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The Capture and Execution of a High-Ranking Combine Officer is considered a feat of strength to the rebels..
Last Saturday, the children traditionally visited Facts, a fair in Ghent comparable to ComiCon. After working on great cosplay costumes for a few months, we drove to Ghent. Finally, after an hour and a half of standing in traffic jams, they moved into the exhibition halls.
Heidi and I had decided in advance to explore the surroundings of Ghent this time. After another half hour in traffic jams, we were able to leave the site and drove towards the harbor.
The "Captain Zeppos Park" (look for our album "Kapitein Zeppospark")was our first stop. This is a former inner dock that has now been turned into a park. A small playground, a beach on the water where swimming is not allowed, an old harbor crane that functions as a landmark and some old quay walls. A nice place.
Autumn has now fully erupted here. This makes it rain, strong winds, ... . In short, no weather to chase a dog through. As a result, we searched for some nice places to visit via Google Maps. Places with a roof over our heads. Yet our attention was drawn to a special place.
A former execution site of the Nazis. We couldn't resist visiting this place. With a large umbrella in one hand and my mobile phone in the other, I managed to take some pictures. The inclement weather contributed greatly to the experience of the place.
Quote from Wikipedia:
The Execution Centre Rieme-Oostakker is the place in the Ghent borough of Oostakker where 66 resistance fighters were executed by the German occupiers between 8 February 1943 and 24 August 1944.
Here the memory of the 20 resistance fighters who died at rieme's execution site is also kept alive. That site had to disappear in 1998 because of the construction of the Kluizendok of the port of Ghent. The whole has been transferred to the border area between Oostakker and Lochristi.
The executions were carried out in secret and the victims were buried anonymously. A number of the resistance fighters killed in Rieme were found in a mass grave in Hechtel-Eksel. In addition, German soldiers and Belgian criminals were also executed. Due to these circumstances, it is still unclear how many people died. After the Liberation, the mass grave in Oostakker was uncovered. The victims were identified and buried in their residences. The crosses on the site therefore have a symbolic meaning. Yet the execution site is also a cemetery: in 1952 the remains of 15 West Flemish political prisoners beheaded in Munich were interred.
Watercolour
by Thomas Rowlandson
Rowlandson's watercolour offers a satrical view of the execution crowd, but a realistic representation of the gallows execution method. The condemned stood on a cart while nooses were tied to the crossbeam above. Having said their final prayers, the cart was slowly drawn away to leave the condemned suspended by the neck.*
From the exhibition
Executions
(October 2022 – April 2023)
Exploring how public executions shaped Londoners’ lives and the city’s landscape in a major exhibition.
Public executions were a major part of Londoners’ lives for centuries.
From Smithfield to Southwark, from Banqueting House to Newgate Prison, executions became embedded in London’s landscape from the 12th century right through to the 19th. Even today, hints of this uncomfortable past can still be seen across the capital.
The Museum of London Docklands brought the rarely told and often tragic human stories behind these events to a new exhibition. Executions showcased a range of fascinating objects, paintings and projections, including the vest said to have been worn by King Charles I when he was executed, a recreation of the Tyburn gallows with an immersive projection, last letters of the condemned, and much more. Many of the items on display had rarely been seen in public.
[*Museum of London Docklands]
Taken in the Museum of London Docklands
A view from Execution Rock of the Peckham Sailmaker Co. An imposing structure that dominate the north end of harbor.
"Execution of Justice" by Emily Mann (U of M Alumna 1976), directed by Dominic Taylor. Performed April 16 - 24, 2010 in Rarig Center's Proscenium Theatre.
Photos by Cody Baldwin