View allAll Photos Tagged equalizer
Centurion Equalizer c. 1989 $300.00 57 x 59 Made in Japan, nice gears and wheels, Suntour group incl. SuperbePro cranks classicjapanesebicycles.com/centurion/
GAU-12 'Equalizer' 5 barrel Gatling gun pod mounted on USMC Harrier II. The GAU-12 is a 2 pod system, this pod contain the gun. The ammo (300 rounds) and drive system are mounted in another removeable pod on the other side of the aircraft. Spent cartridges are returned to the ammo pod after firing. The Spanish and Italian Navies also use this weapon on their Harriers.
To the right of the gun pod is a pylon mounted AGM-65 Maverick air to ground missile.
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.
A glass-curtain wall at Eastview Elementary School in Americus, Georgia, filled the cafeteria with natural light. From Stevens and Wilkinson, Selected Works (Atlanta), [1958], 105.[Extracted from "Equalization Schools in Georgia's African-American Communities, 1951-1970" by Steven Moffson, Historic Preservation Division, Georgia Department of Natural Resources, 2010.]
Alberta’s legislature will debate a potential referendum question asking Albertans if they think the principle of equalization payments should be removed from Canada’s Constitution.
Premier Jason Kenney introduced a motion on June 7, 2021 that, if passed, will put the following question on a provincewide referendum ballot on Oct. 18, in conjunction with municipal and Senate elections:
“Should Section 36(2) of the Constitution Act, 1982 –Parliament and the Government of Canada’s commitment to the principle of making equalization payments – be removed from the Constitution?”
“Albertans elected this government to get a fair deal for them. That’s exactly what this referendum is about. For too long, Albertans have been forced to subsidize public services in other parts of the country where politicians have been trying to block our pipelines and impair our vital economic interests, even during times of great economic hardship for us. This fall, Albertans will finally get a chance to tell the federal government that they’ve had enough of the unfair equalization program, and want reforms that recognize our province’s role in creating national prosperity.” said Premier Jason Kenney.
The principle of equalization is embedded into the Constitution and is the Government of Canada’s primary transfer program for addressing fiscal imbalances between provinces.
Albertans fund equalization through federal tax contributions, which are then transferred by the federal government to other provinces for their programs and services.
However, the current program does not take into account fundamental matters of fairness, including the ability of “have provinces” – like Alberta – to contribute transfers even when their provincial economies are down.
“Justin Trudeau’s equalization program is not fair for Albertans. Their generosity is being taken for granted by leaders who are happy to receive the money but reject the jobs that produce it. Albertans will finally have the opportunity to be heard.” said Kaycee Madu, Minister of Justice and Solicitor General.
Holding a referendum on equalization was a key recommendation of the Fair Deal Panel, which submitted a report to government last year recommending several ways Alberta could strengthen its position in Confederation.
“Alberta averages almost $20 billion annually in net contributions to Confederation. Almost 10,000 Canadians commute from across Canada to work in the oilsands alone. Alberta certainly doesn't appear to be getting treated fairly and I'm very happy that our government is listening to those that spoke at our Fair Deal consultations.” said Tany Yao, MLA for Fort McMurray-Wood Buffalo and member, Fair Deal Panel.
“Equalization rewards irresponsible, anti-economic development policies while punishing responsible economic development governance. Over the past 10 years, hard-working Albertans have sent over $400 billion to some provinces that run budgetary surpluses with money that isn’t theirs. Albertans’ self-determinant spirit built this province, so it’s time we asked them whether things need to change.” said Miranda Rosin, MLA for Banff-Kananaskis and member, Fair Deal Panel.
(photography by Chris Schwarz/Government of Alberta)
Centurion Equalizer c. 1989 $300.00 57 x 59 Made in Japan, nice gears and wheels, Suntour group incl. SuperbePro cranks classicjapanesebicycles.com/centurion/
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.
Premier Jason Kenney announced in Calgary on July 15, 2021, that Albertans will have an opportunity to have their say on equalization and daylight saving time and elect nominees to the Senate when they vote in the fall municipal elections.
In addition to voting for Senate nominees, Albertans will be asked to vote on these two provincial topics on Oct. 18, in conjunction with the municipal elections:
Equalization payments – Should the principle of making equalization payments be removed from the Constitution?
Daylight saving time – Should Alberta end the practice of changing our clocks twice a year?
“Alberta has a long and proud tradition of grassroots, direct democracy. We will renew that tradition this fall. I encourage all Albertans to get engaged on these important issues and I look forward to taking part in the debate this fall.” said Premier Kenney.
Equalization :
Over the last 25 years, Albertans have contributed more than $400 billion more to the nation in tax dollars than they have received in federal spending. Albertans make an immense contribution to equalization through federal tax contributions, which are transferred by the federal government to other provinces for programs and services. The current program has many issues, including a formula that requires it to grow automatically with Canada’s economy, even if contributing provinces like Alberta are experiencing immense economic challenges.
Daylight saving time :
Across Canada and the United States, more governments are bringing forward legislation to move to permanent daylight saving time, also known as summer hours. In 2019, Service Alberta asked Albertans if they thought we should make a similar shift. More than 141,000 Albertans responded, of which 91 per cent were in favour of year-round summer hours.
“Changing our clocks twice a year is something that every Albertan has an opinion on. As Alberta first adopted daylight saving time following a referendum in 1971, we owe it to Albertans to give them the same opportunity to make their voices heard now that we are considering another change.” said Nate Glubish, Minister of Service Alberta.
Senate elections :
Along with the municipal elections and the two referendum questions this fall, Albertans will elect three Senate nominees – one for each of the two current vacancies and one in case of early retirement.
The Senate nominee election enhances democracy in the province by allowing Albertans to choose the individuals who will best represent them in Parliament. Having representatives elected by Albertans would increase senators’ accountability to Alberta voters to defend the province’s interests.
Provincial police and pension :
For the topics of creating an Alberta Police Service and Alberta Pension Plan, further analysis and work are underway before next steps are determined.
“Through the Fair Deal Panel, Albertans who are policed by the RCMP said that they want to see Alberta build its own provincial police service to improve policing in their communities. We are continuing to study what this could look like and how it could improve the safety and security of Albertans and their property, as part of making an informed decision on the next steps.” said Kaycee Madu, Minister of Justice and Solicitor General.
“The potential creation of an Alberta Pension Plan would be a significant decision for Albertans. As such, we are continuing the important work of completing an actuarial, economic and structural analysis so Albertans can make an educated and well-informed choice, and their questions and concerns can be adequately addressed. We look forward to putting this important decision on the table when the time is right.” said Travis Toews, President of Treasury Board and Minister of Finance.
(photography by Chris Schwarz/Government of Alberta)
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Harrison High School in West Point, Georgia, 1956, is a small L-shaped school with a classroom wing and an auditorium. From Stevens and Wilkinson, Selected Works (Atlanta), [1958], 113. [Extracted from "Equalization Schools in Georgia's African-American Communities, 1951-1970" by Steven Moffson, Historic Preservation Division, Georgia Department of Natural Resources, 2010.]
37421 here at Stafford unware at the time this photograph is major history.
You can seen the equalizing beam is missing and this caused the bogie farse when all 37/4s in England and Wales got took out of service what followed was a few weeks of NB 37s until scottish 4's arrived. A number of magazines would not publish the picture with safety issues on show.
球の下方には、小さくNHKとプリントで刻銘されている。1kv以上を掛ける、局用の送信管をフォノイコライザーに使おうって発想が、信じられない。球に灯が灯り、A-5から、流れてきたチューバの音は、初めは、ぼそぼそつぶやく感じだったが、暖まるにつれ、今まで聴いたことの無い質量感で迫って来るのには、ただ感心するばかりだ。
THE EQUALIZER sees Oscar-winner Denzel Washington taking over the late Edward Woodward in the role of Robert McCall, reuniting with TRAINING DAY director Antoine Fuqua for a big-screen adaptation of the cult 1980s series.
The film arrives in cinemas this Friday (our solid 4-star review), and to...
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
Shot on sunrise. I like the feeling of a graphic equalizer thingy with this one.
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Hoping Ken, can modify his Battery Equalizer, the BEQ1, for LiFePO4 Chemistry. If successfull, and I'm certain he will be, these can be installed across 12.8 volt nominal LiFePO4 packs to keep the traction pack balanced.
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.
Luminance HDR 2.3.0 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Equalization factor: 1
Saturation Factor: 2
Detail Factor: 40.7
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PreGamma: 1
Download / Customize the Equalizer Music YouTube Channel Art Template here: www.custom-page.com/equalizer-music-youtube-channel-art-t...
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.
Gas and fire equalizer made by artist Andrea Valenti for the Kunst Symposium and exhibition at Herr Keramikmanufaktur, Bogen (Bayern) the 11th August 2012.
Kitch me on Fakebook Site
Final view of restored Victor SEA-50 stereo graphic equalizer unit. More details are available at jayakody2000lk.blogspot.com/2016/01/victor-sea-50-graphic...
EPS10 vector abstract rainbow equalizer wave design against dark background; composition has bright lights and particles
Town Showed Great Hart! A gritty comeback from 2 nil down midway through the first was started with a Tom Ince goal just before half time. Ridge came out strong in the 2nd and soon saw an equalizer from captain George Melling before a quick brace from Jay Hart put the game to bed. Town got one more through Richie Allen before AFC got a consolation. A great start to the new league with 3 points.