reptiles are continuously replacing teeth. A lizard may produce hundreds of new teeth in a year. In addition to teeth in the usual places on the jaws, snakes and some lizards also have teeth on bones on the roof of the mouth.
SKULLS
Evolutionary change may involve loss of parts (for example, limbs of snakes), multiplication of parts (vertebrae of snakes) or modification of shape and size of parts. These skulls exemplify such differences among certain bones in four major groups of reptiles.
TURTLE SHELLS
The shell, which may include up to 30 percent of a turtle's weight, is mostly bone, overlaid by skin. The large, hard plates conspicuous on most turtle shells are keratinized epidermal scales (scutes). The shell's bone forms by fusion of ossified structures in the deep skin (dermis) with vertebrae, ribs, and pectoral and pelvic girdles.
The epidermal scales of the upper shell (carapace) of this Snapping Turtle, Chelydra serpentina, are removed from the left side to reveal the bones beneath. Sutures between scales and those between underlying bones are not directly aligned, a feature which may result in greater strength.
LOGGERHEAD TURTLE, Caretta caretta
The turtle's skeleton is ingenious architecturally and peculiar biologically. The ribs, expanded and joined, form the main part of the upper shell (carapace), and the body vertebrae are immovably fused as part of the shell. Most unusual is the position of the dorsal bones of the shoulder girdle; these lie beneath the ribs rather than atop them, as in other vertebrates. The derivation of the bones of the lower shell (plastron) is unclear; they may incorporate ventral elements of the shoulder girdle and abdominal ribs.
Bony shell elements are somewhat reduced in these sea turtles. A typical land or fresh-water turtle would have a relatively larger, solid plastron firmly joined at the sides to the carapace.
4me4you features “Lost Souls of Saturn”.
Artist: Seth Troxler & Phil Moffa
Lost Souls of Saturn, consisting primarily of Seth Troxler and Phil Moffa alongside other undisclosed participants, represents an innovative fusion of music, technology, and narrative. Rejecting traditional formats, they traverse various mediums—from vinyl records to digital platforms, art installations to augmented reality, and live performances—crafting an interconnected experience.
Through their endeavors, Troxler, Moffa, and collaborators seek to challenge perceptions and reshape our understanding of reality. They blend the psychedelic ethos of science fiction and early rave culture with contemporary art and postmodern philosophy, endeavouring to push the boundaries of artistic expression.
Their performances have graced esteemed venues such as the Metropolitan Museum of Art in New York City, Foundation Beyeler in Basel, and the Saatchi Gallery in London.
Noteworthy collaborations include immersive experiences with installation artists like Olafur Eliasson and Ernesto Neto.
In February 2024, Lost Souls of Saturn presents "Reality" at W1 Curates in London, unveiling an augmented reality comic book and companion app set within an immersive gallery environment.
Teaming up with comic artist and AR pioneer Rob Shields, along with Abstract Comic’s co-founder Mike Bundlie, there creation represents a groundbreaking immersive artwork.
Each page of the comic, visible to the naked eye, transforms into animated 3D vistas when viewed through the LSOS app, creating a unique synthetic experience.
The integration of LSOS's soundtrack with the comic book in augmented reality marks a significant milestone.
The music evolves and intertwines seamlessly with the narrative, enhancing emotional engagement and offering readers a truly immersive encounter.
This pioneering synthesis of art and music heralds a new era of collaboration and exploration in the realm of soundtracks, aiming to redefine the boundaries of artistic expression.
Ronnie Jaggers and Micah Goodall
presents their exhibit for
The Celebration of the Arts at the Western Kentucky University Museum and Library
Ronnie Jaggers, Owner, SculptorArtist of Chiseled Features Studio, Bowling Green Kentucky USA
Sculpting, Stained Glass, Pinata's,
Painting for Fun class, birthday and camping parties and more! Plasma cutter - Micah Goodall contributing with the beautiful metal base
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
Features:
Fabric: Polyester: 100%
Color: Red
Pattern: Contrast color
Sleeve Style: Long Sleeves
Collar: Lapel Collar
Coat Style: Middle Long
Style: European
Occasion: Autumn, Winter
Size: S,M,L
Artist: Ruozhe Xue
4me4you features “ xue ruozhe: chronoscape”.
During a recent visit to Rosenfeld Gallery, 4me4you had the opportunity to engage with the thought-provoking exhibition "Xue Ruozhe: Chronoscape" by the artist Ruozhe Xue. This compelling body of work offers a profound meditation on the intersection of time, memory, and painting. In Xue’s hands, painting becomes a time-based medium, where every brushstroke serves as both a reflection of the artist's personal experience and a window into broader, universal concepts of temporality and existence.
At the heart of Xue’s practice is the belief that painting is an evolving process, not just a static act of representation. Time, for Xue, is woven into the very fabric of the artwork—its materiality, its layers, and the artist’s interaction with the medium. Each gesture and each layer of colour is a moment in time, a mark of passage. The works in Chronoscapeinvite the viewer to witness this ongoing dialogue between the artist and the medium, where the passage of time itself is not just a theme but an integral part of the work's form and content. Through a restrained yet emotionally charged methodology, Xue creates paintings that transcend traditional notions of figuration, situating them within the broader context of contemporary art and media. There is a palpable psychological tension in Xue’s works, where reality is subtly distorted, suspended, and re-contextualised—pushing the limits of perception and inviting reflection on the fleeting, fragile nature of life itself.
A cornerstone of Xue’s Chronoscape is the artist’s ongoing series YYYY-MM-DD, where Xue paints a single flower every day, beginning on the day their youngest daughter was born. Each flower is marked with the date, creating a visual record of time’s passage. This daily ritual has become a lifelong practice, a meditation on the transitory nature of both the subject and the artist’s own experience. The flowers, in their quiet simplicity, reflect the constant flow of time, and through their repetitive yet unique presence, Xue offers a profound exploration of how we relate to the moments that make up our lives. This ritual, though intimate, extends beyond the personal to speak to broader themes of endurance, memory, and the human need to mark time in an ever-accelerating world. In this sense, YYYY-MM-DDoffers a quiet counterpoint to the rush of contemporary life, creating a space for reflection and resilience in the face of uncertainty.
Xue’s work also reflects on the very processes of making art, often folding self-referential layers into the work. In the My Studio-based Practice series, for instance, a bouquet of orange lilies from YYYY-MM-DD reappears in a minimalist studio setting. Here, a young woman in black paints at her canvas, but in the painting before her, the lilies have already withered—creating a temporal disjunction that reflects the cyclical nature of life and art. This recursive approach to time and space creates a layered, intertextual dialogue between the artist’s past and present works, offering the viewer an invitation to explore the complex ways in which time and memory shape both the artist and their art.
In works such as The Misplaced Studio, Xue delves even further into the concept of time, space, and the relationship between artist, model, and image. In this painting, three identical figures exist in slightly distorted, disjointed spaces, connected by painted tape in a trompe l’oeil effect. A translucent white cloth, often used in studio settings to establish a scene, becomes a veil that obscures the figure behind it, alluding to the ancient Greek myth of the painters Zeuxis and Parrhasius. In this myth, Zeuxis creates grapes so lifelike that birds attempt to eat them, only for him to realize that the curtain concealing Parrhasius’s painting is itself part of the artwork. In The Misplaced Studio, the veil functions as a metaphor for the illusionary nature of art and space, where time and reality are rendered fluid, ambiguous, and unstable.
Through these works, Xue continues to push the boundaries of painting, interrogating its relationship to time, identity, and the act of creation itself. Their art is a testament to the quiet, ongoing negotiation between past and present, self and other, and the complex, often elusive nature of existence. In Chronoscape, time is not just a theme but the very medium through which the work is created, woven into every brushstroke, every layer of paint. As the viewer moves through the exhibition, they are invited to contemplate not only the artwork but the passage of time itself, and the profound ways in which art can reflect, embody, and transform that passage into a visual language all its own.
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
4me4you features “Lost Souls of Saturn”.
Artist: Seth Troxler & Phil Moffa
Lost Souls of Saturn, consisting primarily of Seth Troxler and Phil Moffa alongside other undisclosed participants, represents an innovative fusion of music, technology, and narrative. Rejecting traditional formats, they traverse various mediums—from vinyl records to digital platforms, art installations to augmented reality, and live performances—crafting an interconnected experience.
Through their endeavors, Troxler, Moffa, and collaborators seek to challenge perceptions and reshape our understanding of reality. They blend the psychedelic ethos of science fiction and early rave culture with contemporary art and postmodern philosophy, endeavouring to push the boundaries of artistic expression.
Their performances have graced esteemed venues such as the Metropolitan Museum of Art in New York City, Foundation Beyeler in Basel, and the Saatchi Gallery in London.
Noteworthy collaborations include immersive experiences with installation artists like Olafur Eliasson and Ernesto Neto.
In February 2024, Lost Souls of Saturn presents "Reality" at W1 Curates in London, unveiling an augmented reality comic book and companion app set within an immersive gallery environment.
Teaming up with comic artist and AR pioneer Rob Shields, along with Abstract Comic’s co-founder Mike Bundlie, there creation represents a groundbreaking immersive artwork.
Each page of the comic, visible to the naked eye, transforms into animated 3D vistas when viewed through the LSOS app, creating a unique synthetic experience.
The integration of LSOS's soundtrack with the comic book in augmented reality marks a significant milestone.
The music evolves and intertwines seamlessly with the narrative, enhancing emotional engagement and offering readers a truly immersive encounter.
This pioneering synthesis of art and music heralds a new era of collaboration and exploration in the realm of soundtracks, aiming to redefine the boundaries of artistic expression.
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
Many companies can build a pool. But, what makes us different is the vision, design and implementation of an entire outdoor living experience right in your back yard.
Health reporter Molly Lynch (centre) hands out free hugs in Barrow town centre as part of National Hugging Day. Pictured (l-r) sisters Mellanie and Myer Birchall. Photo copyright North-West Evening Mail
This 14kt Gold solid Australian White Opal Ring features rich and bright rainbow colors flashing throughout the Precious Opal Gemstone. The only one of it's kind and an heirloom piece to be handed down from generation to generation, the high quality 14kt Gold claw setting secures the precious gemstone while enhancing the rich and bright gem quality flashes in the Opal. A rare privilege to own and a special piece to be enjoyed with every flick of the hand. A timeless piece and the perfect addition to any jewelry collection. Ideal for either day to day wear or a night on the town. This Precious Opal Gemstone is 100% natural and untreated. Ethically sourced from quality mines in Coober Pedy, Australia. Is your ring size not listed, no problem! For an additional $45.00usd we can adjust the Opal ring to your specified size. Upon checkout, simply list your ring size request in the notes section and we will follow up with you. Is your ring size not listed? No worries! We can adjust any ring size for a $45USD fee. Upon checkout simply write your requested ring size in the notes section and we will get back to you.
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Key Features
A Space Wolves Mega Limited Edition
Only 1,500 copies available
32-page Hrani's Saga book
Metal bookmark shaped like a wolf
Metal pin badge
Six grey dice with claw marks for faces 1-5 and a wolf on the 6
Dice bag
Rune stone styled coaster with silver finish
A datacard for using Járnhamar Pack in Crusade games of Warhammer 40,000
Freshmen Ted Schmitt (left) and Alex Strellov build a fort outside the Libby dormitories on the University of Colorado campus in Boulder, Thursday, Oct. 29th, 2009. Boulder saw 17 inches by Thursday morning, and expected up to 10 more inches by the end of the day.
KASIA BROUSSALIAN / THE CAMERA
LG has released its first ever Chromebase Model 22cv241 All in One focused around Google Chrome OS in India. Valued at Rs. 32,000, the LG Chromebase specs a 21.-5-inch full HD IPS display screen.
LG Chromebase AiO
The LG Chromebase Aio is fueled by Intel CPU (4th generation) alongside...
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Dufour 382 Grand Large's main features
Model: Dufour 382 Grand Large
Version: Standard
Hull type: Monohull
Category: Cruising sailboat
Sailboat builder: Dufour
Sailboat designer: Felci Yachts
Sailboat range: Grand Large
Country: France
Construction: GRP (glass reinforced polyester):
- Hull: Single skin fiberglass polyester
- Deck: Sandwich PVC fiberglass polyester (injection molding process)
First built hull: 2014
Last built hull: Still in production
Appendages: Keel : L-shaped keel (with bulb)
Helm: Twin helm wheels
Rudder: Single spade rudder
Unsinkable: No
Trailerable: No
Dufour 382 Grand Large's main dimensions
Overall length: 36’ 11” 11.25 m
Hull length: 36’ 10.96 m
Waterline length: 32’ 6” 9.9 m
Beam (width): 12’ 7” 3.85 m
Draft: 6’ 2” 1.9 m
Light displacement (MLC): 15565 lb 7060 kg
Ballast weight: 4079 lb 1850 kg
Ballast type: Cast iron
Dufour 382 Grand Large's rig and sails
Upwind sail area: 743 ft² 69 m²
Mainsail area: 409 ft² 38 m²
Genoa area: 334 ft² 31 m²
I (Fore triangle height (from mast foot to fore stay top attachment) 45’ 7” 13.9 m
J (Fore triangle base (from mast foot to bottom of forestay): 12’ 7” 3.83 m
P (Mainsail hoist measurement (from tack to head): 43’ 11” 13.37 m
E (Mainsail foot measurement (from tack to clew): 14’ 10” 4.5 m
Rigging type: Sloop Marconi 9/10
Mast configuration: Deck stepped mast
Rotating spars: No
Number of levels of spreaders: 2
Spreaders angle: Swept-back
Spars construction: Aluminum spars
Standing rigging: 1x19 strand wire continuous
Dufour 382 Grand Large's auxiliary engine
Engine(s) 1 inboard engine
Engine(s) power (min./max.) 30 HP / 40 HP
Fuel type Diesel
Fuel tank capacity 52.8 gal 200 liters
Dufour 382 Grand Large's accommodations and layout
Cockpit: Closing aft cockpit with opening system
Cabin(s) (min./max.) 2 / 3
Berth(s) (min./max.) 4 / 8
Head(s) (min./max.) 1 / 2
Freshwater tank capacity: 100.4 gal (380 liters)
Dufour 382 Grand Large's fore cabin
Berth length: 6’ 7” 2 m
Berth width: 4’ 7” 1.4 m
Dufour 382 Grand Large's aft cabin
Berth length: 6’ 5” 1.94 m
Berth width: 4’ 7” 1.4 m
Product key features:
Ignis lata recessed ventless ethanol fireplace is designed with stainless steel with a black powder-coated background
This product comes with two 1.5 liter burners made with stainless steel and each burner has BTU of 6,000.
The product has a burn time close to 5 hours per refill
Sizes are 43.5WX19.75HX7.6D in inches
The package of this unit contains Lata with glass, damper tool, mounting brackets, and user manual.
It is easy to install and does not require any care.
It is useful for indoor use only and does not requires gas, electricity, chimney or gel cans and is ventless
Visit goo.gl/z06U5B to purchase online.
features an all-over floral print and cut-out detailing on the sleeves.
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