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November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
This bug's a mystery: when attempting to copy a file from one hard drive location to another, Vista complains it can't read the hard disk because of a network error.
Uh... OK.
I received this wonderfully helpful error message (I assume) after rebooting from the 10.4.7 update.
must be me - i like dell and use to work there, yet i managed to produce this non-graceful error page :)
hopefully the online group is working to fix this right now...
Error message when running out of memory during a PeopleCode dump. "Unrecoverable error: out of available memory. Requested 659272 bytes. Memory status (MB available/MB total): Physical 62/1023; PageFile 10/4006; Virtual 759/2047"
View psst0101.wordpress.com/2008/03/25/peopletools-tip-peoplec...
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Popular Jake the donkey with admirers! Jake has a FB page at www.facebook.com/#!/jake.fef Far Enough Farm Benefit © Linda Dawn Hammond / IndyFoto.com 2012 . Far Enough Farm Fall Fair benefit to save it from Mayor Ford's budget cuts, Centre Island, Toronto. Centre Island fundraiser Sat. Sept.22 . 2012 for a Parade, Blessing of animals, kid stuff, corn roast, music, BBQ and Beer- FUN 4 ALL!
The happy pigs at the FAR ENOUGH FARM, want to root, not be UPROOTED! Retired police horses deserve this beautiful retirement home ! SAVE the animals from Mayor Ford's budget cuts!
INFO at farenoughfarm.weebly.com/ Spread the news! Twitter #SAVEFARENOUGHFAR
VIDEO of Farm, www.youtube.com/watch?v=8eQcKWQ5Lp0&feature=plcp
PETITION
www.petitiononlinecanada.com/petition/save-far-enough-far...
TO DONATE www.torontoparksandtrees.org/catalog/index.php?main_page=...
Aveces en la vida uno comete errores y no se da cuenta te puede costar hasta la vida y esto es algo similar :/!
ROOMS FOR ERROR
Tre studi dal racconto Voglia di dormire di Anton Cechov
Cuocolo/Bosetti IRAA Theatre
Sulla falsariga di un racconto di Cechov una proposta teatrale che, in una casa, mescola realtà e finzione, con la protagonista sempre in bilico tra l'essere personaggio e l'essere persona.
Error in The New York Times. As you can see from the screenshot, the article says: "Lee Edward Evans was born on Feb. 25, 1947, in Madera, Calif., the oldest of seven children of Dayton and Pearlie Mae Evans." (www.nytimes.com/2021/05/19/sports/olympics/lee-evans-olym...; archive archive.ph/e0i7n).
However, in an interview conducted with Counter Punch in 2004 (www.counterpunch.org/2004/04/09/bringing-the-black-freedo...), Evans said he was a middle child: "I was the middle child. It was seven of us total. I had two older brothers and an older sister and two younger brothers and a younger sister, so I was right in the middle."
This is a drawing done in pencil, pen & marker, with the assistance of a stencil. The red border was added to create more of a sense of presence from the white fields that otherwise fade into the white background. The name comes from a mistake that can be seen in the way the black fill pattern fails to complete the pattern.