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November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
This series imagines anxiety as an overreaction made visible. A fear so magnified it feels fatal. Drawing on the cinematic language of Alien, the piece transforms internal panic into a visual narrative of survival. The creature becomes the mind’s invention: danger expanded to survival scale, where the ordinary suddenly turns catastrophic. Through this metaphor, the work examines how the body responds to imagined extinction with real terror and how, in a fleeting moment of clarity, the survivor reclaims control from a threat that was never truly there… and yet is.
Sometimes you just despair looking at error messages on computer programs. Prime candidate today - Outlook 2010. Unless I've been to hospital, this isn't really helpful at all.
Theatre and Dance performed A Comedy of Errors on November 22, 2019. Jesse Scheve/Missouri State University
Also potentially caused by the Flash Player plug-in: divorce, receding hair-lines, unexplained weight gain, no one laughing at your jokes, cilantro tasting like soap, etc.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Aveces en la vida uno comete errores y no se da cuenta te puede costar hasta la vida y esto es algo similar :/!
I installed the new Zune Software, but every time I start the software, I get an error....
The Zune software is still working, except it does not recognize the Zune (HW v1, new FW 2.1) device (drivers install successfully).
I removed and reinstalled everything, but that didn't change anything. On my home computer this works fine.
Any ideas?
This window (driver side rear) does not roll up and down correctly. It rolls down, but getting it back up takes a little trial and error.
Intervention, land– art_ Besançon / 2018
Chalkspray on dead tree trunk. 4th piece of my Error series. I am looking for pieces of nature inside cities that are left there by the city workers who didn't remove them yet. These are kind of error's for nowaday's cities which try to be clean artifficial and civilized theme parks for consumers. www.sgnlr.com