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The humble sages- by virtue of true knowledge- see with equal vision a learned and gentle brahmana- a cow- an elephant- a dog and a dog-eater.
Album Esoteric - Ezoteryka www.flickr.com/photos/arjuna/sets/72057594082135474/
Foto: SPD-Bundestagsfraktion
Wie jedes Jahr habe ich an der Demonstration anlässlich des Equal Pay Days teilgenommen. Frauen verdienen im Durchschnitt 22 Prozent weniger als Männer bei gleicher und gleichwertiger Arbeit. Das muss sich ändern!
Lesen Sie weiter unter: www.mechthild-rawert.de/inhalt/2015-03-23/equal_pay_day_2...
A new version of "equal time": the upper right TV advertises WFMY news while actually showing arch-rival WGHP at the bottom. One (or both) of the station ad buyers might want a word with the airport administrator.
East window depicting scenes from the Life of Christ one of the finest examples of Flowing Decorated Gothic tracery in England. The glass of the tracery is Medieval and the lights is Victorian.
The great East Window is the crowning ornament and special glory of the cathedral. It is unsurpassed by any other in the kingdom ; perhaps there is not a window equal to it in the whole world. Rickman says: "It is one of the finest if not the finest Decorated window in the kingdom. Its elegance of composition and the easy flow of its lines rank it even higher than the celebrated west window of York, which it also excels in the number of divisions. The window is by far the most free and brilliant example of Decorated tracery in the kingdom." Fergusson, in his " History of Architecture," also praises it : " Its upper part exhibits the most beautiful and perfect design for window tracery in the world. All the parts are in such just harmony the one to the other the whole is so constructively appropriate and at the same time so artistically elegant that it stands quite alone, even among windows of its own
age." " The stone-work of all this part (the east window) is entirely new, although it reproduces most minutely the original design" (King, 202-3). " The whole of the mouldings, both of the mullions and tracery, externally are nearly destroyed, owing to the perishable nature of the stone with which it is constructed " (Billing, p. 60 (1840)). This great window almost entirely fills the east end of the choir, being 51 feet high from the sill to the top of the tracery and about 26 feet wide in the clear. Immediately after the fire in 1292, the work was started, and the jambs with their slender shafts and foliated capitals were erected. Nothing more was done till about the middle of the fourteenth century, when the arch mullions were added ; and the tracery dates from about the end of the same century. The mouldings were left unfinished until the restoration of the cathedral, 1856. The tracery (Decorated) is composed of eighty-six pieces struck from 263 centres. Some of the pieces forming the chief divisions are nearly five feet in length. Although the stone-work is modern, the design has been most faithfully copied from the original. In the lower part there are nine lights, no other Decorated window in existence having so many. The west window of Durham Cathedral (partly copied from, but inferior to, the west window of York) and the Rose window in the south transept at Lincoln are of the same character; but that of York ranks next in importance, and is the only window able to compete with the east window of Carlisle. The design consists of two complete compositions united under one head by interposing a third. The York window, on the contrary, is altogether one complete design, from which no part can be separated without breaking the integrity of the composition. The width of the opening is the same in both windows, but while the actual tracery of the York window is more than two feet higher, the Carlisle window is greatly superior in the beautiful arch mouldings above its tracery, and also in the side shafts and mouldings. Again some stiffness is imparted to the design of the York window by the central mullion which reaches from the basement to the top of the arch. The tracery branches outwards from this on each side, and depends upon the arch for support; while the tracery in the Carlisle window is not so dependent. Neither in skilful workmanship nor in variety of ornament is the York window equal to that at Carlisle. With the exception of four quatrefoils (placed above each alternate mullion) it is composed of trefoils. Carlisle, on the contrary, possesses nine quatrefoils, in addition to four placed like those at York. Nearly all the small spandrels formed by the various ornaments are perforated, and this imparts a remarkable air of lightness to the window. The beautiful stained glass in the tracery is all that remains of the ancient glass. It is of the time of Richard II., and was no doubt preserved because of the expense that reglazing its small intricate forms would have involved. The subject is a Doom the Resurrection, the Last Judgment, and the New Jerusalem. "We have our Lord sitting in judgment; the Procession of the Blessed to the Palace of Heaven ; the Place of punishment for the wicked ; and the general Resurrection. " The figure of our Saviour is in the uppermost quatrefoil of the central compartment ; His countenance will bear the closest inspection ; it exhibits evident traces of suffering, but is calm, severe, and dignified. His head is surrounded by a cruciform nimbus. Below this are two quatrefoils, easily distinguished by their silvery appearance. These represent the Procession of the Redeemed to the heavenly Jerusalem, whose towers and pavilions are shown in the quatrefoil to the right. St. Peter stands in the gateway in an attitude of welcome ; at his feet flows the River of Life, which some of the Redeemed have reached. The red glare of the Place of punishment makes it easy to be distinguished ; the tortures represented are of the most realistic character, and the devils are very material beings, with tails, hoofs, and horns. " The rest of the picture is occupied with the representation of the general Resurrection : the dead rising from their graves ecclesiastics are vested, but laity rise naked, though kings wear their crowns : several bishops are among the crowd, and a pope wearing the triple tiara. Some of the ecclesiastics are bearded, and probably are intended for canons of the cathedral, who, being Austin or Black canons, would wear their beards. " In one of the quatrefoils, just above the mullions, is a figure surrounded by a heraldic border ; this represents John of Gaunt, who was Governor of Carlisle from 1380 to 1384. It is said that he supported the prior, William de Dalston, who refused obedience to the bishop, and had been excommunicated ; and that, out of gratitude, he was thus represented in the east window."* A "Jesse," which originally filled the lower part of the window, was destroyed at the Reformation. The present glass was inserted in 1861, in memory of Bishop Percy (d. 1856). It represents events in the history of our Lord. Although the colours do not harmonise well with the old glass, they are in accord with the gorgeous colouring of the ceiling. Like most of the stained glass in the cathedral, this is by Hardman of Birmingham.
Permanent Mission of Principality of Monaco to the UN, New York, 17 September 2022.
© ITU/J. Gorlovetskaya
This is a single photo framed as I saw it - I did not splice identical halves in Photoshop. It really looks like this in the world.
Equal Justice Works Fellows Jennifer Luczkowiak and Linnea Forsythe with Kathryn Potalivo of Morgan, Lewis & Bockius LLP, Alissa Church and Ezra Church of Morgan, Lewis & Bockius LLP
Jim Henderson of Sutherland, Equal Justice Works CEO David Stern, Equal Justice Works Fellow Aisha Saeed and Judith O'Brien of Sutherland
Equal Justice Works Director of Public Interest Law Opportunities Cait Clarke, Equal Justice Works Fellow Kate Lincoln-Goldfinch, and Harold Levy and David Tiger of Bingham McCutchen LLP
Permanent Mission of Principality of Monaco to the UN, New York, 17 September 2022.
© ITU/J. Gorlovetskaya
Foto: Ann-Charlotte Sandelin
DANSKARUSELLEN Östergötland
VÃ¥ren 2015
14 mars Frinavet
Pool 1
POOL 1
JOY – street, Söderköping
Xpress – blandade stilar, Linköping
Equals TEEFA – street, Tranås
Shadow City – street, Norrköping
TSN – melbourne shuffle, Linköping
Bolivia Kommittén – folkdans, Norrköping
Diamond Dollz – commercial, Norrköping
POOL 2
Juliette – blandade stilar, Halmstad
All do – blandade stilar, Norrköping
Ljiljan – folkdans, Motala
Gabicats – blandade stilar, Norrköping