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Philips AQ6411 stereo cassette player , from the year 2000 .
For "Crazy Tuesday" ; theme : "OBSOLETE ELECTRONICS" .
With this design, Ferrania made it easy to "smile for the camera".
The Zeta Duplex is a metal box camera, made in Italy c1940-45. Exposures (on 120 film) can be 6x9cm or 6x4.5cm, and I'm guessing that's why it's called "Duplex".
This little guy has lost his handle, but it doesn't seem to have dampened his spirits!
1977
Mostly the 77’s Technics receiver came with a silver front. Here is the rare edition with dark faceplate. With a width of 50cm an imposing specimen of 70's receiver history.
The output of 65 watts per channel moves the 5470A in the top power class. The tuner section is best receiving and brings the local FM stations in excellent quality zoom. The Technics receiver in my opinion in the vintage scene is relatively undervalued and you can get it relatively for low price.
An attractive receiver in typical private National Technics style!
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Überwiegend wurden die 77er Technics Receiver mit einer silberfarbenen Front ausgeliefert. Hier ist die seltenere Ausgabe mit dunkler Frontplatte. Mit einer Breite von 50cm ein imposantes Exemplar der 70er Jahre Receiver Historie.
Die Leistung von 65 Watt je Stereokanal bewegt sich der 5470A in der oberen Leistungsklasse. Der Tuner ist empfangsstark und holt die lokalen FM-Stationen in exzellenter Qualität heran. Die Technics Receiver sind meiner Meinung in der Vintage Szene vergleichsweise unterbewertet und somit noch relativ günstig zu bekommen.
Ein attraktiver Receiver im typisch eigenem National Technics-Style!
Leica M Monochrom
35mm Summilux f/1.4 Asph FLE
These are proving to be a dream combination, definitely my go to lens and camera.
Read about my initial impressions of the Monochrom here - aperturepriority.co.nz/2012/11/14/monochrom-scarily-good/
Now this is one I have been interested in getting for some time ... the first A-mount digital camera produced by Minolta, dating from 1995, here with a decent 24-85mm AF f/3.5-4.5 lens.
It's a bit of a monster, with a film body grafted on to a digital grip and casing. The sensor is in fact 3 CCD chips (2 x green, 1 x red/blue) that produce an interpolated 1.75MP image. The crop factor is x2.0, so quite close to m4/3rds (except it's 3:2 not 4:3).
The setup is missing a SCSI cable to connect the camera to a PC or Mac of suitable vintage and pictures are stored on a 130MB PCMCIA card. The native RAW format (.MDC) appears not to be supported by modern software (not LR or PS anyway) but happily Picasa will make sense of them. (Except that the pixels are rectangular, not square, so the aspect ratio in Picasa is more like 16:9 than 3:2.)
The software for the camera is said to work under Win XP and my plan is to substitute a CF card for the current thing (in an adapter) and to try to get a working set up that way. I may need help in connecting the camera to a PC as Minolta used some sort of rare half-baked SCSI cable and nothing approaching a standard one.
The software comes with some sort of TWAIN driver plugin for early versions of Photoshop, and that will be another challenge one day.
The camera reportedly had a list price of £7,500 - £8,500 when it was launched, though one review in 1997 suggested street prices were closer to $5,000 in the USA. Being a late adopter I paid a tiny fraction of that and have the benefit of a good 24-85mm AF zoom for my other cameras, but I would love to get a picture out of this thing first.
A delightful gift from some friends. who brought this with them from the US. The wonderful thing about some of these old film cameras is that many will shoot without a battery, so I blew through a test roll without a battery and it works just fine.
- 1 tn đc viết và xoá hơn chục lần - cúi cùg bấm thoát để nó lưu vào nháp =))
- có bao giờ bạn viết 1 tin nhắn thật dài, nhưng chẳng dám gửi.
- có bao giờ bạn muốn kể với ai đó, những gì mình đang nghĩ nhưng lại e ngại
- có bao giờ bạn muốn nói với 1 ai những lời mình ấp ủ từ lâu, nhưng ngập ngừng, đành giữ cho riêng mình.
- có bao giờ bạn muốn tâm sự nhưng e dè, sợ không ai nghe, không ai hiểu. Thôi mình giữ cho mình vậy.
- hay có bao giờ bạn muốn nt, muốn kể, muốn nói, muốn tâm sự nhưng thật sự là không biết nói gì, không biết nói với ai?
trích dẫn
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- thật sự e rất thíc đc a ôm từ đằng sau :)
- k chỉ để cả hai đứa cùg nhìn về một hướg
- k chỉ để cảm thấy e bé nhỏ trog vòg tay a
- mà còn để e ở phía trước biết rằng ở phía sau mìh - vẫn có một vòg tay ấm áp đag chờ đợi để được che chở và qtâm
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- đau nhất ko phải là bị ai đó từ bỏ
- Mà là...
- từ bỏ 1 ai đó mà trong lòng vẫn rất yêu
I have decided to participate in a 52 week challenge rather than a 365 this year. A 365 is too much pressure at this time and a 52 week challenge still gets me shooting. If any of you are on facebook and are interested in this one or just want to do it here then why not check it out. 52 week challenge
Thank you for visiting, commenting and fav'ing - very much appreciated! Press "F" if you like it!
Always looking to learn something new, today I decided to dabble with macro photography. On my last visit to Hong Kong I bought a cheap macro/wide-angle lens that screws on to the lens of my NEX-6 kit lens. The quality is quite bad though, especially in wide-angle mode - there is a lot of chromatic aberration and blur towards the outside. It is not too bad though in macro photography mode.
I went to the garage to get an old hard drive, put it on the desk, and illuminated it with a strong LED desk light. I used a tripod to stabilize the camera. I moved the hard drive around on the table to center the object of interest in front of the lens.
Macro photography has a very shallow depth of field, so I selected 100 ISO and aperture 10, and manually focused to the desired object. Sony's focus peaking really helps - you see yellow lines wherever the focus is.
I processed two RAW exposures into a balanced HDR photo to enhance the micro-contrast. I applied just little HDR compression because too much would make the bokeh look unnatural. After that I applied strong vignetting to draw the eyes to the center. I like the result, with the bokeh looking like colorful diamonds.
HDR, 2 RAW exposures, NEX-6, _DSC3827_8_hdr2bal1c
Available light Foto meiner letzten Errungenschaft - aber auch meines vorerst letzten Kaufes - mit ISO 3200 und der Fujifilm X-T10 mit 53mm KB und Offenblende f1,4 quasi im Dunklen geschossen! Zum Warten auf Tageslicht ist der neuwertige Ziegelstein mit Wechsellinse (eine M3 für Arme?) einfach zu schön ;-)
Available light photo of my last bargain - but also my last purchase at the moment - the capture is taken with ISO 3200 and the Fujifilm X-T10 with 53mm KB and aperture f1,4 and shot almost in the dark! The brick in Mint condition with changing lenses is to nice to wait for daylight with taking a photo ;-)
TOW 4 "Bokeh" #1
As my topic of week 4 i choose something i very much like to shoot, this is bokeh. For this shot i put my 7dII on a tripod, chose manual focus and liveview and shot this setting with my 5dIII@f/ 2.8. f/2.8 was necessary to get the lights in the background blurred. Additionally i used a flash to illuminate the back of the 7dii, and i needed three attempts to get the correct balance between ambiance light (the bokeh in the background) and the camera.
Every television in the house was a Zenith, and all of them were at least three decades old. Most probably still work, too.