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My collection of the white Minoltians :)
Top left: Minolta 200mm f2.8 HS APO G
Top right: Minolta 80-200mm f2.8 HS APO G
Lower left: Minolta 100mm f2
Middle: Minolta 35-105mm f3.5-4.5 (limited white)
Lower right: Minolta Maxxum 5200i flash (limited white)
Taken with Sony A77 + Sony 50mm f1.8 SAL50F18 lens + Sony HVL-F43AM flash
This picture was taken during a "mini photokina" event at the Leica Ginza Shop on Sunday Oct 5th. Two of the Leica design engineers had brought over all new products, including the S2, M8.2, Noctilux 0.95, Summilux 21 and 24, D-LUX 4 and the new projector.
The S2 is built like a tank and oozes solid engineering. All components are developed by Leica, including the sensor and electronics. The lenses are awesome. Though the body is in the same size class as a D3, the lenses are very large - not your snapshot camera... The Leica staff were very helpful and it was great to talk to the people behind the scene. Their next new product will be the digital R10 with, yes, auto focus. It might feature sensor technology derived from the S2.
Taken with Leica M8 Summilux 50mm
(Canon EOS 7D; 19.02.2011; 1/80 at f/1,8; ISO 6400; white balance: Auto; focal length: 50 mm)
[ View On Black ]
Sold my trusty D700 today and decided to buy a DF.
I've been playing around a little these days with my FM2 and like the feel, weight, retro look etc. The DF is Nikon's lightest full frame so I figured why not. Also I've been getting lazy with deleting, so my fat D800 images are bloating up my storage. The smaller images and better low light capabilities should suite my current needs well. I went with the black.. I have some old silver Nikon's as well but I just like the black better and I heard that back in the day the black actually cost a premium too... also heard that less black DF's we're manufactures. No idea if it's true but that's where my head was at for the black. I agree the silver looks more retro but also thought it might get marked up more easily? Both lens are a 50mm 1.8s.
5' Soft box camera left with alien bee triggered by pocket wizard plus III.
Deutsch
Das Bild wurde mit der Canon EOS 600d und einem analogen Canon FD 50mm f/1.8 und einen umgebauten Soligor MP Auto Tele Converter 2x To Fit
aufgenommen.
English
The picture was 50mm with the Canon EOS 600d and an analog Canon FD f / 1.8 and a converted Soligor MP Auto Tele Converter 2x To Fit
was added.
Having been very lucky over the past few months, i've been able to put together the sort of film camera bag i never thought i'd be able to.
Today it was finished off with an excellent Outfit Case in the form of a classic Billingham L2 in weatherproof canvas, tan leather and brass.
I chose this one because it perfect fits my 3 camera setup, while still offering space for a 4th camera, film and, of course, my wallet.
Inside we have the following
Leica M6TTL + Voigtlander 50mm Nokton f1.1
Leica CL + Voigtlander 15mm Super Wide Heliar f4.5 + 15mm viewfinder
Leica M2 + Leica 35mm Summaron f3.5 (waiting to be repaired and recovered, so not taken out atm)
Lomo LCA (Lomo Compact Automatic) 32mm f2.8
Film box + 6x 35mm rolls
Aaaaand my wallet
The films are:
Kodak Ultramax 400 Colour
Kodak Ektar 100 Colour
Kodak Elite Chrome Extra Colour 100 Color Slide
Lomography Redscale XR 50-200
Fuji Neopan Acros 100 Black and White
Kodak Tri-X 400 Black and White
Needless to say, i'm thoroughly chuffed with this setup and while i won't always fill the outfit case with everything shown here, i almost certainly always go out with at least 2 bodies and some cash.
Understanding Witches Now
@
Washington High School
SE 13th/SE Stark
September 7-16: Open Daily, 12-6:30pm
September 20-29: Thu–Fri, 12-6:30pm; Sat 12-4pm
Vredeborch war vor allem bekannt als Hersteller preisgünstiger Kameras für das Mittelformat, wie z. B. dieser Box oder der Felica. Viele davon wurden an Vertriebsfirmen geliefert, welche die Apparate mit eigenen Namen versahen.
1959 beschloss Vredeborch, auch in das Kleinbildformat einzusteigen. Anlass war u. a. die Anregung des indischen Geschäftspartners. So entstand eine preisgünstige Kleinbildkamera, die Felinette. Da aber Kodak-Pathé wegen Ähnlichkeit mit eigenen Produkten Einspruch gegen diesen Namen erhob, hieß die Kamera ab 1960 Felicette. Von dieser Version gab es vier Varianten. Bei drei von ihnen hieß das Objektiv Nordinar 3,5, die vierte Ausführung hatte ein Nordina 3,5. Um den Fotoapparat wertvoller aussehen zu lassen, wurde eine Belichtungsmesser-Attrappe eingebaut und eine Seriennummer ins Objektiv graviert, die aber immer diesselbe war.
Erwähnenswert ist der Umstand, dass die Blende immerhin aus 8 Lamellen besteht, die eine annähernd kreisrunde Blendenöffnung ergeben. Gespart wurde dagegen an einem Zahnrad für den Filmtransport. Das hat zur Folge, dass sich die Stegbreite zwischen den Negativen ändert, weil sich der Durchmesser der Aufwickelspule fortlaufend vergrößert.
Da Kodak-Pathé der Name Felicette immer noch nicht gefiel, wurde die Kamera 1965 in Felicetta umbenannt, geändert hatte sich sonst nichts. Auch der Preis blieb bei 49,80 DM. Die Felicetta gab's bei Neckermann als Junior 35, beim Otto-Versand als Panorama 35 und in England fand man sie als Prinz-Pilot.
Es gab auch einen – von Vredeborch nicht lizenzierten – Nachbau der Felicetta von Halina, der wiederum von Foto-Quelle als Revue 35 vermarktet wurde, ebenfalls ohne Lizenzanfrage bei Vredeborch.
1963 erschien die Felicette L bzw. Felicetta L mit eingebautem Blitzbirnchen-Reflektor. Das letzte Modell der Felicetta-Reihe war dann die Felicetta BL 35, die von 1965 bis 1974 produziert wurde, als Panorama LR 35 auch für den Otto-Versand.
Meine Informationen entstammen hauptsächlich dem Buch von Harald Goergens: Vredeborch – Die Geschichte einer erfolgreichen Firma (Osterholz-Scharmbeck 2001).
This is my first D-SLR and my newest camera. For this shot I had a north facing window to the right of the camera, a flash with a blue gel and diffuser behind the camera to the right, and a reflector to the upper left to catch some of the window light. I have been having a problem synchronizing my slave flash with my new Rebel, my slave flash goes off but its light is not recorded in the picture, but if I trigger the flash maually its light is recorded in the picture. Could anyone give me some help? EXPLORED!
Butcher No.2 Box Carbine camera for 8, 2 ¼" x 3 ¼" exposures on C20 (120) roll-film, wood and metal construction shutter sector, T & I settings. three sliding stops with Meniscus lens. Made by Butcher & Sons Ltd London c1924
Derby I self-erecting roll-film camera for 3X4cm exposures on 127 film Focal-plane shutter B,25-500 speed with Foth Anastigmat f2.5/50mm lens, Made in Germany by Foth & Co., c1931
I sold many of these in the late '70's to early '80's. A good little camera with a great lens. Even though selenium cell cameras were clearly outdated in those days, they were perfect for the person who only needed a camera for infrequent snap-shooting and didn't want to fuss with batteries. These days, it has a pleasant vintage look. The 35-year-old meter on this one is dead - I know, amazing, right?
My Happy Leica Family
Leica M ---- Coming Soon
Leica M9
Leica Summilux-M 24mm f/1.4 ASPH
Leica Summilux-M 35mm f/1.4 ASPH
Leica Noctilux-M 50mm f/0.95 ASPH
Leica Summicron 75mm f/2