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MIME - acting out a story through body motions, without use of speech
mime artists on storyline of the presentation shows exaggerated facial expressions as they are an important channel of nonverbal communication.
Portrait shot at 'African Street Style London.' A platform for the presentation of artistic practice from the African diaspora.
©Kings Davis 2024
Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
The house´s pet used as model
Strobist: One Neewer TT560 at 1/2 power bounced from the ceiling. Right of camera and triggered by camera pop flash at -2EV
Adj. 1. agape - with the mouth wide open as in wonder or awe; "the gaping audience"; "we stood there agape with wonder"; "with mouth agape"
Thats what it means! that thats how it Looks :)
Tiwari is not particularly adventureous and it was his turn to climb that steep Slope !
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine New Statesman to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy.
In the UK anti-establishment figures and groups are seen as those who argue or act against the ruling class. Having an established church, in England, a British monarchy, an aristocracy, and an unelected upper house in Parliament made up in part by hereditary nobles, the UK has a clearly definable[citation needed] Establishment against which anti-establishment figures can be contrasted. In particular, satirical humour is commonly used to undermine the deference shown by the majority of the population towards those who govern them. Examples of British anti-establishment satire include much of the humour of Peter Cook and Ben Elton; novels such as Rumpole of the Bailey; magazines such as Private Eye; and television programmes like Spitting Image, That Was The Week That Was, and The Prisoner (see also the satire boom of the 1960s). Anti-establishment themes also can be seen in the novels of writers such as Will Self.
However, by operating through the arts and media, the line between politics and culture is blurred, so that pigeonholing figures such as Banksy as either anti-establishment or counter-culture figures can be difficult. The tabloid newspapers such as The Sun, are less subtle, and commonly report on the sex-lives of the Royals simply because it sells newspapers, but in the process have been described as having anti-establishment views that have weakened traditional institutions. On the other hand, as time passes, anti-establishment figures sometimes end up becoming part of the Establishment, as Mick Jagger, the Rolling Stones frontman, became a Knight in 2003, or when The Who frontman Roger Daltrey was made a Commander of the Order of the British Empire in 2005 in recognition of both his music and his work for charity.
Anti-establishment in the United States began in the 1940s and continued through the 1950s.
Many World War II veterans, who had seen horrors and inhumanities, began to question every aspect of life, including its meaning. Urged to return to "normal lives" and plagued by post traumatic stress disorder (discussing it was "not manly"), in which many of them went on to found the outlaw motorcycle club Hells Angels. Some veterans, who founded the Beat Movement, were denigrated as Beatniks and accused of being "downbeat" on everything. Lawrence Ferlinghetti wrote a Beat autobiography that cited his wartime service.
Citizens had also begun to question authority, especially after the Gary Powers U-2 Incident, wherein President Eisenhower repeatedly assured people the United States was not spying on Russia, then was caught in a blatant lie. This general dissatisfaction was popularized by Peggy Lee's laconic pop song "Is That All There Is?", but remained unspoken and unfocused. It was not until the Baby Boomers came along in huge numbers that protest became organized, who were named by the Beats as "little hipsters".
"Anti-establishment" became a buzzword of the tumultuous 1960s. Young people raised in comparative luxury saw many wrongs perpetuated by society and began to question "the Establishment". Contentious issues included the ongoing Vietnam War with no clear goal or end point, the constant military build-up and diversion of funds for the Cold War, perpetual widespread poverty being ignored, money-wasting boondoggles like pork barrel projects and the Space Race, festering race issues, a stultifying education system, repressive laws and harsh sentences for casual drug use, and a general malaise among the older generation. On the other side, "Middle America" often regarded questions as accusations, and saw the younger generation as spoiled, drugged-out, sex-crazed, unambitious slackers.
Anti-establishment debates were common because they touched on everyday aspects of life. Even innocent questions could escalate into angry diatribes. For example, "Why do we spend millions on a foreign war and a space program when our schools are falling apart?" would be answered with "We need to keep our military strong and ready to stop the Communists from taking over the world." As in any debate, there were valid and unsupported arguments on both sides. "Make love not war" invoked "America, love it or leave it."
As the 1960s simmered, the anti-Establishment adopted conventions in opposition to the Establishment. T-shirts and blue jeans became the uniform of the young because their parents wore collar shirts and slacks. Drug use, with its illegal panache, was favored over the legal consumption of alcohol. Promoting peace and love was the antidote to promulgating hatred and war. Living in genteel poverty was more "honest" than amassing a nest egg and a house in the suburbs. Rock 'n roll was played loudly over easy listening. Dodging the draft was passive resistance to traditional military service. Dancing was free-style, not learned in a ballroom. Over time, anti-establishment messages crept into popular culture: songs, fashion, movies, lifestyle choices, television.
The emphasis on freedom allowed previously hushed conversations about sex, politics, or religion to be openly discussed. A wave of radical liberation movements for minority groups came out of the 1960s, including second-wave feminism; Black Power, Red Power, and the Chicano Movement; and gay liberation. These movements differed from previous efforts to improve minority rights by their opposition to respectability politics and militant tone. Programs were put in place to deal with inequities: Equal Opportunity Employment, the Head Start Program, enforcement of the Civil Rights Act, busing, and others. But the widespread dissemination of new ideas also sparked a backlash and resurgence in conservative religions, new segregated private schools, anti-gay and anti-abortion legislation, and other reversals. Extremists[clarification needed] tended to be heard more because they made good copy for newspapers and television.[citation needed] In many ways, the angry debates of the 1960s led to modern right-wing talk radio and coalitions for "traditional family values".
As the 1960s passed, society had changed to the point that the definition of the Establishment had blurred, and the term "anti-establishment" seemed to fall out of use.
In recent years, with the rise of the populist right, the term anti-establishment has tended to refer to both left and right-wing movements expressing dissatisfaction with mainstream institutions. For those on the right, this can be fueled by feelings of alienation from major institutions such as the government, corporations, media, and education system, which are perceived as holding progressive social norms, an inversion of the meaning formerly associated with the term. This can be accounted for by a perceived cultural and institutional shift to the left by many on the right. According to Pew Research, Western European populist parties from both sides of the ideological spectrum tapped into anti-establishment sentiment in 2017, "from the Brexit referendum to national elections in Italy." Sarah Kendzior of QZ opines that "The term "anti-establishment" has lost all meaning," citing a campaign video from then candidate Donald Trump titled "Fighting the Establishment." The term anti-establishment has tended to refer to Right-wing populist movements, including nationalist movements and anti-lockdown protests, since Donald Trump and the global populist wave, starting as far back as 2015 and as recently as 2021.
Dhaka Art Centre,Dhanmondi,Dhaka.
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my sitters for a joint exhibition. the first sitter couldnt make it today.
sitters get a free print each!
I came up with the idea for this project (Six Degrees of Separation) for the KL Design Week 2009 show. The project begins with the photographing of the first sitter. The first sitter then "passes" the photographer on to the second sitter and so on. The sequence stops at the sixth person photographed.
The underlying theme for my six is called Duality.
"These six portraits examine the duality of urban society. The relentless power of capitalism bends more people into the workforce each year. Urbanites have come to define themselves through false associations they build with their jobs. These photographs capture the side that turns away from that structure. This is an investigation into one's inner personality and the elements of life which impassions and is vibrant."
12 photographers participated and the exhibition goes on till the 4th of April 2009 at Cap Square, Kuala Lumpur.
Website for this project to ensue. Will link you up when its done!
The hypothesis of the Six Degrees of Separation; that is if its validity can weather against the claims of Malcolm Gladwell.
©2009 Vignes Balasingam
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This little girl was captured on camera looking a little confused in Chicacao village, Alta Verapaz, Guatemala. Latitude: 15° 30' 0 N, Longitude: 90° 10' 0 W
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
This is my first video show on flickr. You can read more about it in my blog here
I know the slide show is fast little bit but this is due to flickr limitation on the duration of any video uploaded here.
Emotional Expressions , JOy and Gaiety Seen During CTM - Chennai Trail Marathon Held on 07th sep 2014 in chennai
lovely and pretty安娜 came from Russian , she is a very young professional model , and she got natural pure quality and beautiful eyes , we took her pictures at Keelung 外木山奇岩區, every her pose , action and expression was full of charming and gorgeous , changed pose very quickly, that I catched her amazing action so many at short time , though most of them were similar , I think they were all beautiful , I post them all just for share everybody to enjoy them ,thank安娜, she did her best model job
Yemen, 2004: A henna design is drawn on a child s hand at a centre for girls and women in Aden, the capital. UNICEF supports the centre, which teaches traditional crafts such as carpet and basket weaving, and also conducts income-generating programmes for women.
© UNICEF/Giacomo Pirozzi
To see more: www.unicef.org/photography
Also download the UNICEF Photography iPhone app here
a take on John's 'Geezer Wednesday'.
Patenoster Square, London EC4
28th September 2016
20160928 IMG_3931
My cracking little Nova 1.2i Expression. I reluctantly sold this last year. It was 100% reliable, it never broke down once, in the 8 years I owned it. I bought it at 65,000 miles, and sold it when it had 126,000miles on the clock, just running it in. Absolutely superb car, very, very sad to see it go!
It is seen basking in the sun at one of my favourite haunts at Dunstable Downs in 2007.
A bin man swaps steel-toed boots for stilettos to chase his dream of becoming a drag queen. But will he overcome the cost of living crisis, an anti-woke boyfriend and inflexible hamstrings on his quest to be crowned Miss Stoke? Living in a small Northern town, the show begins as Wasteman’s relationship ends. As he makes something fabulous in the most un-fabulous of situations, expect triple threat talent, raucous laughs and lightning fast wig changes as he prepares for the competition in just four weeks, all while fleeing from the ghosts of his past.
Inspired by my real-life experiences working as a Refuse Loader during lockdown, this ‘drag oddysey’ is a love letter to hard-working Northerners and gender euphoria expressed through monologue, music, and drag. During the pandemic, I applied for every job available. In need of a career that would not be halted due to lockdown, I turned to refuse collection. To remain creative, I started to entertain my friends by hosting drag quizzes on Zoom as ‘Mariah Scary’. And so, the journey from bin-man to drag queen began.
The show has has since enjoyed a sell-out run at the Vault Festival and has been nominated for four awards, including two West End ‘Offies’. It is previewing at the Brighton Fringe before going up to the Edinburgh Fringe Festival as a recipient of the prestigious Keep It Fringe Fund funded by Phoebe Waller-Bridge.
As a young person born up North, I didn't get to see any stories about where I was from. And as a young queer person from a land far beyond London, stories about towns and lives like mine were non- existent. For this reason, I am over the moon to be bringing Wasteman to the Greater Manchestre Fringe. I believe that stories about gender expression are particularly necessary in the current climate. The piece fuses my passions for monologue, character-comedy, drag, musical theatre, and unusual day jobs.
As seen on Britain's Got Talent as a backing choir and the Last Leg.