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© Ben Heine || Facebook || Twitter || www.benheine.com
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A picture I recently took in London, UK. I love the fact that there is a
strong connection between the red booth and the ad on the bus... That
was a pure coincidence. I'll soon share a huge panorama of the city.
The above photo has been shot with the Samsung NX10,
provided by Samsung Electronics. Co., Ltd
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For more information about my art: info@benheine.com
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Die kleine Box, the small box;
Fotoapparat, camera: Zeiss Ikon Box-Tengor 54, Baujahr, year of manufacture: 1933-39;
Objektiv, lens: Goerz Frontar, 11/70;
Rollfilm, rolls 120 6x4,5 cm
Die große Box, the large box;
Fotoapparat, camera: Zeiss Ikon Box-Tengor 54/2, Baujahr, year of manufacture: 1934-38;
Objektiv, lens: Goerz Frontar, 11/110;
Rollfilm, rolls 120 6x9 cm
Hergestellt in Deutschland; Made Germany
Aufnahme, picture: 2014; digital
Album - Fotos mit historischer Kamera:
Album - Photos with historic camera:
A little TLR TLC.
Decided to show a little loving to a couple of recently purchased medium format TLR cameras. Gave them a little cleaning and dusting and then a little family portrait to commemorate the event.
Captured using a Sony Alpha 6000 (ILCE-6000) camera with Carl Zeiss Jena Tessar 80/2.8 lens mounted on a Fotodiox NEX-M42 adapter.
On East Hastings Street with its hidden house in the back. This old storefront is notoriously difficult to photograph as there's usually a car parked right out front. On Saturday I lucked out with no car and the light was just fabulous too. Despite looking like it's from another era (there are dot matrix printer boxes in the window) the place is still going and has very good reviews!
Pour moi, la photographie est une affaire de « capteur ». Voici un « tabletop » de mes appareils photo. 2 numériques et 3 argentiques. Tous ont une taille de capteur différente. Micro quatre tiers, moyen format numérique, moyen format argentique et grand format. C’est un peu ce qui justifie que j’ai ces 5 caméras. En réalité, une sixième vient de rejoindre le groupe, mais elle n’est pas encore fonctionnelle. J’y reviendrai.
Donc, voici un tabletop ayant pour sujet mes appareils photo. La photographie a été prise avec un appareil de grand format 4x5, de marque Toyo. C’est un monorail que j’ai déjà affiché ici. C’était très difficile de faire cette photo en raison de la focale que j’utilisais, entre autres. J’ai donc dû utiliser des subterfuges comme « l’effet scheimpflug » pour obtenir le plus de profondeur de champ possible. J’ai utilisé deux « setups » d’éclairage. Un avec des fresnels au tungstène et l’autre avec des flashs. Finalement, celle-ci a été faite avec les flashs (4). Je dois dire que tout ça a occupé la ma journée presque en entier. Mais ce fut une partie de plaisir!
For me, photography is a matter of "sensor". Here is a "tabletop" of my cameras. 2 digital and 3 argentics. All have a different sensor size. Micro four thirds, digital medium format, medium and large format film format. It's justifies that I have 5 cameras. In reality, a sixth has joined the group, but it is not yet functional. I will get back on this soon. So here's a tabletop that take my cameras as subject. The photograph was taken with a large format 4x5 camera, Toyo brand. It is a monorail and I have displayed it here once. It was very difficult to make this picture because of the focal lenght that I have used. So I had to use subterfuge as "Scheimpflug effect" to obtain the most depth of field possible. I have used 2 setups of lighting. Fresnels with tungsten and the other with strobes. This one has been made with the flashes. (4) I must say that all this has occupied my day almost entirely. But it was a pleasure!
Press L to view in full screen.
Super Paxette I L 35mm coupled rangefinder camera Prontor-SVS shutter B,1-300 speed with Katagon f2.8/50mm lens, Made in Germany by Braun c1958
I will be using this camera in week 338 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
A better shot with better lighting. Not using flash, but took advice from www.flickr.com/photos/dzinks/ anyway. Daylight from front + white cardboard behind to reflect back + daylight-type artificial light from the side.
Gorgoues lenses. If you get a chance, buy one.
For portraits and softer lens choose the f1.2 version.
If you want tack sharp center grab a cheaper f1.4.
eleven
The husband's latest toy. He got a nice little bonus at Christmas and decided he needed another camera. Now I see why. The Xpro1 is awesome!!! The bonus for me is I get his D700. :)
HCS because taking a photo in the mirror is so cliche.
I still can't fully get my head around the levels of perfection of this camera, from the design to the specs and even the sounds she makes, it is literally the most amazing camera I have ever laid my hands on.
The Hasselblad 501CM is a mechanical, medium-format, single-lens reflex camera. It was introduced in 1997 and is part of the Hasselblad V System.
The camera body is a one-piece, cast aluminium alloy shell with 3/8" and 1/4" socket threads and tripod plate for rapid mounting with the Hasselblad tripod quick-coupling accessory. Fitted with GMS (Gliding Mirror System = Nom!) which provides a full image in the viewfinder with virtually all lenses. Film choices are 120 and 220 roll film, 70 mm perforated film and Polaroid film with accessory magazines. Simultaneous manual shutter winding and film advance. Leaf shutter with speeds from 1 s to 1/500 s and B. The leaf shutter provides flash synchronization at all shutter speeds. Meter Prism Viewfinders available as accessories. there are Interchangeable focusing screens for different applications, folding focusing hood with 4.5x magnifier that can be exchanged for: reflex viewfinders, magnifying hood, prism viewfinders (45° and 90° viewing angles) either with or without built-in light meter.
-- Alpa Reflex Model 6 Camera (S/N 36xxx) -- 1956-1959
-- KERN-SWITAR 1:1.8/50 AR (S/N 920xxx)
Body weight = 631g
Taken with a Canon T2i/550D and Canon 100mm f/2.8 Macro lens at f/5.6. 58 1/30-second exposures at ISO100 in a focus stack (DoF stack) were combined with Zerene Stacker using DMap mode. Shooting was done tethered to a PC using the Canon EOS utility. Focus stepping was done by pressing the live view ">" focus button once between each exposure in the stack.