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Korea’s Kim Hyun-Sung rejoicing after equalizing the score midway through the second half.
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Group of 3 danish guys doing Advanced Open Water course at Crystal Dive Resort with PADI Master Instructor Torben Gregersen, here during their Adventure Peak Performance Bouyancy dive, where they are improving thier ability to stay on the same spot and with small adjustments to the lung volumen moving slightly up and down. Time of the year is start of August 2010.
Vivek Ranadive, Governor-Sacramento Kings, having a chat with the students of Sitaram Mill Compound BMC School, Lower Parel, during NBA, Indiana Pacers and Sacramento Kings Legacy Project / AIF's Digital Equalizer program in Mumbai photographed on October 5, 2019. Photograph by Abhijit Bhatlekar
great they take a show from the 80's staring david roche and name a mandalorian astriod belt after where as me i just keep going and going and going.....
Wren Rovers advanced to the next round with a 4-2 penalty shootout win over tital rivals Longridge Town. The game finished with 10 players on each side and Longridge equalized in the last minute
29.10.2021, 00:12 - 02:51 UT
ZWO ASI 1600 MM Pro @ -20°C
+ C14 & Starizona Hyperstar @ 675 mm (f/1.9)
+ Baader 2" RGB filters
+ Baader 2" High-Speed Ha filter
on CGE-Pro mount
Autoguiding:
Artesky 70 mm Guidscope (f=400 mm)
ZWO ASI 120 MM mini
PhD2 (Multistarguiding)
Dither
light frames:
99 x 30 s (Ha, gain=139, offset=21)
25 x 30 s (red, gain=75, offset=15)
25 x 30 s (green, gain=75, offset=15)
23 x 30 s (blue, gain=75, offset=15)
dark frames:
60 x 30 s
acquired with N.I.N.A.
Post-Processing:
Image calibration (dark + bias frames only), star alignment, image integration, dynamic crop, dynamic background extraction according to this video by VisibleDark
RGB: RGB channel combination, photometric color calibration, removing green tint by SCNR, Darkarchons EZ Processing Suite: EZ Softstretch
Ha; Darkarchons EZ Processing Suite: EZ Denoise, EZ Softstretch
HaRGB: RGB luminance extraction, equalization of L and Ha mean values by curves transformation, create new L with PixelMath: .5 L + .5 * Ha, LRGBcombination
HRGB processing:
star mask using StarNet, enhancement of star colors by curves transformation, create luminance mask, LocalHistogramEqualization, HDRMultiscaletransform, increase color saturation of nebula and dust clouds with curves transformations, luminance mask inversion, contrast enhancement of weak dust clouds in the sky background
Sharpening of L:
enhanced luminance sharpening using this video by VisibleDark based on this tutorial on chaoticnebula.com
Topaz Denoise AI:
noise reduction
Location: Schwentinental, Germany
After shootouts Meveščak wins a point against Austrian Linz...
Medveščak had a lead 3:1 after the first period, with goals from Morley (11', 13') and Netik (19'), while Brod (16') scored for guests. Linz equalized through Lebler (25') and Locke (28'). Zagreb players scored for the lead again through Olden (38'), but only a minute before the end of the second period Lukas equalized again. The third period and overtime went with no goals, and in shootout the Linz goalkeeper Ouzas excelled and defended all three shots from Medveščak players, and Leber was the only one to score for the win.
»It's a shame, I am sorry that we missed the win. Everything was on our side, but we obviously still have a problem with powerplay. It started well, but Linz came back quickly and didn't surrender to the end«, commented Sašo Rajsar, and added: »We don't have much time until the next game. We must do the work to get even better and revenge to Villach for the away loss from the season start, in front of our supporters.«
The Bears hold the 9th position with 12 points, and their next game is already on Tuesday, in Zagreb, vs. Villach (7.15 p.m.)
KHL Medveščak Zagreb –EC LIWEST Blak Wings Linz 4:5 SO
(3:1, 1:3, 0:0, 0:0, 0:1)
EBEL, The Ice Hall of Dom sportova, 4789 spectators
Referees: TRILAR V., ZRNIC M.; PAGON N., ZGONC G.
GOALS:
1:0 MZA Morley T. (10:04 / Poyhonen M.,Privitera A. / EQ)
2:0 MZA Morley T. (12:12 / Olden S. / EQ)
2:1 EHL Broda J. (15:54 / Dowell J.,Hofer F. / PP)
3:1 MZA Netik T. (18:14 / Tikkanen H.,Morley T. / 5:3 PP)
3:2 EHL Lebler B. (24:08 / Locke C.,D'Aversa J. / EQ)
3:3 EHL Locke C. (27:51 / Lukas R.,Lebler B. / EQ)
4:3 MZA Olden S. (37:21 / Morley T.,Jankovic I. / EQ)
4:4 EHL Lukas R. (38:58 / Hofer F.,Locke C. / EQ)
4:5 EHL Lebler B. (65:00 / GWS)
SHOOTS ON GOAL: 42- 43
PENALTIES: 12 min- 29 min
MEDVEŠČAK: MacIntyre D. / Privitera A., Cepon M., Poyhonen M., Ficur B., Tikkanen H., Kudelka T., Kegalj B. / Brine D., Zanoski T., Simsic N., Olden S., Mahbod S., Jarcov L., Jankovic I., Koskiranta T., Netik T., Rajsar S., Morley T., Aviani M.
LIWEST BW LINZ: Janny F. / D'Aversa J., Dorion M., Kragl G., Freunschlag S., Kirchschläger E., Fechtig B., Lukas R., Piche S. / Lebler B., Ober L., Schofield R., Franz D., Broda J., Lukas P., Dowell J., Hofer F., Spannring P., Gaffal S., Moderer K., Locke C.
The Equalizer, greeing fans at the world premiere of "Hot Fuzz". Not the best pic of him, but the rain was awful, the crowd was huge and hey it's The Equalizer!
Saturday at LeCount Hollow Beach (Maguire's Landing) in Wellfleet on Cape Cod. The surf attracts about a dozen wetsuited surfers who ride the waves.
Fate is a great equalizer…s
… Knowing you are alone in the custody of the judicial system, despite your commitment to stay with those who said they would be by your side no matter what must be dreadful. A remand in police custody is only marginally less humiliating than being at the mercy of the courts. Interrogating the accused at odd hours and denying sleep is the way many crimes are solved. And it is this sentence that the Alibaug Police is seeking in Raigad Court.
To be aware that you are out of your depth here, because the judicial deprives the security of your studio, the familiarity of your chamchas running around in servitude, The ‘Yes Men’ who appear on your show and let you speak freely – for a price, of course. You don’t even have a cell phone and don’t have any backup. You can’t even speak with your lawyers. To wait for news on your case: You are The News!
And also that your political allies are much more occupied elsewhere than to care about your woes. Those on whose shoulders you flexed your muscle. Suddenly mum. It’s more important to know who wins the White House. The elections in Bihar are more relevant. The decision to open schools and religious shrines after Diwali was a much bigger one. There were greater ramifications for the country in West Bengal, J&K, Kerala, and Punjab than your incarceration. So learn to lump it together.
Read More:- Choose your battles wisely
Guns N’ Roses @ Lincoln Financial Field, Philadelphia, PA, on Thursday, July 14, 2016.
Not in This Lifetime Summer 2016 Tour Setlist:
Intro:
Looney Tunes Intro
The Equalizer (Harry Gregson-Williams song)
Main Set:
It's So Easy
Mr. Brownstone
Chinese Democracy
Welcome to the Jungle
Double Talkin' Jive
Estranged
Live and Let Die (Wings cover)
Rocket Queen
You Could Be Mine
New Rose (The Damned cover)
This I Love
Civil War (with "Voodoo Child" outro)
Sorry
Out Ta Get Me
Coma (with band introductions)
Speak Softly Love (Love Theme From The Godfather)
Sweet Child O' Mine
Better
Slash & Fortus Guitar Duet ("Wish You Were Here" by Pink Floyd)
November Rain (with "Layla" piano exit intro… more )
Knockin' on Heaven's Door (Bob Dylan cover)
Nightrain
Encore:
Don't Cry
The Seeker (The Who cover)
Paradise City
Without a doubt one of the best action films of the year was Denzel Washington’s reteaming with TRAINING DAY director Antoine Fuqua for a contemporary upgrade of cult TV series, THE EQUALIZER. The Oscar-winning actor did original star Edward Woodward proud with his portrayal of Robert...
An ununted subwoofer (or even one that is tuned and then placed in an unknown performance space) will give an un-equal response to different bass frequencies depending on the room gain, corner loading, and the dynamics of the box.
Find out more:
www.carsubs.net/boxesdesign/diysubwoofer/diy-subwoofer-eq...
Wren Rovers advanced to the next round with a 4-2 penalty shootout win over tital rivals Longridge Town. The game finished with 10 players on each side and Longridge equalized in the last minute
Wren Rovers advanced to the next round with a 4-2 penalty shootout win over tital rivals Longridge Town. The game finished with 10 players on each side and Longridge equalized in the last minute
Some people go to church, others meditate while the rest are left to their own devices, whatever they may be. I go to the beach. There is no place like the end of land which, at one point, was believed to be the end of the world. I enjoy putting my rational mind to rest and viewing the horizon with that same thought, ships in the distant sailing on the edge.
The beach, in my opinion, is the great equalizer. When at the beach I fail to notice whether my fellow beachgoers are black, white, yellow or blue. I don't notice their tattoos or piercings, whether they have an accent or whether they're fat, skinny, short or tall.
The beach is one of those magical places where everyone is accepted regardless of their class level, amount of wealth or their attire. Can you think of any other such place?
Uploaded full size image for you to view the variety of people.
"I believe in God, but not as one thing, not as an old man in the sky. I believe that what people call God is something in all of us. I believe that what Jesus and Mohammed and Buddha and all the rest said was right. It's just that the translations have gone wrong." - John Lennon
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
2009-2019: Sabine Haag as general director
2019– : Eike Schmidt (art historian, designated)
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
My little homage to the classic 1980s TV series The Equalizer (minus the car in the background but just as moody) set in a darkened alleyway in Levenshulme.
Edward Woodward was brilliant in this role added to the superb theme music from Stewart Copeland, "The Equalizer Busy Equalizing" made it a late night favourite of mine.
Caroline McCarthy, Editor of Trends and Insights for Google, Luc Carl, Running Coach and Author, Pat Jeffers, Marketer at Nike, Robin Arzon, Runner and Evangelist from ShutUpAndRun, Robby Abaya, Software Engineer at Zynga and Meghan Loftus, Senior Multimedia Editor at Runners World participate in the "Running: Social Implications of the Global Equalizer" panel at the Lifestyle and Culture Hub at Hearst Tower as part of Social Media Week in New York February 20, 2013. INSIDER IMAGES/Andrew Kelly (United States)
Wren Rovers advanced to the next round with a 4-2 penalty shootout win over tital rivals Longridge Town. The game finished with 10 players on each side and Longridge equalized in the last minute
Cyber CD Player with Digital Preset Equalizer
Quality Cyber CD Player with Digital Preset Equalizer products, Cyber CD Player with Digital Preset Equalizer from Nicetex Electronics Ltd.
CD function: CD-R/RW playback
Soft-touch button control of electronic CD door
Vertical CD player
Programmable alarm to selected CD track
Automatic power off when CD is stopped over approx. 1 minute
Repeat one, repeat all play
Program play
Random play
PLL radio: digital tuning AM/FM radio
Total 20 preset stations for AM/FM band
Automatic searching for radio stations
Alarm to radio function
Seven color display backlight: automatic color change in morning, afternoon, and night (selectable color)
Automatic color change in different operating mode (selectable color)
Extra two random color demo mode
Dimmer function
Audio control: digital preset equalizer, jazz, rock, classic, flat, treble and bass digital volume control
Sleep function: programmable sleep time for 15, 30, 45, or 60 minutes
Temperature function: measure temperature range from 0 to +45 degrees C
C/F display format delectable by user
Clock function: 12/24 hour display format selectable by user
Alarm function: alarm to radio, CD or buzzer
Alarm to selected CD track
Crescendo alarm buzzer sound with different color change
Snooze function with three times and nine minutes each
Audio output: maximum power 5W x 2
Remote: full function remote (included CR2032 lithium battery x 1)
Backup battery: CR1616 lithium battery x 1 (included)
Jacks and connections: stereo phone jack
AC cord
Speaker connection terminal L, R
Dimensions (L x W x H): 490 x 210 x 255mm
Net weight: 3.8kg
It’s not without its problems but I have to admit to enjoying the majority of the all-star action thriller OLYMPUS HAS FALLEN. The “DIE HARD in the White House” guilty pleasure, starring Gerard Butler and directed by TRAINING DAY and THE EQUALIZER’s Antoine Fuqua, put...
Perspective macro shot of the equalizer display of the professional digital betacam recorder. Shallow dof. Visible data: sound scale, decibels, left, right channels, meters You can purchase this photo for commercial use in high-res and without watermark here: j.mp/greycoastphoto || If you have any issues with finding specific image, please contact me: danr@yandex.com
Ruff Stuff Air Blasters Tek 10 painted in brass, copper, and satin black finish with gilded accents on cocking mechanism and handle.
Rajesh Sethi, Managing Director, NBA India gifting a basketball to Amruta Salvi, Principal of Sitaram Mill Compound BMC School, Lower Parel, in Mumbai during NBA, Indiana Pacers and Sacramento Kings Legacy Project / AIF's Digital Equalizer program, photographed on October 5, 2019. Photograph by Abhijit Bhatlekar