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Kodak Vollenda 620 for 6X9cm exposures on 620 roll-film Compur shutter T,B,1 to 250 speed with Kodak Anastigmat f4.5/10.5cm lens, Made in Germany c1936
this was my dad's first camera, hopefully he'll teach me how to use it. it needs a new battery, and they don't sell the one it needs anymore. but i really hope i can find one that'll be suitable.
Macro of the processor board of an old Sony a350, shot with a Tamron 180mm f/3.5 lens (despite what the EXIF data says).
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Russian Zenit ~1960.Re-branded Revueflex for German market. Analog (film). No batteries, no electronics or automatic, or light measuring.
A small and simple camera for 3x4cm exposures on 127 film. Made by Ferrania in Italy, from 1959. Made of metal castings and some sheet pressings for the back - so feels quite heavy and solid. Two red windows - to use each film backing number twice for the "half-frame" size. Note the very small, portrait-format viewfinder (on what is quite a small camera to start with); the viewfinder eyepiece on the back is reeealllly tiny.
Two-speed (1/100, 1/50) + B flash-synchronised shutter; Acromatico 58mm f/7.7 focusing lens with a stop for f/12. There is a small red signal on the back showing when the film is advanced.
Looks a lot more delicate than the Ibis 44. See also rear view.
This one has an odd fault: the label around the lens is shifted around by about 10°, so the focus scale is a little off; presumably a manufacturing error. This is how it came; it could do with a little cleaning in the corners here and there.
Ten years separate these products. The Eee was introduced in 2007, the 620LX in 1997 or 1998. The 620LX has a very nice keyboard that you can actually touchtype on. I've typed a few documents on it using Pocket Word. Instead of using a mouse, you use a stylus on the touchscreen. The stylus stores in the side of the 620LX. The Eee uses a customized version of Xandros, the 620LX uses Windows CE 2.0. The Eee has an SD/SDHC/MMC slot; the 620LX has a CF slot. I picked up a couple of the 620LXs from my office, which was going to throw them away. Can't let a totally functional piece of electronics get thrown out.
They say "One man's trash is another man's treasure". Saw someone threw away this vintage thing and I simply couldn't resist myself from picking it up for my collection. Thankfully enough, this player's internal electronics are all good and kicking, but I couldn't verify if it still plays. Created a 9-exposure HDR and applied some mild PS layering stuff.
I used a water slide decal for this graphic. I tried to play to the decals strengths with a photo-realistic graphic.
The vintage Shure model 51 microphone. I have it setup to use with the Johnson Ranger. It has great sounding audio on AM.
Olympus OM-1 MD ~1977
Telesor Auto Zoom 4.5/88-200
Komura Telemore 95, focal doubler
MD stands for motor drive, this is the latter model, motor drive ready.
Design of Yoshihisa Maitani, designer of other iconic Olympus cameras as the Pen F and the XA.
You can read an article about Yoshihisa Maitani at Classic Cameras
This camera with the 50mm lens, the zoom and focal doubler were bought by my brother in law Mário Gamelas, from new, with a gorgeous Olympus case, around 1977, in Andorra.
He gave it to me last Christmas.
Some photos taken with this camera
Watertown, NY. August 2016.
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BMW serie3 330xd e92 AlpinweissIII
Carry-le-Rouet - France
Caméra: Nikon D80
Exposition: 5
Aperture: f/2.8
Longueur focale: 55 mm
Vitesse ISO: 100
Johnson City, TN. June 2016.
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newest addition to the fold. it was at this point that i realized i have become a collector of sorts - but my excitement is in actually shooting them. this one was bequeathed to me by my friend taj, and looked in great condition aside from the 35mm 2.8 lens attatched to it that would not focus. after some research i found that the electronics in this make of the SL35 series tends to fail more often than not, so i was a bit nervous - but, popped a battery in and the camera appears to be metering fine. ordered a 50mm 1.8 from overseas (which took forever to get here) and we're finally set. the 35mm has been sent out for repair. excited to see what this system can do. beautiful camera.
Aus der Zeiss Ikon SL706 entwickelte Rollei die Voigtländer VSL 1. Sie ist eine heute noch bemerkenswerte Kamera.
Mit Original - Objektiven ist Offenblendmesseung möglich (Cds-System mittenbetont ).
Stromversorgung Knopfzelle 1,35 V. Bei Fremdobjektiven und anderen Geräten wird mit Arbeitsblende gemessen.
Das Standardobjektiv Color-Ultron, ist kein echtes Voigtländer Ultron , sondern ein Zeiss Planar. Es steht zwar Voigtländer drauf, aber Zeiss ist drin. Gefertigt wurde die Kamera in Singapur von Juni 1974 - Dez.1976.
Je nach Einsatz war bei den schwarzen Modellen die Lackierung an den Messingteilen oben und unten sehr schnell abgegriffen.So auch bei diesem Exemplar. Das hat aber keinen Einfluß auf die Funktionalität , ist eben nur optisch ein Mangel.
Technische Daten
Typ:Spiegereflex - Kamera
Filmtyp: KB, Negativformat 24x36
Objektiv:Color Ultron 1:1,80/50 mm
Linsenanzahl: 6
Blendenreihe: 1,8 - 16
Entfernungseinstellung: ab 0,45 cm bis unendlich
Objektivanschluß: Wechsel M42
Verschluß: Schlitzlverschluß
Verschlußzeiten: 1/2 -1/1000 Sekunde und B
Blitzanschluß: ja, X
Blitzsynchronisation: 1/125
Selbstauslöser:ja
Zubehörschuh: ja
Sucher: Spiegelreflexsucher mit Prisma
Belichtungsmessung: ja , 12 ASA - 1600 ASA
Filmtransport: Schnellschalthebel
Gehäuse: Aluguss, schwarz beledert
Geliefert: 1974 - 1978
Hino 338 dash interior and HTS Ultra-Rack LED dash release switch IDEC Switches. Hino Truck 338 series and HTS-10T Ultra-Rack Hand Truck Sentry System professionally installed by TransEdge Truck Centers Allentown, Pennsylvania.
A safe, secure, always accessible solution!" ROBERT HAWK - OWNER - Hawk Transport Courier Service LLC. - Dupont, Pa. - MARCH 2009
The HTS Tilt Mount Ultra-Rack Hand Truck Sentry System offers many advantages over the older out-dated factory OEM hasp-bar and strap hand truck carrier racks. The Hand Truck Sentry System eliminates the possibility of the driver leaving the hand truck miles behind; saving route time and fuel. The OEM hasp-bar racks are not designed to accommodate any hand truck model equipped with stair climbers or a nose plate extension. OEM hand truck racks allow hand trucks to tilt and lean outward and shift during vehicle movement. The Hand Truck Sentry System does not require padlocks to prevent theft or bungee cords to prevent leaning, vibration or movement. OEM and Aftermarket hand truck racks require two hands to off-load and reload the hand truck. You need only one hand to operate the HTS Ultra-Rack Hand Truck Sentry.
For Armored Vehicles:
We are confident that we have a safety and ergonomic enhancement that can reduce the amount of times the vehicle vault is opened by 45% percent! Reduce the vault access by hundreds of times per week and also decrease the standard delivery (open-door) time, by hours per week; thereby increasing the armored personnel safety, the vault security, the route productivity; while reducing risk and company liability. We have observed many guards leaning and reaching with their torso inside the vehicle. The guard’s visibility momentarily obstructed, their back facing towards crowded sidewalks and parking lots, while focusing on lifting and handling their hand truck. The hand truck tires and load plate often transfer dirt, mud and snow into the cargo area, causing currency bags and valuable items to become wet or dirty. We have also been informed by armored guards who had injured themselves because they slipped on wet floors within the vehicle and fell onto their hand trucks. We are very confident that our HTS-10T units can increase armored personnel safety, vehicle vault security, route productivity, fuel economy and save armored car companies thousands of dollars per vehicle!
Electronics department at Blackwood, NJ Kmart. I remember this department would usually be in the back by the Grille when it was there.
This is Kodak's modification of a Polaroid 195, to test their own integral print materials for the Kodamatic instant-picture system. The modifications added motorized rollers on the bottom (not visible here) and a manually operated "pick" that turns on the motor and pushes the exposed print unit towards the rollers.
It is, to the best of my knowledge, unique. Kodak must have made at two or three of these, but the whereabouts of the other or others is not know.
Wilkes-Barre, PA. March 2018.
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Manufactured by Yashica Co., Japan
Model: 1970s, (Produced between 1970-86)
TLR film camera, film 120/220 roll, picture size 6x6cm
Taking Lens: Yashinon 80mm f/3.5 four elements in three groups,
filter size: 30 mm Bayonet 1, serial no.1119170
Aperture: f/3.5 - f/32, Settings: in a small window on top of the lens system, via a knob, left side of the lens
Focus range:1-20m +inf
Focusing: Fresnel ground glass screen
Focusing knob: distance marks arranged with a f scale for DOF, left side of the camera,
w/ film type reminder window
Finder lens: Yashinon 80mm f/2.8
Shutter: leaf, Copal-SV, Speeds: 1-1/500 +B, Settings: in a small window on top of the lens system, via a knob, right side of the lens
Shutter release: left lower side of the lens system, w/ cable release socket, w/ locking lever
View finder: waist level, w/ magnifying 3x loupe,
w/ a small sports finder hole for eye-level framing on the back wall of the hood acts by pushing the front cover backwards until it clicks in place.
Release button of cover is on the back of hood.
Exposure meter: coupled CdS cell meter
On/off: by opening and closing of the focusing hood
Exposure metering: based on preselection of the shutter speed, coupled match-needles must be coincide, in a window on the front side of the focusing hood
ASA range and settings: 25-400 ASA, via a wheel right front side of the hood and a small window, near the needle window
Winding crank: also cocking the shutter, right side, double exposure prevention,
and a window for 12 or 24 exposure auto-reminder
Frame counter: advance type, auto-resets via opening the back cover
Flash sync. socket: left upper front side
Flash sync.selector: M, X, by a lever coupled with speed setting knob
Self timer: by a lever on the bottom of the lens system, flash synch selector must be on X
Back cover: adjustable sliding film pressure plate,
and film start marks near the film plate, for 120 or 220 rolls
Cold-shoe
Strap lugs
Tripod socket: 1/4''
Weight: 1100 gr
Battery: 1.3v Mercury, PX625/ PX13, (1.5v PX625A or LR9 might be useful, but the better is 1.35v Zinc/air batteries),
only for exposure meter, compartment lid: left lower side of the camera
Engravings on the bottom : Made in Japan
Serial no. 3.075.162
+ever ready case
Yashica Mat cameras basically are the Rolleiflex inspired, but their build quality is very good.
Mat-124 G is very similar to the former Yashica-Mat 124, except 124G has gold-plated meter contacts and the finish is a low-chrome, nearly total black finish style.