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This table is hinged on the right, locks on the left. Unlock and swing from 90 to 180 degrees, drop the adjustable legs, then open the hatch.
A cute little pigeon perched on the external metal structure outside the back of my office.
The title comes from the catch cry of the protagonist in a cartoon called "Pigeon Boy".
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
ESPAÇO FIESP
Lawrence Malstaf - Shrink 01995 - Bélgica Belgium
Christoph Haag, Martin Rumori, Franziska Windisch & Ludwig Zeller - Open Circuit - Alemanha | Germany
Alessandro Ludovico & Paolo Cirio - Face to Facebook - Reino Unido | United Kingdom
Coletivo COLETORES: Toni William, Flávio Camargo, Daniela Cordeiro & Karina Marques - Máquina/Brinquedo - Brasil | Brazil
Eduardo Omine - Fragments In Curved Air - Brasil | Brazil
Elie Zananiri, Hugues Bruyère & Mathieu Léger - Peptone - Canadá | Canada
Esther Hunziker - DUMP - Suíça | Switzerland
Julian Jaramillo Arango - The Happy Cube - Brasil | Brazil
Lauren McCarthy - Conversacube - Estados Unidos | United States
NaJa & deOstos (Project Team: Ricardo de Ostos, Nannette Jackowski, Manuel Jimenez, Thomas Sicouri) - Ectoplasmatic Housing - Reino Unido | United Kingdom
PirarucuDuo: Fernando Visockis & Thiago Parizi - Acusmograma - Brasil | Brazil
Rafaël Rozendaal - Towards and Beyond.com - Holanda | Netherlands
Ricardo Iglesias García - Surveillance Cameras: they are alive! - Espanha | Spain
Tamás Waliczky - Marionettes - Hungria | Hungary
Yoshi Akai - Heart 'n' Beat (Biorhythm Synthesizer) - Japão | Japan
FNAC
Arnt Jensen - LIMBO - Dinamarca | Denmark
Gaijin Games - BIT TRIP BEAT - Estados Unidos | United States
Mediatronic - Monsters Probably Stole My Princess - Reino Unido | United Kingdom
METRÔ TRIANON-MASP
Rafaël Rozendaal - Carnal Fury.com - Holanda | Netherlands
Rafaël Rozendaal - Hot Doom.com - Holanda | Netherlands
Rafaël Rozendaal - Hybrid Moment.com - Holanda | Netherlands
Rafaël Rozendaal - Jello time.com - Holanda | Netherlands
Rafaël Rozendaal - The Persistence of Sadness.com - Holanda | Netherlands
MASP
Rejane Cantoni & Leonardo Crescenti - Solo - Brasil | Brazil
LIVRARIA CULTURA
Arnt Jensen - Limbo - Dinamarca | Denmark
Daniela Arrais & Luiza Voll - Invente um sorriso - Brasil | Brazil
Ricardo Barreto, Maria Hsu & AMUDI - feelMe - Brasil | Brazil
That Game Company: Jenova Chen - flOw - Estados Unidos | United States
CINE LIVRARIA CULTURA
Matthias Hoegg - August - Inglaterra | England
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
INSTITUTO CERVANTES
*Instalações | Installations:
Andreas muk Haider - skia - Áustria | Austria
Tim Coe - A Perfect Face - Áustria | Austria
*Anima+:
8-Bits Team: Valere Amirault, Jean Delaunay, Sarah Laufer & Benjamin Mattern - 8-Bits - França | France
Alan Becker - Animator Vs Animation - Estados Unidos | United States
Alessandro Novelli - The Alphabet - Itália | Italy
Alexander Gellner - 1 Minute Puberty - Alemanha | Germany
Andrew Huang - The Gloaming - Estados Unidos | United States
Ben Thomas & Leo Bridle - Train of Thought - Inglaterra | England
Birdo Studio: Luciana Eguti & Paulo Muppet - Bonequinha do Papai - Brasil | Brazil
Birdo Studio: Luciana Eguti & Paulo Muppet - Caixa - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Allan Sieber - Animadores - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Jimmy Leroy - Pequeno Cidadão - Brasil | Brazil
Brendan Angelides & Cyriak Harris - Eskmo - Estados Unidos | United States
Christopher Alender - Eye of The Storm - Estados Unidos | United States
Coala Filmes: Cesar Cabral - Dossiê Rê Bordosa - Brasil | Brazil
Dante Zaballa & Matias Vigliano - The Head - Argentina | Argentina
David O’Reilly - Please Say Something - Irlanda e Alemanha | Ireland and Germany
David O’Reilly - The External World - Irlanda e Alemanha | Ireland and Germany
David Wilson - Japanese Popstars “Let Go” - Inglaterra | England
Dominik Käser, Martin-Sebastian Senn, Mario Deuss, Niloy J. Mitra & Mark Pauly - Silhouettes of Jazz - Estados Unidos | United States
Esteban Diácono - Ólafur Arnalds - Ljósið - Argentina | Argentina
Fábio Yamagi & Denis Kamioka ‘Cisma’ - Photocopy Romance - Brasil | Brazil
Fernando Sanches - Xixi no Banho - Brasil | Brazil
Gabrielle Lissot, Pierre Lippens, Laurent Jaffier & Nicolas Deprez - Tous Des Monstres (All Monsters) - França | France
Guilherme Marcondes - Tyger - Brasil | Brazil
Guillermo Madoz - Head Honcho - Argentina | Argentina
Hi-Sim - Jump - Inglaterra | England
Home de Caramel - Alone Together - Espanha | Spain
Jasmin Lai - Brave - Estados Unidos e Tailândia | United States and Thailand
Jason Wishnow - Oedipus - Inglaterra | England
Jean-Paul Frenay - Artificial Paradise, Inc - Bélgica e França | Belgium and France
Joanna Lurie - Tree’s Migration - França | France
Joaquin Baldwin - Sebastian's Voodoo - Estados Unidos | United States
Joaquin Baldwin - The Windmill Farmer - Estados Unidos | United States
Ken Turner - TIM - Canadá | Canada
Lee Tao - Seedling - Canadá / Canada
Lemeh42 - Wool & Water - Itália / Italy
Leszek Plichta - Dreammaker - Polônia e Alemanha | Polland and Germany
Malcolm Sutherland - Bout - Canadá | Canada
Malcolm Sutherland - Umbra - Canadá | Canada
Marc Silver - There Are No Others - Inglaterra | England
Marlies van der wel - Protest Flatness - Holanda | Netherlands
Martin Piana - LUMI - Argentina | Argentina
Martin Woutisseth - Stanley Kubrick, a filmography - França | France
Matatoro Team: Mauro Carraro, Raphaël Calamote & Jérémy Pasquet - Matatoro - França | France
Matthias Hoegg - August - Inglaterra | England
Matthias Hoegg - Thrusday - Inglaterra | England
Max Hattler - SPIN - Inglaterra | England
Meindbender Animation Studio - The Pirate - Suécia | Sweden
Michael Paul Young - The Interpretation - Estados Unidos | United States
Michal Socha - Chick - Polônia | Polland
Michal Socha - Koncert - Polônia | Polland
Mr McFly - Baseball - França | France
MUSCLEBEAVER: Tobias Knipf & Andreas Kronbeck - How your money works - Alemanha | Germany
Napatsawan Chirayukool - What makes your day? - Tailândia e Inglaterra | Thailand and England
Pahnl - Nowhere near here - Inglaterra | England
Peppermelon TV - Advanced Beauty - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - First - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - Target - Friends with you - Inglaterra e Estados Unidos | England and Unites States
Robert Seidel - Vellum - Alemanha | Germany
Rogier van der Zwaag Nobody Beats The Drum - Grindin - Holanda | Netherlands
Ross Phillips - 5 Second Projects ( Ballons) - Inglaterra | England
Ross Phillips - 5 Second Projects ( Reverse) - Inglaterra | England
Sasha Belyaev - The Rite of Youth - Letônia | Latvia
Scott Pagano - Pororoca - Estados Unidos | United States
Scott Pagano - Trust In The 'M' Machine - Estados Unidos | United States
Serene Teh - Parkour - Cingapura | Singapore
Stephen Irwin - Black Dog's Progress - Inglaterra | England
Stephen Irwin - Horse Glue - Inglaterra | England
Sylvain Marc - Cocotte Minute - França | France
Sylvain Marc - Fertilizer Soup - França | France
Tanya Aydostian - L'autre - França | France
Taylor Price - Hunt - Canadá e Estados Unidos | Canada and United States
Treat Studios - E4 - Inglaterra | England
Veronika Obertová - Viliam - Eslováquia | Slovakia
Wesley Rodrigues - Pinga com Saquê - Brasil | Brazil
Zach Cohen - The Chair Not Taken - Itália | Italy
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
*Game:
Colibri Games - The Tiny Bang Story - Rússia | Russia
*Maquinemas | Machinimas:
Tom Jantol - Brief Encounter - Croácia / Croatia
Tom Jantol - Dear Fairy - Croácia | Croatia
Tom Jantol - Duel - Croácia | Croatia
Tom Jantol- The Remake - Croácia | Croatia
Tom Jantol- Wizard of OS: the fish incident - Croácia | Croatia
METRÔ VILA MADALENA
Alex May & Rudolf Kremers - Eufloria - Reino Unido | United Kingdom
Alexander Bruce - Hazard: The Journey of Life - Austrália | Australia
Christoffer Hedborg - Toys - Suécia | Sweden
Paolo Pedercini / Molleindustria - "Every Day The Same Dream" - Estados Unidos e Itália | United States and Italy
Richard E Flanagan / Phosfiend Systems - FRACT - Canadá | Canada
METRÔ CONSOLAÇÃO
Soraya Braz e Fábio Fon - Via Invisível - Brasil | Brazil
METRÔ BRIGADEIRO
Soraya Braz e Fábio Fon - Via Invisível - Brasil | Brazil
CENTRO CULTURAL SÃO PAULO
*Workshop:
Claudia González & Christian Oyarzún - Open Source Generative Electronic Music Devices – Chile | Chile
Cristiano Rosa - DIY Together – Brasil | Brazil
Hye Yeon Nam & Carl DiSalvo - Huggable Nature, Community Workshop – Estados Unidos | United States
Ricardo Palmieri -VideoMapping e Realidade Expandida | VideoMapping and Expanded Reality – Brasil | Brazil
*Symposium:
19.07.2011
André Rangel - Portugal | Portugal
Metacriação e composição algorítmica: Reflexões sobre a distância entre o criador e o público | Meta-creation and algorithmic composition - Reflections on the distance from the creator to the audience
Ali Miharbi - Turquia | Turkey
Top-down X Bottom-up: Obras recentes | Top-down vs. Bottom-up: Recent Works
Eric Siu - Honk Kong e Japão | Hong Kong and Japan
Corpo dirigido pela mídia: Massagem de karaokê | Media Driven Body: Karaoke Massage
Ben Jack - Nova Zelândia | New Zealand
Cérebros, computadores e emergência: Mágica mental em um mundo digital | Brains, computers and emergence: Mental magic in a digital world
Kazushi Mukaiyama - Japão | Japan
IJIROS
Mesa Redonda | Round Table
Daniel Gonzalez Xavier (coordenação e mediação | coordination and mediation) Brasil | Brazil; Fernando Velázquez - Montevidéu-Uruguai; Milton Sogabe - Brasil | Brazil; Miguel de Castro Perez - Brasil | Brazil; Ricardo Palmieri - Brasil | Brazil; Vanessa Fort - Brasil | Brazil
Processos mistos de criação e gestão de práticas artísticas, tecnológicas e culturais: Uma aproximação aos Encontros AVLAB e outros modelos de gestão compartilhada e em constante trânsito físico/online | Mixed processes of creation and management of artistic, technological and cultural practices: An approach to the AVLAB Meetings and other shared and in constant physical/online transit management models
20.07.2011
Andreas muk Haider - Áustria | Austria
Skia
Hye Yeon Nam - Coréia e Estados Unidos | Korea and United States
Por favor, sorria | Please Smile
Julian Jaramillo Arango - Brasil | Brazil
O Cubo Feliz | The Happy Cube
Matt Roberts - Estados Unidos | United States
Quem está no controle? Criando arte com dados em tempo real e interação do usuário | Who is in control? Creating art using real-time data and user interaction
Ricardo Iglesias García - Espanha | Spain
Arte, robôs e câmeras de vigilância | Art, robots and surveillance cameras
Mesa Redonda | Round Table
Ana Carla Fonseca (Garimpo de Soluções) Brasil | Brazil; Expedito Araújo (Vivo EnCena) Brasil | Brazil; Laura Corrêa (ItsNoon) Brasil | Brazil; Piatã Stoklos Kignel (Banco Santander) Brasil | Brazil
Economia Criativa | Creative Economy
21.07.2011
Sergio Roclaw Basbaum - Brasil | Brazil
Percepção e experiência em ambientes digitais: tecnoestese e infocognição | Perception and experience in digital environments: tecnoaesthesis and infocognition
Eduardo Patrício - Brasil | Brazil
Desenvolvimento de Instrumentos Musicais Digitais como atividade composicional | Development of musical instruments as a compositional activity
Giuliano Obici - Brasil | Brazil
Lanhouse e seus devires | LAN houses and their devires
Claudia Paulina González Godoy - Chile | Chile
Arte, Hardware Aberto e Cultura DIY | Art, Open Hardware and DIY Culture
Douglas Easterly - Nova Zelândia e Estados Unidos | New Zealand and United States
Escapando ao solipsismo: Inteligência Artificial, design de jogos | Escaping Solipsism: Artificial Intelligence, Game Design
Victoria Messi - Argentina | Argentina
Anti Utopia: Arte Eletrônica na América Latina | Anti Utopia: Electronic Art in Latin America
Gabriela Previdello - Brasil | Brazil
Fluxo da informação na contemporaneidade: a memória reordenada nas estruturas do FILE Arquivo | Contemporary information flow: the reordered memory on FILE Archive structures
Mesa Redonda | Round Table
Eliane Weizmann (coordenação e mediação | coordination and mediation) Brasil | Brazil; Alessandro Ludovico (neural) Itália | Italy; Alexandre Matias (Editor do caderno de cultura digital do jornal O Estado de S. Paulo) Brasil | Brazil; Régine Debatty (we make money not art) Bélgica | Belgium; Victoria Messi (El Pez Eléctrico) Argentina | Argentina
Jornalismo Cultural | Cultural Journalism
22.07.2011
Fernando Macedo - Brasil | Brazil
"Música para fala e trinta minutos", por PirarucuDuo | "Music for speech and 30 minutes" by Pirarucu Duo
Eduardo Omine - Brasil | Brazil
Fragmentos em ar curvo | Fragments in curved air
Christian Oyarzún Roa - Chile | Chile
G: Representações e reformulações do global de uma perspectiva meridional | G: representations and reformulations of the global from a South view
Karla Schuch Brunet - Brasil | Brazil
Geografias do Mar # Ilhas | Geographies of the Sea # Islands
Rachel Zuanon Dias / Geraldo Lima - Brasil | Brazil
Desenhando biointerfaces usáveis para jogar: o BioBodyGame e o NeuroBodyGame | Geographies of the Sea # Islands
Mesa Redonda | Round Table
Franklin Lee (AA) (coordenação e mediação | coordination and mediation); Anne Save de Beaurecueil (SUBdV) >; Robert Smith Stuart (Kokkugia); Sandro Tubertini (BDSP); Thiago Mundim (AA)
Coreografando Arquitetura Computacional | Choreographing Computational Architecture
The USB Wifi receiver at the top of the "pole" protected by its plastic bag and secured using cable ties.
146. - The External Oblique Muscles.
Original photograph taken with a Polaroid SX-70 Alpha1 SE using Impossible Project PX680 First Flush instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Had some trouble with this, mostly due to the age of the film I think, so contrast has been slightly boosted after scanning.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The Percival P.56 Provost was a British ab initio trainer that was developed for the Royal Air Force in the 1950s as a replacement for the Percival Prentice. It was a low-wing, monoplane with a fixed, tailwheel undercarriage and had an unusual side-by-side seating arrangement. The Provost has the distinction of being the last piston-engine basic trainer aircraft to be operated by the RAF.
The Provost entered service with the RAF in 1953 with the first batch of aircraft delivered to the Central Flying School (CFS) at RAF South Cerney. The CFS carried out intensive flight trials in May and June 1953 before instructor training commenced. The aircraft served with the RAF until the early 1960s, when it was replaced by the Jet Provost. A few Provosts continued in service during the 1960s with the Central Navigation & Control School (later Central Air Traffic Control School) at RAF Shawbury. But that was not the end of the Provost in RAF service.
Even though phazed out from active service, ten Provost were reactivated in 1971 for an observation and forward air control (FAC) aircraft - the Provost, with its simple handling, high endurance ans spacious cockpit was more than worth a look.
In the wake of modernization the Provost GR.2, how the type was officially called, received much of the armed Mk. 52 and 53 export machines' equipment, including the wing-mounted machine guns and an improved radio and navigation suite. The aircraft also received four underwing hardpoints for various light loeads, including pods with unguided missiles for target marking, light iron bombs or gun pods. In order to compensate for the higher gross weight an uprated Alvis Leonides 127 9-cylinder radial engine, rated at 700 hp (515 kW), was mounted, together with a four-bladed propeller that would increase overall length by some inches and improve starting characteristics and handling at low speed.
The machines were taken through army trials in 1973 and 1974, but they eventually failed against helicopters as the more flexible option for front line service. However, the Provost GR.2 was not dead yet!
In 1975, with Guatemala in the grip of a bloody civil war, there was a real fear that Guatemalan forces might invade British Honduras (today known as Belize) and at the very least widen their Caribbean coastline. To bolster the resident British Army garrison, a detachment of six Hawker Siddeley Harrier GR.1As from No. 1 Squadron RAF was sent to the international airport at Ladyville in November 1975. There they set about waving the flag and discouraging Guatemalan aggression. After several months the threat was perceived to have subsided and the Harriers returned to the UK in April 1976 - and in turn a detachment of six Provost GR.2s was sent into the Caribbean theatre in order to keep up British military presence.
This did not help much, though, since the Harriers had to return on a more permanent basis in June 1977, as part of a complete package, of the Queen's Regiment of the British Army, in a Vickers VC10 C1 and six Harriers from No 1 (Fighter) Squadron flying direct with support from ten Handley Page Victor tankers.
Thus was born HarDet Belize; the six Harriers were operated from semi-permanent hides, named using the NATO phonetic alphabet. Alpha and Bravo hides were set up in the grounds of the Belikin brewery outside the gates to the garrison, while the Provosts were kept at the international airport, called the Echo hide.
After operating as a rotating roulement for two years, the Hardet was put on an even more permanent footing. In the meantime, the Provost observation machines had been upgraded with external kevlar armor plates around the cockpit, an up-to-date radio equipment and other small improvements like a sound damper for the exhaust, a strengthened landing gear with bigger wheels for field operations and an enhanced air conditioning system which became a must in the tropic climate. All machines were brought to this standard and called Provost GR.2A by late 1978.
Much flying was done, with plenty of flag-waving and sabre-rattling, the aircrew enjoying the post due to the lack of restrictions, and challenging missions. Eventually operations were confined to Charlie/Delta and Foxy/Golf hides for the Harriers which went through a slow metamorphosis to permanent semi-hardened hides with concrete surfaces and taxi-ways and block built buildings (including accommodation, kitchen and bars). The Provosts were finally retired in 1988, but the RAF's Belize engagement went on until closure on 6 July 1993, when the whole BRITFORBEL contingent was disbanded in the light of improved relations between Guatemala and Belize.
General characteristics.
Crew: 2
Length: 29 ft 2 in (8,89 m)
Wingspan: 35 ft 0 in (10,7 m)
Height: 12 ft 0 in (3,70 m)
Wing area: 214 ft² (19,9 m²)
Empty weight: 3.580 lb (1.625 kg)
Loaded weight: 4.912 lb (2.230 kg)
Powerplant:
1 × Alvis Leonides 127 9-cylinder radial engine, 700 hp (515 kW)
Performance:
Maximum speed: 220 mph (187 knots, 350 km/h) at sea level
Range: 560 nm (650 mi, 1,020 km)
Endurance: 4 hours
Service ceiling: 25,000 ft (7620 m)
Rate of climb: 2,200 ft/min (11.2 m/s)
Wing loading: 20.6 lb/ft² (100 kg/m²)
Power/mass: 0.276 hp/lb (0.206 kW/kg)
Climb to 10,000 ft 3.27 minutes
Armament:
2x 7.62mm machine guns in the wings,
plus four underwing hardpoints for up to 900 kg (2.000 lbs.) of bombs or rockets
The kit and its assembly:
I had this project on the agenda for a long time, but getting hands on a Provost was harder than expected - after all, the simple Matchbox kit is the only one around in 1:72 and these tend to score surreal prices. After long hunting I was lucky to find one at a reasonable price, and work started quickly.
The kit was built OOB, just some details were modified/added to create the GR.2A version.
Internally, the cockpit received a dashboard and the pilots some safety belts. Into the inside of the clear but thick canopy a sun shield (a simple piece of white paper) was glued, and I put a map behind the wind screen. The pilots are OOB, I just modified the co-pilot to make him look outside of the window.
The wheels come from a Matchbox Brewster Buffalo, the wing hardpoints come from two Matchbox AH-1Gs. The propeller actually belongs to a 1:100 AN-24 airliner from VEB Plasticart, but its shape and size were perfect and it considerably beefs up the look of the trainer.
The armor plates are simple styrene sheet, and other details like the many antennae were scratched or puzzled together from the spares box. The M134 pods belong to a Matchbox AH-1G, the LAU-7 launchers come from an Italeri AH-64.
Painting and markings:
Conservative choice, simple Extra Dark Slate Grey and Extra Dark Sea Grey for the upper sides, and Light Aircraft Grey for the undersides, with the upper cammo taken around the wings' leading edges.
Basic tones are the respective Humbrol enamels, 163, 164 and 166, and some weathering with lighter tones was done - I saw pictures of 1417 Flight Harriers with strongly bleached grey that almost looked deep blue.
All decals were puzzled together from the scrap box. "XP764" actually belongs to a BAC Lightning F.3, but one can overdo things, I guess. The red and blue 1417 Flight sailfish emblem was completely scratched, too.
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External shot of AK1, showing the livery. The P13 bogies have yet to arrive. Hillside workshops. 24 March, 2011.
External view of Lister House
Image Disclaimer - Please note that all of the images shown are for illustrative purposes only. The rooms pictured are not necessarily typical of the accommodation available at Lister House, which can vary in terms of size, configuration, and finish.
Detail of the bottom of the ariel showing how it was cut and bent to make an effective hook for Ernest's hopper windows.
Note also the way the USB extension cable is secured using cable ties.
Secretary of State Antony J. Blinken and Indian External Affairs Minister Dr. S. Jaishankar deliver remarks and participate in a conversation with Howard University students, faculty, and leadership as part of the U.S.-India Higher Education Discussion in Washington, D.C. on April 12, 2022 [State Department Photo by Ronny Przysucha / Public Domain]
External feedback often arises from doing something noteworthy to an outside perspective. This form of a feedback loop lacks regularity and consistency and true growth requires regimented self reflection.
--
When it rains in Norway, it fucking pours
A project for renovation of a property in Cuffley. Visit : www.allweathercoating.co.uk/case-studies/cuffley-2/
Frontview of Voicecoil mounted on a plastic waterpipecover. The Shutter aperture is 18 mm. The actual Shutterlag is 9 msec for full opening, and another 9 msec to full close. The actual Shutter driver is a 4 pin DIP IRFD024 Hexfet with a 14 Volt DC or 5 Volt (4 X AA) + 9 Volt (NiMh 200 mAh Block) powersupply. A Future version may use an IRF530 Hexfet with a 23 Volt DC (5 Volt + (2 X 9 Volt)) powersupply with some extra hardware added to decrease the Shutterlag and Close times. Several thousands of shutter operations are possible with one set of fully charged batteries. Shutter life is maybe determined by its DIY coil connection ... The shutter weight
is only 95 gram.
Update : I changed the aperture opening to 16 mm. The actual shutterlag is
now ca. 6 msec. The openingstime of the shutter another 6 msec.
well...where i edit my photos...epson r1900 printer on the right, Dell LED flat 23 inch flat panel hooked up to my macbook pro, a few external HD's, epson v500 film scanner
External-Load training of Echo sod at Buckley AFB. The only reason the crew chief was calling the load from the back was so we could get a shot of him doing the "Tebow" to try and win tickets to the game.
We acquired a pulsejet engine and SA007 decided it would be fun to try it out.
The engine is fastened to a piece of train rails to weigh it down and prevent actual lift-off. The fuel line is crafted out of electrical wire (with the wires being removed from the jacket). The air intake line is made from CAT 5E network cable (also with inner wiring removed from the outer jacket). The prototype fuel tank was made from a piece of bicycle inner-tube, later we just used a cut plastic bottle. The high-voltage current which ignites the spark-plug is provided by a neon sign transformer.
Actual phrases overheard during construction and test-firing:
* "This (electrical) wire is rated for 300 volts, so it'll probably be okay to use as a gasoline fuel line"
* "This piece of train rails will weigh it down sufficiently to prevent lift-off....probably"
* "With us being boardmembers, shouldn't we put a stop to this?"
* "That length of CAT5E network cable is perfect as an air intake hose"
* "Wait, doesn't this count as a weapon?" (weapons are prohibited from entering the hackerspace)
* "We *do* have the paramedics on speed-dial, right?"
* "I am picturing a couple of nerds desperately running after an escaped pulse-jet-driven drinks cart"
* "Anyway, even *if* it escapes, it can't go farther than the compound gates" (300 metres away)
I bought this red corset on line. Its not v-high quality but it has allowed me to have some fun. Its a lovely red pattern and I thought I would try it externally. In this mode I think it really only goes with leggings or trousers. I went for a white blouse to give it a chance to shine
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(Image 16 of a series)
Former and current employees and family members of Lockheed Martin and NASA escort ET-138 on its one-mile-trip to the Michoud Harbor for loading the tank on NASA’s Pegasus barge, July 8.
Commemorating 37 years of successful tank deliveries, NASA and Lockheed Martin Space Systems Company will hold a ceremony on Thursday, July 8, at the agency's Michoud Assembly Facility in New Orleans to rollout the final external tank for the last space shuttle flight.
The last external tank scheduled to fly on a shuttle mission was completed on June 25 by Lockheed Martin workers at Michoud. The tank, designated ET-138, will travel on a wheeled transporter one mile to the Michoud barge dock. It will be accompanied by the Storyville Stompers, a traditional area brass band, and hundreds of handkerchief-waving employees in typical New Orleans fashion and spirit during the ceremony. ET-138 will then travel on a 900-mile sea journey to NASA's Kennedy Space Center in Florida, where it will support shuttle Endeavour's STS-134 launch.
Michoud Space Systems workers, of Lockheed Martin Corporation, Littleton, Colo., have delivered 135 flight tanks to NASA during the 25 years of flying the space shuttle.
Learn more:
www.nasa.gov/topics/shuttle_station/features/et138_rollou...
Detail of ArnoSync External DIY Shutter made from an old Seagate Barracuda ATA model ST340016A harddisk. The actual shutterlag is ca. 10 msec.
Update : Reducing the aperture size from 18 mm to 16 mm, removing the spring and changing the shuttermaterial to a smaller slice of foam , the actual shutterlag is now 6 msec. An aperture size of 14 mm allows a shutterlag of ca. 5 msec but some vignetting occurs ...
Update : Current version has no shutterarm anymore and uses a thin blade of black PVC as shuttermaterial.
Super Hornets have three underwing hardpoints, where the legacy Hornet had just two. My model carries three external fuel tanks, which are much larger than the tanks carried by legacy Hornets, AIM-9XC Sidewinder missiles on the wingtip rails, GBU-31 JDAMs on the middle hardpoint under each wing and AIM-120 AMRAAMs on the outboard hardpoints, as well as a single AMRAAM and an ATFLIR pod on the fuselage hardpoints.
I got some magnets for Melba's horns yesterday so I started on those but I had to do something else too and ended up with these. They arent finished but I'm sure they will be tomorrow. So yay for magnets and being able to do horns and stuff for my dolls now :D
Nelly (Smart Doll Kanata) connects an external drive to the iMac that will be used to back up the photo library.