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#MeanStack is completely free and open source platform helping the java script #programmers in the #development of various #software #programs. There are some specific features you should be aware of prior to harnessing #MEANSTACKdevelopment for your next project are as follows: goo.gl/S3imnL
Email: info@siliconinfo.com
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USA : + 1-408-216-7636
UK : +44-208-819-5832
Australia : +61-283-073-843
Credit: Dr. Richard Allmendinger
Earth and Atmospheric Sciences, Cornell University
Location: Finger Lakes Region
Description: Deglaciation sequence. The yellow arrow represents where the next three image sequence are referenced.
Features:
- Non-Removable, Non-Poseable Head
- Blue Eyes
- Real Eyelashes
- Molded Red Hair
- Arms Straight Down
- Individually Molded Fingers
- Hands Turn 360°
- Metal Rod into Lower Left Calf
- Metal Base Plate
From the 4 mannequins that I won so far, I would call this guy my favorite. I really love Eurotondisplay's series of male mannequins, they seem to have some of the most handsome and least uncanny faces. MA-13's face looks especially sweet when looked at from the side. This one's a slight variation from the MA-13 model that I already own with the main difference being his arms are pretty much straight down and his legs and feet are in a much wider stance, which comes with the disadvantage that he needs more floor space. His head is turned slightly to the left and his arms are poseable at the shoulder joints, as are his wrists. He stands on a metal plate that has Eurotondisplay lasered into the bottom right corner.
In addition to being a fully technical air-integrated dive computer, the Garmin Descent Mk2i Dive Computer features a full-featured, rugged, multi-sport smartwatch with excellent battery life. The Garmin Descent MK2i dive computer is a highly capable and advanced device that is designed to cater to the needs of technical divers.
It is packed with features and capabilities that make it one of the most versatile and reliable dive computers on the market. A new era has begun, and the future has arrived. It costs a lot to purchase, especially with the Garmin transmitter included. However, if you're a technology enthusiast, it can replace multiple devices.
The Garmin Descent Mk2 is an incredibly stylish piece of equipment. With its versatile design, it can be worn on a dive boat, a trail, a gym, or a boardroom. Although those with small wrists might find it bulky, the watch itself is rugged without being oversize. A functional display measures 35.56mm on the watch's 52 x 52mm face.
Garmin has enhanced the Descent Mk2 technology by building on the success of the Descent Mk1. A 13-inch screen has been added to the Mk2 - it's 13 inches larger than the Mk1. On each dive screen, more information is displayed, while the information is streamlined for easier understanding.
I didn't take this, Rich did, so it can't be my PAD but I couldn't resist the cheeky grin and had to upload it! My boy LOVES chocolate, and chocolate cake is even better, so he was rather chuffed that pudding was chocolate cake at our family Mother's Day get together at my Aunty's house!
Features
1.Size: 2″-60″
2.Pressure: Class150-2500Lb
3.Tightened Pin structure.
4.Double Flange & Dual Plate design.
5.Dual Plate With Spring Loaded structure
6.Materials: Carbon steel and stainless steel, etc
7.Application: Chemical processing, Oil Field & Power Plant, Hydrocarbon processing
Standards
1.Design&Mamufacture: API 594, API 6D
2.Face-to-face API 594, API 6D, DIN 3202
3.Flange end: DIN2543-2548, API605, ASME B 16.47, ANSI B 16.5
4.Inspection and test: API 598
5.Special: NACE MR-01-75
Contact:julie
Msn:jonloo@live.cn
Email:info@jonloovalves.com
Website:www.jonloovalves.com
JoJo’s Bizarre Adventure Figure features the menacing Dio Brando in an iconic pose. Dio is one of the most well-known characters in the JoJo series and has often been used as a series mascot, right next to his hot-headed rival Jotaro Kujo. Despite being a ruthless villain who is willing to do anything to achieve […]
Salient Features of Ingimage
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View full collection of royalty free images and vector graphics.
Features:
* Solid Wood Cabinetry
* Full Overlay Doors
* Raised Door Panel
* Under-mount Glide System
( Upgradeable to Soft-closing)
* 3/4" Extension Dovetail Drawers
(Upgradeable to Full Extension)
* Concealed Euro Hinges
* 5/8" Adjustable Shelves
* Plywood Construction Box
FEATURES
- Colour: Beige
- 100% cotton linen (Japanese fabric)
- 100% cotton lining
- Made in a non-smoking and pet-less environment.
- All fabrics have been pre-washed so they don't shrink
- Care: Gentle machine wash in cold water
Measurements:
- Length : approx. 16" (41cm)
- Height: approx. 16" (41cm)
- Width: approx. 3.5" (9cm)
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
4me4you features the artist Ming Ying - "Society: Acts I-IV".
Min's works looks to the many moments one experiences living in an era where status and image have become increasingly important. From flashy social scenes, to the mundane acts of day to day life. She explores themes of loneliness, desire and identity in an effort to encourage viewers to reflect on who they are in today's society.
Ming creates dreamy scenarios on her canvas, blurring the line between figuration and abstraction to form a world that is parallel to, but far from, reality. With her distorted brushstrokes, vibrant colour palette, and heavy impasto paint she creates romantic, psychedelic scenes that are based on reality, but imply a vision of desire.
Artist: Ruozhe Xue
4me4you features “ xue ruozhe: chronoscape”.
During a recent visit to Rosenfeld Gallery, 4me4you had the opportunity to engage with the thought-provoking exhibition "Xue Ruozhe: Chronoscape" by the artist Ruozhe Xue. This compelling body of work offers a profound meditation on the intersection of time, memory, and painting. In Xue’s hands, painting becomes a time-based medium, where every brushstroke serves as both a reflection of the artist's personal experience and a window into broader, universal concepts of temporality and existence.
At the heart of Xue’s practice is the belief that painting is an evolving process, not just a static act of representation. Time, for Xue, is woven into the very fabric of the artwork—its materiality, its layers, and the artist’s interaction with the medium. Each gesture and each layer of colour is a moment in time, a mark of passage. The works in Chronoscapeinvite the viewer to witness this ongoing dialogue between the artist and the medium, where the passage of time itself is not just a theme but an integral part of the work's form and content. Through a restrained yet emotionally charged methodology, Xue creates paintings that transcend traditional notions of figuration, situating them within the broader context of contemporary art and media. There is a palpable psychological tension in Xue’s works, where reality is subtly distorted, suspended, and re-contextualised—pushing the limits of perception and inviting reflection on the fleeting, fragile nature of life itself.
A cornerstone of Xue’s Chronoscape is the artist’s ongoing series YYYY-MM-DD, where Xue paints a single flower every day, beginning on the day their youngest daughter was born. Each flower is marked with the date, creating a visual record of time’s passage. This daily ritual has become a lifelong practice, a meditation on the transitory nature of both the subject and the artist’s own experience. The flowers, in their quiet simplicity, reflect the constant flow of time, and through their repetitive yet unique presence, Xue offers a profound exploration of how we relate to the moments that make up our lives. This ritual, though intimate, extends beyond the personal to speak to broader themes of endurance, memory, and the human need to mark time in an ever-accelerating world. In this sense, YYYY-MM-DDoffers a quiet counterpoint to the rush of contemporary life, creating a space for reflection and resilience in the face of uncertainty.
Xue’s work also reflects on the very processes of making art, often folding self-referential layers into the work. In the My Studio-based Practice series, for instance, a bouquet of orange lilies from YYYY-MM-DD reappears in a minimalist studio setting. Here, a young woman in black paints at her canvas, but in the painting before her, the lilies have already withered—creating a temporal disjunction that reflects the cyclical nature of life and art. This recursive approach to time and space creates a layered, intertextual dialogue between the artist’s past and present works, offering the viewer an invitation to explore the complex ways in which time and memory shape both the artist and their art.
In works such as The Misplaced Studio, Xue delves even further into the concept of time, space, and the relationship between artist, model, and image. In this painting, three identical figures exist in slightly distorted, disjointed spaces, connected by painted tape in a trompe l’oeil effect. A translucent white cloth, often used in studio settings to establish a scene, becomes a veil that obscures the figure behind it, alluding to the ancient Greek myth of the painters Zeuxis and Parrhasius. In this myth, Zeuxis creates grapes so lifelike that birds attempt to eat them, only for him to realize that the curtain concealing Parrhasius’s painting is itself part of the artwork. In The Misplaced Studio, the veil functions as a metaphor for the illusionary nature of art and space, where time and reality are rendered fluid, ambiguous, and unstable.
Through these works, Xue continues to push the boundaries of painting, interrogating its relationship to time, identity, and the act of creation itself. Their art is a testament to the quiet, ongoing negotiation between past and present, self and other, and the complex, often elusive nature of existence. In Chronoscape, time is not just a theme but the very medium through which the work is created, woven into every brushstroke, every layer of paint. As the viewer moves through the exhibition, they are invited to contemplate not only the artwork but the passage of time itself, and the profound ways in which art can reflect, embody, and transform that passage into a visual language all its own.
Features:
- this business card holder is made using premium cotton fabric;
- lined with a contrasting solid black linen
- all fabrics are interfaced for durability and strength.
- all stress points are triple stitched.
- closes securely with a slim silver magnetic snap.
- approximate dimensions are 2.75'' x 4.5'' ( 7cm x 11.5cm ) when closed.
- two interior pockets will hold around 20-25 business cards each
- color: purple, white, lime, turquoise, yellow, black.
See more business card holders: www.etsy.com/shop/JadenDesign?section_id=11430761
This handbook of US Airplanes features the Golden Age of Aviation to World War II. It belonged to my father, then 1st Lt. F.D. Todd, a P-47 pilot in the 9th AAF, 366th Fighter Group, 389th Fighter Squadron, with 75 combat missions, at least 3 Air Medals, and a Presidential Unit Citation for destroying 40 enemy locomotives in a 36-hour period. Since this pamphlet is falling apart, I decided to copy it and place it on my website. Photos by Gary Lee Todd, Professor of History, Sias University, Xinzheng, Henan, China. Complete indexed photo collection at WorldHistoryPics.com.
Asian Spicy Garden in Pattaya Thailand.
A collection of well-known and very exotic plants that give seasonings and spices. Guided walk through the Botanical Spice Garden. Opium Museum - features of the extraction and use of the potion. Culinary show featuring Thai cooking and tasting!
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
Window above side door in memory of Elijos Lazauskienes who died 19 Apr 1971. Features an image of St George on horseback killing a dragon.
Building acquired 1959 by Lithuanian Caritas group and the hall converted to a chapel, consecrated 20 Nov 1960. Chapel windows created 1970s by Stasys Kerulis; five of the windows represent the 5 dioceses of Lithuania. Originally built 1883 by Misses Tilly as Hardwicke College for Methodist ladies, closed 1910. Previous location of the College, run by Mrs Shuttleworth, was Kent Town.
“Young Ladies' College, Hardwicke House, Kent-Terrace, Kent Town. Conducted by Mrs. Shuttleworth. First Session will commence on Tuesday, the 14th January, 1873. Vacancies for a limited number of Boarders” [Register 25 Dec 1872]
“A varied and successful musical entertainment was given in White's Rooms, on Wednesday evening, December 15, by the pupils of the Young Ladies' College, Hardwicke House, assisted by a few gentleman amateurs. . . The Hon. J. Colton, M.P., who presided, expressed great pleasure at being present at a performance with so laudable an object as that of assisting the Strangers' Friend Society . . . progress under the tuition of Mrs. Shuttleworth. . . The sides of the hall were tastefully adorned with excellent specimens of the scholars work — painting, drawing, penmanship, needlework, crocheting, and many and varied illustrations of the decorative art. “ [Adelaide Observer 25 Dec 1875]
“The Misses Tilly, of the Hardwicke College for Young Ladies are, now having erected a building more in conformity with the demands made by the advance of education in the colony - a building, too, which will be an architectural adornment to the locality, the more particularly as it will be surrounded with picturesque recreation grounds. It is being erected in Third avenue, College Park.” [Register 22 Jun 1883]
“Hardwicke College, College Park. (Established by Mrs. Shuttleworth, 1873.) The new College is now completed, and will be opened in December. Studies will be continued at Kent Town until the Christmas vacation. Mrs. Tilly, Misses Tilly, A.C.P. Principals.” [Christian Colonist 16 Nov 1883]
“The Misses Tilly were educated at Cambridge University. . . They began teaching at Hardwicke House, a girls' school conducted by Mrs. Shuttleworth at Kent Town, and later acquired the school and built Hardwicke College, Third avenue, St. Peters, where from 1880 until about 1914 they conducted one of the principal girls' schools in the State. Since the college was closed the Misses Tilly had lived in retirement.
Miss Lucy Tilly was an accomplished linguist, and Miss Florence Tilly devoted her attention chiefly to the teaching of music. . .The Hardwicke Old Collegians' Association provide the Hardwicke memorial prize for botany at the Adelaide University.” [Advertiser 4 Jan 1946]
Features :
* 8 Diamond size range 1-1.1mm Estimate carat: 0.04 carat
* Automatic movement with 35 Stones
* Special Hardenedmineral Glass
* High Quality Italian Leather butterfly strap
* Stainless steel case (316 L)
* Size approx.44mm without crown
* Watterproofed 3 ATM
* Original Theorema Box,Warranty Card & manual
* 2 Years Warranty
More at : noble-watches.com
This set features mostly flying Ring Billed Gulls seen at the Levee in Marietta and from along the Muskingum River in Harmar Village Ohio in early January. In the coldest part of our Winter here in Southeastern Ohio the gulls arrive to take advantage of the easy fishing that occurs when the very cold temps shock fish sp. like Shad making them much easier to catch. This in turn makes locations along the Ohio and Muskingum river a great place to get photos of them flying and fishing.
I found this blossom to be intriguing, given the two petals that have apparently curved up and together. The macro lens opens up a whole new world of exploration and creative practice.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
Fire bowls are water features with a split personality! During the day, they are unassuming, but are a great focal point of your swimming pool.
4me4you features "Through the Prism" group show whilst attending Gillian Jason Gallery.
A meeting point between the East and the West, the past and the present, the show recognises the diversity embodied in abstract figurative painting today.
Artists include: Cecily Brown; Jade Ching-yuk Ng; Tracey Emin; Eleanor Johnson; Mizuki Nishiyama.
This great Taffeta gown is the perfect mix of elegance and grace. Strapless neckline bodice is features subtle draping for a look that is soft and romantic. Dry clean only. Available in White or Ivory. Also you may choose the color from our color chart. Chapel Train. Available in size 2-14.Also available in Plus sizes 14W-26W. Custom-made sizes are welcomed. To preserve your wedding dreams, try our Wedding Gown Preservation Kit. Perfect choose for any special occasion. Taffeta fabric is a hot new fabric that is comfortable also easy to wear. Zipper or Lace Up (Please leave a note when you place order, or we will do it according to the picture). A sheer to semi-sheer net fabric often used for skirts and veils. Also can be used as an underskirt to create fullness.Click to more images and information about www.gn-training.com/www.php?u=elegant-sleeveless-a-line-f... Elegant sleeveless A-line floor-length bridal gowns .
Features:
3 FOGG / Pack
5.0% Nicotine
Approximate 20 Cigarette / Pack
300 PUFFS Approx
Official Website:
Distributor:
www.lavaporz.com/products/fogg-vape-disposable-pod-system …
#vape #vaping #vapeshop #fogg #foggvape #ecigs #vapor #vapingsaveslives
4me4you features “Lost Souls of Saturn”.
Artist: Seth Troxler & Phil Moffa
Lost Souls of Saturn, consisting primarily of Seth Troxler and Phil Moffa alongside other undisclosed participants, represents an innovative fusion of music, technology, and narrative. Rejecting traditional formats, they traverse various mediums—from vinyl records to digital platforms, art installations to augmented reality, and live performances—crafting an interconnected experience.
Through their endeavors, Troxler, Moffa, and collaborators seek to challenge perceptions and reshape our understanding of reality. They blend the psychedelic ethos of science fiction and early rave culture with contemporary art and postmodern philosophy, endeavouring to push the boundaries of artistic expression.
Their performances have graced esteemed venues such as the Metropolitan Museum of Art in New York City, Foundation Beyeler in Basel, and the Saatchi Gallery in London.
Noteworthy collaborations include immersive experiences with installation artists like Olafur Eliasson and Ernesto Neto.
In February 2024, Lost Souls of Saturn presents "Reality" at W1 Curates in London, unveiling an augmented reality comic book and companion app set within an immersive gallery environment.
Teaming up with comic artist and AR pioneer Rob Shields, along with Abstract Comic’s co-founder Mike Bundlie, there creation represents a groundbreaking immersive artwork.
Each page of the comic, visible to the naked eye, transforms into animated 3D vistas when viewed through the LSOS app, creating a unique synthetic experience.
The integration of LSOS's soundtrack with the comic book in augmented reality marks a significant milestone.
The music evolves and intertwines seamlessly with the narrative, enhancing emotional engagement and offering readers a truly immersive encounter.
This pioneering synthesis of art and music heralds a new era of collaboration and exploration in the realm of soundtracks, aiming to redefine the boundaries of artistic expression.
Window representing the Suvalkietis Region of Lithuania. Features the Marijampole church, Bishop J Matulaitis (born 1871, Bishop of Vilnius 1918-1925), the Three Crosses and an image of a mother seated at her spinning wheel teaching her child to read. “Dieve grazink laisve kencianciai tautai. Suvalkieciai 1972” (God, Free the suffering nation. Suvalkija 1972)
The Three Crosses are located on a hill overlooking Vilnius. Wooden crosses were placed there in the early 17th century. Replaced in 1916 by concrete, the monument was demolished 1950 by the Soviets. A new monument created by Stanislovas Kuzma was erected 1989.
Building acquired 1959 by Lithuanian Caritas group and the hall converted to a chapel, consecrated 20 Nov 1960. Chapel windows created 1970s by Stasys Kerulis; five of the windows represent the 5 dioceses of Lithuania. Originally built 1883 by Misses Tilly as Hardwicke College for Methodist ladies, closed 1910. Previous location of the College, run by Mrs Shuttleworth, was Kent Town.
“Young Ladies' College, Hardwicke House, Kent-Terrace, Kent Town. Conducted by Mrs. Shuttleworth. First Session will commence on Tuesday, the 14th January, 1873. Vacancies for a limited number of Boarders” [Register 25 Dec 1872]
“A varied and successful musical entertainment was given in White's Rooms, on Wednesday evening, December 15, by the pupils of the Young Ladies' College, Hardwicke House, assisted by a few gentleman amateurs. . . The Hon. J. Colton, M.P., who presided, expressed great pleasure at being present at a performance with so laudable an object as that of assisting the Strangers' Friend Society . . . progress under the tuition of Mrs. Shuttleworth. . . The sides of the hall were tastefully adorned with excellent specimens of the scholars work — painting, drawing, penmanship, needlework, crocheting, and many and varied illustrations of the decorative art. “ [Adelaide Observer 25 Dec 1875]
“The Misses Tilly, of the Hardwicke College for Young Ladies are, now having erected a building more in conformity with the demands made by the advance of education in the colony - a building, too, which will be an architectural adornment to the locality, the more particularly as it will be surrounded with picturesque recreation grounds. It is being erected in Third avenue, College Park.” [Register 22 Jun 1883]
“Hardwicke College, College Park. (Established by Mrs. Shuttleworth, 1873.) The new College is now completed, and will be opened in December. Studies will be continued at Kent Town until the Christmas vacation. Mrs. Tilly, Misses Tilly, A.C.P. Principals.” [Christian Colonist 16 Nov 1883]
“The Misses Tilly were educated at Cambridge University. . . They began teaching at Hardwicke House, a girls' school conducted by Mrs. Shuttleworth at Kent Town, and later acquired the school and built Hardwicke College, Third avenue, St. Peters, where from 1880 until about 1914 they conducted one of the principal girls' schools in the State. Since the college was closed the Misses Tilly had lived in retirement.
Miss Lucy Tilly was an accomplished linguist, and Miss Florence Tilly devoted her attention chiefly to the teaching of music. . .The Hardwicke Old Collegians' Association provide the Hardwicke memorial prize for botany at the Adelaide University.” [Advertiser 4 Jan 1946]
Indoor Tabletop Water Fountain Feature - Fountains / Features
A tabletop fountain is a great home accent and they will bring a sense of serenity to your indoor space. The water and natural elements bring a little bit of nature indoors. Our indoor tabletop fountains are made with hand thrown ceramic, copper, stainless steel and natural elements such as slate, gemstones, crystals and bamboo. The features made of semi precious stones often include a rotating object on the fountain such as a crystal sphere which rotates using water pressure, bringing movement to the table fountain which is both interesting and soothing to watch. Table fountains are ideal accents for small rooms and office desks where space is a concern. They easily fit into small spaces such as the corner of a desk, a bedroom table, mantle, around door entryways and coffee tables.
Artist: Ruozhe Xue
4me4you features “ xue ruozhe: chronoscape”.
During a recent visit to Rosenfeld Gallery, 4me4you had the opportunity to engage with the thought-provoking exhibition "Xue Ruozhe: Chronoscape" by the artist Ruozhe Xue. This compelling body of work offers a profound meditation on the intersection of time, memory, and painting. In Xue’s hands, painting becomes a time-based medium, where every brushstroke serves as both a reflection of the artist's personal experience and a window into broader, universal concepts of temporality and existence.
At the heart of Xue’s practice is the belief that painting is an evolving process, not just a static act of representation. Time, for Xue, is woven into the very fabric of the artwork—its materiality, its layers, and the artist’s interaction with the medium. Each gesture and each layer of colour is a moment in time, a mark of passage. The works in Chronoscapeinvite the viewer to witness this ongoing dialogue between the artist and the medium, where the passage of time itself is not just a theme but an integral part of the work's form and content. Through a restrained yet emotionally charged methodology, Xue creates paintings that transcend traditional notions of figuration, situating them within the broader context of contemporary art and media. There is a palpable psychological tension in Xue’s works, where reality is subtly distorted, suspended, and re-contextualised—pushing the limits of perception and inviting reflection on the fleeting, fragile nature of life itself.
A cornerstone of Xue’s Chronoscape is the artist’s ongoing series YYYY-MM-DD, where Xue paints a single flower every day, beginning on the day their youngest daughter was born. Each flower is marked with the date, creating a visual record of time’s passage. This daily ritual has become a lifelong practice, a meditation on the transitory nature of both the subject and the artist’s own experience. The flowers, in their quiet simplicity, reflect the constant flow of time, and through their repetitive yet unique presence, Xue offers a profound exploration of how we relate to the moments that make up our lives. This ritual, though intimate, extends beyond the personal to speak to broader themes of endurance, memory, and the human need to mark time in an ever-accelerating world. In this sense, YYYY-MM-DDoffers a quiet counterpoint to the rush of contemporary life, creating a space for reflection and resilience in the face of uncertainty.
Xue’s work also reflects on the very processes of making art, often folding self-referential layers into the work. In the My Studio-based Practice series, for instance, a bouquet of orange lilies from YYYY-MM-DD reappears in a minimalist studio setting. Here, a young woman in black paints at her canvas, but in the painting before her, the lilies have already withered—creating a temporal disjunction that reflects the cyclical nature of life and art. This recursive approach to time and space creates a layered, intertextual dialogue between the artist’s past and present works, offering the viewer an invitation to explore the complex ways in which time and memory shape both the artist and their art.
In works such as The Misplaced Studio, Xue delves even further into the concept of time, space, and the relationship between artist, model, and image. In this painting, three identical figures exist in slightly distorted, disjointed spaces, connected by painted tape in a trompe l’oeil effect. A translucent white cloth, often used in studio settings to establish a scene, becomes a veil that obscures the figure behind it, alluding to the ancient Greek myth of the painters Zeuxis and Parrhasius. In this myth, Zeuxis creates grapes so lifelike that birds attempt to eat them, only for him to realize that the curtain concealing Parrhasius’s painting is itself part of the artwork. In The Misplaced Studio, the veil functions as a metaphor for the illusionary nature of art and space, where time and reality are rendered fluid, ambiguous, and unstable.
Through these works, Xue continues to push the boundaries of painting, interrogating its relationship to time, identity, and the act of creation itself. Their art is a testament to the quiet, ongoing negotiation between past and present, self and other, and the complex, often elusive nature of existence. In Chronoscape, time is not just a theme but the very medium through which the work is created, woven into every brushstroke, every layer of paint. As the viewer moves through the exhibition, they are invited to contemplate not only the artwork but the passage of time itself, and the profound ways in which art can reflect, embody, and transform that passage into a visual language all its own.