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Hazleton, PA. August 2016.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com.
manual focus:
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Nikkor 2.8/24 Ai
Nikkor 2/35 Ai
Nikkor 1.8/50 Ai
Nikkor 1.8/50 AiS
Nikkor 1.4/50 Ai
Nikkor 1.4/50 (non Ai)
Nikjkor 2/50 Ai
Nikkor 2.8/135 Ai
zoom-Nikkor 3.5~4.5/35~135 mm
Vivitar Series 2.8/35~85 mm
Autofocus:
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AF Nikkor 1.8/50 D
AF Nikkor 1.8/50 (non D)
AF Nikkor 1.8/85 D
AF Nikkor 4/70~210
AF Sigma 2.8/28~70
Here then is the Contax Zeiss T*85/1.4 Planar, converted with Mr David Lladó's 'Leitax' Contax to M42 conversion kit - www.leitax.com.
Then, a chipped M42-A mount adapter featuring the correct Exif data produced by James Lao was added.
Used in AP mode, the camera automatically adjusted the metering, and I manually adjust the focus and aperture. It was all dead easy to do and now I've got the best of both worlds (for me) - high quality manual focus mechanisms and glass with the full frame, sensor based shake reduction system of the A900.
Canon Demi EE17 in 1966 makes me recall good young days.
You can see my Blog which introduces this camera by the following URL. nakajimaak.exblog.jp/12923322
Tipo de cámara: Compacta,
Año de fabricación: 1963-1967
Objetivo: Laotar 45mm f:3.5 Anastigmático/ Laotar 45mm f:2.8 Anastigmático
Obturador: Velocidades de 1/30, 1/60 y 1/125.
Diafragma: Tipo iris con aperturas de 3,5 a 16
Tipo de pelicula: 135 (Universal)
Say hello to the new guy on the team.
I didn't knew Leica created SLRs in the past, I've always thought Leica only did rangefinders.
I'm waiting for a battery for the meter system to start giving it a full run.
All I can say is the camera is built like a tank (and weights like one) and its beautiful to look at.
Yesterday night, I was at “Unboxed” concert to cover the release of their new EP at Sala Taboó.
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Hier soir j'étais au concert de “Unboxed” pour couvrir la sortie de leur nouveau EP à la sala Taboó
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Ayer noche, estaba al concierto de “Unboxed” para cubrir el estreno de su nuevo EP a la sala Taboó.
This is an early Vito B with the short deck (and consequentially small viewfinder). But it looks better than the later tall version. Nothing really wrong with it, all the speeds work, and the delay timer isn't stuck. But the timer is a bit slow, and the focusing squeaks.
this picture kind of reminds me of EPCOT in the whole futuristic section. you know... where the big golf ball is? well, at first glance, it looks so crisp and clean. typical new-age (almost futuristic looking) technology. but if you look closer,its a filthy mess. all of the corners packed with disgustingness that the workers just sweep behind in the mornings since they're too lazy.this picture goes right along with their laziness, quite proudly.if you look closely, my ipod has a food smudge on the screen, the keys are kind of dirty, and the screen of the laptop is filthy... this whole mess was, of course, my fault for deciding to "myspace" right after lunch. savvy?
A few months searching & the correct 1960's Paddy Hopkirk wheel presented itself in Surrey, the original horn centre fits like a glove, much better than the later aftermarket ones, you can't beat waiting for the correct parts
Here's what I'm using:
- Canon 7D body
- Canon EFS 17-85 f./4 IS USM
- Canon EF 24-105 f./4L IS USM
- Sigma AF 70 f./2.8 EX DG Macro
I also use a U-fly steadycam for filming.
Fake paper ipod... Here's the link. homepage.mac.com/colinbaxter/ipod/oldipod.htm
I printed mine on photo paper and it looks more realistic compared to just printing it on card stock.
Olean, NY. October 2019.
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Kingston/Edwardsville, PA. June 2015.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com.
1972, zwei Jahre nach Erscheinen der 35 RC, bringt Olympus eine vollautomatische Version dieser Kompaktklasse heraus. Die 35 ECR besitzt den damals recht verbreiteten Blendenverschluss „Seiko ESF“ (wie z. B. in der Ricoh 35 electronic), d. h., die Verschlusslamellen fungieren gleichzeitig als Blende. Der Verschluss lässt Zeit/Blende-Kombinationen von 4 Sek./Blende 2,8 bis 1/800 Sek./Blende 13 zu. Auch die Minolta Hi-Matic F funktioniert mit dem fast identischen "Seiko ESL".
Man weiß allerdings nicht, was die Automatik eingestellt hat, die Werte werden nicht angezeigt, nur ein orange Lämpchen warnt vor langen Zeiten. "B" gibt es nicht, dafür die berühmte Blitz-Automatik, bei der sich nach Einstellen der Blitz-Leitzahl die Blende nach der eingestellten Entfernung richtet.
Das Objektiv ist das ausgezeichnete E. Zuiko 2,8/42 mm wie bei der 35 RC, sogar dieselbe Spezial-Gegenlichtblende kann man verwenden.
Die Abmessungen der 35 RC und 35 ECR sind gleich, beide haben auch einen gekuppelten Entfernungsmesser. Allerdings ist der Hebel neben dem Objektiv bei der ECR kein Selbstauslöser wie bei der RC, sonder „nur“ eine Auslösesperre.
Ein Problem sind die nicht mehr erhältlichen dicken 640er Quecksilber-Batterien, von denen man 2 Stück zu je 1,35 Volt benötigt hat.
Es gibt aber "legale" Nachfolger, die in der Größe (doppelt so dick wie "normal"!), aber nicht in der Spannung passen:
www.akkushop.de/px640-alkaline-batterie-640px-15-volt-px6...
Ein Negativ-Film verkraftet die Abweichung.
Eine andere Möglichkeit ist folgender Adapter:
In den kann man die verfügbaren SR44 (1,55 V, Silberoxid), LR44 (Alkaline, 1,5 V) oder die 675er Hörgeratebatterien reintun. Letztere sind sehr günstig, haben sogar passende 1,4 V, aber halten nicht so lang.
Die dritte Möglichkeit: Man füllt ein Fach mit zwei dieser Batterien:
www.preis.de/produkte/Varta-V-625-U-Alkali-Mangan-15V/567...
Das andere Fach wird zur Überbrückung mit Alufolie gefüllt, wobei man das auch professioneller machen kann.
Crutches - Jazz & the City - 18.10.2024 - Toihaus Theater
Besetzung:
Olga Reznichenko: Keyboard;
Jan Frisch: Gitarre und Bass;
Laure Boer: Electronics;
Valentin Schuster: Schlagzeug;
WEEK 1 – Memphis Kmart Closing, I
A look at the barren electronics department, which had also gradually become home to mattresses and appliances as Kmart's selection of electronics dwindled down. Not much of any of the three departments remained.
(c) 2017 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
6636展は本日スタートです
チーム6636のメンバーが中判フィルムで撮影した６×６フォーマットの写真を一人一枚展示しています
お時間があったらぜひお立ち寄りください
とき・ところ
5.27〜6.8（月曜休廊）
12:00〜19:00
港区南青山3-8-5 M385 Bldg
ナダール東京
ギャラリー晴れ
おうちギャラリーヒトコロ
THE FORMER BT PHONE KIOSK HAS BEEN TRANSFORMED FROM A TELEPHONE EXCHANGE TO BRITAIN'S SMALLEST LIBRARY. THE BRITISH TELECOM’S “ADOPT A KIOSK” SCHEME ALLOWED LOCAL COMMUNITIES AND PARISH COUNCILS TO ADOPT THEIR RED TELEPHONE BOXES WHICH WOULD OTHERWISE HAVE BEEN REMOVED. SINCE 2009 OVER 1,500 HAVE BEEN ADOPTED, MANY OF WHICH HAVE BEEN USED TO MAKE THE BOOK SWAP LIBRARIES. THE ORIGINAL TELEPHONE HAS BEEN REMOVED AND REPLACED WITH A BOOK SHELVES AND BOOKS FROM THE LOCAL PEOPLE. THE IDEA IS TO GIVE A BOOK TO THE PHONE BOX LIBRARY AND TAKE ONE FROM THE LIBRARY TO READ AT HOME.
Clarksburg, WV. June 2016.
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BODY
Manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, former East Germany
Model c.1965, Version 6.0, (A&R: 1, Hummel: 028), produced between 1963-67, quantity 104400
All Exakta Varex IIb produced between 1963-70, quantity 218000
Version, manufacturing year and body info are as to Andrzej Wrotniak
35 mm film SLR camera
Engraving on the top plate: Ihagee Dresden
Lens release: via a lever on the left of the lens flange
Focusing: via Fresnel matte glass screen, ring and scale on the lens, w/DOF scale
Shutter: horizontal focal plane double cloth type,
Speeds
1) Fast speeds 1/30 -1000, +T, B, dial on the left of the top plate, setting: lift and turn
2) Slow speeds 1/5 - 12 second, dial on the right of the top plate; Setting: cock the shutter, set the fast speeds dial to B, then turn the slow speeds dial clockwise as far as it will stop, then lift and turn the outer ring of the slow speeds dial to desired speed (black engravings on the dial), then shot
Cocking lever: also winds the film, long-stroke type, right-to-left film transport,
on the left of the top plate
Shutter release: a knob on front of the body, left side of the lens, w/ a safety locking cap and cable release socket, it can be pressed with the plunger on the lenses, w/ cable release socket also
Self-timer:
1) For fast speeds: after cocking and selecting the high speeds, turn the slow speeds knob as far as it will go and set it by outer ring to any one of the red figures, then shot; the time elapse will be 13 second
2) For slow speeds: cock the shutter, set the fast speed dial to B, then turn the slow speeds dial clockwise, then lift and turn the outer ring of slow speed dial to desired time elapse to 1/5-2-4-6 seconds (red engravings on the dial), then shot
View finder: SLR penta-prism finder, interchangeable with waist level finder
Finder release: simply pull-up the finder
Mirror: not instant return, stays up after exposure, cocking the shutter returns the mirror
Frame counter: coupled with winding lever, additive type (S, 0-36) resets with a knob
Re-wind lever: folding crank type, on the bottom plate
Re-wind release: via a push knob beside the winding knob
Memory dial: on the low speeds dial
Special take up spool
Back cover: Hinged and detachable
Flash PC sockets: three, on front of the camera, FP, F, X, sync.1/60 (seperate on the fast speeds knob)
Film-cutting knife: handle on the right of the re-wind knob
Tripod socket 1/4''
Strap lugs
Body serial no.1077138
LENS
Ihagee (Jhagee) Anast. Exaktar 54mm f/3.5 Mount: bayonet; Manual settings, serial no.911715
Aperture: f/3.5-f/16, no click stops
Focus range: 0.8-24m +inf
Lens barrel: silver (steel, very heavy)
Made for pre-war Kine Exakta
This lens is similar with Meyer Optic Primotar 54mm f/3.5. Thus, this Ihagee Exaktar lens was made by Meyer-Optik, in early 1940s.
Some of the old model Ihagee cameras have Ihagee labelled lenses, but these are manufactured by other makers.
Since all of the Ihagee factory records were destroyed in WW2 - there is no 'easy' information for pre-war Ihagee cameras.
The Exakta mount did not provide any coupling for the lens aperture or otherwise, therefore any lens could be used with any body made from late Thirties to the Seventies.
Lens info is as to in Exaktaphil by Miles Upton
and in Captain Jack’s Exakta Pages
Exakta is one of the very first SLR cameras in the world and Exakta was quite expensive camera and it was used mostly by the professionals.
Ihagee never made lenses of the own brand. Many manufacturers made lenses for Exakta, especially Carl Zeiss Jena.
The true Exaktas and Exas are ones made by Ihagee in Dresden. Ihagee Kamerawerk Steenbergen & Co, in Dresden, which was the largest independent camera manufacturer in Germany and was founded in 1912 by Johan Steenbergen.
I use the Exa/Exakta classification of Andrzej Wrotniak. As to me, it is the best.
Some opinions of a serious Exa/Exakta collector, F W Tappe :
Andrzej Wrotniak uses a very sensible classification, listed on his website, which I personally like the best. It is multi dimensional in setup, without being complicated!
Richard Hummel's 1995 book lists an "one dimensional" classification, which is incomplete, but many sources still refer to this.
Aguila and Rouah (A&R) in their 2003 edition of "Exakta cameras 1933 - 1978", come to an improved classification. They built on their previous 1987 edition classification, which was the leading standard among collectors.
Klaus Wichmann, prolific writer of books about Exakta - and Exa cameras, published his classifications earliest.
More info :
in Exakta Pages by Captain Jack ,
Exacta org by Maurizio Frizziero,
in Exacta cameras by F W Tappe,