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Connectivity and readymade practice : experimenting, manipulating and combining of daily life objects in order to attempt or to force a connection, at least to make it visible and possible for a further installation or project.
New media art course at Erg, Brussels.
I decided to experiment with using my telescope as a lens. The telescope has a diameter of 90mm and a focal length of 1250mm. It is a catadioptric (mirror lens) meaning it is short, light and relatively easy to carry. Like all mirror lenses, it is soft on focus and muted in colours which is a compromise, however it makes for interesting post-edits. I went back to the river (Bulimba side) and photographed a crane over at Newstead.
I was hoping for the orange sunset sky, but it was noticeable absent today.
None of the images has been cropped.
Just a few b/w experiments with office shots one friday evening - what an interesting objects you may find.. -- catch the colours and light at the cubes of a strange usb hub - a designer's toy
Working on this for a silent auction for a young friend who is getting things off the ground after a year battle and treatments of cancer.
Guitarist and multi-instrumentalist, João Orecchia with Siya Makuzeni and Michael Goddard at The House of Nsako, Brixton, Johnnesburg, South Africa.
Bonhomme Carnaval, mascotte du Carnaval de Québec
"Bonhomme Carnaval", official ambassador of the Quebec City Carnaval
Experiment in light painting. Third version...different perspective.
©2013 copyright Jeff Bartelt. All rights reserved.
See Eagle Vista Studio for complete online gallery.
Connectivity and readymade practice : experimenting, manipulating and combining of daily life objects in order to attempt or to force a connection, at least to make it visible and possible for a further installation or project.
New media art course at Erg, Brussels.
Num projeto patrocinado pela Caixa Economica Federal, foi montado na praça central do shopping Salvador uma mini quadra poliesportiva onde os frequentadores do shopping podem experimentar de forma ludica atividades do esporte paraolimpico. O atleta Dirceu Pinto medalhista de ouro nas paralimpiadas de Londres em 2012 paraticipou de jogos com crianças e adultos e distribuiu autografos..foto: Edson Ruiz
a spread in my Amber art book that I did in August - was experimenting with white on white layers
here are the layers as I remember them:
1: gesso
2: collage with white papers
3: texture using fiber paste and modeling paste with stencils
4: some white and turquoise gelatos to bring out the texture
5: finishing touches with ivory Faber Castel marker, gold Sharpie and woodgrain word stickers
Experiment (3) : Monotone washes on drawing (same pose idea, and source drawing) as for this painting. Time taken: about 90 minutes.
Crap drawing I know (sucking a lime?), but if I squint, there's something about the form that's getting interesting.
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
experimenting with fractured imagery…
inspired by Alvin Langdon Coburn's Vortograph series
and the Vorticism movement in early 20th century London
This is my third little custom experiment. I can't say I'm a natural at this, but I'm having fun and my hat goes off to all those who do it professionally. I've named her Sunny-Jim
Here's the last of the faux film stuff for tonight. I experimented with stitching the RAW files rather than the HDR version, but it always has a crispy 'digital' look, whereas the HDR version is much closer to film.
To tonemap the HDR I've had much better luck with tonal compression than local adaptation, which is not surprising as that's mostly how film works (with a bit of local adaptation if you use a dilute developer).
This is another 28mm vertical pan, two rows of five pix @ -2, 0, 2 EV. I'm starting to think that a 35mm might be better for this particular application but I need to think about the implications first.
The workflow on this one was a bit different.... some use of shadows and highlights in PS after 'tonal compression' in Photomatix Pro.
Print size of this would be around 30" wide at grainsniffing quality.
Check out the big version to get a handle on the level of detail. The actual file is three times bigger than this, so about 10,000 px wide, with roughly the same resolution as a regular Digi SLR capture.
Crappy weather out and I'm experimenting with some bag supports while I wait for fenders to arrive this coming week. At the moment I've got a seat post mounted bag support installed. It's holding a trunk bag that has sat on a shelf here for a couple of years; I've used both before on another tall bike, but I'm not sure how I feel about the bag sitting so high. I've several silver Blackburn rear racks, and I could install one of them when I add the fenders. This support is also quite a bit heavier than a Blackburn rack.