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This is my entry into the Etsy Poster Contest.

Entry gate for the Faculty of Architecture, Venice

Campo di Tolentino, 1966, 1969, 1972, 1985

Carlo Scarpa, architect

 

It was a nice challenge trying to figure out where to stand with all of those diagonals being offered for the composition.

Entry from the S. Oaken Arts & Sciences competition, held in the Barony of Fenix in 2008.

Entry with vegetal wall

Leeton. Population 7,500.

Like Griffith, Leeton was a child of the Murrumbidgee Irrigation Area and also a town designed by the architect who laid out Canberra, Walter Burley Griffin. One of the three men behind the establishment of the MIA was Sir Samuel McCaughey who had a grand house built just outside of Leeton in Euroley Road Yanco. It is now the Yanco Agricultural High School. McCaughey had started his own private irrigation system with channel at Yanco in the early 20th century for pastoralism. He bought Yanco pastoral station (he already had several others) and at great cost built over 300 kms of water channels so that he could not irrigate but supply water to 40,000 acres. In 1906, as a Member of the Legislative Council he envisaged a big government scheme that would support of population of over 50,000 people. In 1906 the NSW government passed a bill to construct the Burrinjuck Dam. Water from that dam first became available in 1912. A narrow gauge railway was built from Narrandera to Yanco in 1907 to transport materials for the development of the MIA. The station at Yanco railway was the nearest for Leeton until 1922. By 1960 there were over 1,900 kms of water supply channel, over 1,200 kms of drainage channels. The town was named Leeton after the Minister of Public Works at that time Charles Lee. The MIA water supply is now for horticulture more than pastoralism except in the outer areas. Leeton is now the rice capital of Australia but extensive areas of citrus trees and vines are grown. McCaughey’s dream ended for him in 1919 when he died at his home in Yanco. His estate was valued at £1,600 million of which he left to charities, the Presbyterian Church, hospitals etc. and a quarter of his estate went to the University of Sydney. At one time before his death he owned around 3.25 million acres! His sandstone and brick mansion at Yanco was left to the area as a school.

 

The central park in Leeton is McCaughey Park. Walter Burley Griffin was a follower of the Garden City Movement, like Charles Reade the designer of Colonel Light Gardens hence the curved and circular roads, and the avoidance of rectangles and squared corners. Streets were designed to follow contours and the highest point of Leeton, opposite the Hydro Hotel has three decorative water towers named after Walter Burley Griffin. The oldest was erected in 1913, the second in 1937 and the last in 1974 to feed water by gravity to the town. The first solid building built in Leeton was the Murrumbidgee Irrigation Trust offices in 1912 which later became the Water Conservation and Irrigation Commission building in 1937 when a new Art Deco building was opened. . It is now the town museum and art gallery. This Trust employed the men who built the town and in the early years 250 homes were built each year, and the Trust workshops employed about 100 men. Because so much of the town was built during the Art Deco period with 21 buildings registered by the NSW Art Deco society which is impressive as they only list about 80 in the Sydney region. Most of the best examples of Art Deco in Leeton are mainly in: Pine and Kurrajong Avenues. Leeton has an annual Art Deco festival during July each year. Most of the earliest building in Leeton were timber framed and the beautiful Art Deco ones came along in the 1920s to 1940s.

 

In terms of development of the region at lot happened in 1914 as farmers were on their lands and residents were accommodated in Leeton and workers accommodated in barracks. The Leeton Progress Association was formed in 1914 as were the Yanco Agricultural and Horticultural Society, the Murrumbidgee Dairy Farmers Association (the butter rectory opened in 1913), the Murrumbidgee Farmers Union and the local newspaper, The Murrumbidgee Irrigator began publishing. Clarkes brothers General Store was in a solid shop as opposed to the 1911 tin shed. The one teacher school built in 1911 had five teachers and around 300 children by 1914. A Catholic School began in 1917 using the church as its school room until 1936. By 1914 Leeton had Methodist (replaced 1937), Baptist (replaced 1937), Anglican (the parish hall added in 1929) and Catholic churches (replaced in 1955). The current Presbyterian Church was built in 1957, replacing the 1916 timber framed one. By 1914 Leeton had only one Bank that of NSW (replaced in 1938). A second bank did not open until 1920 – the Commercial Bank of Sydney (replaced in 1957.) Leeton is a prosperous still growing town. One of the important employers in town is the Sunrise rice mill. It is the headquarters of Sunrise Australia which exports much of the rice not destined for the domestic market in Australia. In recent years Leeton has made a positive attempt to attract and befriend immigrant workers and families. Many are needed for the local abattoirs and agricultural work. There is now a sizeable Afghan community in Leeton with the highest proportion outside of Sydney. Leeton has small communities of Fijians, Pacific Islanders and East African workers. Cotton is also grown near Leeton. In terms of industry the town cannery was crucial and the major employed.

 

The NSW government cannery opened in Leeton in 1914 with government contracts for tinned fruit, vegetables and orange juice. The State Cannery eventually became Leeton Cooperative Cannery. It employed around 750 people throughout the year with a peak work force double that during the harvest season. In its last decades is marketed fruit etc as Letona brand. Sadly the cannery closed in 1994. Letona also sold locally grown rice as Letona Rice. The rice growing industry in Leeton began in 1924 and two sisters. Lois and Margaret Grant were among the first six pioneers of rice growing when it started. Lois Grant succeeded so well in this male industry and she was a founding member of the MIA Rice growing Cooperative Society. The cooperative marketed its rice as SunRice. It is now marketed as SunWhite Rice. Leeton is still a major rice producing region of Australia and most is produced for export. Australia including Leeton and the Riverina region leads the world in water efficient and sustainable and highly mechanised rice growing. The MIA grows much of Australia’s rice with more grown in other regions of the Riverina. About 25,000 to 65,000 hectares are used for rice growing in the MIA depending on the season and water allocations. There are between two rice mills in the Riverina with a major one near Leeton. The other major mill for SunWhite is at Deniliquin. One hectare sown in rice can produce about 12 tons of rice grain.

 

Some Art Deco structures to look for in Chelmsford Place and in the Main St which is Pine Ave. Starting at the top of Chelmsford Place by the Art Deco Walter Burley Griffin designed water tanks.

•The Walter Burley Griffin water towers. Oldest is 1913.

•The Hydro Hotel. Built as a coffee palace as Leeton originally teetotal site. Built in 1919 and burnt down in 1924. Rebuilt in Art Deco style 1924-26 and re-opened in 1927.The interior has many deco features.

•Water Conservation and Irrigation Commission headquarters. Erected 1937. It has many heritage items in the excellent little museum. It is also the Leeton Art Gallery. Worth a visit. It closes 3 pm.

•Leeton Town Council and Shire Offices. No Art Deco features. Built in 1962. Modernist style.

•The Art Deco Fire station with rounded corners, inset brick work etc. Includes stepped features over doorway. Built in 1938.

•At the roundabout turn left near the modern Art Deco style bus shelter. In front is the Roxy Theatre and the Art Deco memorial clock in the roundabout. The Roxy is to re-open in 2025 after renovations. Built in 1929-30. Check foyer if you can. The memorial clock was unveiled in 1926 in Art Deco style and the clock added in 1965.

•In Pine Ave. First on left is the Commonwealth Bank. This structure built in 1935.

•On the next corner intersection is Leeton Mall in brick with some Art deco features. This was the former Richards Store. A cream and red brick structure with stepped shapes on chamfered corner entrance. Building has vertical and horizontal banding. Built in 1936.

•Next left is the Hotel Leeton a much earlier structure but some Art Deco features. It was built in 1926.

•Nearly opposite is the Seton and Beyond Bank building with some great Art Deco detail with stylistic Rose and radiating rays.

•Just before the next side street adjacent to the Leeton Hotel is the Murrumbidgee Irrigator newspaper offices. Established 1915 but this Pine Ave building is marked as 1928.

•Over the next side street on opposite is the former Kinlock’s store. Built in 1938. Turn around here/

•Almost opposite it is the current Leeton Steel building. It was built in 1930s as the Leeton Fruit Growers Cooperative.

•On the way back take Church Street through to the Park. The Wade Hotel is on the corner with excellent Art Deco motifs. Architect designed and built in 1937. Named after the first head of irrigation for the MIA. As you cross Mountford Park on your left will be the modern St Peters Anglican Church. The first church was built in 1913 of locally made adobe bricks. The newer Church Hall was built in 1929. This Church was built in 1973.

•The next building on your right is the Leeton Courthouse. It was built in 1922 and opened in August 1924.

•On your left is the impressively large red brick Catholic Church. Wagga architect S J O’Halloran designed it in 1951. To facilitate the building, the Wagga Wagga diocese purchased the Yanco Brickworks in 1951 to produced 440,000 bricks for the church. The Romanesque style church is asymmetrical with a round stained glass window over the entry. It was completed in 1955 and at that time was the largest Catholic Church in country NSW. Return to the roundabout and the Roxy Theatre going past some good Art Deco buildings including the Morris Chambers.

 

Launch-Entry Suit

Space Shuttle

 

The Launch-Entry Suit was a partial-pressure suit worn by Space Shuttle astronauts to protect against loss of cabin pressure during ascent and descent. Introduced after the 1986 Challenger accident, it was used until the late 1990s, when the full pressure Advanced Crew Escape Suit was phased out.

 

Informally called the "pumpkin suit" for its bright color, it pressurized at 3.2 pounds per square inch, and the inflated internal bladder exerted mechanical pressure on the crewmember's body. The helmet visor and neck dam were pressure seals, but the gloves were not; they connected to the suit by a tube and needle valve. The Launch-Entry Suit included an integrated "g-suit" to prevent blood from pooling in the lower body during reentry. The vest-like harness worn over the suit contained a parachute, breathing air tank, and survival gear for an emergency bail-out.

 

This suit was never worn in space. The gloves, boots and harness were worn in training or flight. All launch-entry helmets are still in use in NASA's inventory of flight gear.

Small Bunker at the entry to the paved area in front of the Nuclear Warhead Storage - Detail.

Official list entry

 

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1209774

Date first listed: 10-Jan-1951

Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

 

Location

 

Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

County: Devon

District: Teignbridge (District Authority)

Parish: Buckfastleigh

National Park: DARTMOOR

National Grid Reference: SX 74147 67411

 

Details

  

Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).

 

© Historic England 2022

Barcelona, El Born

Amtrak Cascades, Seattle King Street Station

The main entry door is no longer here, if You saw it, please tell to go home!

This is my entry to the winter warfare contest. A SEAL swims below the ice, about to ambush the Russian patrol.

Abandoned Mansion

"Doors are always guarded by lights.. ensuring you have a bright entry "

 

Aperture Priority

f/8

1/40 sec

ISO 200

Canon 50D

Tamron 17-50 f/2.8 VC

 

Processed in Lightroom 4 Beta

Entry to a Lindal Cedar HomeHome

Zeider Garden, a reason to amble slowly up to the front door. The front "yard" or garden started at the curb.

This recently remodeled custom light and bright home offers 2,362 sq. ft. of living space with

a 2 car garage. Featuring granite countertops, marble & wood floors and brand spanking new stainless steel kitchen appliances, i.e. KitchenAid Dish Drawers Dishwasher, Under Counter Sharp Microwave, Professional Jenn-Air Gas Stove and a Jenn-Air Trash Compactor accompanied by a sit-up granite countertop breakfast bar/center island in kitchen.

 

Foyer features a marble entry, recessed ceiling and special accent lighting leading to the family room where your guests are greeted by wood floors, black stained corner built-in entertainment center, custom lit marble top dry bar, picture lighting, and surround sound speakers.

 

A double-sided marble fireplace with white wood mantels enhances the living room and family room with smooth ceilings, recessed lighting, crown molding and numerous architectural details with an elegant and private dining room.

 

French doors lead to an entertainer’s dream backyard, which includes a waterfall, pond, covered patio, fire pit, gas torches and large serving window. A spa, set back from the main residence, is a relaxing place to view your custom lit backyard with lights stemming from 6 added electrical outlets framing the backyard. A very private and secluded backyard and romantic landscaping are well taken care of by an automatic sprinkler system.

 

The main bathroom features a double sink vanity, shower and tub combination and ultra romantic décor. The washer and dryer in-home laundry room adds convenience.

 

Within an attached 2 car garage, there is plenty of storage with full-length white cabinets in addition to two storage sheds located at the back of the house, which area can also be used as

a dog run.

 

The master bedroom has a private dressing area, double walk-in closets and shower,

newly decorated in elegant colors.

 

Adjacent Walnut Acres, this home is nestled near million dollar homes on a quiet, tree-lined well lit cul-de-sac, where many have lived for twenty plus years. Within walking distance to stores, banks, movies and more… 3 miles to Woodland Hills Elementary, 2 miles to Topanga Plaza & Westfield Malls, 5 miles to Pierce College with easy access to 101 freeway 2 miles away. The home is located 10 minutes from Warner Center and 20 minutes to many local beaches.

 

This is a fantastic home that has been well taken care of featuring more custom upgrades than can even be mentioned in a beautiful neighborhood adjoining Walnut Acres…

one of the nicest areas in Woodland Hills.

15" x 2" gusset pillow, zipper closure on back.

Modern free form piecing with dense pebble and straight line quilting.

Clove from District 2.

ATA-Houston celebrated the National sovereignty and Children's Day with a community picnic on Sunday, April 22, 2018 at Cullen Park. ATA-Houston Children's Choir performed the national anthems and popular children's songs. We had special games and contest for the kids, and each child went home with special gifts: A copy of the Little Prince in Turkish, various toys and giveaways, flashlights and more. We thank all our volunteers and members who made this event possible.

Photography: Bulent Selcuk

Behind this door is the stair down to the crew rest compartment on the A380.

Entry to a Lindal Cedar Home

Hildred Reents ceramics and other collectibles in newly renovated house in Green Valley, Arizona.

This custom "Hampton" Bookcase was created for our clients entryway. 48" wide on the case, x 14" deep on the case x 76" high is what is shown. With flat sides, standard decorative molding and fluted front frame. small base molding around the front & sides along with applied legs. Reinforced shelves. Shown in Brown maple wood. Dover White ( SW 6385) Finish.

A front entry design with a water feature to add the element of style and sophistication. watermark developments have this down to a fine art with this great looking front door entry and using Stile Edge's half bull-nose on a porcelain tile really compliments the entire area.

www.stileedge.com

An entry for the march My30MM contest.

In the 67th UK Coach rally for me should have won best Neoplan. GO22LOU Goodwins Neoplan Tourliner C53FTL superb this was even the bling witch i'ma fan of it had blue body under lights this for me was also a contender for Coach of the year. Photo taken 01/04/23

A new set of entry stairs

This is the front entry to a custom home in Phelps WI. The home owner used cedar shingles as siding on the home. Notice the unique gable end vent in the gable end.

 

To learn more about this house and others like it please visit: www.northtwinbuilders.com

We used a sheet of grass-impregnated Lumicor as the divider between the entry and the living room. The idea was to create a sense of separation while allowing light to freely move about. Steel and walnut ribs hold the entire assembly solidly together.

 

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