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Olympus OM-D E-M1 + M.Zuiko 12-100 F4 Pro

Z57 reviews and complaints: Wikipedia picture of the day for on February 6, 2016: Zenit-B soviet SLR film camera with soviet Helios-44-2 lens. ift.tt/1Rbp9U7

photo taken with a Sony NEX-7 and a Minolta MC Macro 50mm/f3.5

 

The rollei belongs to a friend. It's a very nice camera, very solid and rugged. I could test it for a week and compare it to my Minolta Autocord. Although the Rollei is really beautiful and reknown for it's quality, I prefer the slightly smaller and lighter Minolta.

Left, TAMRON SP 70-300mm F / 4-5.6 Di VC USD (A005).

Right, SIGMA APO 70-200mm F2.8 EX HSM.

I found this one in a removal box some time ago.

My first SLR inherited from my dad around 1990. He bought it in '82 or '84 as far as I remember.

I did still shoot it on a trip to Peru in 2009 and it did still produce quite pleasing results for an old consumer SLR. It did get its fair share of bumps and bruises over the years though. But maybe it is time to take it out again for some fun shooting. In fact the camera did not matter too much at the time anyway but the lens and film.

I shot this on my small product shooting table / and old commode in fact on which my GF scattered her christmas deco items and did not clean it up yet …

With Canon 50mm F/1.2 lens

The SL was Pentax´s last SLR without built in meter. It was built from 1968 to 1974. The SL has nearly the same body as the Spotmatic and is a real workhorse. This one is from about 1972, was used a lot - and still works perfectly.

 

元のデジ画像を反転させてPC画面に映して複写したので現像すればポジ状態になります。しかし、これは紙フィルムなので引き伸ばしは当然不可能。だからスキャナーにかけて再びデジ化しプリントアウトするしか道はありません、ガハハ。

 

このカメラ、実はトップカバー正面左サイドだけが2代目67に交換されてるけれど中身は初代の6X7(ミラーアップ機能無し)だよと、1999年に中古屋さんで買った時言われたので、製造されてもう45年位は経ってるかもですがまだまだ元気。

Classic combination and perfect match: 50mm on a full frame body.

Was going to buy a full frame dslr this week, didn't happen though :( so got this instead to help keep my G.A.S in check. Well it's definitely full frame! -That's my excuse & I'm sticking to it! Thanks for looking & please feel free to check out my FB page for more of my work... www.facebook.com/SamIrvine.Photography Any looks & likes appreciated!

WEEK 51 – OB WM, Set III

 

Instead of an electronics desk, the Olive Branch Walmart just has two checkouts, kinda like you usually see in the garden center. Of course, these checkouts are the old black ones just like up front! The poster features a similarly old photograph of Don Robertson, the store manager, wearing his old Wal-Mart nametag.

 

(c) 2015 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

I am always fascinated by vintage cameras , this camera belongs to my brother’s father – in – law , knowing my passion for photography he was gracious enough to give me so that I can shoot this as a subject . This is national -35 sprinty c , this camera was enacted during mid 1970s in a CSIR(centre for scientific & industrial research ) facility, National Instruments, at Calcutta. The camera sports the tag, National 35 Sprinty C. It retailed for Rs 780 in 1977. The issues of India Today and Sunday carried the advertisements for the camera in their late 1970s issues.

  

View On Black

This camera was actually made in Germany as Regula Sprinty C by a not so well known German camera manufacturer, King KG. When King KG found the going tough during the 1970s in its camera business due to intense competition from other manufacturers in terms of both pricing & quality, it was slowly losing interest in camera manufacturing. In 1977, the designs, tool kits and all the necessary infrastructure to produce NSP SBC was bought by National Instruments, Calcutta. There are no figures about how many units National Instruments manufactured and sold.In those days India had a soviet style of approach towards industrial enterprises , they were named PSU(public sector units ) even though some dozen of those PSU are still functioning even in today’s cut throat market economy , but national instruments camera manufacturing project had to be aborted , one can see the industrial ruins for this I will recommend this blog darklythroughalens.wordpress.com/2010/01/02/the-autopsy-o...

You can see some interesting insights into India's only attempt at camera manufacturing by two independent photographers, Manas Bhattacharya and Madhuban Mitra.

 

By twisting the large hour-glass latch in the middle of the film back, you open the camera. The dials and lettering littering the open/close latch tend to give the camera a feeling of complexity and quality that isn't reflected in the reality of the camera.

Another old camera shot on the dining room table with a cheap light set up.

Lighting and photo by Marcel.

So secret they had to seal them in resin modules.

Fed 2 with Industar 26m 5cm f2.8

Newark, NY. August 2017.

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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com

Found these pretty blue gizmos while scavenging in my husband's electronics stuff. I'm told they are bypass capacitors for suppressing power supply noise. He's been building computers and other stuff since he was a young boy, and now that my son has similar interests, the volume of stuff has gotten way bigger. They build my son's desktop gaming computer last year, amongst other things.

 

May 2012 Scavenger Challenge #7. Represent a science (physics, chemistry, biology, etc.) or scientific method in an image.

 

Taken with iPhone 4S.

This is the "Polaroid Time-Zero OneStep (SX-70 Rainbow)" camera, it is a Polaroid Land Camera that was produced by Polaroid in 1981.

 

This is a classic example of a Polaroid instant camera from the 1980s. The body of the camera is made entirely out of plastic. The camera features a 1 element plastic lens with a fixed aperture (f/14). An exposure compensation control dial which is combined with an “electronic eye” (light sensor) located on the front of the camera. The camera would have originally came bundled with the "Polaroid Flash Array"; which was a row of miniature flashbulbs that would have attached to the top of the camera (although other flash devices were also available at the time; such as the "Polaroid Q-light" flash attachment) This camera was meant as a replacement for the original "OneStep", which was produced from 1977 to 1980. The original "Polaroid OneStep SX-70" features a white face plate, while the later version (the "Time-Zero" shown above) had an all black chassis; both versions featured the classic Polaroid "Rainbow" stripe on the front of the camera.

 

The camera would have originally used Polaroid's SX-70 instant film; which is no longer produced by Polaroid. However, the SX-70 film can still be obtained through "The Impossible Project" website. The main breakthrough with the SX-70 film pack was that it allowed for a much faster development time, hence the name "Time-Zero". It also reportedly featured richer and brighter colors than pervious instant films. An interesting fact about the SX-70 series is that the actual "battery" for the camera is contained within the film pack itself. The "PolaPulse" battery is simply a thin flat 6 volt zinc-chloride battery; which was responsible for powering the internal electronics. Which includes the motors, exposure control, and light sensor; as well as signalling flash device to fire.

 

A PDF version of the manual for the "Time-Zero StepOne" can be found at:

www.cameramanuals.org/polaroid_pdf/polaroid_one_step_sx70... (Part 1)

www.cameramanuals.org/polaroid_pdf/polaroid_one_step_sx70... (Part 2)

In celebration of my 20,000th picture upload to Flickr, I give you a look at something that combines both my LEGO and our retail interests: a proper LEGO department store made from LEGO in minifigure scale.

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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com

Voigtlander Septon 50mm F2.0

DKL

Front view of an iconic camera. A small precision 120 film reflex camera that had a number of automated features designed to make it user friendly and quick to use. These design features coupled to excellent build quality and the finest lens and shutter in the business was what made these cameras so special. A reputation that was built on to make Rolleiflex cameras legendary.

 

Launched in 1932, this was the first Rolleiflex to take 120 film, the first to have a lever wind and the first to have peep windows for the aperture and shutter speed.

 

Although mine has a few scrapes, everything works as well as it did when it was new. In fact it produces better pictures now than it did when it was new, due to the advances in film technology. That fact really amazes me. How many things can you think of that work better 80 years on than they did the day they were bought?

 

I love the simplicity of these early models. No glitz, no needless decoration...no 'bling'. A simple, beautifully engineered machine finished in satin crackle and gloss enamel black paint. A tool fit for purpose.

 

These models are the cheapest entry into Rolleiflex photography because everybody hankers after the late model 'F' cameras. I sold my mint condition F because I was scared to use it as it become so valuable. That and the fact that I actually preferred the results from the old Standard.

 

I prefer the look that the Tessar lens gives, especially with the almost perfectly circular aperture that these early cameras are fitted with. If you like good bokeh, you've come to the right place! The flare associated with an uncoated lens also works wonders in taming contrasty slow speed black and white film.

 

You can pick up a good working condition old Standard for £100-£120. However, stalk a certain internet auction site and look under box cameras, listed as 'a old camera' and you may well pick up a bargain like I did. Happy hunting - they are out there!

  

Photographer/Model: Gabrielle OHare

 

Skin: PinkHunt - CStar

Hair: Pandora Cyberfalls - +DV8+

Outfit: CyberJammer - +DV8+

Accessories: Deathrock - +DV8+

I know...Subtle.

 

Fuji GW690III

Fuji Neopan 400 pushed to ISO 1600

HC-110 - Dilution B - 12 minutes @ 68° F

The twelfth camera I owned. I moved away from a large expensive DSLR with detachable lenses and opted for a super-zoom bridge camera. I took this camera around South East Asia and it never missed a beat. I bought it in 2013 and sold it in 2014 when the FZ1000 was released.

Got a new Canon EF 50mm f1.8 M2 lens. Turns out, It rules.

 

Straight from the camera. No adjustments apart from a resize.

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