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Error! just a little josie poking through the crack between us.
But he leading lines that lead you to nothing, cool eh?
- Uploaded with a demo version of FlickrExport 2.
probably time to reboot when buttons don't have text in them. Sort of an existentialist dilemma, no?
Finding the postcode, state, & suburb is often tricky. We use an autocomplete field to query our Really Big list of postcodes and suburbs and such - reduces the amount of input error markedly.
oder wer sich hinten anstellt, bleibt ungefressen.
Leider habe ich den vorderen Gecko nicht noch mit drauf bekommen, dann wäre die Nahrungskette anschaulicher.
So gesehen unter dem Dach der Dschungelunterkunft im Regenwald am Kinabatanganriver in Malaysia/Borneo.
Instead of handing in the laptop, somebody wrote "Doesn't work!!!" on the shift button, and left it where it was.
The people in helpdesk will probably find out some day. Handing it in to them would probably have been a better idea.
This expression will reappear throughout the night as many computer errors plague the editing session.
It all looks fine, but if there's a reply it shows that too and it stretches over the widget below.
I want a way to constrain the maximum length of the widget.
What is Cross-Processing?
In digital photography, cross-processing involves manipulating the contrast and color balance of an image to produce the effect you see above. It orignated in a technique used with film chemistry. Below is a quote from John Beardswith, who expertly explains how it's done:
"Cross-processing is developing color print or slide film in the wrong chemicals — for example, color negative film in slide chemicals ("C-41 as E-6") or slide film by the color negative process ("E-6 as C-41"). Not surprisingly, this causes wild color and contrast shifts and requires lots of trial and error. But for a period in the 1980s and 1990s, cross-processed images were very much the vogue, with Nick Knight's fashion and studio work being arguably the most influential."
If you want to know more, check out my source below:
Beardsworth, John. "Cross Processing in Photoshop - Color Negative Art Effect | PhotoshopSupport.com." Photoshop Tutorials & Adobe Photoshop Plugins | PhotoshopSupport.com. PHOTOSHOPSUPPORT.COM, 1999 - 2005. Web. 03 May 2011. .
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography