View allAll Photos Tagged embossing
Heavily processed Cassini image of Saturn's south pole. I used an image of Arabic calligraphy as the seed image.
Description:
Specifications:
1) Thickness: 1.5mm-20mm for flat solid PC sheet
2.0mm-15mm for embossed PC sheet
2) Maximum width: 2, 500mm
3) Length: Any dimension
4) Color: Clear, blue, green, opal, brown, blue green etc.
Usage of polycarbonate sheets
1. Subway exits, parking lots, bus stops, shopping arcades, large stadium and rain tents, etc.
2. Swimming covering
3. Roof light or canopy for office buildings, department stores, hotels, schools, amusement centers, hospitals, etc.
4. Sound absorption wall for freeways, high-speed railways.
5. Protection window of bank, jewelry shop.
Features:
1) Impact strength: The impact strength of solid PC sheets is 250 times that of glass, and the impact strength of hollow PC sheets is 80 times that of glass
2) Light weight: The weight of a solid PC sheet is only about half of glass, and the weight of a hollow PC sheet is only about one twelfth at the same thickness
3) Transparency: The light transmission of a 3mm solid PC sheet is 88%, and the light transmission of a6mm hollow PC sheet is 80%
4) UV-protection: A PC sheet is co-extruded with a high-density ultra violet ray that also keeps the PC sheet from discoloring
5) Resistance to weather: A PC sheet has resistance to bad weather and maintains excellent properties in a wide temperature range from -40 to 120oC
6) Inhibiting condensation: When the outdoor temperature is 0oC and the indoor temperature is 23oC, the PC sheet will be condensation up to 80% humidity
7) Thermal insulation: The K-value of glass is 1.2 times that of solid a PC sheet and is 1.7 times that of a hollow PC sheet. PC sheets saves energy while preventing heat loss
8) Sound insulation: The hollow form and polycarbonate resin offers significant advantage to that of glass
9) Flame Resistance: Through testing by the National Center for Quality Supervision & Testing of Fire Building Materials, the material is rated as Class B1 according to QB8624-1997 standards
10) Easy installation: A PC sheet can be bent while hot or cold and can be used on curved roves and windows. The minimum radius of curvature of a PC sheet is 175 times of its thickness.
... keys. Embossed keys background, inked. Added. Wooden key coloured with silver Inka Gold & a metal key.
Field and Tilt Armor (1590)
•Consists Of:
A.Burgonet
B.Gorget
C.right pauldron
D.backplate
E.breastplate and tassets
F.Lance rest
G.Right vambrace
H.Right gauntlet
I.Locking gauntlet
J.Gauntlet linings
K.Left pauldron
L.Left vambrace
M.Right tasset plate
N.Left tasset plate
O.Right cuisse and poleyn
P.Right greave and sabaton
Q.Knuckle plate
R.Knuckle plate
S.Knuckle plate
T.Armet
U.left gauntlet
V.left cuisse and poleyn
W.left greave and sabaton
•Place: England, Greenwich
•Location: Leeds, Tournament Gallery
•Object Number: II.40
•Object Title: Field and tilt armor
•Date: 1590
•Provenance: Probably transferred from Greenwich, 1649.
•Physical Description:
A.The skull of the burgonet (A) is of one piece with a medial roped comb and a peak. At the lower rear is a small neck guard attached by three rivets. Attached by internal hinges at either side are large, roughly square cheekpieces. The main edges have roped inward turns with recessed borders containing replacement round headed iron rivets in place of the original lining rivets. Each cheekpiece is embossed at the center with a decorative rosette of five petals, round ended, and five pointed sepals between them. To the rear of this at either side is a pierced stud for the falling buffe, and below it, original at the left, restored at the right, is a rectangular block with a roped edge for the same purpose. The recessed border on the peak is plain, and there is a row of rivets around the base of the skull, the one at the right corner an original flush rivet retaining a trace of the original lining band. At the rear of the skull is a plain iron plume holder with cusped and scalloped side edges, attached by four rivets. The exterior is bright and slightly patinated. There is a small riveted repair at the right of the peak, a long crack at the left of the skull above the cheekpiece and a shorter one beside it, at the corner of the peak. The roping on the comb is corroding through in several places. At the lower left corner of the skull at the neck is a crack and a vacant rivet hole from the original neck guard.
B.The gorget (B) is formed of a main plate with three lames above front and rear. The main edges of the upper lames have roped inward turns bordered by double incised lines and a row of modern brass lining rivet retaining a modern buff leather lining band, and the subsidiary edges are bordered by double incised lines. The lower main edge is scalloped and bordered by single incised lines, with a modern round headed rivet retaining a leather lining band in each scallop. The upper lames are hinged at the left and fastened by two modern sprung studs at the right, and the main plates are joined at the left by a modern brass pierced stud and nail at the left and a modern iron mushroom headed stud and keyhole slot at the right. The plates are articulated by three internal leathers at front and rear, attached to each lame by pairs of rivets. Rows of original decorative rivets follow the lines of the outermost leather rivets at either side. The exterior is bright and rubbed. The rear lames are numbered with 3, 2 and 1 dots from the top down. No numbering is visible on the front lames.
C.The right pauldron (C) is formed of five lames overlapping upwards. The main edges have roped inward turns, the roping symmetrical with two dots at the center, with recessed borders containing modern brass lining rivets, and the subsidiary edges are bordered by double incised lines. At the center front of the upper lame is an embossed bulge for the collar bone. The front edge is cut away for the lance, and the rear edge is fully rounded. The lames are articulated by three double width and one single width internal leathers of modern buff. A modern leather lining band and replica lining are fitted. At the lower edge is a modern strap and buckle for fastening round the vambrace. At the center of the upper edge is a large hole for the stud on the shoulder strap, an adjacent hole from a previous configuration, and a modern bifurcated pin on a brown lace for securing it. The exterior is bright and rubbed.
D.The backplate (D) is formed of one piece, shaped to the shoulders, with a low, flat neck, and a flange at the waist. The main edges have symmetrically roped inward turns with broad recessed borders. The center of the waist flange has a cusp. At either shoulder is a hinged steel shoulder strap, pierced with three holes for the breastplate stud, with a small adjacent hole with a pin on a brown lace, fitted with a large pierced stud for the pauldron (on a hinged plate riveted to a lobe at the right), and attached inside the backplate by three rivets. At either side is a pierced stud for the breastplate hasp. It is decorated with pairs of incised lines running down the center and from either arm to the waist center, these so rubbed as to be hardly visible. The exterior is bright with some patination. There are riveted repairs inside each side edge. There are cracks at the center right of the flange edge and center left of the neck edge, a large area of lamination inside the flange towards the right and a crack at the angle of the flange towards the left.
E.The breastplate (and tassets, (E)) has a low-neck medial ridge and a deep peascod, with a flange at the waist. At either arm is a gusset attached by a rivet at the bottom and a sliding rivet at the top. At either side is a modern hinged hasp pierced with three holes, to fasten the backplate, and a small loop at the end with a pin on a brown lace. At the right of center is a set of five pierced lugs and a key for the lance rest. At the center is a filler for the hole for the grandguard stud, attached by a modern nut and washers. Modern to the flange is attached a single fauld plate by a modern sliding rivet at either side. The tassets are each attached by two hinged hasps. Each tasset is of three lames, overlapping upwards. Each is articulated by a leather at the center and inside, and by sliding rivets on the outside. Those on the left tasset are of modern buff leather, but those on the right are older but not original, being attached by brass (rather than brass capped iron) rivets. Leather lining bands of the same vintage are attached to both tassets by similar rivets. Each tasset has a turning pin at the inner end of its lower lame and a stud at the outer, for attachment of the extension lames. The main edges have symmetrically roped inward turns, about triple crests on the breastplate, with recessed borders on the tassets, and the subsidiary edges are bordered by double incised lines. The exterior is bright, rubbed and slightly patinated. A long crack runs around the angle of the flange, and the upper lame of the left tassets has a riveted repair at its inner end. Painted inside 21-8 (for 21 lb., 8 oz), 13/3.
F.The lance rest (F) is of steel, comprising a round ended flat plate pierced at the inner end with a slot for the key, riveted to a vertical plate with a scrolled lower corner, and cut with five slots to engage the lugs on the breastplate, and the two sections are joined by a scrolled angle bracket. The surfaces are all bright.
G.The right vambrace (G) comprises an upper cannon and turner with three lames above, a bracelet couter with one articulating lame above and below, and two lames above and below the inside of the joint, and a lower cannon formed of two plates hinged at the outside and fastened by a sprung stud and swivel hook inside, with a separate articulated cuff plate on the front plate. The main edges have roped inward turns, the roping symmetrical with one dot at the center, with recessed borders. The subsidiary edges are bordered by double incised lines. The upper section has a modern buff leather tab and is articulated by dark modern leathers at the front and center, and by sliding rivets (replaced by nuts and bolts) at the rear. The couter is made in two parts, the front section with its inner and outer wings attached by two modern brass rivets at the inside and one at the outside. The exterior is bright and slightly patinated. At the front of the cuff is a small hole. Above this is riveted with two brass rivets the base of a modern brown leather strap, probably for display purposes. At the inside of the turner are two holes, one slightly enlarged.
H.The right gauntlet (H) has a cuff of two pieces, joined by two rivets at either side, and slightly flaring. Inside the wrist is a wrist plate shaped to the thumb and two articulating lames. Outside are three metacarpal lames, a fourth which is extended to include the base of the thumb defense, and a fifth which is shaped to the knuckles. All these overlap upwards and are articulated by rivets at either side. The knuckle plate and the single carpal lame were restored in 1978. The thumb is protected by three scales and the fingers by 6, 7, 7 and 6 scales respectively, a few of which may be original, all riveted to modern leathers. The main edges have plain inward turns with recessed borders containing modern brass lining rivets at the cuff edge, and original brass-capped iron rivets with washers, and a flush rivet at either end, retaining fragments of the original leather lining band on the wrist plate. Inside the gauntlet is sewn a modern leather cuff and a glove. The exterior is bright and slightly patinated. The cuff edge at the inner corner of the inside plate, and the wrist plate by the thumb, are damaged.
I.The left pauldron (K) is formed of five lames overlapping upwards. The main edges have roped inward turns, the roping symmetrical with two dots at the center, with recessed borders containing modern brass lining rivets, and the subsidiary edges are bordered by double incised lines. At the center front of the upper lame is an embossed bulge for the collar bone. The front and rear edges are fully rounded. The lames are articulated by three double width and one single width internal leathers of modern buff. A modern leather lining band and replica lining are fitted. At the lower edge is a modern strap and buckle for fastening round the vambrace. At the center of the upper edge is a large hole for the stud on the shoulder strap, and a modern bifurcated pin on a brown lace for securing it. The exterior is bright and rubbed.
J.The left vambrace (L) comprises an upper cannon and turner with three lames above, a bracelet couter with one articulating lame above and below, and two lames above and below the inside of the joint, and a lower cannon formed of two plates hinged at the outside and fastened by a sprung stud and swivel hook inside, with a separate articulated cuff plate on the front plate. The main edges have roped inward turns, the roping symmetrical with one dot at the center, with recessed borders. The subsidiary edges are bordered by double incised lines. The upper section has a modern buff leather tab and is articulated by dark modern leathers at the front and center, and by sliding rivets (replaced by nuts and bolts) at the rear. The couter has a pierced stud for attachment of a pasguard. The couter is made in two parts, the front section with its inner and outer winds attached by a brass capped iron rivet at the inside and outside. The exterior is bright and slightly patinated. At the front of the cuff is a hole, with an adjacent nick in the edge of the main plate.
K.The right cuisse (and poleyn, O) is formed of eight lames overlapping upwards, articulated by a modern black leather on pairs of rivets at the center, sliding rivets (all modern) at the outside and riveted solidly, entirely with modern rivets, at the inside, with additional restraining leathers at either edge. The poleyn has a main plate with a wing at the outside, and two articulating lames below. The lower of these has a flat main edge, with a keyhole slot at the outside and a large hole for a stud at the inside. All the elements are joined by original brass capped iron rivets with washers except for the outside rivet on the lower lame, which has a more modern but still old brass rivet and washer. The main edges have roped inward turns, symmetrical with central chevrons, and recessed borders, forming a heart-shaped center on the wing. The subsidiary edges are bordered by double incised lines, quite rubbed across the center. At the center top is a modern buff leather tab for pointing the cuisse, and at either side at the top and on the poleyn main plate are modern buff leather straps and buckles with modern brass figure-8 buckles. The exterior is bright and slightly patinated. The fifth lame has some damage to its edges in the recessed borders at either side.
L.The right greave (and sabaton, P) extends to the sole of the foot, with front and rear plates articulated at the ankle by three lames at the front and four at the rear, all overlapping upwards. The sabaton is of ten lames, overlapping towards the fifth lame. The toe plate is shaped into a waisted square end and is extended underneath to retain the shoe. The articulating lames on the greave and the sabaton lames are also joined by their original internal leathers, all on pairs of flush iron rivets, with pairs of brass capped iron rivets on the toe and heel plates. At the heel is a spur, lacking its rowel (a six-pointed piece of leather is in place) with a decoratively cusped scalloped and angled neck, and sides riveted to the rear heel plate. At either side of the heel plate, at the lower edge, is a rivet hole for an under-sole strap, now lost. The greave is hinged at the outside with three original hinges, all attached with brass capped iron rivets, and fastened by pierced studs and swivel hooks at the top and bottom, and by a sprung stud at the middle. The sabaton lames are articulated by brass capped iron rivets at either side. The main edges have roped inward turns, the upper edge of the rear plate of the greave with a recessed border. The subsidiary edges are bordered by double incised lines. The exterior is bright and slightly patinated. The stud at the inside of the upper edge is replaced and fitted on a riveted repair. At the lower rear of the heel is a crack and a soldered repair, now salting.
M.The left gauntlet (U) has a cuff is of two pieces, joined by one rivet at either side, and slightly flaring. Inside the wrist is a single wrist plate shaped to the thumb. Outside are three metacarpal lames, a fourth which is extended to include the base of the thumb defense, and a fifth which is shaped to the knuckles. All these overlap upwards and are articulated by rivets at either side. The knuckle plate and the single carpal lame were restored in 1978. The thumb is protected by three scales and the fingers by 6, 7, 7 and 6 scales respectively, a few of which may be original, all riveted to modern leathers. The main edges have plain inward turns bordered by double incised lines and modern brass lining rivets at the cuff edge, and original iron rivets with washers, and a flush rivet at the thumb end on the wrist plate. Inside the gauntlet is sewn a modern leather cuff and a glove. The exterior is bright and slightly patinated. The wrist plate has a large riveted repair, as does the fourth metacarpal lame where it is extended for the thumb. The cuff edge has several areas of minor damage, and a suspension hole at the inner center.
N.The left cuisse (and poleyn, V) cuisse is formed of eight lames articulated by a modern black leather on pairs of rivets at the center, sliding rivets (all modern) at the outside and riveted solidly, entirely with modern rivets, at the inside, with additional restraining leathers at either edge. The poleyn has a main plate with a wing at the outside, and two articulating lames below. The lower of these has a flat main edge, with a keyhole slot at the outside and a large hole for a stud at the inside. All the elements are joined by original brass capped iron rivets with washers. The main edges have roped inward turns, symmetrical with central chevrons, and recessed borders, forming a heart-shaped center on the wing. The subsidiary edges are bordered by double incised lines. At the center top is a modern buff leather tab for pointing the cuisse, and at either side at the top and on the poleyn main plate are modern buff leather straps and buckles with modern brass figure-8 buckles. The exterior is bright and slightly patinated. The cuisse lames are numbered inside I-VIII.
O.The left greave (and sabaton, W) extends to the sole of the foot, with front and rear plates articulated at the ankle by three lames at the front and four at the rear, all overlapping upwards. The sabaton is of ten lames, overlapping towards the fifth lame. The toe plate is shaped into a waisted square end and is extended underneath to retain the shoe. The articulating lames on the greave and the sabaton lames are also joined by their original internal leathers, all on pairs of flush iron rivets, with pairs of brass capped iron rivets on the toe and heel plates. At the heel is a spur, lacking its rowel (a six-pointed piece of leather is in place) with a decoratively cusped scalloped and angled neck, and sides riveted to the rear heel plate. At either side of the heel plate, at the lower edge, is a rivet hole for an under-sole strap, now lost. The greave is hinged at the outside with three original hinges, all attached with brass capped iron rivets, and fastened by pierced studs and swivel hooks at the top and bottom, and by a sprung stud at the middle. The sabaton lames are articulated by brass capped iron rivets and washers at either side, with a modern rivet and washer on the fifth lame. The main edges have roped inward turns, the upper edge of the rear plate of the greave with a recessed border. The subsidiary edges are bordered by double incised lines. The exterior is bright and slightly patinated. The stud at the inside of the upper edge is replaced.
•Dimensions:
oDimensions: burgonet height 300 mm, width 224 mm, depth 330 mm, gorget height 185 mm, width 351 mm, depth 290 mm, right pauldron height 254 mm, width 270 mm, depth 310 mm, backplate height 398 mm, width 404 mm, depth 170 mm, breastplate height 560 mm, width 405 mm, tassets 320 x 200 mm, lance rest length 104 mm, height 70 mm, width 61 mm, right vambrace length 525 mm, right gauntlet length 354 mm, width 145 mm, left pauldron height 254 mm, width 270 mm, depth 345 mm, left vambrace length 506 mm, right cuisse and poleyn length 395 mm, width 182 mm, right greave and sabaton height 456 mm, foot length 275 mm, left gauntlet length 360 mm, width 135 mm, left cuisse and poleyn length 380 mm, width 182 mm, left greave and sabaton height 450 mm, foot length 275 mm, B,C,D,E,F,G,I,K,L,O,P,T,U,V,W as mounted overall height: 1795 mm; width: 870 mm; depth: 630 mm. Armor as mounted without helmet: c.1580 mm.
oWeight: burgonet 2485 g, gorget 1875 g, right pauldron 1860 g, backplate 3160 g, breastplate and tassets 7950 g, lance rest 296 g, right vambrace 1835 g, right gauntlet 810 g, left pauldron 2360 g, left vambrace 1805 g, right cuisse and poleyn 1155 g, right greave and sabaton 1575 g, left gauntlet 790 g, left cuisse and poleyn 1300 g, left greave and sabaton 1570 g, total as mounted 25501g (25.5 kg, 56 lb. 6 oz)
•Component Parts:
oRight cuisse and poleyn
oGorget
oGauntlet
oLeft pauldron
oKnuckle plate
oLeft greave and sabaton
oLeft vambrace
oBackplate
oLeft cuisse and poleyn
oRight vambrace
oKnuckle plate
oGauntlet linings
oRight gauntlet
oKnuckle plate
oLeft gauntlet
oRight tasset plate
oBreastplate and tassets
oArmet
oLance rest
oRight greave and sabaton
oRight pauldron
oLeft tasset plate
oBurgonet
•Inscriptions and Marks: No marks, other than constriction marks cited above.
•Associations:
oPlaces: England, Greenwich
•Bibliographic References
oA.R. Dufty and W. Reid, European Armor in the Tower of London, 1968, plate XLVI.
oC. Paggiarino, The Royal Armories, masterpieces of medieval and renaissance arms and armor, Milan, 2011 volume 2
•Notes:
oThe so-called “William the Conqueror” armor, from its use in the Line of Kings at the Tower.
Part of Phoebe's 21st giftbox... love the dotty embossing on this one... handpainted 'leopard print' spots on the 21 to coordinate with the rest of the giftbox...
The tower is topped with a 6" vanilla sponge covered in embossed icing and a sugarpaste flower creation.
Embossed Leaves socks from Interweave Knits' Favorite Socks. Knit with Dream in Color Smooshy in Spring Tickle colorway using 2mm needles.
3d wall 3d wall paper 3d wall panel 3d wall panels 3d wall decoration 3d wall decor 3d wall deco 3d wall tile 3d wall cover 3d wall covering 3d wall board embossed wall embossed wall paper embossed wall panel embossed wall panels embossed wall decoration embossed wall decor embossed wall deco embossed wall tile embossed wall cover embossed wall covering embossed wall board dimensional wall dimensional wall paper dimensional wall panel dimensional wall panels dimensional wall decoration dimensional wall decor dimensional wall deco dimensional wall tile dimensional wall cover dimensional wall covering dimensional wall board 3d paper 3d panel 3d panels 3d decor 3d deco 3d tile 3d cover 3d covering 3d board 3d decor wall 3d decor wall paper 3d decor wall panel 3d decor wall panels 3d decor wall decoration 3d decor wall decor 3d decor wall deco 3d decor wall tile 3d decor wall cover 3d decor wall covering 3d decor wall board 3d decorative wall 3d decorative wall paper 3d decorative wall panel 3d decorative wall panels 3d decorative wall decoration 3d decorative wall decor 3d decorative wall deco 3d decorative wall tile 3d decorative wall cover 3d decorative wall covering 3d decorative wall board walling wall paper wall panel wall panels wall decoration wall decor wall deco wall tile wall cover wall covering wall board interior wall interior wall paper interior wall panel interior wall panels interior wall decoration interior wall decor interior wall deco interior wall tile interior wall cover interior wall covering interior wall board wallflats 3dboard 3dwalldecor wallart mywallart painel de parede 3d painéis de parede 3d papel de parede 3d paneles en 3d paneles en tres dimensiones panel decorativo de pared decorar paredes paneles 3d www.mywallart.com
By stamping with Bibiana; stencil technique: how to dry emboss with plastic stencils. technique shown with a window masculine birthday card. used memory box stamps and stencils. details at my blog.
stampingwithbibiana.blogspot.com/2014/07/dry-embossing-wi...
I don't think the fancy embossed leather will make a difference to my assets
(and a thanks to Mike Hauptman.. for the proofreading)
Steel, embossed, with traces of gilding
French
end of 16th century
The decoration, originally gilt overall, consists of battle scenes of soldiers wearing classical armor. Now incomplete, the armor once possessed a get (collar) and arm defenses.
Embossing
Embossing involves raising areas of a card surface above the level of the rest. The diagram below shows a coat of arms that has been embossed on bizcard. The images stands out from the card as it has been produced by a stamp which presses the card to the correct shape.
Embossed ribbon cutting cake with matching cupcakes for a young bride.
Design inspired by the amazingly talented Rouvelee.
The Berggruen Museum (also known as the Berggruen Collection) is a collection of modern art classics in Berlin, which the collector and dealer Heinz Berggruen, in a "gesture of reconciliation", gave to his native city for a price well below its actual value. The most notable artists on display include Pablo Picasso, Alberto Giacometti, Georges Braque, Paul Klee and Henri Matisse. The Berggruen Collection is part of the National Gallery of Berlin.
The Bröhan Museum is a museum of art and design in Berlin. It is devoted to Art Nouveau, Art Deco and functionalism, and occupies a late-classicist former barracks in Charlottenburg, opposite Charlottenburg Palace. The museum is organised into "room ensembles", each containing examples of art, design and furniture from a particular phase in late-19th/early-20th century art history. Glassware, metalware and ceramics are displayed alongside paintings, in rooms furnished and decorated accordingly.] The museum also hosts temporary exhibitions on related themes. Many major figures from the history of decorative art and furniture-making are represented, including Friedrich Adler, Peter Behrens, Emile Gallé, Josef Hoffmann, Georg Jensen, Archibald Knox, Bruno Paul, and Henry van de Velde. The painting collection is focused on the Berlin Secession, and includes Hans Baluschek, Walter Leistikow, Lesser Ury and Karl Hagemeister. The museum's founder, Karl H. Bröhan, donated his collection to the city of Berlin in 1981. It had already been on display in Dahlem since 1973, before moving into its current location in 1983.