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November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Error! just a little josie poking through the crack between us.
But he leading lines that lead you to nothing, cool eh?
- Uploaded with a demo version of FlickrExport 2.
probably time to reboot when buttons don't have text in them. Sort of an existentialist dilemma, no?
Finding the postcode, state, & suburb is often tricky. We use an autocomplete field to query our Really Big list of postcodes and suburbs and such - reduces the amount of input error markedly.
Fehler bitte melden. Ich bin mir nicht sicher, ob alle Angaben richtig sind.
Please displaying errors. I am not shure if all given informations are correct.
Instead of handing in the laptop, somebody wrote "Doesn't work!!!" on the shift button, and left it where it was.
The people in helpdesk will probably find out some day. Handing it in to them would probably have been a better idea.
Redacción | LAE Manuel Vela Flickr – Facebook
Puebla., Puebla a 24 de Mayo 2011
Eloy Gutiérrez remolcó cuatro carreras al irse de 5-2, y encaminó a los Guerreros de Oaxaca al triunfo por pizarra de 12-6 sobre los Pericos de Puebla, y con esto la miniserie quedo empatada.
Pericos tomó ventaja de 2-0 con carreras en el primer y segundo rollo con batazos impulsores de Luis Mauricio Suárez y Ricardo Serrano.
Oaxaca vino de atrás y el dio la vuelta; en el tercer inning Eloy Gutiérrez remolcó con rola a las paradas cortas; posteriormente en el quinto rollo volvió aparecer Gutiérrez con doblete productor; la cuarta carrera la anotó Bárbaro Cañizares, después de aprovechar el wild pitch de Adolfo DelfÃn. Pericos empató el juego con las producciones de Iván Cervantes y ValentÃn Gámez, el primero con imparable y el segundo con lÃnea de sacrificio al izquierdo.
Oaxaca sentenció el juego en el sexto inning con rally de seis anotaciones; Eloy Gutiérrez remolcó su tercera carrera de la noche con infieldhit a la inicial; otras dos anotaciones llegaron con imparable al izquierdo de Bárbaro Cañizares; Erick RodrÃguez pegó hit al central para una más; Heriberto SolÃs rodó a las paradas cortas para fabricar la novena carrera; cerró el rally Horacio Vázquez con hit al izquierdo. En la parte baja René Reyes remolcó con indiscutible al derecho.
En la novena tanda un error de Alberto Carreón permitió par de anotaciones más para la causa guerrera. En la parte baja ValentÃn Gámez empujó la sexta rayita con rodado.
La victoria se la llevó VÃctor Moreno en labor de relevo; el derrotado fue Adolfo DelfÃn. Ahora estas novenas no verán acción hasta la próxima semana; Pericos se medirá en contra de los Broncos de Reynosa, y los Guerreros de Oaxaca jugaran contra los Sultanes de Monterrey.
[Manuel Vela Photography Copyright©] This image is protected under International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission./ Esta imagen se protege conforme a leyes de Derechos de Autor internacionales y no se puede transferir, reproducir, copiar, transmitir o manipular sin el permiso de escritura.
Más curioso aún porque el parquecito pertenece a la iglesia de la Plaza de la Encarnación, Madrid 2008 © Sonia de Viana
No idea how this happened but it appears that Liverpool vs Eveton was playing at the Louvre in Paris...
This expression will reappear throughout the night as many computer errors plague the editing session.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
I keep getting errors with my osx install. I'm already on my 4th try, 2nd try on my sdhc card. Pretty lame. Once I get it to work, I'm gonna install the touch screen since I voided the warranty(which is prob expired) to install a working wifi card.
Speaking of netbooks and the like, my dads got an X300 that he should give me since he owes me hella money, but I'm sure I'll have just as much trouble if not more with OSX on that. Regardless an x300 with an nlite xp would be pretty cool.
BTW, Target has the 900 eee up for $300. Not too bad, but you can get a nicer case and an atom for about $380 off ebay with live cashback.