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Oly 60mm lens + 26mm extention tubes + Raynox 250

Cabo da Roca (Cape Roca) is a cape which forms the westernmost extent of mainland Portugal and continental Europe The cape is in the Portuguese municipality of Sintra, west of the district of Lisbon

 

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Water hyacinth in Madiwala Lake- another view to highlight the extent of problem

Handmill (mola, a mill): every mill consisted of two essential parts, the upper mill-stone, which was moveable (catillus), and the lower, which was fixed and by much the larger of the two; hence a mill is sometimes called molae in the plural

 

To all who visit and view, and – especially – express support and satisfaction: you are much appreciated!

 

Eine Handdrehmühle (auch Dreh-Handmühle, häufig nur kurz Handmühle genannt; ist eine einfache Mahlmühle bestehend aus einem Mühlsteinpaar, von denen der obere von Hand, durch menschliche Muskelkraft, in Drehung versetzt wird

Two key climate change indicators -- global surface temperatures and Arctic sea ice extent -- have broken numerous records through the first half of 2016, according to NASA analyses of ground-based observations and satellite data.

 

Each of the first six months of 2016 set a record as the warmest respective month globally in the modern temperature record, which dates to 1880, according to scientists at NASA's Goddard Institute for Space Studies (GISS) in New York. The six-month period from January to June was also the planet's warmest half-year on record, with an average temperature 1.3 degrees Celsius (2.4 degrees Fahrenheit) warmer than the late nineteenth century.

 

Read more: go.nasa.gov/29SQngq

 

Credit: NASA/Goddard

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

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No picture can do the Wye Valley justice, but this panorama gives some idea of the extent of its wooded valley

and wonderful meandering course.

This shot looks north-west, but the meanders to the east and south-east of Symonds Yat Rock are true “U” shapes with rock-faces, deciduous and coniferous woodland, birds of prey, the lot.

The wood disappearing into the distance on the left, high above the river, is Lord’s Wood.

Below it, a canoe slalom course has been laid out through the rapids.

The county border between Gloucestershire and Herefordshire passes right down the centre of the river, here.

The Welsh border, into Monmouthshire, is only a mile or so, down-stream.

If you have never visited the Wye Valley, it is well worth a visit,

the scenery is spectacular.

 

Is a duet of short extent and concise form.

Mozart wrote the most beautiful! www.youtube.com/watch?v=OtTCwH2mQTA

 

Gerbera is a genus of ornamental plants from the sunflower family. It was named in honour of the German naturalist Traugott Gerber. View On Black

It has approximately 30 species in the wild, extending to South America, Africa and tropical Asia.

Colours include white, yellow, orange, red, and pink. The center of the flower is sometimes black.

It is the fifth most used cut flower in the world (after rose, carnation, chrysanthemum, and tulip).

Giving my flowers SOUL?

 

I love 'creating' and playing with light in the studio, comp in camera, gives me a real 'PHOTOGRAPHY' buzz, lol, M, (*_*)

 

For more: www.indigo2photography.co.uk

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Gerbera, red, petals, flowers, studio, black-background, colour, design, square, NikonD7000, "Magda indigo"

This is the summer Milky in Scorpius and Sagittarius toward the Galactic Centre here low in the south above the badlands hills of Dinosaur Provincial Park in Alberta. This was on a very clear summer night on June 18, 2026 three days before summer solstice. So the sky is not astronomically dark and is a deep blue from twilight that lasts all night at this latitude of 50º North.

 

But to the south the sky is darkest and still reveals the rich star clouds and red nebulas around the galactic centre. Green bands of airglow also tint the sky, making for a colourful sky to the camera, with blues, greens and reds in the sky contrasting with the red layered hills and green sagebrush below. The Park's eroding formations are home to a rich collection of late-Cretaceous age fossils.

 

I used some special filters to bring out the red nebulas, particularly in Scorpius low on the horizon at right, and the large nebula in Ophiuchus (catalogued as Sharpless 2-27) at upper right. The brightest red nebulas at left in the Milky Way are well-known objects from the 18th century Messier Catalogue: bright M8 (the Lagoon Nebula), M16 and M17. Many other fainter nebulas from the 19th century New General Catalogue (NGC) and 20th century Sharpless Catalogue (Sh2) show up as well. The location of the Galactic Centre is just above the horizon at centre.

 

Some of these nebulas show up only to the camera and to this extent only with the use of special nebula-isolating filters. The bight orange giant star Antares is at right in Scorpius.

 

I shot the scene as part of testing the filters. But the image works as an attractive and colourful scene, one that records the June near-solstice sky, with red nebulas set in a blue sky tinted by bands of green.

 

Technical:

This is a complex blend of several exposures taken in quick succession from the same tripod position —

- A stack of 2 x 4-minute exposures for the ground, with no filter and with no tracking to keep the ground sharp (at f/2.8 and ISO 800)

- A stack of 4 x 1-minute tracked exposures for the sky with the Maven Night filter, a broadband light pollution suppression filter (at f/2.8 and ISO 800)

- A stack of 2 x 2-minute tracked exposures for the red nebulas with the Maven 20nm Hydrogen-Alpha narrowband filter (at f/2 and ISO 3200)

- plus another stack of 3 x 4-minute tracked exposures for more nebulosity with the Astronomik 12nm H-Alpha clip-in narrowband filter (also at f/2 and ISO 3200) — I shot with both H-a filters to compare their relative effects.

- Stars were removed from the H-a layers using RC-Astro StarXTerminator AI filter

- plus a 1-minute tracked exposure for the star glows layered in taken with the Maven StarWalker diffusion filter (at f/2.8 and ISO 800)

 

All with the red-sensitive astro-modified Canon Ra camera and Canon RF 28-70mm lens at 28mm on the MSM Nomad tracker.

 

All blended in Photoshop. H-a images processed as monochrome images and blended in with BlendIf (with the only the red channel on) and with masking to reveal just the nebulas, and a Hue & Saturation adjustment layer to tweak colours.

Using a Meyer-optic Görlitz Domiplan 2.8/50 with extention rings

 

Lens 50mm f1.8 II

Raynox Dcr 250

Extention Tube Auto

Explored ~ Highest #462 on Saturday, November 4, 2017, and so far as I can see, dropped before I got out of bed this morning! Thanks so much, my Flickr friends, for your willingness to fave and to comment on my pictures! I'm very grateful for your support!

 

Weights & measures

Extent

Measuring tape

Selective focus

 

Taken at The Regency, Laguna Woods, Orange County, California. © 2017 All Rights Reserved.

My images are not to be used, copied, edited, or blogged without my explicit permission.

Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!

 

Many thanks for every kind comment, fave, your encouraging words, and the inspiration of your fine photography, my Flickr friends! You make my day every day!

Is a duet of short extent and concise form.

Mozart wrote the most beautiful! www.youtube.com/watch?v=OtTCwH2mQTA

 

Gerbera is a genus of ornamental plants from the sunflower family. It was named in honour of the German naturalist Traugott Gerber. View On Black

It has approximately 30 species in the wild, extending to South America, Africa and tropical Asia.

Colours include white, yellow, orange, red, and pink. The center of the flower is sometimes black.

It is the fifth most used cut flower in the world (after rose, carnation, chrysanthemum, and tulip).

Giving my flowers SOUL?

 

I love 'creating' and playing with light in the studio, comp in camera, gives me a real 'PHOTOGRAPHY' buzz, lol, M, (*_*)

 

For more: www.indigo2photography.co.uk

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Gerbera, red, petals, flowers, studio, black-background, colour, design, square, NikonD7000, "Magda indigo"

bart's oak airport extention at coliseum station - oakland, california

A small set of photos showing the extent of the Big Hole.

 

Ellery Creek Big Hole, West MacDonnell Ranges National Park, Northern Territory

Fork-tailed Woodnymph

 

A text, in english, from Fork-tailed Woodnymph

  

A text, in english, from Birdlife International:

  

Justification

This species has an extremely large range, and hence does not approach the thresholds for Vulnerable under the range size criterion (Extent of Occurrence 30% decline over ten years or three generations). The population size has not been quantified, but it is not believed to approach the thresholds for Vulnerable under the population size criterion (10% in ten years or three generations, or with a specified population structure). For these reasons the species is evaluated as Least Concern.

  

Taxonomic source(s)

del Hoyo, J.; Collar, N. J.; Christie, D. A.; Elliott, A.; Fishpool, L. D. C. 2014. HBW and BirdLife International Illustrated Checklist of the Birds of the World. Barcelona, Spain and Cambridge UK: Lynx Edicions and BirdLife International.

SACC. 2006. A classification of the bird species of South America. Available at: #http://www.museum.lsu.edu/~Remsen/SACCBaseline.html#.

  

Population justification

The global population size has not been quantified, but this species is described as 'common' (Stotz et al. (1996).

  

Trend justification

This species is suspected to lose 15.9-17.6% of suitable habitat within its distribution over three generations (12 years) based on a model of Amazonian deforestation (Soares-Filho et al. 2006, Bird et al. 2011). It is therefore suspected to decline by <25% over three generations.

  

References

Stotz, D. F.; Fitzpatrick, J. W.; Parker, T. A.; Moskovits, D. K. 1996. Neotropical birds: ecology and conservation. University of Chicago Press, Chicago.

  

Further web sources of information

Explore HBW Alive for further information on this species

  

Search for photos and videos,and hear sounds of this species from the Internet Bird Collection

  

Text account compilers

Ekstrom, J., Butchart, S.

  

IUCN Red List evaluators

Butchart, S., Symes, A.

  

Recommended citation

BirdLife International (2015) Species factsheet: Thalurania furcata. Downloaded from www.birdlife.org on 14/12/2015. Recommended citation for factsheets for more than one species: BirdLife International (2015) IUCN Red List for birds. Downloaded from www.birdlife.org on 14/12/2015.

  

This information is based upon, and updates, the information published in BirdLife International (2000) Threatened birds of the world. Barcelona and Cambridge, UK: Lynx Edicions and BirdLife International, BirdLife International (2004) Threatened birds of the world 2004 CD-ROM and BirdLife International (2008) Threatened birds of the world 2008 CD-ROM. These sources provide the information for species accounts for the birds on the IUCN Red List.

  

To provide new information to update this factsheet or to correct any errors, please email BirdLife

  

To contribute to discussions on the evaluation of the IUCN Red List status of Globally Threatened Birds, please visit BirdLife's Globally Threatened Bird Forums.

  

Beija-flor-tesoura-verde

Texto, em português, da WikiAves:

  

O beija-flor-tesoura-verde é uma ave da ordem dos Apodiformes, da família Trochilidae.

  

Também é conhecido como beija-flor-de-barriga-violeta. No livro Aves do Brasil, edição Pantanal e Cerrado, consta como beija-flor-de-ventre-roxo.

Seu nome significa: do (grego) thalos = criança, descendente de; e ouranos céu, celeste, referente ao azul do céu; e do (latim) furcata, furcatus = bifurcada. ⇒ Pássaro filho do azul celeste com cauda bifurcada.

Mede cerca de 9,7 cm de comprimento. Macho com partes superiores esverdeadas, garganta verde-metálica, peito e barriga azul-violeta-brilhante; fêmea com as partes inferiores cinza.

Possui doze subespécies:

  

Thalurania furcata furcata (Gmelin, 1788) - ocorre no extremo Leste da Venezuela, Guianas e Norte do Brasil, ao norte do Rio Amazonas;

Thalurania furcata refulgens (Gould, 1853) - ocorre no Nordeste da Venezuela, na Península de Paría e na Serra de Cumaná;

Thalurania furcata fissilis (Berlepsch & Hartert, 1902) - ocorre no Leste da Venezuela, e na região adjacente no extremo Oeste da Guiana e Nordeste do Brasil;

Thalurania furcata nigrofasciata (Gould, 1846) - ocorre do Sudoeste da Colômbia até o extremo Sul da Venezuela e Noroeste do Brasil;

Thalurania furcata viridipectus (Gould, 1848) - ocorre do Leste da Cordilheira dos Andes na Leste da Colômbia até o Nordeste do Peru;

Thalurania furcata jelskii (Taczanowski, 1874) - ocorre na região tropical Leste do Peru e na região adjacente no Brasil;

Thalurania furcata simoni (Hellmayr, 1906) - ocorre na Amazônia ao Sul do Rio Amazonas no extremo Leste do Peru e no Oeste do Brasil;

Thalurania furcata balzani (Simon, 1896) - ocorre na região Norte e Central do Brasil ao sul do Rio Amazonas;

Thalurania furcata furcatoides (Gould, 1861) - ocorre no baixo Rio Amazonas, na região Leste do Brasil ao Sul do Rio Amazonas;

Thalurania furcata boliviana (Boucard, 1894) - ocorre nos sopés da Cordilheira dos Andes no Sudeste do Peru e no Nordeste da Bolívia;

Thalurania furcata baeri (Hellmayr, 1907) - ocorre da região Central e Nordeste do Brasil até o Sudeste da Bolívia e no Norte da Argentina;

Thalurania furcata eriphile (Lesson, 1832) - ocorre do Sudeste do Brasil, Leste do Paraguai até o Nordeste da Argentina, na região de Misiones.

Alimenta-se em flores à pouca altura, buscando também insetos na vegetação ou capturando-os no ar.

Faz ninho em forma de taça profunda, preso por teias de aranha a forquilhas ou pequenos ramos, a cerca de 2 m de altura. Põe 2 ovos brancos. Os filhotes deixam o ninho após 18 a 24 dias.

Comum no sub-bosque de florestas altas, capoeiras e florestas de várzea. Vive solitário, defendendo seu território de maneira agressiva.

Distribuição Geográfica:

Quase todo o Brasil, da Amazônia ao Paraná. Encontrado também do México à Bolívia, Paraguai e Argentina.

Referências:

Portal Brasil 500 Pássaros, Beija-flor-tesoura-verde - Disponível em webserver.eln.gov.br/Pass500/BIRDS/1birds/p159.htm Acesso em 09 mai. 2009

CLEMENTS, J. F.; The Clements Checklist of Birds of the World. Cornell: Cornell University Press, 2005.

  

Classificação Científica

Reino: Animalia

Filo: Chordata

Classe: Aves

Ordem: Apodiformes

Família: Trochilidae

Vigors, 1825

Subfamília: Trochilinae

Vigors, 1825

Espécie: T. furcata

Nome Científico

Thalurania furcata

(Gmelin, 1788)

Nome em Inglês

Fork-tailed Woodnymph

  

Estado de Conservação

(IUCN 3.1)

Pouco Preocupante

Birdlife International:

 

Justification

This species has an extremely large range, and hence does not approach the thresholds for Vulnerable under the range size criterion (Extent of Occurrence 30% decline over ten years or three generations). The population size has not been quantified, but it is not believed to approach the thresholds for Vulnerable under the population size criterion (10% in ten years or three generations, or with a specified population structure). For these reasons the species is evaluated as Least Concern.

 

Taxonomic source(s)

del Hoyo, J.; Collar, N. J.; Christie, D. A.; Elliott, A.; Fishpool, L. D. C. 2014. HBW and BirdLife International Illustrated Checklist of the Birds of the World. Barcelona, Spain and Cambridge UK: Lynx Edicions and BirdLife International.

SACC. 2006. A classification of the bird species of South America. Available at: #http://www.museum.lsu.edu/~Remsen/SACCBaseline.html#.

 

Population justification

The global population size has not been quantified, but this species is described as 'common' (Stotz et al. (1996).

 

Trend justification

This species is suspected to lose 15.9-17.6% of suitable habitat within its distribution over three generations (12 years) based on a model of Amazonian deforestation (Soares-Filho et al. 2006, Bird et al. 2011). It is therefore suspected to decline by <25% over three generations.

 

References

Stotz, D. F.; Fitzpatrick, J. W.; Parker, T. A.; Moskovits, D. K. 1996. Neotropical birds: ecology and conservation. University of Chicago Press, Chicago.

 

Further web sources of information

Explore HBW Alive for further information on this species

 

Search for photos and videos,and hear sounds of this species from the Internet Bird Collection

 

Text account compilers

Ekstrom, J., Butchart, S.

 

IUCN Red List evaluators

Butchart, S., Symes, A.

 

Recommended citation

BirdLife International (2015) Species factsheet: Thalurania furcata. Downloaded from www.birdlife.org on 14/12/2015. Recommended citation for factsheets for more than one species: BirdLife International (2015) IUCN Red List for birds. Downloaded from www.birdlife.org on 14/12/2015.

 

This information is based upon, and updates, the information published in BirdLife International (2000) Threatened birds of the world. Barcelona and Cambridge, UK: Lynx Edicions and BirdLife International, BirdLife International (2004) Threatened birds of the world 2004 CD-ROM and BirdLife International (2008) Threatened birds of the world 2008 CD-ROM. These sources provide the information for species accounts for the birds on the IUCN Red List.

 

To provide new information to update this factsheet or to correct any errors, please email BirdLife

 

To contribute to discussions on the evaluation of the IUCN Red List status of Globally Threatened Birds, please visit BirdLife's Globally Threatened Bird Forums.

 

Beija-flor-tesoura-verde

Texto, em português, da WikiAves:

 

O beija-flor-tesoura-verde é uma ave da ordem dos Apodiformes, da família Trochilidae.

 

Também é conhecido como beija-flor-de-barriga-violeta. No livro Aves do Brasil, edição Pantanal e Cerrado, consta como beija-flor-de-ventre-roxo.

Seu nome significa: do (grego) thalos = criança, descendente de; e ouranos céu, celeste, referente ao azul do céu; e do (latim) furcata, furcatus = bifurcada. ⇒ Pássaro filho do azul celeste com cauda bifurcada.

Mede cerca de 9,7 cm de comprimento. Macho com partes superiores esverdeadas, garganta verde-metálica, peito e barriga azul-violeta-brilhante; fêmea com as partes inferiores cinza.

Possui doze subespécies:

 

Thalurania furcata furcata (Gmelin, 1788) - ocorre no extremo Leste da Venezuela, Guianas e Norte do Brasil, ao norte do Rio Amazonas;

Thalurania furcata refulgens (Gould, 1853) - ocorre no Nordeste da Venezuela, na Península de Paría e na Serra de Cumaná;

Thalurania furcata fissilis (Berlepsch & Hartert, 1902) - ocorre no Leste da Venezuela, e na região adjacente no extremo Oeste da Guiana e Nordeste do Brasil;

Thalurania furcata nigrofasciata (Gould, 1846) - ocorre do Sudoeste da Colômbia até o extremo Sul da Venezuela e Noroeste do Brasil;

Thalurania furcata viridipectus (Gould, 1848) - ocorre do Leste da Cordilheira dos Andes na Leste da Colômbia até o Nordeste do Peru;

Thalurania furcata jelskii (Taczanowski, 1874) - ocorre na região tropical Leste do Peru e na região adjacente no Brasil;

Thalurania furcata simoni (Hellmayr, 1906) - ocorre na Amazônia ao Sul do Rio Amazonas no extremo Leste do Peru e no Oeste do Brasil;

Thalurania furcata balzani (Simon, 1896) - ocorre na região Norte e Central do Brasil ao sul do Rio Amazonas;

Thalurania furcata furcatoides (Gould, 1861) - ocorre no baixo Rio Amazonas, na região Leste do Brasil ao Sul do Rio Amazonas;

Thalurania furcata boliviana (Boucard, 1894) - ocorre nos sopés da Cordilheira dos Andes no Sudeste do Peru e no Nordeste da Bolívia;

Thalurania furcata baeri (Hellmayr, 1907) - ocorre da região Central e Nordeste do Brasil até o Sudeste da Bolívia e no Norte da Argentina;

Thalurania furcata eriphile (Lesson, 1832) - ocorre do Sudeste do Brasil, Leste do Paraguai até o Nordeste da Argentina, na região de Misiones.

Alimenta-se em flores à pouca altura, buscando também insetos na vegetação ou capturando-os no ar.

Faz ninho em forma de taça profunda, preso por teias de aranha a forquilhas ou pequenos ramos, a cerca de 2 m de altura. Põe 2 ovos brancos. Os filhotes deixam o ninho após 18 a 24 dias.

Comum no sub-bosque de florestas altas, capoeiras e florestas de várzea. Vive solitário, defendendo seu território de maneira agressiva.

Distribuição Geográfica:

Quase todo o Brasil, da Amazônia ao Paraná. Encontrado também do México à Bolívia, Paraguai e Argentina.

Referências:

Portal Brasil 500 Pássaros, Beija-flor-tesoura-verde - Disponível em webserver.eln.gov.br/Pass500/BIRDS/1birds/p159.htm Acesso em 09 mai. 2009

CLEMENTS, J. F.; The Clements Checklist of Birds of the World. Cornell: Cornell University Press, 2005.

 

Classificação Científica

Reino: Animalia

Filo: Chordata

Classe: Aves

Ordem: Apodiformes

Família: Trochilidae

Vigors, 1825

Subfamília: Trochilinae

Vigors, 1825

Espécie: T. furcata

Nome Científico

Thalurania furcata

(Gmelin, 1788)

Nome em Inglês

Fork-tailed Woodnymph

 

Estado de Conservação

(IUCN 3.1)

Pouco Preocupante

In reality the mitigation of moral laws—to the extent it is not illusory—can represent an intrinsic superiority only on two conditions: first, that it confers a concrete advantage on society; and second, that it is not obtained at the cost of what gives meaning to life; respect for the human person must not open the door to a dictatorship of error and baseness, to the crushing of quality by quantity, to general corruption and the loss of cultural values, for if it does so it is, in relation to the ancient tyrannies, merely an opposite extreme and not the norm. When humanitarianism is no more than the expression of an over-valuation of the human at the expense of what is divine or the crude fact at the expense of truth, it cannot possibly be counted as a positive acquisition; it is easy to criticize the “fanaticism” of our ancestors when one has lost the very notion of saving truth, or to be “tolerant” when one derides religion. Whatever the morality of the Babylonians may have been, it must not be forgotten that certain kinds of behavior depend largely on circumstances and that collective man always remains a sort of wild animal, at least in the “Iron Age”: the conquerors of Peru and Mexico were no better than Nebuchadnezzar, Cambyses, or Antiochus Epiphanus, and one could find analogous examples in the most recent history. Religions can reform the individual man with his consent—and it is never the function of religion to make up for the absence of this consent—but no one can bring about a fundamental

change in that “thousand-headed hydra” which is collective

man, and this is why nothing of the kind has ever been the aim of any religion; all that a revealed Law can do is curb the egoism and ferocity of society by channeling its tendencies more or less effectively.

 

The goal of religion is to transmit to man a symbolic, yet adequate, image of the reality that concerns him, according to his real needs and ultimate interests, and to provide him with the means of surpassing himself and realizing his highest destiny; this destiny can never be of this world, given the nature of our spirit. The secondary goal of religion—with a view to the principal goal—is to make possible a sufficient equilibrium in the life of the collectivity or to safeguard within the framework of the natural malice of men a maximum of spiritual opportunities; if society must be protected against the individual, the individual for his part must be protected against society. There is endless talk about “human dignity”, but it is rather too often forgotten that “noblesse oblige”; dignity is invoked in a world that is doing everything to empty it of its content and thus to abolish it. In the name of an indeterminate and unconditional “human dignity”, unlimited rights are conceded to the basest of men, including the right to destroy everything that goes to make our real dignity, that is to say, everything on every plane that attaches us in one way or another to the Absolute. Of course truth obliges us to condemn the excesses of the aristocracy, but we can see no reason at all why it should not also confer a right to judge contrary excesses.

 

---

 

Frithjof Schuon: Light on The Ancient Worlds

This panorama extends for just over 90° along the northernmost extent of the Milky Way ...

... from Perseus at left,

... to Cygnus at right,

... with Cassiopeia and Cepheus between in the centre.

 

The images were taken and processed to enhance the rich array of reddish emission nebulas along this segment of the Milky Way, glowing in the red light of hydrogen gas. Also emphasized are the contrasting dark nebulas made of obscuring interstellar dust.

 

The main and brightest emission nebulas are, from L to R (north to south):

- IC 1848 and IC 1805, the Heart and Soul Nebulas in Cassiopeia,

- NGC 7822 and Cederblad 214, with small and round Sharpless 2-170 below, all making up the Question Mark Nebula,

- a large complex of small nebulas in Cepheus, such as Sharpless 2-132 and 2-142,

- the large round IC 1396 in Cepheus at centre, which contains the Elephant Trunk Nebula,

- the bright North America Nebula, NGC 7000, accompanied by the Pelican Nebula, IC 5067 and the Cygnus Arc, IC 5068,

- the complex of nebulas in central Cygnus, with IC 1318, the Butterfly Nebula the main component,

- the twin arcs at bottom right of the Veil Nebula, a supernova remnant.

 

Technical:

This is a panorama of 5 segments, each a stack of 8 x 2-minute exposures, with the Canon RF28-70mm lens at 50mm, and at f/2, on the astro-modified Canon EOS R camera at ISO 1600.

 

All on the MSM Nomad star tracker. And all taken with an Astronomik UHC clip-in filter installed in the camera to isolate the red and green light of emission nebulas. The filter certainly brought out the nebulas and suppressed any skyglow, but did tend to make the stars cyan coloured, a tint I have mostly corrected. Using the filter for all shots simplifies the panorama assembly, as there is no need to align separate panoramas taken with and without filters, but does compromise star colours.

 

All stacking, stitching and blending in Photoshop. Actions and filters from Photokemi Actions and Nik Color EFX helped bring out the fainter nebulas.

 

Taken August 21, 2025 from Lookout Point in Cypress Hills Interprovincial Park, Saskatchewan, during the annual Saskatchewan Summer Star Party.

The installation of grooved tramway track outside Symphony Hall on Broad Street.

31mm Extention Tube Attached to 60mm Lens.

Flash Gun Placed On The Underside Of The Leaf.

The full extent of the wingspan shows the impressive wing structure with layers of different feathers, as Orion, (the bald eagle's name) is facing away from me.

 

But look at the centre portion of the eagle and there appears to be an eye looking back at the camera.!!!

 

I cannot explain this.

 

It is just to the right of the centre and near the soft white feathers at the top of the bird. I have added a note on the photo to show where it is, hover your mouse over the top centre part and the square box should show up.

 

Just to be clear I have not cut and pasted anything into this image !!

I am not sure what it is, the bald eagle eyes are yellow...... but with a black centre. Or has it turned it's head round under the feathers and just one eye centre is viewable, but then where is the big beak?

 

Image info :- Nikon Z9 with Nikon Z 100-400mm @ f/5.6, focal length 400mm, ISO 1000, shutter 1/1600th second to catch all the action - processed in Lightroom Classic.

Westernmost extent of mainland Portugal, continental Europe and the Eurasian land mass. Worth a visit. (Nice flowers too.)

Inle Lake is a freshwater lake located in the Nyaungshwe Township of Taunggyi District of Shan State, part of Shan Hills in Myanmar (Burma). It is the second largest lake in Myanmar with an estimated surface area of 44.9 square miles (116 km2), and one of the highest at an elevation of 2,900 feet (880 m). During the dry season, the average water depth is 7 feet (2.1 m), with the deepest point being 12 feet (3.7 m), but during the rainy season this can increase by 5 feet (1.5 m).

 

The watershed area for the lake lies to a large extent to the north and west of the lake. The lake drains through the Nam Pilu or Balu Chaung on its southern end. There is a hot spring on its northwestern shore.

 

Although the lake is not large, it contains a number of endemic species. Over twenty species of snails and nine species of fish are found nowhere else in the world. Some of these, like the silver-blue scaleless Sawbwa barb, the crossbanded dwarf danio, and the Lake Inle danio, are of minor commercial importance for the aquarium trade. It hosts approximately 20,000 brown and black head migratory seagulls in November, December and January.

 

In June 2015, it becomes the Myanmar's first designated place of World Network of Biosphere Reserves. It was one of 20 places added at at the Unesco's 27th Man and the Biosphere (MAB) International Coordinating Council (ICC) meeting.

The people of Inle Lake (called Intha), some 70,000 of them, live in four cities bordering the lake, in numerous small villages along the lake's shores, and on the lake itself. The entire lake area is in Nyaung Shwe township. The population consists predominantly of Intha, with a mix of other Shan, Taungyo, Pa-O (Taungthu), Danu, Kayah, Danaw and Bamar ethnicities. Most are devout Buddhists, and live in simple houses of wood and woven bamboo on stilts; they are largely self-sufficient farmers.

 

Most transportation on the lake is traditionally by small boats, or by somewhat larger boats fitted with single cylinder inboard diesel engines. Local fishermen are known for practicing a distinctive rowing style which involves standing at the stern on one leg and wrapping the other leg around the oar. This unique style evolved for the reason that the lake is covered by reeds and floating plants making it difficult to see above them while sitting. Standing provides the rower with a view beyond the reeds. However, the leg rowing style is only practiced by the men. Women row in the customary style, using the oar with their hands, sitting cross legged at the stern.

 

In addition to fishing, locals grow vegetables and fruit in large gardens that float on the surface of the lake. The floating garden beds are formed by extensive manual labor. The farmers gather up lake-bottom weeds from the deeper parts of the lake, bring them back in boats and make them into floating beds in their garden areas, anchored by bamboo poles. These gardens rise and fall with changes in the water level, and so are resistant to flooding. The constant availability of nutrient-laden water results in these gardens being incredibly fertile. Rice cultivation is also significant.

 

Sorry, I couldn't resist the most literal interpretation of P for Macro Monday. Yes, I might think like my five-year-old boy a bit too much. May or may not be a test tube of the real thing. 32mm extention on kit lens, off camera flash. HMM. Might just be my photo #123/366, an hour early, but still "documentation" in an odd way!

HILL COUNTRY

 

"Hill Country" is a vernacular term applied to a region including all or part of twenty-five counties near the geographical center of Texas. In the geomorphological sense, the Hill Country represents in large part a dissected plateau surface. It is bordered on the east and south by the Balcones Escarpment, on the west by the relatively undissected Edwards Plateau, and on the north by rolling plains and prairies. The elevations range from less than 1000 feet in the south and eastern areas of the Hill Country and generally rise toward the north and west to reach more than 2500 feet in Schleicher and Kerr counties, with most areas ranging between 1400 and 2200 feet. Lying in the transition zone between humid and semiarid climates, the Hill Country experiences both wet and dry years; at Fredericksburg eleven inches of precipitation was recorded in 1956 and forty-one inches the next year. The vegetation originally consisted of a parklike, open forest dominated by several types of oak, giving way in places to expanses of shinnery, to prairie, or to dense juniper (colloquially called cedar) brakes. Both mesquites and junipers have expanded as the environment has been disturbed. In the cultural sense the Hill Country has been a meeting ground of Indian, Spaniard, Mexican, hill southern Anglo, and northern European. The Apaches and their successors, the Comanches, left little imprint but did retard Spanish colonial activities in the region. As early as 1860 the partition of the Hill Country between the two groups that were to dominate it—hill southern Anglos and Germans—had been accomplished.

 

Between 1840 and 1850 significant numbers of settlers, mostly southern mountaineers, had been attracted to the Hill Country, particularly to Williamson, Hays, Comal, and Gillespie counties. Settlers from the mountain states of Tennessee, Arkansas, and Missouri composed the largest nativity groups within the rural, immigrant, Anglo-American population of these counties. The initial settlement of the remaining Hill Country counties occurred in the decade before the outbreak of the Civil War, as migration into the hills continued on a larger scale. According to a count of the 1860 manuscript census the leading states of origin for the Anglo-American population were still Arkansas and Tennessee. In the 1880 census the trend remained the same, supporting the claim that migration from the Ozark, Ouachita, and Appalachian states was largely responsible for the settlement of the Hill Country.

 

But the southern mountaineers were not solely responsible for the peopling of the Hill Country. Germans, mainly hill Hessians and Lower Saxons, introduced in the middle 1840s by the Society of Nobles (see ADELSVEREIN), occupied a corridor stretching 100 miles northwestward from New Braunfels and San Antonio through Fredericksburg as far as Mason, along the axis of an old Indian route known as the Pinta Trail, later called the Upper Emigrant Road. The towns of Fredericksburg, Comfort, Boerne, and Mason all bear a strong German cultural imprint, as do numerous neighboring hamlets and farms. By 1870 the population of Gillespie County was 86 percent German, Comal 79 percent, Kendall 62 percent, and Mason 56 percent. Each river valley in the German-settled portion of the Hill Country developed its own distinctive subculture, particularly in the religious sense. The Pedernales valley in Gillespie County is a Lutheran-Catholic enclave abounding in dance halls and ethnic clubs; the Llano valley in Mason and western Llano counties is dominated by German Methodists, who avoid dancing, drinking, and card playing; and the Guadalupe valley of Kendall County is the domain of freethinkers who maintain the only rural stronghold of agnosticism in Texas. Other European groups in the Hill Country include Silesian Poles, who settled at Bandera in the 1850s; Alsatians, who spread up from the Castroville area, following streams such as Hondo Creek; and Britishers, who came as sheepraisers to Kerr and Kendall counties. Blacks are largely absent in the Hill Country, though a few tiny freedmen colonies, such as Payton Colony in Blanco County, occur. Hispanics form a relatively small minority throughout the Hill Country.

 

In the late 1970s a study was made to determine the extent and intensity of the Hill Country as a perceptual region. Almost three-quarters of the people in the region so designated identified "Hill Country" as the popular name for the area

 

Source: tshaonline.org/handbook/online/articles/ryh02

  

Lazzaro Bastiani (Padua, 1429 - April 5, 1512) - Mary with the Child, in a frame painted with putti (1485) - poplar table 54.5 x 42.5 cm - Gemäldegalerie, Berlin

 

In questa vergine con il bambino (che è una replica di un'opera giovanile di Andrea Mantegna, ora conservata al Metropolitan Museum of Art di New York) Lazzaro Bastiani mostra tutta la portata del suo talento. I cherubini, che detengono strumenti della Passione di Cristo, agiscono come una transizione tra il quadro dipinto e lo spettatore.

 

In this virgin with the child (which is a replica of a youthful work by Andrea Mantegna, now preserved in the Metropolitan Museum of Art in New York) Lazzaro Bastiani shows the full extent of his talent. The cherubim, who hold instruments of the Passion of Christ, act as a transition between the painted picture and the viewer.

A lot of snow had fallen during the winter of 2008/2009 and even towards the end of June there was a lot of it lying around. It appears as if the last winter was colder than preceeding winters in large parts of Europe and Asia. The last time I had visited the lake it was in August 2000 and there was no snow on the ground.

 

The whole area as soon as you left Naran all the way to the lake was now part of the Lake Saiful Muluk National Park. It is an area of outstanding beauty and of tourist value but wildlife such as black bear, leopard, wolf, markhor, ibex, musk deer, monkey, pheasant, partridges, eagles, vultures are all quite rare now.

 

en.wikipedia.org/wiki/Saiful_Muluk

 

Lake Saiful Muluk (Urdu: سیف الملوک)is a lake located at the northern end of the Kaghan Valley ( 34°52′37.34″N 73°41′37.71″E) near Naran. It is in the north east of Mansehra District in the North-West Frontier Province, Pakistan. At an altitude of 3,224 m (10,578 feet) above sea level it is amongst one of the highest lakes in Pakistan.

The lake is accessible by a 14 km road from Naran (which is accessible by a road from Mansehra via Balakot and Kaghan) during the summer months. On foot, the trek from Naran to the lake takes about 4-6 hours. The water is clear with a slight green tone. The clarity of the water comes from the multiple glaciers all around the high basin which feed the lake.

A fairy tale called Saiful Muluk, written by the famous sufi poet Mian Muhammad Bakhsh, is associated with the lake.[1] It is the story of prince of Persia who fell in love with a fairy princess at the lake.[2] The impact of the lake beauty is of such extent that people believe that fairies come down to lake in full moon.

A poet and writer from Balakot, Ahmad Hussain Mujahid, has written the story of Saif ul Malook. The first edition of the book Saif ul Malook was published in 1999.

Mansehra District has had a flourishing tourism industry in the past due to its many mountain ranges and the Saiful Muluk Lake, however since the 2005 earthquake the region has seen a decrease in tourists. This lake is about ten thousand feet above the ground level of Naran, this beautiful lake reflects many colors in minutes.[3] Lately there has been an interest in building hotels in the area.[4]

   

Atlantic Ocean cliffs and granite boulders at Cabo da Roca Portugal

The westernmost extent of continental Europe.

Two flower macros in a row.. I must be sick.. LOL.. I'm suppose to be a landscape/seascape photographer.. :-)

 

See what happens to me when I'm on break.. :-)

It's raining hard to the extent that the droplets can be spotted against the dark wall of the warehouse on the other side of the Trent & Mersey Canal at Lostock Gralam. And you had to feel sorry for the fork truck drivers and outside staff at Tudor Griffiths Builders' Merchants who were busy marshalling lots for loading on to customer's vehicles.

 

Meantime GBRf Shed 66741 'Swanage Railway' is putting in an appearance with the 7.11am Liverpool Biomass - Drax loaded wooden pellets (6E09). She's seen here threading her way through the low hanging steam generated by the Tata Chemicals plant - a much photographed backdrop and an atmospheric by-product of the synthetic soda ash manufacturing process located here.

 

Suffice to say the camera and lens got seriously soaked rendering a time out necessary for liquid refreshment and drying off the kit.

 

A day for messing about on the river? Not.

 

10.02am, 7th March 2019

This is a self-portrait standing under the great red aurora of November 11, 2025, taken from home in southern Alberta. The Kp peaked at 8 this night and the display was notable for the extent and brightness of reds over much of the sky, mixed with the usual greens, and blending to create oranges and yellows this night.

 

Deneb, Vega and Altair are at upper left. The Big and Little Dippers are at right, with Polaris at upper right. This is looking northwest at centre.

 

I am lit red by an LED light, not by the red aurora. The aurora was not that bright!

 

Technical:

This is a blend of two exposures:

- one for the sky and me, with me lit by a red headlamp,

- and another for the ground without the red light on, so the ground is not lit red in places by spill from the headlamp.

 

Both 8 seconds at f/2.8 with the manual TTArtisan 11mm full-frame fish-eye lens on the Canon R5 at ISO 1600.

Was bored looking out at the rain the other night so banged on my macro lens ala extention tubes and ventured out into the gloom. Saw this seed suspended on a web with the wee drop on it, snapped it then the heavens broke. :)

View On Black

www.nealfowler.co.uk

The extent of a shadow trying to find itself in the light.

 

L'ampleur d'une ombre qui se cherche au milieu de la lumière.

 

Lost the way

 

Hasselblad 500C/M + Zeiss Planar 80mm f/2.8 + Kodak Tri-X 400TX + Ilford ID-11 selfdeveloped + Epson V700 Scan Color 48 Bits Scan (No photoshop except from dust)

 

Bruno Servant © All rights reserved - Downloading and using images without permission is illegal.

brunoservant.free.fr/

PoissonSoluble92@hotmail.fr

www.facebook.com/bruno.servant

Kurt Schwitters abandoned his Merz pictures to a large extent during the mid- to late 1920s to concentrate on paintings, constructions, and reliefs in which the influence of Russian Constructivism and the work of his friend Theo van Doesburg is discernable. He eliminated found materials from these compositions and thereby reduced the Dada element of chance they contributed in order to achieve a less idiosyncratic and hence more universal form of expression. This development accorded with his belief in the ascendancy of formal values, which he felt should not be jeopardized by references to anything outside the work of art.

 

When Schwitters returned to the Merz idiom in 1930, he placed more emphasis on the act of painting than he had in his early collages. Though the planes are shaped with the impersonality of geometric contour, they are animated by the variation of rhythmic brushstrokes and the addition of collaged forms. In the tradition of his Merz works of the classic period of 1919 to the mid-1920s, the objects he adopted were disposable articles—the top of a corroded tin can and a metal butterfly; the picture once included a broken piece of china to the right of the tin circle and two wooden balls below the butterfly. While the objects function as abstract elements within the flat confines of the support, their projection contradicts the two-dimensionality of the picture plane and implies an extension of the work of art into the observer’s world.

 

Lucy Flint

 

Looking out from Llanthony Road Bridge down the Gloucester and Sharpness Canal, in Gloucester, Gloucestershire.

 

Conceived in the Canal Mania period of the late 18th century, the Gloucester and Berkeley Ship Canal scheme (as it was originally named) was started by architect and civil engineer Robert Mylne. In 1793 an Act of Parliament was obtained authorising the raising of a total of £200,000. The project rapidly encountered financial difficulties - to such an extent that Mylne left the project in 1798. By half way through 1799 costs had reached £112,000 but only 5½ miles of the canal had been completed. Robert Mylne's role was taken over by James Dadford who had originally been engaged as resident engineer on the project in 1795. Lack of funds resulted in the company ceasing to employ Dadford in 1800.

 

Between 1800 and 1810 various attempts were made to raise money to allow further building but they came to nothing. Moneys from tolls and rents allowed for some improvements to be made to the basin at Gloucester in 1813.

 

From 1817 onwards the Poor Employment Act meant it was possible for the company to loan money from the Exchequer Bill Loan Commission. This along with further share issues provided enough money to bring the scheme to completion. After these significant delays, the canal opened in April 1827. In the course of its construction the canal had cost £440,000.

 

By the middle of the nineteenth century it proved possible to pay a small dividend, the debt to the Exchequer Bill Loan Commission having been repaid with the help of a loan of £60,000 from the Pelican Life Assurance Company. In 1871 the last of the debts incurred in the course of funding the canal including the Pelican Life Assurance Company loan were paid off.

 

In 1905 traffic exceeded 1 million tons for the first time. Oil was added to the list of cargoes carried by the canal, with bulk oil carriers taking fuel to storage tanks sited to the south of Gloucester. In 1937 the canal was navigated by the submarines HMS H33 and HMS H49.

 

The canal was nationalized in 1948. At the same time the Sharpness Dock Police which had policed the dock since 1874 were absorbed into the British Transport Police. In 1955 the Board of Survey of Canals and Inland Waterways released a report that, among other things, described the Gloucester and Sharpness Canal as carrying substantial traffic and offering scope for commercial development.

 

By the mid 1980s commercial traffic had largely come to a halt with the canal being given over to pleasure cruisers with the exception of a few passages by grain barges. The oil trade ceased in 1985 with the closure of the petroleum depot at Quedgeley.

 

As sea ice at far northern latitudes approached its annual maximum extent, the Terra satellite captured this natural-color image of sea ice and clouds off of Canada’s Newfoundland and Labrador province. Though sea ice has been significantly below normal extent and thickness across much of the Arctic, the ice in the Labrador Sea has been relatively close to normal.

 

In this image, acquired on Feb. 18, 2018, the coastline, the sea ice edge, and offshore clouds all present a clear edge to distinguish one from the next. Ice hugs the coast, where it receives the full chilling effect of offshore winds, and the water is shallower and fresher than in the open sea. The swirl patterns on the eastern edges reveal areas where ice is new and has not yet consolidated into a solid sheet, so it is more susceptible to stirring by winds and by ocean eddies.

 

Image credit: NASA/Jeff Schmaltz, LANCE/EOSDIS Rapid Response/Mike Carlowicz

 

Read more

 

NASA Media Usage Guidelines

 

Mogoșoaia Palace is situated in a suburb of Bucharest, Romania. It was built between 1698-1702 by Constantin Brâncoveanu in what is called the Romanian Renaissance style or Brâncovenesc style, a combination of Venetian and Oriental elements. The palace bears the name of the widow of the Romanian boyar Mogoș, who owned the land it was built on. The Palace was to a large extent rebuilt in the 1920s by Martha Bibescu. (Wikipedia)

One more image from a great session at Reynisdrangar about a month ago. Endless foul weather and rain has kept me home and going through my archive. In a way it is good to go through the archive but I would rather be out there somewhere shooting.

 

If you would like to visit an ice cave consider join my Winter Photo Tour

A panorama of the 7-day-old first quarter Moon on March 13, 2019, showing the full disk and extent of incredible detail along the terminator, the dividing line between the day and night sides of the Moon where the Sun is rising as seen from the surface of the Moon. Note the tiny points of light at the centres of some of the craters (particularly Alphonsus and Arzachel below centre) in the Southern Highlands from sunlight just catching the central peaks of those craters. At top in the north the slash of the Alpine Valley is obvious as well as the curve of the Apennine Mountains. I have boosted the colour saturation and contrast somewhat to bring out the colour difference between the grey Sea of Serenity above center and the bluish Sea of Tranquillity right of centre.

 

On this version I added labels for the main features along the terminator and the lunar “seas” on the disk.

 

TECHNICAL:

This is a panorama or mosaic of three images, for the southern, middle, and northern portions of the Moon, taken through a Celestron C9.25-inch SCT telescope but also with a Canon 1.4x telextender to increase the effective focal lengh even more to 3300mm at f/14. Each segment is a single exposure at ISO 100 of 1/20 second with the Sony a7III. Stitching was with Adobe Camera Raw using Perspective projection. So this is not an example of using a planetary camera to shoot hundreds of frames to stack and blend only the sharpest but rather an example of what can be done with simpler DSLR/Mirrorless camera techniques. The result does suffer from atmospheric blurring which varies across the disk, so this can’t compete with the images from skilled lunar photographers using specialized cameras, but it’s not bad!

 

Also, shooting this phase of the Moon in March or April helps ensure sharper images as the evening Moon sits highest in the sky at this time of year for the northern hemisphere. However, I did apply unsharp and high-pass sharpening to snap up the detail.

 

While the disk did just fit into the camera frame when it was turned 90° to fit the Moon along the long axis of the frame, allowing capturing the disk in a single exposure, inevitably optical aberrations blur the image at the edges of the frame. The mosaic method produced a sharper result across the entire disk even though there were differences in sharpness due to atmospheric seeing from frame to frame. I picked the sharpest frames for each segment.

SN/NC: Echinacea Purpurea, Asteraceae Family

 

Echinacea purpurea, the eastern purple coneflower, purple coneflower, hedgehog coneflower, or echinacea, is a North American species of flowering plant in the family Asteraceae. It is native to parts of eastern North America and present to some extent in the wild in much of the eastern, southeastern and midwestern United States as well as in the Canadian Province of Ontario. It is most common in the Ozarks and in the Mississippi/Ohio Valley. Its habitats include dry open woods, prairies and barrens.

Echinacea is derived from Greek, meaning 'spiny one', in reference to the spiny sea urchins 'εχίνοι' which the ripe flower heads of species of this genus resemble. The epithet purpurea means 'reddish-purple'. Originally named Rudbeckia purpurea by Linnaeus in 1753 in Species plantarum 6, it was reclassified in 1794 by Conrad Moench, in a new genus named Echinacea purpurea (L.) Moench. In 1818, Thomas Nuttall describes a new variety that he named Rudbeckia purpurea var. serotina. Just two decades later, De Candolle raised him to the rank of species of the other genus Echinacea serotina (Nutt.) DC. (1836). In 2002, Binns et al. discovered a misapplication of the name Echinacea purpurea (L.) Moench for the taxon correctly named Echinacea serotina (Nutt.) DC. in 1836. The authors proposed to retain the names not to cause confusion among gardeners and herbalists. Other names include: Broad-leaved purple coneflower, Eastern Purple Coneflower, Hedgehog Coneflower, Echinacea.

 

A equinácea é uma planta medicinal, também conhecida como flor-de-cone, púrpura ou rudbéquia, rica em alcamidas, flavonóides e polissacarídeos, com propriedades anti-inflamatórias, antialérgicas e imunomoduladoras, sendo, por isso, muito utilizada como remédio caseiro no tratamento de gripes e resfriados, aliviando a coriza e a tosse.

Ela é uma espécie norte-americana de planta com flores na família Asteraceae, a mesma do girassol e das margaridas e dálias. É nativa do leste da América do Norte e presente em grande parte do leste, sudeste e centro-oeste dos Estados Unidos, bem como na província canadense de Ontário e British Columbia, para mencionar algumas. É mais comum nos Ozarks e no Vale dos Rios Mississippi e Ohio. Seus habitats incluem bosques abertos secos, pradarias e áridos. Echinacea é derivado do grego, que significa 'espinhoso', em referência aos ouriços-do-mar espinhosos 'εχίνοι', aos quais as cabeças de flores maduras de espécies deste gênero se assemelham. O epíteto purpurea significa 'roxo-avermelhado'. É uma linda flor.

 

L'Echinacea purpurea, l'echinacea viola orientale, l'echinacea viola, l'echinacea riccio o l'echinacea, è una specie di pianta da fiore nordamericana della famiglia delle Asteraceae. È originario di parti del Nord America orientale e in una certa misura è presente allo stato selvatico in gran parte degli Stati Uniti orientali, sudorientali e centro-occidentali, nonché nella provincia canadese dell'Ontario. È più comune negli Ozarks e nella valle del Mississippi/Ohio. I suoi habitat includono boschi aperti asciutti, praterie e aridi.

Echinacea deriva dal greco, che significa 'spinoso', in riferimento ai ricci di mare spinosi 'εχίνοι' a cui assomigliano i capolini maturi di specie di questo genere. L'epiteto purpurea significa 'porpora rossastro'

 

Echinacea purpurea, de oostelijke paarse zonnehoed, paarse zonnehoed, egel zonnehoed of echinacea, is een Noord-Amerikaanse soort bloeiende plant in de familie Asteraceae. Het is inheems in delen van Oost-Noord-Amerika en komt tot op zekere hoogte in het wild voor in een groot deel van het oosten, zuidoosten en middenwesten van de Verenigde Staten, evenals in de Canadese provincie Ontario. Het komt het meest voor in de Ozarks en in de Mississippi/Ohio-vallei. De habitats omvatten droge open bossen, weilanden en kale vlaktes.

Echinacea is afgeleid van het Grieks en betekent 'stekelige', verwijzend naar de stekelige zee-egels 'εχίνοι' waarop de rijpe bloemhoofdjes van soorten van dit geslacht lijken. Het epitheton purpurea betekent 'rood-paars'.

 

Echinacea purpurea , la equinácea púrpura oriental , la equinácea púrpura , la equinácea erizo o la equinácea , es una especie norteamericana de planta con flores de la familia Asteraceae . Es nativo de partes del este de América del Norte y está presente hasta cierto punto en la naturaleza en gran parte del este, sureste y medio oeste de los Estados Unidos, así como en la provincia canadiense de Ontario. Es más común en los Ozarks y en el valle de Mississippi/Ohio. Sus hábitats incluyen bosques abiertos secos, praderas y páramos.

Echinacea se deriva del griego, que significa 'espinoso', en referencia a los erizos de mar espinosos 'εχίνοι' a los que se asemejan las cabezas de flores maduras de las especies de este género. El epíteto purpurea significa 'púrpura rojizo'.

 

Echinacea purpurea, l'échinacée pourpre orientale, l'échinacée pourpre, l'échinacée hérisson ou l'échinacée, est une espèce nord-américaine de plante à fleurs de la famille des astéracées. Il est originaire de certaines parties de l'est de l'Amérique du Nord et est présent dans une certaine mesure à l'état sauvage dans une grande partie de l'est, du sud-est et du Midwest des États-Unis ainsi que dans la province canadienne de l'Ontario. Il est le plus courant dans les Ozarks et dans la vallée du Mississippi/Ohio. Ses habitats comprennent des bois ouverts secs, des prairies et des landes.

L'échinacée vient du grec et signifie « épineux », en référence aux oursins épineux « εχίνοι » auxquels ressemblent les inflorescences mûres des espèces de ce genre. L'épithète purpurea signifie « violet rougeâtre ».

 

Echinacea purpurea, der östliche Purpur-Sonnenhut, Purpur-Sonnenhut, Igel-Sonnenhut oder Echinacea, ist eine nordamerikanische Pflanzenart aus der Familie der Asteraceae. Sie ist in Teilen des östlichen Nordamerika beheimatet und bis zu einem gewissen Grad in freier Wildbahn in weiten Teilen des Ostens, Südostens und mittleren Westens der Vereinigten Staaten sowie in der kanadischen Provinz Ontario vorhanden. Es ist am häufigsten in den Ozarks und im Mississippi/Ohio Valley. Seine Lebensräume umfassen trockene offene Wälder, Prärien und Ödland.

Echinacea leitet sich aus dem Griechischen ab und bedeutet „stacheliger", in Anlehnung an die stacheligen Seeigel „εχίνοι", denen die reifen Blütenköpfe von Arten dieser Gattung ähneln. Der Beiname purpurea bedeutet „rötlich-lila".

 

إشنسا بوربوريا ، الصنوبريات الأرجوانية الشرقية ، الصنوبريات الأرجواني ، قنفذ القنفذ ، أو إشنسا ، هو نوع من النباتات المزهرة في أمريكا الشمالية في عائلة Asteraceae. هي موطنها الأصلي في أجزاء من شرق أمريكا الشمالية وتوجد إلى حد ما في البرية في الكثير من شرق وجنوب شرق وغرب الولايات المتحدة وكذلك في مقاطعة أونتاريو الكندية. هو الأكثر شيوعًا في أوزاركس وفي وادي المسيسيبي / أوهايو. تشمل موائلها الغابات المفتوحة الجافة والمروج والجبل.

إشنسا مشتق من اللغة اليونانية ، وتعني "الشوكة الواحدة" ، في إشارة إلى قنافذ البحر الشوكية "εχίνοι" التي تشبهها رؤوس الأزهار الناضجة لأنواع هذا الجنس. الصفة بوربوريا تعني "أرجواني محمر".

 

Echinacea purpurea、イースタン パープル コーンフラワー、パープル コーンフラワー、ハリネズミ コーンフラワー、またはエキナセアは、キク科の開花植物の北米種です。北米東部の一部に自生し、米国東部、南東部、中西部の多く、およびカナダのオンタリオ州にある程度野生で存在します。オザークとミシシッピ/オハイオ渓谷で最も一般的です.その生息地には、乾いた開けた森、大草原、不毛地帯が含まれます。

エキナセアは、この属の種の熟した花の頭が似ているとげのあるウニ「εχίνοι」に関連して、「とげのあるもの」を意味するギリシャ語に由来します。別名プルプレアは「赤紫色」を意味します。

This female appears to still be in Summer colors and not a very long tail shows up in any case. The males in particular have a very long narrow tail but the females do also to an extent. It appears that this is not the case in Summer colors....

A Christmas indulgence - better wine than the usual!

 

The visible extent of the image is 3".

 

PINK for OCTOBER..................... best viewed on black

Hybrid Perpetual ROSE— The dominant class of roses in Victorian England, they first emerged in 1838 and were derived to a great extent from the Bourbons. They became the most popular garden and florist roses of northern Europe at the time, as the tender tea roses would not thrive in cold climates. The "perpetual" in the name hints at repeat-flowering, but many varieties of this class had poor reflowering habits; the tendency was for a massive spring bloom, followed by either scattered summer flowering, a smaller autumn burst, or sometimes nothing at all until next spring.

They were opulent, however, this 'head' of 5 beauties opened one day... the next day it was mad, raining, thunder and lightning, so in between showers... yep, I rushed out, yep another 'rescue' job, lol.

I wanted to make this photo as a 'period' image.

Have a wonderful day, filled with love and thank you for your visit, M, (*_*)

For more of my other work or if you want to PURCHASE, visit here: www.indigo2photography.com

Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved

 

The extent to which I have read about the prototype is this webpage:

 

www.lner.info/locos/Electric/ner_tyneside.php

 

No buffers lol

Paris | 2016

Sigma 105mm f/2.8 dg ex macro os hsm plus 31 mm macro extention tube

Landsat image that shows the extent of Carr wildfires in Shasta and Trinity Counties in northern California, as of July 27, 2018. The Carr fires started on July 23, 2018, and were associated with 'fire tornadoes". This image, acquired early on in the cycle of destruction, shows the community of Shasta going up in smoke. Included in this image are Weaverville, Lewiston, Redding, Anderson, the Sacramento River, Interstate 5, Trinity Lake, Whiskeytown Lake, and Shasta Lake.

 

This is a high-resolution, false-color satellite image, from Landsat 8; image acquired on July 27, 2018. Please place your cursor above the image, then click on the image in order to see more detail; click on the image a second time to get back to your normal viewing.

I have gone to see The Phantom of the Opera I believe twice in school & that was the extent of my theatre experience up until recently. Although I did enjoy The Phantom, it certainly pales in comparison to this open viewing operating theatre. Such theatres are extremely rare & it brings back memories of Seinfeld "Junior Mints" episode & why open viewing is for teaching & the patient is a cadaver. This massive hospital was an absolute rush to explore with my fellow #3PlyMafia family Freaktography & Carlo Paolozza & I am so thankful to our wonderful hosts Urban Downfall, Tomorrow's Ashes, Ludovic & Marie for the amazing urbex adventure!

 

Exploring is the mission, Not a competition.

 

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