View allAll Photos Tagged electronics
Photo taken one month ago....one lamp didn't work.
Now it is not exist, even though a small lamp.
Lost in fire.
- Explored, Febr 21, 2012, #472
I will be using this camera in week 338 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
My prototypes for the 4 hood's i've designed so far.
The two for CV 21mm and CV 25mm are still going through testing at the moment, so aren't yet on sale.
I'm used to a strange allotment of worth in my life. My truck barely worth the gas I put in it always has crazy expensive bikes and kites and skiing gear in it. But my work desk is normally pretty standard. I've got a few shiny Apple products for work and play, but recently I added a new desk ornament, which again throws off the value perceptions.
This is the result of many many many a long and stressful night spent on my Senior Design project at the University of Colorado. Basically, it is a just crazy fancy camera. I was tasked with building it up from scratch, starting with the sensor. That baby is a $5000, 5 Megapixel sCMOS sensor. It costs so much because it is more sensitive than any sensor in our pretty DSLRs, and reads out about 10x cleaner images. Oh, also it happens to read out at 100 FRAMES/SECOND, at full 16 bit resolution (higher than our fancy cameras too. The thing spits out gigabytes/second of data! This was my first time designing any electronic systems, so was pretty stoked when it finally worked.
Now, I have a few of these boards and 3 or 4 sensors sitting in boxes in my garage. At one point they were rediculously expensive pieces of cutting edge technology, now they're just pretty pieces of silicon. Makes for a cool desk decoration though! Perfect mix of nerdiness and photography for me, always keeps me motivated when it catches my eye.
Here's our little engineering site/blog in case anyone is interested.
More Places to find me: Zach Dischner Photography | 500px
Blog: 2manventure
Serious electronics, inside an abandoned manufacturing plant. This location no longer exists.
Night, totally dark space, 30 second exposure. Natural LED flashlight and lime-gelled strobe.
Far more interesting when viewed LARGE!
A strobist product shot of my Rolleiflex.
Strobist info:(Setup shot below)
Studio strobe thru softbox cmaera left @ 1/16
Sb-600 with blue gel at bg @ 1/4
mirror subject right
© 2016 Thousand Word Images by Dustin Abbott
Here's some photos of the new Canon EOS 5D Mark IV. It's a great camera, despite that somewhat negative buzz that accompanied its anouncement. I've got a new video that highlights my "Picks and Pans" thus far with the 5D Mark IV that you can see here: bit.ly/2cKNl14 or see an image gallery with a lot of photos along with some 4K stills grabs here: bit.ly/2cwFmEX
Technical Information: Canon EOS 5D Mark IV + Canon EF 100mm f/2.8L Macro IS, Processed in Adobe Lightroom CC, Photoshop CC, and Alien Skin Exposure X (use code "dustinabbott" to get 10% off)
Want to know more about me or make contact? Take a look at my website and find a lot of ways to connect
Often dismissed as being too large to be practical outside the studio, the Fuji GX680 III (far right) when compared to other camera that feature movements is not all that much larger. The all metal Toyo 45a, a favorite field camera is only 3 pounds lighter, by the time you add a lens and four or five film holders, then it's a wash. The Arca is much lighter, but the ungainly view camera shape make it difficult to carry without breaking down the camera into it's components, making set-up time more laborious than the pretty much instantly ready Fuji.
Gorgoues lenses. If you get a chance, buy one.
For portraits and softer lens choose the f1.2 version.
If you want tack sharp center grab a cheaper f1.4.
Canon EOS 5D Mk III + Canon EF 50mm f/1.2 L USM
Image illuminated using window light / White stripes were created using a LED torch.
Exp 15 seconds, f32, ISO 100.
See setup flic.kr/p/r4zvHV
© Jeff Land Photography
A better shot with better lighting. Not using flash, but took advice from www.flickr.com/photos/dzinks/ anyway. Daylight from front + white cardboard behind to reflect back + daylight-type artificial light from the side.
-- Alpa Reflex Model 6 Camera (S/N 36xxx) -- 1956-1959
-- KERN-SWITAR 1:1.8/50 AR (S/N 920xxx)
Body weight = 631g
Taken with a Canon T2i/550D and Canon 100mm f/2.8 Macro lens at f/5.6. 58 1/30-second exposures at ISO100 in a focus stack (DoF stack) were combined with Zerene Stacker using DMap mode. Shooting was done tethered to a PC using the Canon EOS utility. Focus stepping was done by pressing the live view ">" focus button once between each exposure in the stack.
When I acquired this German beauty, it was already several decades old. But it was my only camera for about 4 years, along with a hand held meter. It taught me everything I needed to know until the digital age.
None of my photos may be reproduced and/or used in any form of publication, print or the internet without my written permission. Please contact me if you would like to use one of my images.
Best viewed with a loved one and a nice Riesling.