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"Le contrôle budgétaire", du 25 au 26 juillet 2017 à l'ARRUPE Faravohitra
Le contrôle budgétaire est un outil du contrôle de gestion très utilisé par les entreprises. Il assure de multiples fonctions. Il se réalise par l’exploitation du budget dans le but de planifier et contrôler les performances des managers et plus globalement de l’entreprise.
"Le contenu de la formation est très intéressant, et coïncide bien à la période de clôture, cela nous permet d’éclaircir les zones d’ombre sur le montage d’état financier"
Madame MAMIARIVELO Sarah, Directeur Administratif et Financier, VALUE DATA SERVICES au séminaire de formation « Montage des états financiers : les règles d’or » du 17 février 2017
Ainsi, cette formation vous indique les démarches à suivre pour établir la comptabilité qui consiste à suivre les projections et l’utilisation du budget. Aussi, elle permet de mettre en œuvre des procédures optimisées afin de trouver les erreurs et créer des réajustements en fonction.
"La formation est intéressante surtout pour les comptables et les aides comptables"
Madame RAKOTOMAHANDRY Eva, Chef comptable, SMARTONE au séminaire de formation « Montage des états financiers : les règles d’or » du 17 février 2017
Objectifs
- Maîtriser les principes du contrôle budgétaire,
- Fournir des outils de base pour réaliser un contrôle budgétaire,
- Apprécier les différents écarts pour mener des actions correctives nécessaires.
Public visé
Les dirigeants d’entreprise, les responsables financiers, les Chefs comptables et Chefs de groupe, les comptables, les employés du service comptabilité.
Durée et lieu
Deux jours : 25 au 26 juillet 2017 à l’ARRUPE Faravohitra
Horaire
8h30 - 12h30/ 13h30 - 16h30 (7h/ jour)
Intervenante :
Nivomboahangy RATEFINJATOVO
Coach formateur
Titulaire d’un Diplôme d’Etude Approfondie en Sciences de Gestion (DEA) de l’INSCAE
Expert Comptable et financier en exercice avec 17 années d'expérience dans les domaines comptable, finance et audit
Nos offres de séminaires de formation sont assurées par des formateurs professionnels, qui ont à la fois une solide connaissance théorique en la matière, au minimum un master professionnel/ recherche d'un(e) institut/ université international(e) et/ ou reconnu(e) ET des expériences probantes d'au moins 10 ans, dans le domaine financier. Nos intervenants reçoivent des formations de formateurs (ingénierie de formation) avant d'exercer. Ces intervenants, spécialistes de leurs domaines respectifs permettent une meilleure expérience de développement de compétences à nos clients.
Droits d’inscription
375.000 Ar (Trois cent soixante quinze mille Ariary) - La formation, les supports, les pauses-café et les déjeuners et le certificat sont inclus.
Le nombre de participants est limité à 20 personnes
Références #kitfinancier
A titre d'information, liste non exhaustive :
ACPU- ALLIANZ MADAGASCAR ASSURANCES- ASSOCIATION CEFFEL- AVIATION CIVILE DE MADAGASCAR- CROWN SMEN- GREAT ISLANDS FANTASTIC TRAVEL – FLORAMAD- GSDM- KENTIA-DOMICILATION sarl- KENTIA-FORMATION sarl- KENTIA-HOLDING- NR CONSULTING- PRONOBIS MARIUS MARC- NR CONSULT- ONG SAHA- RATSIMBALISON TOKIMALALA - SMARTELIA- SMARTONE - TNE- VALUE-DATA SERVICES - VETCLINIC 24H- VITOGAZ- VIVO ENERGY S.A …
"Montage des états financiers: Les règles d'or", du 17 février 2017 à l'ARRUPE Faravohitra
Programme
1. Historique du contrôle budgétaire
1.1. Définition
1.2. Place par rapport au contrôle de gestion
2. Utilités du contrôle budgétaire
2.1. Instrument d’optimisation du fonctionnement de l’entreprise
2.2. Outil de légitimation
2.3. Instrument de domination
2.4. Instrument disciplinaire
3. Fonctions du contrôle budgétaire
3.1. Planification
3.2. Motivation
3.3. Evaluation
3.4. Coordination
3.5. Education
4. Critiques et limites du contrôle budgétaire
4.1. Outil peu fiable
4.2. Non intégration de tous les facteurs de performance
4.3. Incapacité à gérer la création de valeur
4.4. Source de démotivation
4.5. Fonctions incompatibles
5. Outils du contrôle budgétaire
5.1. Présentation générale du contrôle budgétaire
5.2. Schéma d’ensemble du contrôle budgétaire
5.3. Les écarts
6. Cas pratiques
On Tuesday, October 19.2010, the Massachusetts Attorney General’s Office held a public hearing at Suffolk Univesity Law School's Rappaport Center to address the public safety concerns raised by online sexual exploitation.
Thirteen witnesses testified and several other stakeholders submitted written testimony.
Clearly, they are employing 7th graders as graphic designers. This blatantly violates child labor laws. Or else, it's nepotism.
Seriously, WHY IS THIS HERE?
On Tuesday, October 19.2010, the Massachusetts Attorney General’s Office held a public hearing at Suffolk Univesity Law School's Rappaport Center to address the public safety concerns raised by online sexual exploitation.
Thirteen witnesses testified and several other stakeholders submitted written testimony.
How to exploit Windlight bugs ... and turn software quirks into art !
Remember Pastrami Linden announce a little annoyance in the newest WL client ? I teleported to Hallucinogen and bingo, there it ** was ... incredible. I was like speechless for a couple of minutes.
And the colours ... they rock Pastrami, really, they do.
I don't say this often ... Good Job Pastrami !
** = Striped skies
"Organic" animal products promote the idea that animals could be "happily" exploited.
Los productos animales "orgánicos" promueven la idea de que los animales pueden ser explotados de forma "feliz".
View of Dordrecht from the North - early 1650s
Jan van Goyen
Dutch, 1596 - 1656
Billowing clouds sweep across the sky in Jan van Goyen’s engaging portrayal of the lively waterways near Dordrecht. While sailboats and dinghies filled with men and women come and go, the most active elements of the painting are the shifting patterns of light and shade passing over this watery domain. Van Goyen exploited these atmospheric qualities not only through his quick and fluid brushwork, but also in the way he patterned his composition by silhouetting foreground figures and their boats against sunlit waters beyond, and by juxtaposing the distant city profile against the white clouds. While Van Goyen clearly viewed Dordrecht from the banks of the river Merwede, the essence of the painting is not topography but the character of the air and human life in the confluence of rivers surrounding this important and historic Dutch city.
Over the course of his long career, Van Goyen painted about 70 views of Dordrecht and its environs. This work, executed in the 1650s, is likely one of the last. The thick and vigorous application of paint is typical of his work from that time, as is the large compositional element of the ferryboat with its billowing sail and the strong contrasts of light and dark.
Born on January 13, 1596, Jan Josephsz van Goyen began training as an artist in his native city of Leiden at the early age of ten. The series of teachers with whom he studied included, according to Orlers’ near-contemporary account, Isaac van Swanenburgh (c. 1537–1614). Orlers also says that Van Goyen spent a year in France before going to Haar-lem, where he is known to have been a student of Velde, Esaias van de, I in 1617. His early works closely resemble those of Van de Velde.
By 1618 Van Goyen had returned to Leiden, where that same year he married Annetje Willemsdr van Raelst. His name occurs frequently in Leiden documents between 1625 and 1632. In 1625 he bought a house on the Sint Peterskerkstraat, which he sold in 1629 to the marine painter Jan Porcellis (c. 1584–1632). Probably in the summer of 1632 he moved to The Hague, becoming a citizen two years later. Although he also worked in Haarlem in 1634, at the house of Salomon van Ruysdael’s brother Isaack (1599–1677), he is thereafter recorded only in The Hague. He bought a house there on the Wagenstraat in 1635 and built another the following year on the Dunne Bierkade, where Potter, Paulus is known to have lived from 1649 to 1652. Although a prolific and successful painter, Van Goyen engaged throughout his life in various business ventures, usually unsuccessfully; these in-cluded art dealing, auction sales, and speculation in real estate and tulip bulbs.
During the 1630s, Van Goyen, along with the Haarlem artists Molijn, Pieter and Ruysdael, Salomon van, developed a new approach to the representation of landscape that fo-cused on local subjects and utilized a tonal palette, initiating what has come to be recognized as the golden age of Dutch landscape painting. Van Goyen was a highly respected figure in the artistic commu-nity of The Hague. In 1638 and 1640 he was chosen to be hoofdman of the painters’ guild, and received further official recognition in 1651, when he was commissioned to paint a panoramic view of the city for the burgomaster’s room in the Town Hall. In 1649 two of his daughters were married to artists, Margaretha to Steen, Jan and Maria to the still-life painter Jacques de Claeuw (c. 1620–1670 or after). Despite his artistic success, Van Goyen died insolvent in The Hague on April 27, 1656.
________________________________
For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
L'unité de conduite et discipline de la MINUSCA a organisé, ce mercredi 16 mai 2018 à la base logistique de la Mission, une formation à l'attention des commandants des contingents sur la prévention des actes d'exploitation et abus sexuels.
Photo: UN/MINUSCA - Hervé Serefio
View of Dordrecht from the North - early 1650s
Jan van Goyen
Dutch, 1596 - 1656
Billowing clouds sweep across the sky in Jan van Goyen’s engaging portrayal of the lively waterways near Dordrecht. While sailboats and dinghies filled with men and women come and go, the most active elements of the painting are the shifting patterns of light and shade passing over this watery domain. Van Goyen exploited these atmospheric qualities not only through his quick and fluid brushwork, but also in the way he patterned his composition by silhouetting foreground figures and their boats against sunlit waters beyond, and by juxtaposing the distant city profile against the white clouds. While Van Goyen clearly viewed Dordrecht from the banks of the river Merwede, the essence of the painting is not topography but the character of the air and human life in the confluence of rivers surrounding this important and historic Dutch city.
Over the course of his long career, Van Goyen painted about 70 views of Dordrecht and its environs. This work, executed in the 1650s, is likely one of the last. The thick and vigorous application of paint is typical of his work from that time, as is the large compositional element of the ferryboat with its billowing sail and the strong contrasts of light and dark.
Born on January 13, 1596, Jan Josephsz van Goyen began training as an artist in his native city of Leiden at the early age of ten. The series of teachers with whom he studied included, according to Orlers’ near-contemporary account, Isaac van Swanenburgh (c. 1537–1614). Orlers also says that Van Goyen spent a year in France before going to Haar-lem, where he is known to have been a student of Velde, Esaias van de, I in 1617. His early works closely resemble those of Van de Velde.
By 1618 Van Goyen had returned to Leiden, where that same year he married Annetje Willemsdr van Raelst. His name occurs frequently in Leiden documents between 1625 and 1632. In 1625 he bought a house on the Sint Peterskerkstraat, which he sold in 1629 to the marine painter Jan Porcellis (c. 1584–1632). Probably in the summer of 1632 he moved to The Hague, becoming a citizen two years later. Although he also worked in Haarlem in 1634, at the house of Salomon van Ruysdael’s brother Isaack (1599–1677), he is thereafter recorded only in The Hague. He bought a house there on the Wagenstraat in 1635 and built another the following year on the Dunne Bierkade, where Potter, Paulus is known to have lived from 1649 to 1652. Although a prolific and successful painter, Van Goyen engaged throughout his life in various business ventures, usually unsuccessfully; these in-cluded art dealing, auction sales, and speculation in real estate and tulip bulbs.
During the 1630s, Van Goyen, along with the Haarlem artists Molijn, Pieter and Ruysdael, Salomon van, developed a new approach to the representation of landscape that fo-cused on local subjects and utilized a tonal palette, initiating what has come to be recognized as the golden age of Dutch landscape painting. Van Goyen was a highly respected figure in the artistic commu-nity of The Hague. In 1638 and 1640 he was chosen to be hoofdman of the painters’ guild, and received further official recognition in 1651, when he was commissioned to paint a panoramic view of the city for the burgomaster’s room in the Town Hall. In 1649 two of his daughters were married to artists, Margaretha to Steen, Jan and Maria to the still-life painter Jacques de Claeuw (c. 1620–1670 or after). Despite his artistic success, Van Goyen died insolvent in The Hague on April 27, 1656.
________________________________
For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
L'unité de conduite et discipline de la MINUSCA a organisé, ce mercredi 16 mai 2018 à la base logistique de la Mission, une formation à l'attention des commandants des contingents sur la prévention des actes d'exploitation et abus sexuels.
Photo: UN/MINUSCA - Hervé Serefio
Signature du Protocole de partage d’informations et de signalement d’allégations d’exploitation et d’abus sexuels, entre la MINUSCA, les Agences des Nations Unies, les ONG internationales et les partenaires locaux ce lundi 03 Septembre à Bangui. Cérémonie en présence de la Ministre de la promotion de la femme, de la famille et de la protection de l’enfant, , Gisele Pana, du Représentant spécial du Secrétaire général des Nations Unies, Parfait Onanga-Anyanga, de son adjointe, Najat Rochdi, également Coordinatrice humanitaire et Représentante résidente du PNUD, ainsi de quelques membres du gouvernement et des chefs de missions diplomatiques et organisations internationales.
Photos: UN/MINUSCA - Hervé serefio
Exploitation forestière à Livet (Isère)
Miranda Sensorex, objectif Auto Miranda 3.5/135 mm, 1/60, film Kodak Ektachrome X, 23 juin 1977.
Second shot from the Tenafly set, this one with my Tamron 10-24mm. Loses that depth-of-field present in the first one, but manages to show the whole scene, which again, may go over the heads of most people looking at it. This one's dedicated to the CEO of Blue Underground, Bill Lustig, for embracing exploitation and schlock and marrying it into a deviant, subversive single unit.
"We have a C2/C3 fracture dislocation. The head was unstable and there was a sudden deceleration injury. The residual hanging; where the head just pops. That's not what's interesting. What's interesting is we have a crushed larynx. The head's just flopping. "
Show The Exploited - 18.11.2009 - Manara - Porto Alegre RS - Câmera Sony A300 (Photos Para Revista Rock Brigade)
ALEXANDRIA, VA: National Center for Missing & Exploited Children (NCMEC) Apr. 7-8, 2022
NCMEC Board of Directors Meeting & Events. Claire Edkins/NCMEC
Le CNKI: Le Comité national du Kivu (C.N.Ki) était une compagnie privée créée en 1928, chargée de l'exploitation de la province du Kivu, dans l'est de la République démocratique du Congo, à l'époque du Congo belge.
L'objectif de la création du C.N.K.I était de mettre en valeur des terres agricoles pour y attirer les colons. Le Comité devait aider à créer toutes les structures nécessaires à la colonisation. Il est à l'origine de la création des chemins de fer du Kivu.
La Mairie de Bukavu :
- C'est en décembre 1958 que André van Eyll, père de Marc, Myriam, Bernadette, Thérèse etc., a été élu premier (et dernier) bourgmestre européen d'Ibanda, une des trois communes de Bukavu.
- Liste des maires (auparavant appelés « bourgmestres ») ayant dirigé la ville de Bukavu, au Sud-Kivu, RD Congo depuis l’Indépendance ( de 1960 jusqu'à nos jours).
Denis Maganga Igomokelo 1961-1964
François Matabaro 1964-1967
Daniel Birimwiragi 1967-1968
Floribert Sukadi Bulayi 1968-1970
Grégoire Sedei Sekimonyo 1970-1971
Gilbert Kibibi wa Lukinda Umo 1971-1974
Mosha Kayembe Dibwa 1974
André Lokomba Kumuadeboni 1974-1979
M'lemvo wa Maduda Yeka 1979-1981
André Lokomba Kumuadeboni 1981-1982
Me Nyaloka zizi Mata-Ebongo 1982-1984
Ndala wa Ndala 1984-1986
Shango Okitedinga Lumbahe 1986-1988
Shemisi Betitwa 1988-1991
Migale mwene Malibu 1991-1996
Thaddée Mutware Binyonyo 1996-2000
Roger Safari
Adolphe Cirimwami
Mathieu Ruguye
Jean Marie Murhula J.M
Prospère Mushobekwa
Mme Nzita Kavungirwa Kayange
Guillaume Bonga Laisi
Philemon Lutombo Yogolelo (...2014...)
Meschac Bilubi Ulengabo
Le nouveau Maire de la ville Zénon Karumba a pris officiellement le bâton de commandement de la ville le 11 janvier 2023.
” Notre priorité c’est de faire l’assainissement de la ville, la sécurité ainsi que la construction des routes. Dans l’immédiat je vais d’abord chercher les moyens car dans la caisse et le compte de la mairie il n’y a rien”, Indique Zénon Karumba.
Bison exploited on a nearby farm. It's hard to know they live so close by, one day to be killed for human consumption....
Go Vegan! All sentient beings have the right to not be treated as property and exploited for human use.
PROJECTS: www.redimei.com/voiceconstructor.html
PHOTOS: www.flickr.com/photos/redimei/sets/
VIDEOS: www.youtube.com/redimei1
ALEXANDRIA, VA: National Center for Missing & Exploited Children (NCMEC) Apr. 7-8, 2022
NCMEC Board of Directors Meeting & Events. Claire Edkins/NCMEC
ALEXANDRIA, VA: National Center for Missing & Exploited Children (NCMEC) Apr. 7-8, 2022
NCMEC Board of Directors Meeting & Events. Claire Edkins/NCMEC
ALEXANDRIA, VA: National Center for Missing & Exploited Children (NCMEC), Dec. 9-10, 2021 - Alexandria, VA
NCMEC Board of Directors take a tour of our office. Sarah Baker/NCMEC
Upon our exploration exploits on Hurston.
We came across a Satellite crash!
Story:
Out for much-needed recreation, this squad of explorers headed to the woods near Lorville. But something evil and alien was in the air that evening. By the end of the night the men were at each other's throats!
Crew:
Azyael
Borgnet
CleverStar
Varkan
Who are we?
We are a gaming group made for gamers!
We plan to expand HSG into various games as time grows.
Members of HSG have at least 5+ years of online experience.
____________________________________________
Here's how to reach us!
Website:
Discord Server:
E-Mail:
Honestskilledgaming@gmail.com
__________________________________________
Social Medias!
www.twitch.tv/honestskilledgaming | Twitch.tv
www.facebook.com/honestskilledgamingg | Facebook
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www.flickr.com/people/honestskilledgaming/ | Flickr
www.youtube.com/channel/UCYXm9HRYW0_GDepJDLVwRPQ | Youtube
________________________________________________
Interested in a good Org for Star Citizen or just to join a group?
Join HSG today!
Star Citizen referral code | 5000 in-game credits! - STAR-JHBH-F7ZV
robertsspaceindustries.com/orgs/HSG
www.honestskilledgaming.com/join-hsg-today.htm
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www.xvcorsaire-saintmalo-rugby.com/pole-jeune
U16 : XV Rance Émeraude / CJF Fleury-les-Aubray
Dimanche dernier, les cadets du XV RanceÉmeraude (entente U16 entre le XV Corsaire Saint-Malo et Dinan) ont remporté, au Mans, la finale Grand Ouest face à Fleury-les Aubrais (45).
Les jeunes pousses malouines et dinannaises ont réalisé un bel exploit dimanche dernier, en remportant la finale Grand Ouest de leur catégorie. Sur un score sans appel qui plus est : 45 à 3, qui reflète la détermination et la domination des jeunes rugbymen bretons. « Un score qui s’explique par l’application, dès le début du match, d’une défense solide, basée sur une technique individuelle maitrisée et un état d’esprit courageux et solidaire de nos joueurs », se réjouit Jordi Rougé, responsable technique du XV Corsaire.
Cette finale récompense le travail fourni tout au long de l’année par les joueurs et les entraineurs de l’entente.
Elle valide par ailleurs l’organisation sportive et pédagogique mise en place par le XV Corsaire depuis deux ans, notamment au sein du centre d’entrainement. « Notre collectif a su rester concentré jusqu’au bout, précise Mariot, coach des U16 au XV Corsaire. Je suis fier de leur implication et de leur état d’esprit ». tournois et Corsaire académie,
Le championnat est terminé mais pas la saison. Désormais, les cadets vont évoluer en rugby à 7 lors de tournois. De plus, cet été, du 9 au 13 juillet, le XV Corsaire organise la seconde édition de la Corsaire Académie : une semaine de rugby en demi-pension à Saint Malo.
Ouvert aux enfants et aux jeunes (filles et garçons) de 6 à 16 ans, licencié(e)s ou débutant(e)s souhaitant découvrir le rugby, ce stage s’achèvera par une journée Fun (lasergame, bowling, etc.).
Renseignements auprès de Jordi Rougé : 06 60 44 15 32.
(le Pays malouin)
Jeunes. Les cadets de saint-Malo en finale Teulière b.
Ce dimanche 27 mai, les cadets
du XV Rance Émeraude (entente entre le XV Corsaire CJF St Malo et Le Rugby Dinan) affrontent leurs homologues du CJF Avenir de Fleury-les-Aubray (45) pour le titre de champion Teulière B.
Après un parcours quasi sans faute tout au long du championnat - une seule défaite face à Ancenis que le XV Rance Émeraude a éliminé demi-finale - les jeunes rugbymen malouins et dinannais se préparent activement cette semaine pour la finale qui se déroulera au Mans (72).
« Les joueurs sont ultramotivés, rapporte Mariot, l’un des entraîneurs du XV Corsaire. Nous avons réussi à créer un collectif soudé au sein de l’entente.
Cette place en finale, c’est aussi le résultat d’un travail commun entre les deux clubs sur un même projet de jeu qui porte ses fruits puisque l’an passé déjà, les Juniors en entente avec Dinan étaient en finale. » Jordi Rougé, responsable technique du XV Corsaire, ne peut que se réjouir. Une bonne partie des jeunes finalistes font leurs gammes au centre d’entrainement du club malouin. Mis en place il y a deux ans, le centre d’entrainement du XV Corsaire offre aux joueurs de 14 à 18 ans des entraînements et des séances de préparation physique hebdomadaires intensifs ainsi qu’un accompagnement scolaire individualisé. «
La formation est au coeur de notre projet de club, précise Jordi Rougé. Dès leur plus jeune âge, nous proposons à nos licencié(e)s un encadrement de qualité.
Nos éducateurs suivent régulièrement des formations pour que les joueurs et joueuses de chaque catégorie bénéficient d’un enseignement technique commun qui les fera progresser tout au long de leur parcours rugbystique au sein de XV Corsaire. »
Pour rappel, le XV Corsaire compte plus de 220 licencié(e)s, un centre d’entrainement et 4 pôles sportifs (École de rugby, Pôle Jeunes, Pôle féminin et Séniors). Il accueille les filles et les garçons dès 4 ans. Son équipe Senior est championne de Bretagne (championnat Honneur 2017/2018) et évoluera en championnat de Fédérale 3 la saison prochaine.
(le Pays malouin)
Dimanche, les cadets du XV Rance-Émeraude (entente U16 entre le XV Corsaire Saint-Malo et Dinan) ont remporté, au Mans, la finale Grand Ouest face à Fleury-les-Aubrais (45), sur le score sans appel de 45 à 3. « Un résultat qui s'explique par l'application, dès le début du match, d'une défense solide, basée sur une technique individuelle maîtrisée et un état d'esprit courageux et solidaire de nos joueurs », se réjouit Jordi Rougé, le responsable technique du XV Corsaire. Désormais, les cadets vont évoluer en rugby à 7, lors de tournois. Cet été, du 9 au 13 juillet, le XV Corsaire organise la seconde édition de la Corsaire Académie : une semaine de rugby en demi-pension à Saint-Malo. Ouvert aux filles et garçons de 6 à 16 ans, licenciés ou débutants souhaitant découvrir le rugby.
Pratique
Renseignements auprès de Jordi Rougé, tél. 06.60.44.15.32.
(© Le Télégramme)
La vigilance et la mobilisation sont toujours de mises pour les collectifs citoyens opposés à l'exploitation du gaz et de l'huile de schiste, comme le montrent ces images de la manifestation de Barjac, dimanche 23 octobre 2011.
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