View allAll Photos Tagged expression
...expressions....
at the demonstrations in Beirut......
self portrait....taken by my friend...designed by me...
my facial expressions scare me sometimes
soooo i got my school pictures back
i really like them
but they're almost TOO nice you know ?!
but it's good, that in my 12 years of education (including kindergarten), that i've only had like two good school pictures. this is one of them. D:
Who are we? How do we identify ourselves? There is never a definite answer for that. Maybe the best answer
we could come up with might not do justice to what we actually are. But these questions have ever more relavance
during these testing time.
This is a photo series of people I met and photographed over the years. I do not remember most of their names
but the situations they were photographed have been embedded in my memory. They are people I met randomly and who
identified themselves through their expressions, not just facial but also the situations they were in while being
photographed.
With people wearing masks that cover up a good portion of their face due to the onset of COVID19, it is going to be
more difficult to capture a person's expression in future. Hence this series is even more special for me because I would
not be able to do this for very long time.
The way of life is changing, so are the expressions of identity.
Jeff made a big stickie on Jonathan's computer, that took him 3 months to find, until this photo was taken.
...at the shores of the Ganges!
The women devotees, praying in earnest sincerity to the River, as soon as the morning dawns. The faith these people hold, is just unfathomable. The beliefs they have in the rituals is something to witness in person
Varanasi, UP
I was invited by the Toolkit Startup 2 to participate to their poster exhibition "ε/Design your Expression".
The concept of my poster is be Free BUT with Responsibility. As Chesterton once said, "To have a right opinion to do a thing is not the same as to be right in doing it".
Taken by Sara Levin
Urban Expression is a workshop promoting reading, writing, and artistic skills for at-risk youths. A shared initiative with ACCESS Academies’ Succeeding with Reading program, this project will involve Chicago-based artist and 2010 Whitney Biennial participant Theaster Gates, whose neighborhood-inspired work celebrates culture and promotes social inclusion. St. Louis artists Stewart Halperin, Janie Ibur, and Juan William Chávez will guide students from Holy Trinity Elementary School in explorations of their daily lives using photography, writing, and art.
mattaclark.pulitzerarts.org/transformation/local-artists/...
Graffiti wall art is a powerful form of self-expression and urban beautification. It has evolved from a rebellious act to an admired art form celebrated worldwide. In this guide, we’ll explore the essence of graffiti wall art, its significance, and tips for creating stunning pieces.
What is Graffiti Wall Art?
Graffiti wall art refers to artistic designs, symbols, or messages created on walls, typically in urban areas. It encompasses various styles, ranging from:
Tagging: Simple, stylized signatures or initials.
Throw-Ups: Bubble letters or quick designs.
Murals: Large, detailed compositions that tell stories or convey themes.
Street Art: Intricate pieces blending graffiti with fine art techniques.
Information by:
nomadicsamuel.com/category/photo-essays : The faces of India. Indian people photos. Candid shots of Indian people from Jaipur, Pushkar, Jodhpur, Udaipur, Jaisalmer, Old Delhi, Mcleod Ganj, Amritsar, Agra, Varanasi, Kolkata, Calcutta. Candid portraits showcasing smiles, emotions and everyday life.
蔣獎 came from south of Taiwan , she got pure and kind quality, pretty face and very her moving .action .expression etc.. were so natural feeling, no wonder she was so welcome and popular of website shooting activity
these are the expression of young Rejang dancer before they are dancing in the temple. Rejang dancer is usually taken from young girls (or a girl that not yet get their monthly period). Rejang dance is a sacred dance that is performed before the ritual ceremony in temples in Bali.
Emotional Expressions , JOy and Gaiety Seen During CTM - Chennai Trail Marathon Held on 07th sep 2014 in chennai
senior thesis. this one is probably 98% finished. i want to add more scenery items to it. clouds, a sun, birds?
they didn't have a 6th 14" hoop at both michael's and the one joann's i went to and unfortunately i don't have time to scour southeast michigan for one hoop, so we're sticking with 5 hoops for now and then keep these studies going for a while.
The expectations from the young lad - the urge to prove something to the world, and the candid sly smile of the lady...
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Melbourne, AUSTRALIA - April 03: Young Designers Fashion show at Chapel of Chapel, Prahran as a part of EXPRESSION 09 Fashion Gala and Exhibition on April 03, 2009 in Melbourne, Australia. (Photo by Patrik Nemes/PNP Media)
*PART ZERO: Starts at 13:30
A fat belly, a lean brain? Let's investigate this expression and meet for a BRAIN BRUNCH in the MPA-Mensa and share a smoking introduction to the slippery road of artistic research, practice as research, research as practice, research through practice, art practice as research, performance as research, performative writing... This brunch will be in English, German, Latin and international food language.
*PART TWO: Starts at 15:00
COYOTE: THE BELIEF IN THE POWER OF THE INDIVIDUAL TO SOCIAL CHANGE // KOJOTE: DER GLAUBEN AN DIE KRAFT DES EINZELNEN ZUR GESELLSCHAFTLICHEN VERÄNDERUNG)
A close reading of a text on Joseph Beuys’s most famous performance, I Like America and America Likes Me, New York, May 1974 to mark its 40th anniversary. Written by Caroline Tisdall, this text is an attempt to capture the performance by Beuys in book form, published by Thames & Hudson in 2008. In reference to the original performance, we will put any potential meaning and valuation of the text at the mercy of the reader and every individual witness. The reading positions itself in stark contrast to the "objectivity" of sciences in order to discover how a text can function as a self-contained, self-referential aesthetic object. The reading will be held in English and is expected to last approximately 30 minutes.
*PART THREE: Starts at 16:00
PERFORMATIVITY AND THE FALLACY OF AMBIGUITY // PERFORMATIVITÄT UND TEUFELSKREIS IRRTÜM
Based on the premise that "belief" holds a central position within any performance art practice, we want to find out if this belief can be anything other than a hypothetical construction (abstraction). If the performance artist believes in the sensemaking experience of his/her action (creating a shared reality), and simultaneously holds his/her notion of belief as a pure hypothetical construction (abstraction), the performance (art) itself falls subject to the so called fallacy of ambiguity (Teufelskreis Irrtüm). This means that the artist is treating his/her hypothetical construction as a concrete thing - something which by definition an abstraction is not: it is merely an idea. The artist is thus confusing a model (abstract belief) with the real. The notion of the performative contradicts this argument and calls for a materialisation of belief. Here, the sensemaking experience of the artists' action (realitätsbildenden Aspekt // constituent quality of all performance art) is to be found in the mind of the witness through a reflection of the ephemeral nature of the performance. Accordingly, the performance is determined by the receiving side. This notion turns any belief held by the artist into a profane and trivial pursuit. The question remains as to how the notion of belief (including the central position it holds for performance artists) should be understood. The talk will be held in German and is expected to last approximately 90 minutes.
*PART FOUR: Starts at 18:00
PERSONALLY, I'M MOST INTERESTED IN THE SHAPES AND COLOURS. LECTURE PERFORMANCE BY LUDOVIK VERMEERSCH.
A case study in performing abstraction, featuring works by Sarah Bal, Marc Bergson, Anna Ernst, Alexej Miroschnitshenko, Stella Pinson, Jens Presser, and Bohumil Rosendorf. Abstract art today is often seen as a disempowered category belonging to the past. It has lost its claims to utopian, ideological or spiritual content, and it has stopped identifying itself through the old antagonism with the figurative. Yet, formal abstract art remains noticeably alive and popular from the museum over to the gallery to the artist-run space. Does this mean it has become harmless and generally accepted, a kind of omnipresent ornament? Or are today´s strategies of abstraction still capable of eliciting strong responses? Ludovik Vermeersch, a writer and visual artist based in Berlin, has invited seven young abstract painters to be involved in a research project that tackled this very issue: how can abstract painting today manage to "perform abstraction" rather than just refer to it as to a historical fait accompli? A series of exhibitions was organised, in which the interactions of viewers with the artworks and the artists were recorded on video, in order to investigate their response to different approaches to abstraction – from those embracing the challenge to operate within the ornamental to those trying to transcend it. The lecture performance presents some of the project’s findings and proposes a way of revalidating abstraction as a strategy in art production today. The video recordings will be used to substantiate the claim that, by considering narrative as a crucial ally, it becomes possible to enhance the "performativity" of abstract paintings.
Duration: approx. 80 minutes, followed by a discussion (in English) between the curators Joel Verwimp and Teena Lange and the audience.